Since 1944, the Academy has restricted nominations to five Best Picture nominees per year. As of the 81st Academy Awards ceremony (for 2008), there have been 464 films nominated for the Best Picture award. Throughout the past 81 years, AMPAS has presented a total of 81 Best Picture awards. Invariably, the Academy Awards for Best Picture and Best Director have been very closely linked throughout their history. Of the 81 films that have been awarded Best Picture, 59 have also been awarded Best Director.[1] Only three films have won Best Picture without their directors being nominated (though only one since the early 1930s): Wings (1927/28), Grand Hotel (1931/32), and Driving Miss Daisy (1989). The only two Best Director winners to win for films which did not receive a Best Picture nomination are likewise in the early years: Lewis Milestone (1927/28) and Frank Lloyd (1928/29).
However, beginning in 2010, The Academy of Motion Pictures Arts and Sciences will double the number of Best Picture nominees from five to ten. The expansion is a throwback to the Academy's early years in the 1930s and '40s, when anywhere between eight and 12 films were shortlisted (or longlisted). "Having 10 Best Picture nominees is going allow Academy voters to recognize and include some of the fantastic movies that often show up in the other Oscar categories but have been squeezed out of the race for the top prize," AMPAS President Sid Ganis said in a press conference. "I can't wait to see what that list of 10 looks like when the nominees are announced in February." .[1]
Another point of contention is the recent extreme bias toward 2-plus hour films: Crash (2005, 112m) is the shortest film to win Best Picture in the past 20 years. It has been criticized for ignoring films that were huge commercial and critical successes. Furthermore, of animated films no animated movie has won the award, and only one comedy (Shakespeare in Love, 1998) has won in the last 30 years.
In the list below, the winner of the award for each year is shown first, followed by the other nominees. Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in Los Angeles County, California; normally this is also the year of first release, but it may be the year after first release (as with Casablanca and, if the film-festival premiere is considered, Crash). This is the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture Oscar, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in parentheses after the awards year, linked to the article (if any) on that ceremony. Each individual entry shows the title followed by the production company, and the producer. For foreign language films, the original title is also shown. Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer. The official name of the award has changed several times over the years:
| Year |
Film |
Production company(s) |
Producer(s) |
Notes |
1927-1928[A]
(1st) |
Wings |
Paramount, Famous Players-Lasky |
Lucien Hubbard |
in category of Best Production.[F] |
1927-1928
(1st) |
The Racket |
Caddo, Paramount |
Howard Hughes |
|
1927-1928
(1st) |
Seventh Heaven |
Fox |
William Fox |
|
1928-1929
(2nd) |
The Broadway Melody |
Metro-Goldwyn-Mayer[L] |
Harry Rapf |
|
1928-1929
(2nd) |
Alibi |
Feature Productions, United Artists |
Roland West |
|
1928-1929
(2nd) |
The Hollywood Revue of 1929 |
Metro-Goldwyn-Mayer |
Harry Rapf |
|
1928-1929
(2nd) |
In Old Arizona |
Fox |
Winfield Sheehan[G] |
|
1928-1929
(2nd) |
The Patriot |
Paramount |
Ernst Lubitsch |
|
1929-1930[B]
(3rd) |
All Quiet on the Western Front |
Universal |
Carl Laemmle Jr. |
|
1929-1930
(3rd) |
The Big House |
Metro-Goldwyn-Mayer |
Irving Thalberg |
|
1929-1930
(3rd) |
Disraeli |
Warner Bros. |
Jack Warner, Darryl Zanuck |
|
1929-1930
(3rd) |
The Divorcee |
Metro-Goldwyn-Mayer |
Robert Leonard |
|
1929-1930
(3rd) |
The Love Parade |
Paramount |
Ernst Lubitsch |
|
1930-1931
(4th) |
Cimarron |
RKO Radio |
William LeBaron |
|
1930-1931
(4th) |
East Lynne |
Fox |
Winfield Sheehan[G] |
|
1930-1931
(4th) |
The Front Page |
