| "1984" | |||||
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| Song by David Bowie
from the album Diamond Dogs |
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| Released | April 24, 1974 | ||||
| Recorded | Olympic and Island Studios, London Ludolf Studios, Hilversum, Netherlands October 1973 – February 1974 |
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| Genre | Funk | ||||
| Length | 3:27 | ||||
| Label | RCA Records | ||||
| Writer | David Bowie | ||||
| Producer | David Bowie | ||||
| Diamond Dogs track listing | |||||
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"1984" is a song by David Bowie, from his 1974 album Diamond Dogs. Written in late 1973, it was inspired by George Orwell's Nineteen Eighty-Four and, like much of its parent album, originally intended for a never-produced stage musical based on the novel.[1 ]
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The centerpiece of Side Two of the original vinyl album, in the context of Bowie's adaptation of Orwell's story, "1984" has been interpreted as representing Winston Smith's imprisonment and interrogation by O'Brien.[1 ] The lyrics also bear some similarities to Bowie's earlier song "All the Madmen", from The Man Who Sold the World ("They'll split your pretty cranium and fill it full of air").[2]
"1984"'s wah-wah guitar sound is often likened to the "Theme from Shaft" (1971) by Isaac Hayes.[1 ][3] Played by Alan Parker, it was one of the few instances on the Diamond Dogs album where Bowie himself did not take the lead guitar part.[2] The track's funk/soul influence has been cited as a clear indicator of where Bowie's style was headed on his next album, Young Americans.[2]
"1984" was first recorded in a medley with "Dodo", known as "1984/Dodo", on 19 October 1973 for the U.S. TV special The 1980 Floor Show (later bootlegged on record as Dollars in Drag).[1 ] A studio version of "1984/Dodo" was recorded within the month but went unreleased until it appeared on the Sound and Vision box set in 1989. This was Bowie's last recording with Mick Ronson, Trevor Bolder and producer Ken Scott at Trident Studios, London.
In the later Diamond Dogs sessions, "1984" and "Dodo" were rerecorded separately, though only the former made it onto the album. The final version of "1984" was faster and funkier than the medley and, as described by Bowie encyclopedist Nicholas Pegg,"'an obvious single if there ever was one".[2] However it was only released as such in America, where it failed to chart. The track generally opened the Diamond Dogs concerts in 1974 but has not been performed live since the 1990 Sound + Vision Tour.
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