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Film poster
Directed by Chris Robinson
Produced by Dallas Austin
James Lassiter
Jody Gerson
Timothy M. Bourne
Tionne "T-Boz" Watkins
Will Smith
Written by Screenplay:
Tina Gordon Chism
Antwone Fisher
Starring Clifford "T.I." Harris
Lauren London
Evan Ross
Big Boi
with Mykelti Williamson
and Keith David
Music by Aaron Zigman
Cinematography Karsten Gopinath aka Crash
Editing by David Blackburn
Studio Overbrook Entertainment
Distributed by Warner Bros. Pictures
Release date(s) United States:
March 31, 2006
Running time 105 minutes
Country United States
Language English
Budget $20,000,000[1]
Gross revenue $21,170,563

ATL is a 2006 American drama film, and the feature film directorial debut of music video director Chris Robinson. The screenplay was written by Tina Gordon Chism from an original story by Antwone Fisher, and is loosely based on the experiences of the film's producers Dallas Austin and Tionne "T-Boz" Watkins (of the R&B group TLC) growing up in Atlanta, Georgia.[2] The film is a coming-of-age tale concerning Rashad, played by rap artist T.I. in his film debut, and his friends in their final year in high school and on the verge of adulthood. The film also stars Antwan Andre Patton, aka Big Boi of the rap group OutKast, Evan Ross, Jackie Long, Lauren London, and Mykelti Williamson.

ATL was the first feature film produced by its director and the majority of its cast. Filming took place during the summer over a forty-five day schedule in Atlanta. As the film was produced in Atlanta, director Chris Robinson was able to get many celebrities from the city to make cameo appearances, including Jazze Pha, Killer Mike, and Monica. ATL opened on March 31, 2006, and on its opening weekend the film grossed a total of $11,554,404, ranking third in the U.S. box office.[3] It eventually went on to gross approximately $21 million, replenishing the film's $20 million budget. ATL received generally favorable reviews from critics, and was nominated for numerous awards.



Rashad (Tip "T.I." Harris) is a teen living in Atlanta with his Uncle, George (Williamson) and his little brother Ant (Ross). He and his brother have been raised by George since their parents died in a car accident, and they work with him at the Swann Cleaning Service, the family's business which George took over when Rashad's parents passed. When not working or finishing his last year of high school, Rashad spends most of his time with his friends Brooklyn (Albert Daniels), Teddy (Jason Weaver), and Esquire (Jackie Long). Rashad is a talented artist but doesn't see much of a future in that field as he's become accustomed to working the family business. Esquire, Rashad's best friend, goes to a prep school on the opposite side of town from where they live, and is trying to attend an Ivy League college after senior year. However, he finds out that he'll need a letter of recommendation from someone of high stature to better his chances of acceptance at the school he wants to attend.

Rashad and his friends are also a skate crew on Sunday nights at Cascade, a local skating rink where local teens hang out. While there, Rashad catches the eye of New-New (Lauren London), a round-the-way girl with a mysterious background, since he only sees her around when she's hanging out with her friends Veda (Khadijah Haqq) and Star (Malika Haqq). The two become attracted to one another and they later kiss when he gives her a ride home; in contrast, Esquire instantly develops a disliking for Rashad's new love interest, considering her bad company. Meanwhile, no longer under Rashad's watchful eyes, Ant becomes involved with a drug dealer named Marcus (Patton) and begins to sell for him. He also starts dating a girl named Tondie (April Clark), who was mean to him at first but ever since he became a drug dealer and started making money, all of a sudden she likes him.

At work one day, Esquire meets John Garnett (Keith David), a millionaire who heads a successful business venture called the United Express. The two quickly become friends, with Garnett's admiration for Esquire's ambition and Esquire's respect for Garnett's success driving the relationship. Esquire sees an opportunity to obtain the letter of recommendation that would bring about his acceptance to his primary college choice. When Esquire goes to Garnett's house to pick up the letter, he meets his daughter Erin, who, to his surprise, turns out to be New New. Erin says she'll reveal where Esquire is really from (something he lied to her father about) if he tells Rashad about her.