Caddo, United Artists |
Howard Hughes |
|
1930-1931
(4th) |
Skippy |
Paramount |
Adolph Zukor |
|
1930-1931
(4th) |
Trader Horn |
Metro-Goldwyn-Mayer |
Irving G. Thalberg |
|
1931-1932
(5th) |
Grand Hotel |
Metro-Goldwyn-Mayer |
Irving Thalberg |
|
1931-1932
(5th) |
Arrowsmith |
Goldwyn, United Artists |
Samuel Goldwyn |
|
1931-1932
(5th) |
Bad Girl |
Fox |
Winfield Sheehan[G] |
|
1931-1932
(5th) |
The Champ |
Metro-Goldwyn-Mayer |
King Vidor |
|
1931-1932
(5th) |
Five Star Final |
First National |
Hal B. Wallis |
|
1931-1932
(5th) |
One Hour with You |
Paramount |
Ernst Lubitsch |
|
1931-1932
(5th) |
Shanghai Express |
Paramount |
Adolph Zukor |
|
1931-1932
(5th) |
The Smiling Lieutenant |
Paramount |
Ernst Lubitsch |
|
1932-1933
(6th) |
Cavalcade[H] |
Fox |
Winfield Sheehan[G] |
|
1932-1933
(6th) |
42nd Street |
Warner Bros. |
Darryl F. Zanuck |
|
1932-1933
(6th) |
A Farewell to Arms[H] |
Paramount |
Adolph Zukor |
|
1932-1933
(6th) |
I Am a Fugitive from a Chain Gang |
Warner Bros. |
Hal B. Wallis |
|
1932-1933
(6th) |
Lady for a Day |
Columbia |
Frank Capra |
|
1932-1933
(6th) |
Little Women[H] |
RKO Radio |
Merian C. Cooper, Kenneth MacGowan |
|
1932-1933
(6th) |
The Private Life of Henry VIII |
London Films, United Artists |
Alexander Korda |
the first nomination which was not an American production.[2] |
1932-1933
(6th) |
She Done Him Wrong |
Paramount |
William LeBaron |
|
1932-1933
(6th) |
Smilin' Through |
Metro-Goldwyn-Mayer |
Irving Thalberg |
|
1932-1933
(6th) |
State Fair |
Fox |
Winfield Sheehan[G] |
|
1934
(7th) |
It Happened One Night[I] |
Columbia |
Harry Cohn |
won all Big Five Academy Awards[3] |
1934
(7th) |
The Barretts of Wimpole Street[I] |
Metro-Goldwyn-Mayer |
Irving Thalberg |
|
1934
(7th) |
Cleopatra |
Paramount |
Cecil B. DeMille |
|
1934
(7th) |
Flirtation Walk |
First National |
Jack L. Warner, Hal B. Wallis, Robert Lord |
|
1934
(7th) |
The Gay Divorcee |
RKO Radio |
Pandro S. Berman |
|
1934
(7th) |
Here Comes the Navy |
Warner Bros. |
Lou Edelman |
|
1934
(7th) |
The House of Rothschild[I] |
20th Century, United Artists |
Darryl F. Zanuck, William Goetz, Raymond Griffith |
|
1934
(7th) |
Imitation of Life |
Universal |
John M. Stahl |
|
1934
(7th) |
One Night of Love |
Columbia |
Harry Cohn, Everett Riskin |
|
1934
(7th) |
The Thin Man |
Metro-Goldwyn-Mayer |
Hunt Stromberg |
|
1934
(7th) |
Viva Villa |
Metro-Goldwyn-Mayer |
David O. Selznick |
|
1934
(7th) |
The White Parade |
Fox |
Jesse L. Lasky |
|
1935
(8th) |
Mutiny on the Bounty[J] |
Metro-Goldwyn-Mayer |
Irving Thalberg, Albert Lewin |
|
1935
(8th) |
Alice Adams |
RKO Radio |
Pandro S. Berman |
|
1935
(8th) |
Broadway Melody of 1936 |
Metro-Goldwyn-Mayer |
John W. Considine, Jr. |
|
1935
(8th) |
Captain Blood[J] |
Warner Bros., Cosmopolitan |
Hal B. Wallis, Harry Joe Brown, Gordon Hollingshead |
|
1935
(8th) |
David Copperfield |
Metro-Goldwyn-Mayer |
David O. Selznick |
|
1935
(8th) |
The Informer[J] |
RKO Radio |
Cliff Reid |
|
1935
(8th) |
The Lives of a Bengal Lancer |
Paramount |
Louis D. Lighton |
|
1935
(8th) |
A Midsummer Night's Dream |
Warner Bros. |
Henry Blanke |
|
1935
(8th) |
Les Misérables |
20th Century, United Artists |
Darryl F. Zanuck |
|
1935
(8th) |
Naughty Marietta |
Metro-Goldwyn-Mayer |
Hunt Stromberg |
|
1935
(8th) |
Ruggles of Red Gap |
Paramount |
Arthur Hornblow, Jr. |
|
1935
(8th) |
Top Hat |
RKO Radio |
Pandro S. Berman |
|
1936
(9th) |
The Great Ziegfeld |
Metro-Goldwyn-Mayer |
Hunt Stromberg |
|
1936
(9th) |
Anthony Adverse |
Warner Bros. |
Henry Blanke |
|
1936
(9th) |
Dodsworth |
Goldwyn, United Artists |
Samuel Goldwyn, Merritt Hulbert |
|
1936
(9th) |
Libeled Lady |
Metro-Goldwyn-Mayer |
Lawrence Weingarten |
|
1936
(9th) |
Mr. Deeds Goes to Town |
Columbia |
Frank Capra |
|
1936
(9th) |
Romeo and Juliet |
Metro-Goldwyn-Mayer |
Irving Thalberg |
|
1936
(9th) |
San Francisco |
Metro-Goldwyn-Mayer |
John Emerson, Bernard H. Hyman |
|
1936
(9th) |
The Story of Louis Pasteur |
Warner Bros. |
Henry Blanke |
|
1936
(9th) |
A Tale of Two Cities |
