| 2009 Lost Memories | |
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| Hangul | 2009 로스트메모리즈 |
| Directed by | Lee Si-myung |
| Produced by | Kim Yun-young Seo Jun-won |
| Written by | Lee Si-myung Lee Sang-hak |
| Starring | Jang Dong-gun Toru Nakamura |
| Distributed by | CJ Entertainment |
| Release date(s) | February 1, 2002 (South Korea) |
| Running time | 135 min. |
| Country | South Korea |
| Language | Korean / Japanese |
| Budget | $5,600,000 US (est.) |
2009 Lost Memories is a 2002 South Korean science fiction action thriller film, directed by Lee Si-myung. It was distributed by CJ Entertainment, and was released on February 1, 2002. Japanese filmmaker Shōhei Imamura plays the role of a historian in the film.[1]
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In an alternative future where the Korean peninsula is still a part of the Japanese empire, Sakamoto, a Japanese Bureau of Investigation (JBI) agent of Korean heritage and Saigo, his Japanese partner, try to solve a strange case where pro-Korean nationalist terrorists attempt to steal a strange archaeological artifact. Initially, Sakamoto is valuable to the case because of his ability to communicate with the terrorists. He is later removed from the case when it is discovered that his father had some previous involvement with the terrorist group. Sakamoto's desire to solve the mystery involves threatening the powerful Inoue Foundation. This only makes him more passionate about its resolution and after uncovering more on his own, he discovers that reality isn't how it should be. It then becomes his new mission to restore history to its rightful path.
The film shows an alternate history supposing that Hirobumi Itō was not assassinated by An Jung-geun in Harbin, China, in 1909; this change results in Ito's leadership guiding Japan as a military and industrial power that allies with the United States against Germany in World War II (dropping an atomic bomb on Berlin in 1945) and retains all of its wartime conquests and peacetime annexations, including Korea. The film takes place in 2009, one hundred years after Ito should have been killed. Author Tom Vick says that the theme of the film represents a desire in Korean cinema to "transcend time and memory", a theme he says is also reflected in such contemporary films as Flower Island (2001), Il Mare (2000), and Bungee Jumping of Their Own (2001).[2]
The opening sequence shows the following differences in the historical timeline:
Differences in Seoul:
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