Things soon begin to fall apart for Rashad; Ant is arrested for selling weed, and later Rashad finds out the truth about Erin. He no longer speaks to his friends, realizing Esquire knew about Erin the whole time. Esquire, feeling guilty about the way he obtained the letter, decides to return it to Garnett, and reveals the truth about himself and his background. He, Brooklyn, and Teddy attempt to make peace with Rashad and ask him to attend Skate Wars, Cascade's annual skate competition, with them; Rashad, however, refuses their offer. Just as he decides he'll go after being persuaded by his uncle, he finds out that Marcus is looking for Ant on the streets, searching for cash that Ant owes to him. Although Rashad is able to track the two down, Ant is shot by Marcus, albeit not fatally. At the hospital, Rashad and Ant are able to reconnect; likewise, Erin, Esquire, and Rashad make peace, as the scene ends with the poem "A Love's Deceit" by rapper Big Rube playing.

In the film's final scene, Teddy opens his own business concerning the production of gold teeth, Brooklyn finds a job at a Krystal restaurant, while Esquire receives a mysterious letter of recommendation (presumably from Garnett) and is able to attend his college. The twins Veda and Star remain in the old neighborhood and hang out at Cascade on Sundays, while Erin goes to Spelman College, the school she wanted to attend. Ant changes direction, discarding the notion of drug dealing, finds a new girlfriend and begins to focus on his studies in school. Rashad, lastly, becomes a comic artist for the Sunday edition of the Atlanta Evening Standard, the city's newspaper.


  • T.I. as Rashad, the protagonist and narrator of the story. Chris Robinson had directed Harris' first music video four years prior to the creation of ATL, and was very impressed by his charisma and presence. "But on this film he came to the table, worked so hard and never tried to be T.I. — he became Rashad."[4] On being a part of the film's production, Harris said he felt "it was the most honest representation of my culture and my city ever to be put on screen and the largest production to be ever filmed in Atlanta, so I [feel] somewhat obligated."[5]
  • Evan Ross as Ant, the film's second protagonist and Rashad's younger brother. ATL marks Ross' film debut, which he says actually made his first foray easier, since it was also co-star T.I.'s debut. "It’s his first movie too, and that has been good because we’ve been able to find ways of doing it together that has made it a lot easier for each of us."[4]
  • Lauren London as New New, Rashad's love interest and John Garnett's daughter. The character of New-New was loosely based on R&B group TLC's "T-Boz as a kid," said London. "I talked to her about my character... she explained to me how it was when she was young — the attitude and the flavor. And it’s funny, a lot of people say that I act like she used to act at the skating rink.”[4] Director Robinson was impressed by London and "everything from her look, to the fact that she's new. And there's just so much truth in her, and she doesn't know how to lie yet as an actress. It was perfect."[2]
  • Jackie Long as Esquire, a close friend of Rashad's. The character of Esquire was inspired by a friend of producer Austin's, who worked at a country club but would tell his friends he worked at a hot dog joint. "And you’d think his family had money, but he lived in the projects."[4] Long auditioned a year prior to shooting the film at the director's home in California. "And he was a long shot but he came in and he became that character," said Robinson.[2]
  • Albert Daniels as Brooklyn, a New York transplant and one of Rashad's closest friends. Robinson had known Daniels since he was a fifteen-year-old production assistant on his music video shoots in New York. "He was an annoying little kid who got fired everytime he was a P.A. because he was so inquisitive. But everytime they fired him I'd bring him back because I felt like he always had something." Eight years later, Robinson ran into Daniels at a poetry reading in New York City, and told him to audition for the film.[2] Daniels didn't have any money to get to Atlanta where he had to audition, so he hustled money doing poetry in subways, and bought a bus ticket to get there.[4]
  • Jason Weaver as Teddy, a close friend of Rashad's. Weaver impressed producer Austin in his previous film Drumline enough to get a role in ATL.[4] The director felt that Weaver, the veteran of the young cast, and his experience would be helpful to the other cast members.[2]
  • Big Boi as Marcus, the drug dealer Ant begins to work for. The film also marked Big Boi's film debut. As said by director Robinson in reference to Big Boi's performance, "he wasn't the normal kind of a bad guy. He put so much charisma and flavor behind it. We loved it."[2]
  • Nicholas Sheriff as Zero the leader of the gang D-Boys. Nick is a great actor and a pleasure to work with.As said by director Robinson in reference to Nick's performance, "he wasn't the normal tpye of gang member. He put so much charisma and attitude behind it.
  • Keith David as John Garnett, Erin's father and Esquire's acquaintance. He is unaware of the fact that Esquire is lying about who he really is.
  • Mykelti Williamson as Uncle George, Rashad and Ant's uncle and guardian. George means well but he is very stingy with his snacks so he keeps them locked up in his room or labels them "Property of George". When Rashad and Ant fall out about Ant's drug dealing, George says things to Rashad he doesn't mean but they later make up.
  • April Clark as Tondie, Ant's girlfriend. At first, she was rude to Ant when he would try to talk to her. After he begins to become more popular, she begins to develop a crush on him and asks him to be her boyfriend. She also seduces him and they have sex in the back of a car. However, at the end of the film Ant has a new girlfriend (possibly dumping her for a better girl). She only has 3 scenes in the whole film.
  • Khadijah Haqq as Veda, New New's friend and Star's twin sister.
  • Malika Haqq as Star, New New's friend and Veda's twin sister.
  • Lonette McKee as Priscilla Garnett, Erin's mother and John Garnett's wife.
  • Markice Moore as Austin, Ant's friend and Marcus' cousin.
  • Tae Heckard as Tonya, Rashad's ex-girlfriend.
  • Tasha Smith as Gayle, Veda and Star's mother.
  • Monique "Whyte Chocolate" Harris-Ford as Sexy Pizza Customer.
  • Buffie "Buffie the Body" Carruth as Big Booty Judy.
  • Monica as herself, Waffle House Waitress.