Metro-Goldwyn-Mayer |
David O. Selznick |
|
1936
(9th) |
Three Smart Girls |
Universal |
Joe Pasternak, Charles R. Rogers |
|
1937
(10th) |
The Life of Emile Zola |
Warner Bros. |
Henry Blanke |
|
1937
(10th) |
The Awful Truth |
Columbia |
Leo McCarey, Everett Riskin |
|
1937
(10th) |
Captains Courageous |
Metro-Goldwyn-Mayer |
Louis Lighton |
|
1937
(10th) |
Dead End |
Goldwyn, United Artists |
Samuel Goldwyn, Merritt Hulbert |
|
1937
(10th) |
The Good Earth |
Metro-Goldwyn-Mayer |
Irving Thalberg, Albert Lewin |
|
1937
(10th) |
In Old Chicago |
20th Century Fox |
Darryl F. Zanuck, Kenneth MacGowan |
|
1937
(10th) |
Lost Horizon |
Columbia |
Frank Capra |
|
1937
(10th) |
One Hundred Men and a Girl |
Universal |
Charles R. Rogers, Joe Pasternak |
|
1937
(10th) |
Stage Door |
RKO Radio |
Pandro S. Berman |
|
1937
(10th) |
A Star Is Born |
Selznick International, United Artists |
David O. Selznick |
|
1938
(11th) |
You Can't Take It With You |
Columbia |
Frank Capra |
|
1938
(11th) |
The Adventures of Robin Hood |
Warner Bros. |
Hal B. Wallis, Henry Blanke |
|
1938
(11th) |
Alexander's Ragtime Band |
20th Century Fox |
Darryl F. Zanuck, Harry Joe Brown |
|
1938
(11th) |
Boys Town |
Metro-Goldwyn-Mayer |
John W. Considine, Jr. |
|
1938
(11th) |
The Citadel |
Metro-Goldwyn-Mayer |
Victor Saville |
|
1938
(11th) |
Four Daughters |
Warner Bros., First National |
Hal B. Wallis, Henry Blanke |
|
1938
(11th) |
Grand Illusion |
R. A. O., World Pictures |
Frank Rollmer, Albert Pinkovitch |
the first nomination with non-English dialogue track.[K] |
1938
(11th) |
Jezebel |
Warner Bros. |
Hal B. Wallis, Henry Blanke |
|
1938
(11th) |
Pygmalion |
Metro-Goldwyn-Mayer |
Gabriel Pascal |
|
1938
(11th) |
Test Pilot |
Metro-Goldwyn-Mayer |
Louis Lighton |
|
1939
(12th) |
Gone with the Wind |
Selznick, Metro-Goldwyn-Mayer |
David O. Selznick |
the first winner which was all color motion picture[2] |
1939
(12th) |
Dark Victory |
Warner Bros. |
David Lewis |
|
1939
(12th) |
Goodbye, Mr. Chips |
Metro-Goldwyn-Mayer |
Victor Saville |
|
1939
(12th) |
Love Affair |
RKO Radio |
Leo McCarey |
|
1939
(12th) |
Mr. Smith Goes to Washington |
Columbia |
Frank Capra |
|
1939
(12th) |
Ninotchka |
Metro-Goldwyn-Mayer |
Sidney Franklin |
|
1939
(12th) |
Of Mice and Men |
Roach, United Artists |
Lewis Milestone |
|
1939
(12th) |
Stagecoach |
United Artists |
Walter Wanger |
|
1939
(12th) |
The Wizard of Oz |
Metro-Goldwyn-Mayer |
Mervyn LeRoy |
|
1939
(12th) |
Wuthering Heights |
Goldwyn, United Artists |
Samuel Goldwyn |
|
1940
(13th) |
Rebecca |
Selznick, United Artists |
David O. Selznick |
|
1940
(13th) |
All This, and Heaven Too |
Warner Bros. |
Jack L. Warner, Hal B. Wallis, David Lewis |
|
1940
(13th) |
Foreign Correspondent |
Wanger, United Artists |
Walter Wanger |
|
1940
(13th) |
The Grapes of Wrath |
20th Century Fox |
Darryl F. Zanuck, Nunnally Johnson |
|
1940
(13th) |
The Great Dictator |
Chaplin, United Artists |
Charles Chaplin |
|
1940
(13th) |
Kitty Foyle |
RKO Radio |
David Hempstead |
|
1940
(13th) |
The Letter |
Warner Bros. |
Hal B. Wallis |
|
1940
(13th) |
The Long Voyage Home |
Argosy, Wanger, United Artists |
John Ford |
|
1940
(13th) |
Our Town |
Lesser, United Artists |
Sol Lesser |
|
1940
(13th) |
The Philadelphia Story |
Metro-Goldwyn-Mayer |
Joseph L. Mankiewicz |
|
1941[C]
(14th) |
How Green Was My Valley |
20th Century Fox |
Darryl F. Zanuck |
|
1941
(14th) |
Blossoms in the Dust |
Metro-Goldwyn-Mayer |
Irving Asher |
|
1941
(14th) |
Citizen Kane |
RKO Radio |
Orson Welles |
|
1941
(14th) |
Here Comes Mr. Jordan |
Columbia |
Everett Riskin |
|
1941
(14th) |
Hold Back the Dawn |
Paramount |
Arthur Hornblow, Jr. |
|
1941
(14th) |
The Little Foxes |
RKO Radio |
Samuel Goldwyn |
|
1941
(14th) |
The Maltese Falcon |
Warner Bros. |
Hal B. Wallis |
|
1941
(14th) |
One Foot In Heaven |
Warner Bros. |
Hal B. Wallis |
|
1941
(14th) |
Sergeant York |
Warner Bros. |
Hal B. Wallis, Jesse L. Lasky |
|
1941
(14th) |
Suspicion |
RKO Radio |
Alfred Hitchcock |
|
1942
(15th) |
