Abraham Polonsky: Wikis

  

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Abraham Lincoln Polonsky (December 5, 1910 - October 26, 1999) was an American screenwriter blacklisted by Hollywood movie studios in the 1950s, in the midst of the McCarthy era.

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Early life

Abraham Polonsky was born in New York City, the eldest son of Russian-American Jewish immigrants, Henry and Rebecca (née Rosoff) Polonsky, he attended DeWitt Clinton High School.[1] In 1928 he entered City College of New York and following graduation, earned his law degree in 1935 at Columbia Law School. After several years of practice, mixed with teaching, he decided to devote himself to writing.

Career

Polonsky wrote essays, radio scripts and several novels before beginning his career in Hollywood. His first novel, The Goose is Cooked, written with Mitchell A. Wilson under the singular pseudonym of Emmett Hogarth, was published in 1940.

A committed Marxist, in the late 1930s Polonsky also joined the American Communist Party. He participated in union politics and established and edited a left-wing newspaper, The Home Front.

Polonsky signed a screenwriter's contract with Paramount Studios before leaving the US to serve in Europe in the Office of Strategic Services during World War II (from 1943 to 1945). After the war, he briefly returned to writing for Paramount. He wrote the screenplay for Robert Rossen´s independent production Body and Soul, (1947) starring John Garfield and Lilli Palmer. The screenplay was nominated for an Academy Award. Afterward, Polonsky became a Hollywood film director.

In Polonsky's first film as a director, Force of Evil (1948), was not successful when released in the United States but it was hailed as a masterpiece by film critics in England. The film was based on Tucker's People by Ira Wolfert.

Hollywood blacklist

Polonsky's career as a director and credited writer came to an abrupt halt after he refused to testify before the House Un-American Activities Committee (HUAC) in 1951. Illinois congressman Harold Velde called the director a "very dangerous citizen" at the hearings. While blacklisted, Polonsky continued to write film scripts under various pseudonyms that have never been revealed. It is known that Polonsky, along with Nelson Gidding, co-wrote Odds Against Tomorrow (1959), in which Polonsky's name was initially dropped from the film credits. Polonsky was not given public credit for the screenplay until 1997, when the Writers Guild of America, west officially restored his name to the film under the WGA screenwriting credit system.

Later life

In 1968, Polonsky was the screenwriter for Madigan, a police thriller, and Polonsky used his own name in the credits. The film was directed by Don Siegel, starring Richard Widmark and Henry Fonda.

After a prolonged absence, Polonsky returned to directing in 1969 with the Western film Tell Them Willie Boy Is Here, a tale of a fugitive Native American pursued by a posse, which Polonsky converted into an allegory about racism, genocide, and persecution.

Polonsky was an uncredited scriptwriter for Mommie Dearest[2] (1981), based on Christina Crawford's memoirs of her adoptive mother Joan Crawford, and The Man Who Lived at the Ritz (1981), based a novel by A.E. Hotchner. A Marxist until his death, Polonsky publicly objected when director Irwin Winkler rewrote his script for 1991's Guilty by Suspicion, a film about the Hollywood blacklist era, by revising the lead character (Robert De Niro) into a liberal, rather than a Communist.

He received the Career Achievement Award of the Los Angeles Film Critics Association in 1999. Prior to that, Polonsky taught a philosophy class at USC School of Cinema-Television called "Consciousness and Content". While no longer a member of the Communist Party, he remained committed to Marxist political theory, stating "I thought Marxism offered the best analysis of history, and I still believe that".

Until his death, Polonsky was a virulent critic of director Elia Kazan, who had testified before HUAC and provided names to the Committee. In 1999, he was enraged when Kazan was honored by the Academy of Motion Picture Arts and Sciences for lifetime achievement, stating that he hoped Kazan would be shot onstage: "It would no doubt be a thrill in an otherwise dull evening". Polonsky also said that his latest project was designing a movable headstone: "That way if they bury that man in the same cemetery, they can move me."[3]

Polonsky died on October 26, 1999, in Beverly Hills, California, aged 88.

Films as screenwriter

Selected films as screenwriter:

  • Golden Earring (1947) (co-screenwriter)
  • Body and Soul (1947) - remade in 1981 and for TV in 1998.
  • I Can Get It Wholesale (1951)
  • Odds Against Tomorrow (1959) (uncredited, novel by William P. McGivern)
  • Madigan (1968)
  • Avalanche Express (1979)
  • Monsignor (1982)
  • Mommie Dearest (1981) (uncredited)
  • Guilty By Suspicion (1991)

As director-screenwriter

  • Force of Evil (1948) (based on Ira Wolfert's novel Tucker's People)
  • Tell them Willie Boy is Here (1970) (based on Harry Lawton's novel)
  • Romance of a Horsethief (1971)

Novels and essays

  • The Goose is Cooked (1940) (with Mitchell A Wilson - pseudonym Emmett Hogarth)
  • A Season Of Fear (1956)
  • "How the Blacklist Worked in Hollywood" (1970)(essay)
  • "Making Movies" (1971) (essay)
  • Zenia's Way (1980) (novel)
  • Children of Eden (1982) (unfinished novel)
  • To Illuminate Our Time: The Blacklisted Teleplays of Abraham Polonsky (1993)

References

  1. ^ Kipen, David. "Flawed look at career of blacklisted director", San Francisco Chronicle, August 29, 2001. Accessed September 14, 2009. "The American 20th century went to high school at DeWitt Clinton High in the Bronx. Multicultural before there was a name for it -- at least a polite one --Clinton nurtured such diverse and influential figures as Bill Graham, James Baldwin, George Cukor, Neil Simon and Abraham Lincoln Polonsky."
  2. ^ Yablans, Frank. Papers concerning Mommie dearest: Guide.
  3. ^ Some Rude to Kazan; "Evil Right-Wing"; CNN’s Bruce Morton Took Sides

External links


Quotes

Up to date as of January 14, 2010

From Wikiquote

Abraham Lincoln Polonsky (December 5, 1910October 26, 1999) was an American novelist, screenwriter and film director. In the late 1930s he joined the American Communist Party, and was blacklisted by the Hollywood movie studio bosses in the 1950s.

Contents

Sourced

  • First of all, directing is an idea that you have of a total flow of images that are going on, which are incidentally actors, words, and objects in space. It's an idea you have of yourself, like the idea you have of your own personality which finds its best representation in the world in terms of specific flows of imaginary images. That's what directing is.
    • as quoted in Directing the Film, Ed Sherman, 1976.
  • What are you gonna do? Kill me? Everybody dies.
  • What do you mean "gangsters"? It's business.

Attributed

  • I went out and got a book on reproductions of Hopper's paintings — Third Avenue, cafeterias, all that back-lighting, and those empty streets. Even when people are there, you don't see them; somehow the environments dominate the people... I said 'This is kind of what I want.' 'Oh that!' He knew right away what 'that' was, and we had it all through the film.

About

  • Twenty-one years between first and second films is longer than any director should have to wait. The case of Polonsky is one of the most dismal hangovers from the McCarthy period.
  • Polonsky, along with Chaplin and Losey, remains one of the great casualties of the anti-Communist hysteria of the fifties.
    • Andrew Sarris, The American Cinema: Directors and Directions 1929-1968, E.P. Dutton & Co., 1968, ISBN 0-525-47227-4

See also

External links

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