The music for ATL was to be released as a soundtrack but they recorded so much music it became T.I.'s 4th studio album King. It features such singles as What You Know, Top Back and Why You Wanna


“What I really love about this script is that it’s a character piece. It’s a story about five real kids who each have a different dream. I wanted to make a film where you really care about the characters and the story."
— Chris Robinson[4]

ATL's story is loosely based on material by producers Dallas Austin and Tionne Watkins, who set out to describe their experiences growing up on the south side of Atlanta in the early '90s.[2] Watkins and producer Jody Gerson approached James Lassiter with the idea of a story about a skating rink that many involved in the Atlanta music scene had started at, and how all of these people would attend the rink every Sunday night in their teen years.[4]

Chris Robinson, a renowned music video director, was contacted with an offer to direct Austin and Watkins' visualization, and took on his first feature with ATL. The films producers decided Robinson would be well-suited for the project because of his ability to capture the music-driven aspects of the film, as provided by his experience in the field. They also cited his talent in storytelling. According to producer Austin, "a lot of music video directors can't capture the story, so what we'd do was turn on the directors' tapes, turn down the music and just watch to see if we could find the story. Chris was far and away the best."[4] About making ATL his first feature, Robinson stated that "as a music video director, I'd get a lot of scripts that had to do with really big visual pictures. But I wanted to start off doing something that had heart."[2] After being hired, Robinson traveled to Atlanta and spent time with Austin to try and soak up the vibe and energy of the unique city.[4]

Open auditions were held in Atlanta, Chicago, Los Angeles, and New York to comb the crowd for candidates who could compose the film's ensemble cast. Robinson had already decided he wanted relatively unknown actors to perform in the film. Once the cast was assembled, Robinson had his actors converge in Atlanta for six weeks to rehearse the script and familiarize themselves with each other.[4] "All this young black talent out there, all these young black actors who don't get a shot or who have to wait years to get their shot, are getting their shot in this film, and they're bringing it."[2]