Mrs. Miniver |
Metro-Goldwyn-Mayer |
Sidney Franklin |
|
1942
(15th) |
49th Parallel |
GFD, Columbia |
Michael Powell |
|
1942
(15th) |
Kings Row |
Warner Bros. |
Hal B. Wallis |
|
1942
(15th) |
The Magnificent Ambersons |
Mercury, RKO Radio |
Orson Welles |
|
1942
(15th) |
The Pied Piper |
20th Century Fox |
Nunnally Johnson |
|
1942
(15th) |
The Pride of the Yankees |
Goldwyn, RKO Radio |
Samuel Goldwyn |
|
1942
(15th) |
Random Harvest |
Metro-Goldwyn-Mayer |
Sidney Franklin |
|
1942
(15th) |
The Talk of the Town |
Columbia |
George Stevens |
|
1942
(15th) |
Wake Island |
Paramount |
Joseph Sistrom |
|
1942
(15th) |
Yankee Doodle Dandy |
Warner Bros. |
Jack Warner, Hal B. Wallis, William Cagney |
|
1943
(16th) |
Casablanca |
Warner Bros. |
Hal B. Wallis |
|
1943
(16th) |
For Whom the Bell Tolls |
Paramount |
Sam Wood |
|
1943
(16th) |
Heaven Can Wait |
20th Century Fox |
Ernst Lubitsch |
|
1943
(16th) |
The Human Comedy |
Metro-Goldwyn-Mayer |
Clarence Brown |
|
1943
(16th) |
In Which We Serve |
United Artists |
Noel Coward |
|
1943
(16th) |
Madame Curie |
Metro-Goldwyn-Mayer |
Sidney Franklin |
|
1943
(16th) |
The More the Merrier |
Columbia |
George Stevens |
|
1943
(16th) |
The Ox-Bow Incident |
20th Century Fox |
Lamar Trotti |
|
1943
(16th) |
The Song of Bernadette |
20th Century Fox |
William Perlberg |
|
1943
(16th) |
Watch on the Rhine |
Warner Bros. |
Hal B. Wallis |
|
1944[D]
(17th) |
Going My Way |
Paramount |
Leo McCarey |
|
1944
(17th) |
Double Indemnity |
Paramount |
Joseph Sistrom |
|
1944
(17th) |
Gaslight |
Metro-Goldwyn-Mayer |
Arthur Hornblow, Jr. |
|
1944
(17th) |
Since You Went Away |
Selznick, United Artists |
David O. Selznick |
|
1944
(17th) |
Wilson |
20th Century Fox |
Darryl F. Zanuck |
|
1945
(18th) |
The Lost Weekend |
Paramount |
Charles Brackett |
one of the only two films which won both Academy Award for Best Picture and Cannes Film Festival's Palme d'Or.[2] |
1945
(18th) |
Anchors Aweigh |
Metro-Goldwyn-Mayer |
Joe Pasternak |
|
1945
(18th) |
The Bells of St. Mary's |
RKO Radio |
Leo McCarey |
|
1945
(18th) |
Mildred Pierce |
Warner Bros. |
Jerry Wald |
|
1945
(18th) |
Spellbound |
United Artists |
David O. Selznick |
|
1946
(19th) |
The Best Years of Our Lives |
RKO Radio |
Samuel Goldwyn |
|
1946
(19th) |
Henry V |
United Artists |
Laurence Olivier |
|
1946
(19th) |
It's a Wonderful Life |
RKO Radio |
Frank Capra |
|
1946
(19th) |
The Razor's Edge |
20th Century Fox |
Darryl F. Zanuck |
|
1946
(19th) |
The Yearling |
Metro-Goldwyn-Mayer |
Sidney Franklin |
|
1947
(20th) |
Gentleman's Agreement |
20th Century Fox |
Darryl F. Zanuck |
|
1947
(20th) |
The Bishop's Wife |
RKO Radio |
Samuel Goldwyn |
|
1947
(20th) |
Crossfire |
RKO Radio |
Adrian Scott |
|
1947
(20th) |
Great Expectations |
Rank-Cineguild, U-I |
Ronald Neame |
|
1947
(20th) |
Miracle on 34th Street |
20th Century Fox |
William Perlberg |
|
1948
(21st) |
Hamlet |
J. Arthur Rank-Two Cities Films, Universal International |
Laurence Olivier |
the first winner which was not a Hollywood production.[2] |
1948
(21st) |
Johnny Belinda |
Warner Bros. |
Jerry Wald |
|
1948
(21st) |
The Red Shoes |
Rank Organisation, Powell and Pressburger, Eagle-Lion Films |
Michael Powell, Emeric Pressburger |
|
1948
(21st) |
The Snake Pit |
20th Century Fox |
Anatole Litvak, Robert Bassler |
|
1948
(21st) |
The Treasure of the Sierra Madre |
Warner Bros. |
Henry Blanke |
|
1949
(22nd) |
All the King's Men |
Rossen, Columbia |
Robert Rossen |
|
1949
(22nd) |
Battleground |
Metro-Goldwyn-Mayer |
Dore Schary |
|
1949
(22nd) |
The Heiress |
Paramount |
William Wyler |
|
1949
(22nd) |
A Letter to Three Wives |
20th Century Fox |
Sol C. Siegel |
|
1949
(22nd) |
Twelve O'Clock High |
20th Century Fox |
Darryl F. Zanuck |
|
1950
(23rd) |
All About Eve |
20th Century Fox |
Darryl F. Zanuck |
received the most nominations in history (14 nominations, 6 awards)[4] |
1950
(23rd) |
Born Yesterday |
Columbia |
S. Sylvan Simon |
|
1950
(23rd) |
Father of the Bride |
Metro-Goldwyn-Mayer |
Sam Zimbalist |
