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| Greatest hits by The Beatles | ||||
| Released | 13 November 2000 | |||
| Recorded | 11 September 1962 – 1 April 1970, mainly Abbey Road Studios in London, England, United Kingdom | |||
| Genre | Rock, pop | |||
| Length | 79:08 | |||
| Language | English | |||
| Label | Apple/Parlophone and Capitol | |||
| Producer | George Martin and Phil Spector | |||
| Compiler | George Harrison, George Martin, Paul McCartney, and Ringo Starr | |||
| Professional reviews | ||||
| The Beatles chronology | ||||
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1 is a compilation album by The Beatles, released on 13 November 2000. The album features virtually every number-one single released in the UK and USA from 1962 to 1970. Despite being issued on the 30th anniversary of the band's breakup, it was their first compilation available on one Compact Disc. 1 was a critical success and has gone on to sell over 11.5 million copies as of 3 January 2010. It's the seventh best-selling album since May 1991[1] and the best-selling album from 2000 to 2009.[2]
Contents |
Compiled by producer George Martin and the (then) three surviving members of the band, 1 includes the 27 Beatles songs that went to number one in the United Kingdom on the Record Retailer magazine charts and/or the United States on the Billboard magazine charts. It is worth noting, however, that the song "For You Blue" was listed in Billboard chart compilations at #1, as a Double A-sided single with "The Long and Winding Road", but Capitol Records treated "For You Blue" as strictly a B-side and didn't promote it as an A-side. Meanwhile, "Day Tripper" was included on 1, since it charted at #1 in the UK as a double A side with "We Can Work It Out", while in the US, only "We Can Work It Out" was #1. The only singles released in both the UK and US that did not reach #1 in either country, and were therefore ineligible for inclusion on the album, were "Please Please Me" and "Strawberry Fields Forever"—both reached #2 in the UK charts. The former was largely known as "the Beatles' first UK number one single"; however, it reached the top spot in the musical magazines New Musical Express and Melody Maker but not on the chart published by Record Retailer (now Music Week). On the other hand, "Strawberry Fields Forever" was part of a Double A-side single along with "Penny Lane". Being a Double A-side, UK sales policies counted the sales as a half of the real amount sold, a fact that kept the single at #2 in the charts, behind Engelbert Humperdinck's debut single "Release Me".
This album was essentially a combo of both the US and UK versions of the earlier album 20 Greatest Hits, with "Something" added to the mix (that song was left off 20 Greatest Hits because of time constraints). On 1, "Hey Jude" was released in its original full-length version (slightly over seven minutes); on the American version of 20 Greatest Hits it had been released as a shortened version.
Before 1, all its 27 songs were available mainly in two remastered CD versions, first on the respective Beatles albums released in 1987 and on Past Masters, Volume One and Past Masters, Volume Two, released in 1988. The second remastering was made available on the CD versions for 1962–1966 and 1967–1970 (released in 1993).
According to the liner notes of the album, the original analogue masters were "digitally remastered at 24 bits resolution, processed using Sonic Solutions NoNoise technology and mastered to 16 bit using Prism SNS Noise Shaping." The remastering was overseen by Peter Mew of Abbey Road Studios and took place there.
The package of the album was intended to be simplistic and ambitious at the same time. Its cover was designed by Rick Ward, and consisted of pop-art yellow number one on a background red. (The emphasis on the 1 icon was later used on many of the compilations of number-one hits by different artists that followed this album; for example, ELV1S by Elvis Presley or Number Ones by the Bee Gees). On its back cover, the album also included the famous photos of the Beatles taken by Richard Avedon copyrighted on 17 August 1967. The whole project uses exclusively different kinds of Helvetica typeface.
1 was released on mainly three formats—CD (on Apple 7243 5 29970 2), vinyl (Apple 529 3251) and cassette (529 9704). The CD includes a 32-page booklet with a coloured page with international picture covers (a total of 163 covers are displayed on the whole booklet) and details (recording date, location, release date, chart stats) for each of the singles. It also includes on its first two pages a collage with 27 1's in different colors (all of them following the same art as the cover) with the sentence "27 #1 singles = 1" (which was used as a catch phrase for the promo ads for the album), and the following foreword by George Martin.
| “ | The Beatles work was always impeccable. Those four young men, John, Paul, George and Ringo, broke so many records and so many barriers and they will be remembered for being the most significant music creators of the twentieth century.