Three months prior to the start of production, the actors gathered at Atlanta’s Skatetown to begin training for the skating sequences in the film. Some had never been on roller skates before. Vaughn Newton, the actors' skate captain, worked with them rigorously, usually practicing five hours a day. “Lauren and the twins, Malika and Khadijah, adapted very quickly," said Newton. "The guys came along a little slower. Al Be, Jason and Jackie Long developed very fast. T.I. was determined to learn. They were all great students and very supportive of each other.”[4] In addition to the main cast, Robinson decided to include numerous cameos in the film, generally involving people popular in the Atlanta music scene, a core element of the movie. Music producer Jazze Pha played the skating rink's DJ; Rico Wade, a part of the Atlanta-based production team Organized Noize, who also frequented Jellybeans in the early '90s, made an appearance as well. R&B singer Monica, a protégé of producer Austin's, also plays a Waffle House waitress in the film. A few of the south's most sought after music video models made appearances as well including 'Whyte Chocolate' also known as Monique Harris-Ford. There are also cameos from rappers Bone Crusher, Konkrete, and Killer Mike.[4]

Dallas Austin coordinated the music for the film, which executive producer Timothy M. Bourne says is "all new music that's rooted in the Atlanta vibe." Austin had already produced his first feature with Drumline in 2002, and wanted to be sure ATL would be similarly authentic to the culture of his hometown by using its current hip-hop scene as the story's backdrop. Music in the environment of the rink was the way Austin pitched the film "as a way to make a musical without putting Singin' in the Rain on the screen... without the kids breaking into song. I'm determined to show Hollywood and New York the culture from the South."[4]

Under the working title "Jellybean",[6] the film was shot over a span of six weeks in fifty-two locales throughout the city of Atlanta. Filming took place in the summer, sometimes in temperatures over a hundred degrees, challenging the cast and crew's ability to stay motivated. "A lot of times we had to motivate each other to say 'listen, up your game. Go hard,'" said Robinson. "And sometimes we needed to step back, take a breath, so we could get through."[2]


Chris Robinson and Robb Buono, the film's production designer, decided that the script was composed of two distinct parts — the reality of the teens' lives and the time they spent at the skating rink. According to Buono, "we wanted to look at it [the rink] through rose colored glasses, because when you think back on your memories of that time period — no matter what age you are — you see everything bigger. Our goal was to make that roller skating rink a character that grows as we keep coming back, and each time it’s more magical — a Saturday Night Fever-like contrast to the reality of life.” Robinson and Buono chose to shoot at the Cascade Family Skating Rink in Atlanta after visiting and witnessing the energy and excitement of the rink. However, the filmmakers felt Cascade's interior design was too bland and decided it should be redesigned.

Buono chose black and red for the rink's new color palette. Red was used for its intensity and energy, and black was utilized because the rink would appear larger. Additionally, usage of black would contrast more boldly with the red colors. The ceiling above the rink was removed for lighting purposes. The rink floor was also refinished with darker colors to provide better light reflection. Rigging for the lights became an artistic challenge for Buono. Working with the art department, the rigging electrics and the rigging grips, he designed a wagon wheel effect that moved with the motion of the skating and allowed the lights to be programmed, aesthetically lighting both ends of the rink and capturing the action of the skating sequences. The skate rental section, arcade and snack bar were redesigned at the rink as well, so that the areas besides the skating floor wouldn't feel monotonous. “We did every inch of that rink,” said Buono. “The carpet on the walls, painting the ceiling, putting in the lights, painting the snack bar, changing the color of the tables. We used a lot of neon and bold bright colors.”[4]


Box office

ATL debuted on March 31, 2006 in 1,602 theatres across the U.S. The film grossed at $11,554,404, and ranked third at the box office behind Ice Age: The Meltdown at one and Spike Lee's Inside Man at two; the film's opening weekend was a success.[3] Its second weekend profits were considerably lower, as the film only earned $3,710,215,[7] enough for it to be reach seventieth place on the list of widely released films with the biggest weekend drops in the last twenty-six years.[8] The film made less money in the following weekends, and by the end of its theatrical run ATL had accumulated a total of $21,170,563, earning back its production cost but not producing a significant profit.