|
1950
(23rd) |
King Solomon's Mines |
Metro-Goldwyn-Mayer |
Sam Zimbalist |
|
1950
(23rd) |
Sunset Boulevard |
Paramount |
Charles Brackett |
|
1951
(24th) |
An American in Paris |
Metro-Goldwyn-Mayer |
Arthur Freed |
|
1951
(24th) |
Decision Before Dawn |
20th Century Fox |
Anatole Litvak, Frank McCarthy |
|
1951
(24th) |
A Place in the Sun |
Paramount |
George Stevens |
|
1951
(24th) |
Quo Vadis |
Metro-Goldwyn-Mayer |
Sam Zimbalist |
|
1951
(24th) |
A Streetcar Named Desire |
Warner Bros. |
Charles K. Feldman |
|
1952
(25th) |
The Greatest Show on Earth |
Paramount |
Cecil B. DeMille |
|
1952
(25th) |
High Noon |
United Artists |
Stanley Kramer |
|
1952
(25th) |
Ivanhoe |
Metro-Goldwyn-Mayer |
Pandro S. Berman |
|
1952
(25th) |
Moulin Rouge |
United Artists |
John Huston |
|
1952
(25th) |
The Quiet Man |
Republic |
John Ford, Merian C. Cooper |
|
1953
(26th) |
From Here to Eternity |
Columbia |
Buddy Adler |
|
1953
(26th) |
Julius Caesar |
Metro-Goldwyn-Mayer |
John Houseman |
|
1953
(26th) |
The Robe |
20th Century Fox |
Frank Ross |
|
1953
(26th) |
Roman Holiday |
Paramount |
William Wyler |
|
1953
(26th) |
Shane |
Paramount |
George Stevens |
|
1954
(27th) |
On the Waterfront |
Columbia |
Sam Spiegel[N] |
|
1954
(27th) |
The Caine Mutiny |
Columbia |
Stanley Kramer |
|
1954
(27th) |
The Country Girl |
Paramount |
William Perlberg |
|
1954
(27th) |
Seven Brides for Seven Brothers |
Metro-Goldwyn-Mayer |
Jack Cummings |
|
1954
(27th) |
Three Coins in the Fountain |
20th Century Fox |
Sol C. Siegel |
|
1955
(28th) |
Marty |
United Artists |
Harold Hecht |
one of the only two films which won both Academy Award for Best Picture and Cannes Film Festival's Palme d'Or.[2] |
1955
(28th) |
Love Is a Many-Splendored Thing |
20th Century Fox |
Buddy Adler |
|
1955
(28th) |
Mister Roberts |
Warner Bros. |
Leland Hayward |
|
1955
(28th) |
Picnic |
Columbia |
Fred Kohlmar |
|
1955
(28th) |
The Rose Tattoo |
Paramount |
Hal B. Wallis |
|
1956
(29th) |
Around the World in 80 Days |
United Artists |
Michael Todd |
|
1956
(29th) |
Friendly Persuasion |
Allied Artists |
William Wyler |
|
1956
(29th) |
Giant |
Warner Bros. |
George Stevens, Henry Ginsberg |
|
1956
(29th) |
The King and I |
20th Century Fox |
Charles Brackett |
|
1956
(29th) |
The Ten Commandments |
Paramount |
Cecil B. DeMille |
|
1957
(30th) |
The Bridge on the River Kwai |
Columbia |
Sam Spiegel |
|
1957
(30th) |
Peyton Place |
20th Century Fox |
Jerry Wald |
|
1957
(30th) |
Sayonara |
Warner Bros. |
William Goetz |
|
1957
(30th) |
12 Angry Men |
United Artists |
Henry Fonda, Reginald Rose |
|
1957
(30th) |
Witness for the Prosecution |
United Artists |
Arthur Hornblow, Jr. |
|
1958
(31st) |
Gigi |
Metro-Goldwyn-Mayer |
Arthur Freed |
|
1958
(31st) |
Auntie Mame |
Warner Bros. |
Jack L. Warner |
|
1958
(31st) |
Cat on a Hot Tin Roof |
Metro-Goldwyn-Mayer |
Lawrence Weingarten |
|
1958
(31st) |
The Defiant Ones |
Kramer, United Artists |
Stanley Kramer |
|
1958
(31st) |
Separate Tables |
United Artists |
Harold Hecht |
|
1959
(32nd) |
Ben-Hur |
Metro-Goldwyn-Mayer |
Sam Zimbalist |
posthumous award for Zimbalist
won the most Academy Awards in history (11 awards)[3] |
1959
(32nd) |
Anatomy of a Murder |
Columbia |
Otto Preminger |
|
1959
(32nd) |
The Diary of Anne Frank |
20th Century Fox |
George Stevens |
|
1959
(32nd) |
The Nun's Story |
Warner Bros. |
Henry Blanke |
|
1959
(32nd) |
Room at the Top |
Continental |
John Woolf, James Woolf |
|
1960
(33rd) |
The Apartment |
United Artists |
Billy Wilder |
|
1960
(33rd) |
The Alamo |
United Artists |
John Wayne |
|
1960
(33rd) |
Elmer Gantry |
United Artists |
Bernard Smith |
|
1960
(33rd) |
Sons and Lovers |
20th Century Fox |
Jerry Wald |
|
1960
(33rd) |
The Sundowners |
Warner Bros. |
Fred Zinnemann |
|
1961
(34th) |
West Side Story |
United Artists |
Robert Wise |
|
1961
(34th) |
Fanny |
Warner Bros. |
Joshua Logan |
|
1961
(34th) |
The Guns of Navarone |
Columbia |
Carl Foreman |
|
1961
(34th) |
The Hustler |
20th Century Fox |
Robert Rossen |
|
1961
(34th) |