This collection of number ones is taken from the most widely circulated charts in the UK (Record Retailer) and the USA (Billboard). Looking through the list of songs brings back many memories for me. My first thought was about 'Love Me Do' – our first single. To begin with, nobody wanted to know, even our own record company. But after a lot of hard work it entered the Top 20 in the UK, and in the States it later reached number one. From then on John and Paul seemed to burst with inspiration. Those early songs were so fresh and sparkling, always surprising and delighting me with each new offering. Never did they fall back on a cliché or a rehash of an earlier success. Each one was a gem. Before long their work spurred George into writing great material too, like the classic ballad 'Something'. It barely took eight years to cover this collection – 'Love Me Do' to 'The Long and Winding Road' – but it was a lifetime in the world of rock and roll. A wonderful collection, and wonderful for me to have been there. George Martin |
” |
The LP and the cassette conserved the main art of the CD version, but on a different form. The double vinyl record version was not released in the U.S., where it was imported the British edition. The vinyl version features a large full-color fold-out poster showing 126 picture sleeves (37 fewer than on the CD), and reproductions of the four Richard Avedon photos. The Avedon portraits also appear on the inside of the gate-fold cover. The records have custom labels featuring the same graphics as the front cover and are packaged in custom inner sleeves. The deluxe packaging of the vinyl album, with its four portraits and poster, is reminiscent to that of The Beatles. The cassette included a 20-page insert, including the collage, the George Martin commentary and paged Avedon's portraits on its inlay and the whole description for the tracks as a total of 36 covers on its inlay reverse.
The reception of 1 surpassed all critical and commercial expectations, breaking a considerable number of sales and chart records. It reportedly sold 3.6 million units in its first week and more than 12 million in three weeks worldwide, reaching #1 in over 35 countries, achieving the record for the album debuting at the top of the most national charts ever. It became the fastest-selling album of all time and the highest-selling of 2000 and later, of the entire decade. This achievement made the Beatles the first and only artist to have the best-selling albums of two different decades (they had also the best-selling album of the 1960s, Sgt. Pepper's Lonely Hearts Club Band). Ironically, no tracks from Sgt. Pepper appear on this album.
This success was particularly notable for the fact that The Beatles, by late 2000, had broken up over thirty years ago, and, despite the fact that their music was, at the moment, widely available on several formats, 1 became a commercial phenomenon. However, the reasons for its success were due to the unavailability of a compilation of the group on a standard format—in fact, before 1, the only Beatles compilations available on CD were the double-disc sets 1962–1966 and 1967–1970 (widely known as The Red and The Blue Album). Another reason for the high sales of 1 was the clarity of new remastered versions of the songs, which offered a brighter and clearer sound in comparison of the poor quality of the original 1987 CD masters of the Beatles recordings.
In the UK, 1 became the Beatles' 17th #1 album with sales of 319,126 copies (achieving record sales for only one week in 2000). On 18 December 2000, Ananova.com reported that the album has "become 2000's biggest-selling album—in only five weeks." 1 was the first album to stay at the top spot for nine weeks in almost ten years (the last being the Eurythmics's Greatest Hits), the best-selling album of 2000, and the fourth best-selling album of the 2000s so far in the UK. In its eleventh week, 1 sold a total of two million copies in the UK. It spent a total of 46 weeks inside the Top 75. On 11 July 2003 it was certified 8× platinum by the BPI, for over 2.4 million copies sold in the UK. It is the 24th best-selling album in the UK, and the second best-selling Beatles album in that country (only beaten by Sgt. Pepper's Lonely Hearts Club Band, which is the second best-selling album in the UK).