Home video

The film was released in the U.S. on video and DVD July 18, 2006. DVD features include a behind-the-scenes featurette, deleted scenes, star T.I.'s music video for his single "What You Know," and the film's theatrical trailer.[9] The film was also released on Blu-ray on November 14, 2006.[10] The film is due to be turned into a TV show by a British production company called Gianni Oconnor Television in 2009

Critical reception


At Allmovie the film was given three stars, and critic Derek Armstrong, in a positive review of the film, stated that the film is only an average coming of age story "because some substance must take a backseat to all this beautifully crafted style."[11] Melissa Walters at, while believing some of the writing to be clichéd and the story familiar, also called the film "heartfelt, genuine, and enjoyable."[12] Film critic Roger Ebert awarded the film three stars in his Chicago Sun-Times review, declaring the film "warm" and praising the screenplay's "unforced, genuine affection for its characters."[13] gave the film a 4/5 rating, naming Robinson's directorial debut "masterful."[14] Metacritic, a normalized film rating website, provided the film a 63/100 score.[15] At the review aggregator site Rotten Tomatoes, the film averaged a 63% approval rate as seen in the Cream of the Crop section of the website.[16] Ruthe Stein from the San Francisco Chronicle called the film one of the better kind of its genre, praising the performances of the young cast, and the film's star T.I. in particular.[17] At Yahoo! Movies, based on 13 reviews the film has averaged a B- by the critics standards.[18]

All reviews of the picture weren't so enthusiastic, however. Lisa Schwarzbaum of Entertainment Weekly graded the film a B-, saying that while the skating scenes are a blast, the film stumbles when it attempts to be too much for too many audiences.[19] Neil Genzlinger of The New York Times said he was surprised that with so many untested actors rounding out the main cast, "the most amateurish thing about it is the script." Genzlinger also called the screenplay cliché-marred and predictable, while giving credit to the young actors of the film. He was also critical of Chris Robinson's direction, stating that he "can't stay with a scene long enough to let his actors build momentum."[20] At The Atlanta Journal-Constitution, Bob Longino provided a negative review of the movie, pointing it out as "boring, uninteresting, and slow". However, Longino did say that stars T.I. and Big Boi's performances improved as the film progressed, and that there were a few laugh-out-loud comedic moments in the film.[21]

Awards and nominations

Year Award[22][23] Category Recipient Result
2006 BET Hip Hop Awards Best Hip Hop Movie Chris Robinson Won
Black Movie Awards Outstanding Achievement in Directing Chris Robinson Nominated
Outstanding Achievement in Screenwriting Tina Gordon Chism Nominated
Outstanding Motion Picture Dallas Austin, Jody Gerson, James Lassiter, Will Smith, Tionne "T-Boz" Watkins Nominated
Outstanding Performance by an Actress in a Supporting Role Lauren London Nominated
2007 Black Reel Awards Best Director Chris Robinson Nominated
Best Screenplay, Original or Adapted Tina Gordon Chism Nominated
NAACP Image Awards Outstanding Directing in a Feature Film/Television Movie (Comedy or Drama) Chris Robinson Nominated