Judgment at Nuremberg |
United Artists |
Stanley Kramer |
|
1962[E]
(35th) |
Lawrence of Arabia |
Columbia |
Sam Spiegel |
|
1962
(35th) |
The Longest Day |
20th Century Fox |
Darryl F. Zanuck |
|
1962
(35th) |
The Music Man |
Warner Bros. |
Morton DaCosta |
|
1962
(35th) |
Mutiny on the Bounty |
Metro-Goldwyn-Mayer |
Aaron Rosenberg |
|
1962
(35th) |
To Kill a Mockingbird |
U-I |
Alan J. Pakula |
|
1963
(36th) |
Tom Jones |
United Artists |
Tony Richardson |
|
1963
(36th) |
America, America |
Warner Bros. |
Elia Kazan |
|
1963
(36th) |
Cleopatra |
20th Century Fox |
Walter Wanger |
|
1963
(36th) |
How the West Was Won |
Metro-Goldwyn-Mayer, Cinerama |
Bernard Smith |
|
1963
(36th) |
Lilies of the Field |
United Artists |
Ralph Nelson |
|
1964
(37th) |
My Fair Lady |
Warner Bros. |
Jack L. Warner |
|
1964
(37th) |
Becket |
Paramount |
Hal B. Wallis |
|
1964
(37th) |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Columbia |
Stanley Kubrick |
|
1964
(37th) |
Mary Poppins |
Disney, Buena Vista |
Walt Disney, Bill Walsh |
|
1964
(37th) |
Zorba the Greek |
20th Century Fox |
Michael Cacoyannis |
|
1965
(38th) |
The Sound of Music |
20th Century Fox |
Robert Wise |
|
1965
(38th) |
Darling |
Embassy |
Joseph Janni |
|
1965
(38th) |
Doctor Zhivago |
Metro-Goldwyn-Mayer |
Carlo Ponti |
|
1965
(38th) |
Ship of Fools |
Columbia |
Stanley Kramer |
|
1965
(38th) |
A Thousand Clowns |
United Artists |
Fred Coe |
|
1966
(39th) |
A Man for All Seasons |
Columbia |
Fred Zinnemann |
|
1966
(39th) |
Alfie |
Paramount |
Lewis Gilbert |
|
1966
(39th) |
The Russians Are Coming, the Russians Are Coming |
United Artists |
Norman Jewison |
|
1966
(39th) |
The Sand Pebbles |
20th Century Fox |
Robert Wise |
|
1966
(39th) |
Who's Afraid of Virginia Woolf? |
Warner Bros. |
Ernest Lehman |
|
1967
(40th) |
In the Heat of the Night |
United Artists |
Walter Mirisch |
|
1967
(40th) |
Bonnie and Clyde |
Warner Bros., Seven Arts |
Warren Beatty |
|
1967
(40th) |
Doctor Dolittle |
20th Century Fox |
Arthur P. Jacobs |
|
1967
(40th) |
The Graduate |
Embassy |
Lawrence Turman |
|
1967
(40th) |
Guess Who's Coming to Dinner |
Columbia |
Stanley Kramer |
|
1968
(41st) |
Oliver! |
Columbia |
John Woolf |
|
1968
(41st) |
Funny Girl |
Columbia |
Ray Stark |
|
1968
(41st) |
The Lion in Winter |
Avco Embassy |
Martin Poll |
|
1968
(41st) |
Rachel, Rachel |
Warner Bros. |
Paul Newman |
|
1968
(41st) |
Romeo and Juliet |
Paramount |
Anthony Havelock-Allan, John Brabourne |
|
1969
(42nd) |
Midnight Cowboy |
United Artists |
Jerome Hellman |
|
1969
(42nd) |
Anne of the Thousand Days |
Universal |
Hal B. Wallis |
|
1969
(42nd) |
Butch Cassidy and the Sundance Kid |
20th Century Fox |
John Foreman |
|
1969
(42nd) |
Hello, Dolly! |
20th Century Fox |
Ernest Lehman |
|
1969
(42nd) |
Z[K] |
Cinema V |
Jacques Perrin, Ahmed Rachedi |
|
1970
(43rd) |
Patton |
20th Century Fox |
Frank McCarthy |
|
1970
(43rd) |
Airport |
Universal |
Ross Hunter |
|
1970
(43rd) |
Five Easy Pieces |
Columbia |
Bob Rafelson, Richard Wechsler |
|
1970
(43rd) |
Love Story |
Paramount |
Howard G. Minsky |
|
1970
(43rd) |
MASH |
20th Century Fox |
Ingo Preminger |
|
1971
(44th) |
The French Connection |
20th Century Fox |
Philip D'Antoni |
|
1971
(44th) |
A Clockwork Orange |
Warner Bros. |
Stanley Kubrick |
|
1971
(44th) |
Fiddler on the Roof |
United Artists |
Norman Jewison |
|
1971
(44th) |
The Last Picture Show |
Columbia |
Stephen J. Friedman |
|
1971
(44th) |
Nicholas and Alexandra |
Columbia |
Sam Spiegel |
|
1972
(45th) |
The Godfather |
Paramount |
Albert S. Ruddy |
The Godfather Trilogy is one of only two trilogies (with The Lord of the Rings film trilogy) that received nominations for each installment.[3] |
1972
(45th) |
Cabaret |
Allied Artists |
Cy Feuer |
|
1972
(45th) |
Deliverance |
Warner Bros. |
John Boorman |
|
1972
(45th) |
The Emigrants[K] |
Warner Bros. |
Bengt Forslund |
|
1972
(45th) |
Sounder |
20th Century Fox |
Robert B. Radnitz |
|
1973
(46th) |
The Sting |
Universal |
Tony Bill, Michael Phillips, Julia Phillips |