In the U.S. the response was similar. It debuted at #1 with a sales over 595,000 copies. In its second week, sales increased to 662,000 but it was knocked off the top spot by Backstreet Boys's Black & Blue. , the album returned to the #1 spot the following week, and spent a total of eight weeks at #1, selling over 1,258,667 copies during Christmas week (its highest-selling week.) With this number the Beatles achieved a new record: it was the seventh highest one-week sales in Soundscan history, and the highest for an album not in its first week (this record was later broken by Eminem, who sold 1,320,000 copies of The Eminem Show during its second week on 15 June 2002.) The album spent 104 weeks inside the Billboard 200 and became the sixth best-selling album in the United States in 2001, and at the end of 2007 was the ninth best-selling album in the Soundscan era (1991 onwards) with 10.1 million units sold[3]. On 15 April 2005, 1 was certified Diamond in America (a total of 10,164,000 copies were scanned.) 1 is the 84th best-selling album ever in the U.S.
In a press release, Apple Corps, the Beatles' company, stated that worldwide sales of 1 had exceeded 31 million copies worldwide[4], with 10 million of those sales being in the U.S.
All songs by Lennon/McCartney, unless otherwise noted. All songs are in stereo; except 1-3 are in mono.
Each of the four sides of the vinyl represented appropriately different styles and phases of the Beatles' career: in order, Beatlemania's Mersey Beat, folk-rock/pre-psychedelic style, purely experimental/psychedelic style, back-to-basics/rock style. This was apparently a coincidence, considering that the songs are distributed on the sides following a balance-time rule. (The cassette edition comprises the first two vinyl sides on its side A and the last two vinyl sides on its side B, with a length of 38:32 and 40:35 respectively.)
In the 2002 direct-to-video film The Rutles 2: Can't Buy Me Lunch, David Bowie is seen holding a vinyl album entitled The Rutles 1. He calls it a "piece of marketing extravagance." The album's cover is practically identical to that of The Beatles' album, with the Rutles' name appearing in the same dropped-T logo as the one that was used by The Beatles and a large painted "1" in the center, backed a red background.
| Chart (2000) | Certification | Sales |
|---|---|---|
| Australia | 10× Platinum | 700,000 |
| Austria | 3× Platinum | 120,000 |
| Brazil | Platinum | 250,000 |
| Canada | Diamond | 1,060,000 [5] |
| Europe | 9× Platinum | 9,000,000 |
| Finland | 2× Platinum | 72,698 |
| Germany | 11x Gold | 1,100,000+ |
| Japan | 8× Platinum | 1,950,000 |
| Korea | 20× Platinum | 603,818 |
| The Netherlands | 2× Platinum | 160,000 |
| New Zealand | 15× Platinum | 225,000 |
| Norway | 3× Platinum | 120,000 |
| Sweden | 2× Platinum | 120,000 |
| Switzerland | 3× Platinum | 120,000 |
| United Kingdom | 8× Platinum | 2,825,962[6] |
| United States | Diamond | 11,564,000[1] |
| Year | Chart | Position |
|---|---|---|
| 2000 | The Billboard 200 | 1 |
| 2001 | ||
| 2000 | Australian ARIA Albums Chart | |
| 2001 |
In the United States, Beatles 1 was the #1 album of the year according to Billboard Magazine. It was the only time a Beatles album achieved that mark.
| Preceded by TP-2.com by R. Kelly |
Billboard 200 number-one album 2–8 December 2000 23 December 2000 – 9 February 2001 |
Succeeded by Black & Blue by Backstreet Boys |
| Preceded by Coast to Coast by Westlife |
UK number one album 25 November 2000 – 27 January 2001 |
Succeeded by The Greatest Hits by Texas |
| Preceded by All That You Can't Leave Behind by U2 |
Australian ARIA Albums Chart number-one album 20 November 2000 – 21 January 2001 |
Succeeded by Coyote Ugly (soundtrack) by Various artists |
| Preceded by The History of Shogo Hamada "Since1975" by Shogo Hamada |
Japanese Oricon Albums Chart number-one album 27 November 2000 |
Succeeded by Ballad 3; The Album of Love by Southern All Stars |
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