  1. ^ "ATL (2006)". Box Office Mojo. Retrieved 2008-10-06. 
  2. ^ a b c d e f g h i j Austin, Dallas; Daniels, Albert; David, Keith; Harris, Tip; Lassiter, James; London, Lauren; Long, Jackie; Newton, Vaughn; Robinson, Chris; Ross, Evan; Watkins, Tionne; Weaver, Jason; Williamson, Mykelti. (2006). In the Rink: A Director's Journey; Behind-the-scenes look at ATL.. [DVD]. Warner Bros. Pictures.  Retrieved on 2008-10-12.
  3. ^ a b "Weekend Box Office Results for March 31-April 2, 2006". Box Office Mojo. Retrieved 2008-10-07. 
  4. ^ a b c d e f g h i j k l m n o "ATL (2006) - Starring Tip "T.I." Harris, Lauren London, Evan Ross...". 2006. Retrieved 2008-10-27. 
  5. ^ "March 2006 I I features I interview I An Interview with Tip "T.I." Harris". 2006-03-27. Retrieved 2008-10-27. 
  6. ^ "ATL (2006) - Trivia". Internet Movie Database. Retrieved 2008-11-03. 
  7. ^ "Weekend Box Office Results for April 7-9, 2006". Box Office Mojo. Retrieved 2008-11-01. 
  8. ^ "Biggest Second Weekend Drops at the Box Office". Box Office Mojo. Retrieved 2008-11-01. 
  9. ^ "ATL (Widescreen Edition): Greg Andrews, Monica Arnold, Brandon Bernard Benton...". Retrieved 2008-10-27. 
  10. ^ " ATL (Blu-ray): Greg Andrews, Monica Arnold, Brandon Bernard Benton...". Retrieved 2008-11-01. 
  11. ^ "allmovie ((( ATL > Review )))". Allmovie. Retrieved 2008-10-09. 
  12. ^ Walters, Melissa (2006-03-24). "March 2006 I I reviews I film I ATL". Retrieved 2008-10-09. 
  13. ^ Ebert, Roger (2006-03-31). "ATL :: :: Reviews". Retrieved 2008-10-09. 
  14. ^ Gilchrist, Todd (2006). "IGN: ATL Review". Movies. Retrieved 2008-10-11. 
  15. ^ "ATL (2006): Reviews". Metacritic. Retrieved 2008-10-09. 
  16. ^ "ATL Movie Reviews, Pictures — Rotten Tomatoes". Rotten Tomatoes. Retrieved 2008-10-09. 
  17. ^ Stein, Ruthe (2006-03-31). "Boys to men -- it's a tough transition for these young adults in Atlanta". Retrieved 2008-10-09. 
  18. ^ "ATL (2006) - Movie Info — Yahoo! Movies". Yahoo! Movies. Retrieved 2008-10-09. 
  19. ^ Schwarzbaum, Lisa (2006-03-29). "ATL I Movie Review I Entertainment Weekly".,,1178139,00.html. Retrieved 2008-10-09. 
  20. ^ Genzlinger, Neil (2006-03-31). "ATL — Movie — Review — The New York Times". The New York Times. Retrieved 2008-10-09. 
  21. ^ Longino, Bob (2006). "ATL — The Atlanta Journal-Constitution movie review I AccessAtlanta". Retrieved 2008-10-09. 
  22. ^ "BET Hip-Hop Awards 2006 I Nominees and Winners 2006 BET Hip-Hop Awards". Retrieved 2008-11-18. 
  23. ^ "ATL (2006) - Awards". Internet Movie Database. Retrieved 2008-11-18. 

External links

BET Hip Hop Award
Preceded by
Hip Hop Video of the Year
Succeeded by
Stomp the Yard


Up to date as of January 14, 2010

From Wikiquote

ATL is a 2006 film about four friends preparing for life after high school, and how different challenges bring about turning points in each of their lives. Much of the drama unfolds at their local rollerskating rink, Cascade.

Directed by Chris Robinson.



  • Fine, be that way! That's why you need a timing belt, bitch!

Big Rube

  • [Voice-over] Pleasure turns to the pain, Of the lessons learned from the strain Of the questions burned in my brain, About whether to love is humane in its touch. These thoughts are like salmon swimming upstream in the tears of your deceit. Fighting the current hurt that kills more than is created by the chaos of our intertwined emotions. Chaotic because the anchor of Eros' arrow has been plucked from the vessel of my undying infatuation. Separation not as simple as the distance between us My mind no longer possessed by the demons that had been the overseers of my enslavement to your lies. The seeds of these lies rooted so deeply they have cracked the foundation of what we once shared. Allowing the faith in us I had sealed inside to gush out like a river, Ripping the image of our future together from my thoughts as violently and as brutally as if it were a child being taken from his mother's arms. I'm left surrounded in darkness but I refuse to be swallowed by it. My loneliness like the night air. Invisible to the eye, obvious to the touch, In its cold uncomfortableness Yet if I could do it all over again, I'd do it in the same skin I'm in. To lay down and let love die, Just stay down and let love lie, No, no, not I. I'll stay 'round and let love fly, Even though I have seen its darkest form, deceit. Nothing else could taste this warm or feel this sweet.


  • Here come Ghetto Ghetto and her two twins.
  • You got a Picasso in yo' house!


  • It's all part of the game, young buck.

New New

  • I came over here to see if you was goin' to Big Booty Judy graduation party.


  • My Pops used to always say dreamin' is the luxury of children, and that I should enjoy it. And he was right.
  • [to his brother, Ant] You ain't gotta be a dope boy to have money.