|
1973
(46th) |
American Graffiti |
Universal |
Francis Ford Coppola, Gary Kurtz |
|
1973
(46th) |
Cries and Whispers[K] |
New World Pictures |
Ingmar Bergman |
|
1973
(46th) |
The Exorcist |
Warner Bros. |
William Peter Blatty |
|
1973
(46th) |
A Touch of Class |
Avco Embassy |
Melvin Frank |
|
1974
(47th) |
The Godfather Part II[O] |
Paramount |
Francis Ford Coppola, Gray Frederickson, Fred Roos |
The Godfather Trilogy is one of only two trilogies (with The Lord of the Rings film trilogy) that received nominations for each installment.[3] |
1974
(47th) |
Chinatown |
Paramount |
Robert Evans |
|
1974
(47th) |
The Conversation |
Paramount |
Francis Ford Coppola |
|
1974
(47th) |
Lenny |
United Artists |
Marvin Worth |
|
1974
(47th) |
The Towering Inferno |
20th Century Fox, Warner Bros. |
Irwin Allen |
|
1975
(48th) |
One Flew Over the Cuckoo's Nest |
United Artists |
Saul Zaentz[N], Michael Douglas |
won all Big Five Academy Awards[3] |
1975
(48th) |
Barry Lyndon |
Warner Bros. |
Stanley Kubrick |
|
1975
(48th) |
Dog Day Afternoon |
Warner Bros. |
Martin Bregman, Martin Elfand |
|
1975
(48th) |
Jaws |
Universal |
Richard D. Zanuck |
|
1975
(48th) |
Nashville |
Paramount |
Robert Altman |
|
1976
(49th) |
Rocky |
United Artists |
Irwin Winkler, Robert Chartoff |
|
1976
(49th) |
All the President's Men |
Warner Bros. |
Walter Coblenz |
|
1976
(49th) |
Bound for Glory |
United Artists |
Robert F. Blumofe, Harold Leventhal |
|
1976
(49th) |
Network |
Metro-Goldwyn-Mayer, United Artists |
Howard Gottfried |
|
1976
(49th) |
Taxi Driver |
Columbia |
Michael Phillips, Julia Phillips |
|
1977
(50th) |
Annie Hall |
United Artists |
Charles H. Joffe |
|
1977
(50th) |
The Goodbye Girl |
Metro-Goldwyn-Mayer, Warner Bros. |
Ray Stark |
|
1977
(50th) |
Julia |
20th Century Fox |
Richard Roth |
|
1977
(50th) |
Star Wars |
20th Century Fox |
George Lucas |
|
1977
(50th) |
The Turning Point |
20th Century Fox |
Herbert Ross, Arthur Laurents |
|
1978
(51st) |
The Deer Hunter |
Universal |
Barry Spikings, Michael Deeley, Michael Cimino, John Peverall |
|
1978
(51st) |
Coming Home |
United Artists |
Jerome Hellman |
|
1978
(51st) |
Heaven Can Wait |
Paramount |
Warren Beatty |
|
1978
(51st) |
Midnight Express |
Columbia |
Alan Marshall, David Puttnam |
|
1978
(51st) |
An Unmarried Woman |
20th Century Fox |
Paul Mazursky, Tony Ray |
|
1979
(52nd) |
Kramer vs. Kramer |
Columbia |
Stanley R. Jaffe |
|
1979
(52nd) |
All That Jazz |
20th Century Fox |
Robert Alan Aurthur |
posthumous nomination for Aurthur |
1979
(52nd) |
Apocalypse Now |
United Artists |
Francis Ford Coppola, Fred Roos, Gray Frederickson, Tom Sternberg |
|
1979
(52nd) |
Breaking Away |
20th Century Fox |
Peter Yates |
|
1979
(52nd) |
Norma Rae |
20th Century Fox |
Tamara Asseyev, Alex Rose |
|
1980
(53rd) |
Ordinary People |
Paramount |
Ronald L. Schwary |
|
1980
(53rd) |
Coal Miner's Daughter |
Universal |
Bernard Schwartz |
|
1980
(53rd) |
The Elephant Man |
Paramount |
David Lynch |
|
1980
(53rd) |
Raging Bull |
United Artists |
Irwin Winkler, Robert Chartoff |
|
1980
(53rd) |
Tess |
Columbia |
Claude Berri, Timothy Burrill |
|
1981
(54th) |
Chariots of Fire |
The Ladd Company, Warner Bros. |
David Puttnam |
|
1981
(54th) |
Atlantic City |
Paramount |
Denis Heroux |
|
1981
(54th) |
On Golden Pond |
ITC Films |
Bruce Gilbert |
|
1981
(54th) |
Raiders of the Lost Ark |
Paramount |
Frank Marshall |
|
1981
(54th) |
Reds |
Paramount |
Warren Beatty |
|
1982
(55th) |
Gandhi |
Columbia |
Richard Attenborough |
|
1982
(55th) |
E.T. the Extra-Terrestrial |
Universal |
Steven Spielberg, Kathleen Kennedy[M] |
|
1982
(55th) |
Missing |
Universal |
Edward Lewis, Mildred Lewis |
|
1982
(55th) |
Tootsie |
Columbia |
Sydney Pollack, Dick Richards |
|
1982
(55th) |
The Verdict |
20th Century Fox |
Richard D. Zanuck, David Brown |
|
1983
(56th) |
Terms of Endearment |
Paramount |
James L. Brooks |
|
1983
(56th) |
The Big Chill |
Columbia |
Michael Shamberg |
|
1983
(56th) |
The Dresser |
Columbia |
Peter Yates |
|
1983
(56th) |
