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441 lines, or 383i if named using modern standard, is an early electronic television system. It was used with 50 interlaced frames per second in France and Germany, where it was as an improvement over the previous 180 lines system. In North America it was used by RCA with 60 frames per second from 1938 to 1941.

System Field frequency Active picture Field blanking No. of broad pulses Broad pulse width Line frequency Front porch Line sync Back porch Active line time Video/syncs ratio
441 lines 50 Hz 383 lines 29 lines 8 per field 36.3 µs 11025 Hz 1.0 µs 9.0 µs 6.3 µs 74.3 µs 70/30


Use in Germany

After trials in 375 lines during the Berlin Olympic Games of 1936, by 1937 Germany had introduced a 441 lines with 50 interlaced frames per second television system that replaced the previous 180 lines network relayed by a special Reichpost (National Post Office) cable network in the country's main cities (Berlin, Hamburg, Munich, Bayreuth, Nuremberg). The system's line frequency was 11025 Hz and the broadcast frequencies were 46.0 MHz for vision and 43.2 MHz for sound. Its image aspect ratio was close to 1.15:1.

System Lines Frame rate Channel bandwidth (in MHz) Visual bandwidth (in MHz) Sound offset Vestigial sideband Vision mod. Sound mod.
441 lines 441 25 4 2 2.8 Pos. AM

A project began in 1938 involving the National Post and several companies including Bosch, Blaupunkt, Loewe, Lorenz, TeKaDe and Telefunken that aimed to produce 10,000 units of the television system. However due to the onset of the Second World War only about 50 devices were installed in military hospitals and various government departments. The transmitter's aerials in Berlin were destroyed during an Allied Forces' bombing in November 1943, but the station was also relayed by a special coaxial cables network to "wide screen" public "TV-rooms" so it carried on this way until 1945.



The Einheitsempfänger is a German TV receiver created in 1939. It could only receive one channel, since its receiving frequency was preset in the factory. This allowed for lower prices and made difficult the reception of foreign channels.

To date, only a few surviving and functioning units are known:

  • Museum for Communication in Berlin, (Telefunken)
  • Museum for Communication in Berlin, (Blaupunkt, incomplete)
  • Museum of Communication in Frankfurt, (Telefunken, with a new speaker, otherwise completely preserved)
  • Private Collection August-Peter Nehrg, (Telefunken, completely preserved)
  • German Radio Museum Berlin, (reproduction without original chassis and a new speaker fabric)
  • Custodian of telecommunications tools Office, (manufacturer unknown, apparently unharmed and completely preserved)
  • University of Mittweida (Blaupunkt, with a new speaker material, condition unknown)
  • Radio Museum Fuerth (original chassis with power transformer in the exhibition)
  • Radio Museum Fuerth (functional, for demonstration)

Technical Data for a typical set

  • Case Dimensions (WxHxD): 65 cm x 37 cm x 38 cm
  • Image size / diagonal: 19.5 cm x 22.5 cm / 29 cm
  • Power consumption: 185 W at television, 60 W in radio reception

Use in France

By 1941 the 'Fernsehsender Paris' station transmitted from the Eiffel Tower in Paris using the German 441 lines system and its main technical characteristics. Television programs were mainly for wounded soldiers of the Wehrmacht occupation troops who recovered in the Greater Paris Area hospitals, but they also included French-language shows. Broadcasts were monitored in the United Kingdom during the Second World War to gather intelligence information from occupied France. Because the 819 lines standard had been adopted in 1948 for the national network, it was due to cease on January 1st, 1958. However, after a long elections coverage night, most of the equipment was destroyed by fire on January 3, 1956. It was decided to indemnify the 3,000 owners of remaining 441 lines sets and to entitle them to reduced rates for their new 819 lines receivers. Since July 1952 the 441 lines transmitter was no longer broadcasting separate programs, but simply picked up the "national" network's picture through a 819-625 lines "optical converter" (a 441 lines camera pointing at a 819 lines monitor equipped with an oval spotlight cathode ray tube).

The line frequency was 11025 Hz with vision broadcast at 46.0 MHz and sound at 42.0 MHz. Aerials were independent for audio and vision at the top of the Eiffel tower, both vertically polarized. No gain being obtained from these pre-war basic aerials, the effective radiated power was only the transmitter's peak one, i.e. 30 kW which enabled a good reception in a radius of 100 km around Paris. As displayed in J.M. Frost's WRTH (World Radio TV Handbook) editions at that time, the transmitter's frequencies (42-46 Mhz) were listed as channel "S" (or "Special" channel) in the European Broadcasting Union's official documents.

System Lines Frame rate Channel bandwidth (in MHz) Visual bandwidth (in MHz) Sound offset Vestigial sideband Vision mod. Sound mod.
441 lines 441 25 4 2 4 Pos. AM

Use in Italy

Replacing pre-war tests in 343 lines, broadcasts using the 441 lines system began in Italy in 1939 with regular services from Rome and Milan using 2 kW power on the frequency 45 MHz.

As in France, all technical data - VHF frequencies excepted - were identical to those in use in Germany.

North America

Field tests in Los Angeles on various line systems began in 1936, and North America had adopted RCA's 441-line system by 1938. The following year the first TV receivers were sold on a very limited basis, mostly in New York, the new system being publicly launched by NBC during the New York World's Fair in April 1939. Its manufacturers included RCA, General Electric, DuMont, and Andrea. Following a decision of the NTSC (National Television System Committee), the 525 line System-M replaced the 441 line standard on July 1, 1941.

System Lines Frame rate Channel bandwidth (in MHz) Visual bandwidth (in MHz) Sound offset Vestigial sideband Vision mod. Sound mod.
441 lines 441 30 6 2.8 3.25 Neg. AM


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