  • [to Ant] You tell me. You're the one that's shinin'.
  • So, you wanna hook up or what?

Uncle George

  • Now, look, I ain't trying to get in your business... but, I mean I do know a little something about being pissed. I mean, it's all - You know, it's all just feelings, man. From females to friends to funerals... it's all about the feelings. I just want you to recognize the difference between what you feel and what's real. That way you don't look back on life with a bunch of regret.


Ant: What you hustlin'?
Rashad: You know better than that.

Austin: This my nigga, Ant.
Ant: [extends hand] Sup?
Marcus: [extends fist for pound] Germs. Cleanliness is next godliness, right?
Ant: Aight.
Marcus: Back Up.

Brooklyn: Why after every sentence you call me "shawty"? "Yo shawty... shawty." I'm taller than you!
Rashad: Ok well let me ask you this then: in New York City then why ya'll gotta say "yo son" after every sentence? I'm not your kid, I'm not your child, why I gotta be your son?
Teddy: Money...
Rashad: B...
Brooklyn: I call you "sun," 'cause you shine like one. Ya' feel me?
Rashad: That was real sentimental. Thanks.

Jay: [whispers] I heard you holding that!
Ant: Man, who told you you that?
Jay: You trying to act like I haven't known you since the third grade.
Ant: Yeah, but you've been out of school for four weeks.
Jay: Man, I had mono. So whats up? You holding, or what?
Ant: [pauses] Naw.
Jay: Aight, thats whats up.
Ant: [walks down the stairs; whispers to his friends] Narc.

Marcus: Any kids?
Ant: None that I know of.
Marcus: You doing somethin'?
Ant: I'm doing a lil' somethin'.
Marcus: Boy, you ain't doin' nothin', boy! Whats your last place of employment, youngblood?
Ant: Cleaning.
Marcus: Cleaning? Looks like Swann Cleaning Service bout to lose an employee. You wanna work, right?
Ant: Yeah.
Marcus: But you know this is grown man business, right?
Ant: I know.
Marcus: You sure?
Ant: Uh huh.
Marcus: Ok. We'll see.

New New: I can't even believe I'm telling you this right now. You're special.
Rashad: Special, huh? I don't know about that.
New New: I wish you could see what I see.

New New: Why don't you cut across the middle and get your feet wet?
Esquire: Why don't you go roll neck at somebody else and get up out mines?
New New: I'm just trying to help you out! Your takeoff is weak and you're starting to make Rashad look bad!
Esquire: [frowns his face at her] I don't like you. I really don't!
New New: [points to the rink] Uh oh. And why don't you go catch up?

Rashad: New New. [chuckles]
New New: What's so funny?
Rashad: What kind of name is New New, anyway?
New New: I'm New New cause I always rock the new... new shit. Thank you.
Rashad: Well, I heard you and you homegirls don't buy none of that new... new shit.
New New: Whatever.

Rashad: So how do I skate?
New New: What you mean?

Teddy: Ya'll sure are. And you know something, New New...
New New: Nope.
Teddy: No, I mean. I'm sayin', when we gon' get together?
New New: Not gon' happen. Never.
Teddy: I mean, why don't you just let me finish what I gotta say.
New New: I know what you gon' ask me, Teddy, I know you. And I seen you skate.
Teddy: So?
New New: So that tells me everything I need to know about a man.
Teddy: Pssh, we'll then you should know that, that I'm the quickest one out there, you know? I be pumpin' in out there, baby. I pop, pop, pop!
New New: Exactly. A quick pumper.

Veda: Whose that?
Star: I don't know they keep hangin' up.
Veda: Star 69 them.
Star: Excuse me, I am not a hoe.
New New: I can't even believe I'm telling you this right now. You're different, Rashad. You're special.
Rashad: Special, huh? I don't know about that.
New New: I wish you could see what I see.
Waffle House Waitress:Ya'll need anything else?
Brooklyn: Oh, can I get an iced tea?
Waffle House Waitress: Sweet or Unsweet?
Brooklyn: [licks lips then bites then bites them] Sweet.
Teddy:She choosing huh,Brooklyn?


  • A New American Story


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