The Right Stuff |
Warner Bros., The Ladd Company |
Irwin Winkler, Robert Chartoff |
|
1983
(56th) |
Tender Mercies |
Universal, AFD |
Philip S. Hobel |
|
1984
(57th) |
Amadeus |
Orion |
Saul Zaentz |
|
1984
(57th) |
The Killing Fields |
Warner Bros. |
David Puttnam |
|
1984
(57th) |
A Passage to India |
Columbia |
John Brabourne, Richard Goodwin |
|
1984
(57th) |
Places in the Heart |
Tri-Star |
Arlene Donovan |
|
1984
(57th) |
A Soldier's Story |
Columbia |
Norman Jewison, Ronald L. Schwary, Patrick Palmer |
|
1985
(58th) |
Out of Africa |
Universal |
Sydney Pollack |
|
1985
(58th) |
The Color Purple |
Warner Bros. |
Steven Spielberg, Kathleen Kennedy, Frank Marshall, Quincy Jones |
|
1985
(58th) |
Kiss of the Spider Woman |
Island Alive |
David Weisman |
|
1985
(58th) |
Prizzi's Honor |
20th Century Fox, ABC Motion Pictures |
John Foreman |
|
1985
(58th) |
Witness |
Paramount |
Edward S. Feldman |
|
1986
(59th) |
Platoon |
Orion |
Arnold Kopelson |
|
1986
(59th) |
Children of a Lesser God |
Paramount |
Burt Sugarman, Patrick J. Palmer |
|
1986
(59th) |
Hannah and Her Sisters |
Orion |
Robert Greenhut |
|
1986
(59th) |
The Mission |
Warner Bros. |
Fernando Ghia, David Puttnam |
|
1986
(59th) |
A Room with a View |
Cinecom |
Ismail Merchant |
|
1987
(60th) |
The Last Emperor[O] |
Columbia |
Jeremy Thomas |
|
1987
(60th) |
Broadcast News |
20th Century Fox |
James L. Brooks |
|
1987
(60th) |
Fatal Attraction |
Paramount |
Stanley R. Jaffe, Sherry Lansing |
|
1987
(60th) |
Hope and Glory |
Columbia |
John Boorman |
|
1987
(60th) |
Moonstruck |
Metro-Goldwyn-Mayer |
Patrick J. Palmer, Norman Jewison |
|
1988
(61st) |
Rain Man |
United Artists |
Mark Johnson |
|
1988
(61st) |
The Accidental Tourist |
Warner Bros. |
Lawrence Kasdan, Charles Okun, Michael Grillo |
|
1988
(61st) |
Dangerous Liaisons |
Warner Bros. |
Norma Heyman, Hank Moonjean |
|
1988
(61st) |
Mississippi Burning |
Orion |
Frederick Zollo, Robert F. Colesberry |
|
1988
(61st) |
Working Girl |
20th Century Fox |
Douglas Wick |
|
1989
(62nd) |
Driving Miss Daisy |
Warner Bros. |
Richard D. Zanuck, Lili Fini Zanuck |
|
1989
(62nd) |
Born on the Fourth of July |
Universal |
A. Kitman Ho, Oliver Stone |
|
1989
(62nd) |
Dead Poets Society |
Touchstone Pictures |
Steven Haft, Paul Junger Witt, Tony Thomas |
|
1989
(62nd) |
Field of Dreams |
Universal |
Lawrence Gordon, Charles Gordon |
|
1989
(62nd) |
My Left Foot |
Miramax |
Noel Pearson |
|
1990
(63rd) |
Dances with Wolves |
Orion |
Jim Wilson, Kevin Costner |
|
1990
(63rd) |
Awakenings |
Columbia |
Walter F. Parkes, Lawrence Lasker |
|
1990
(63rd) |
Ghost |
Paramount |
Lisa Weinstein |
|
1990
(63rd) |
The Godfather Part III |
Paramount |
Francis Ford Coppola |
The Godfather Trilogy is one of only two trilogies (with The Lord of the Rings film trilogy) that received nominations for each installment.[3] |
1990
(63rd) |
Goodfellas |
Warner Bros. |
Irwin Winkler |
|
1991
(64th) |
The Silence of the Lambs |
Orion |
Edward Saxon, Kenneth Utt, Ron Bozman |
won all Big Five Academy Awards[3] |
1991
(64th) |
Beauty and the Beast |
Walt Disney Pictures |
Don Hahn |
the first animated film ever to be nominated for Best Picture[5] |
1991
(64th) |
Bugsy |
TriStar |
Mark Johnson, Barry Levinson, Warren Beatty |
|
1991
(64th) |
JFK |
Warner Bros. |
A. Kitman Ho, Oliver Stone |
|
1991
(64th) |
The Prince of Tides |
Columbia |
Barbra Streisand, Andrew S. Karsch |
|
1992
(65th) |
Unforgiven |
Warner Bros. |
Clint Eastwood |
|
1992
(65th) |
The Crying Game |
Miramax |
Stephen Woolley |
|
1992
(65th) |
A Few Good Men |
Columbia, Castle Rock Entertainment |
Rob Reiner, Andrew Scheinman |
|
1992
(65th) |
Howards End |
Sony Pictures Classics |
Ismail Merchant |
|
1992
(65th) |
Scent of a Woman |
Universal Studios |
Martin Brest |
|
1993
(66th) |
Schindler's List |
Universal |
Steven Spielberg, Gerald R. Molen, Branko Lustig |
|
1993
(66th) |
The Fugitive |
Warner Bros. |
Arnold Kopelson |
|
1993
(66th) |
In the Name of the Father |
Universal |
Jim Sheridan |
|
1993
(66th) |
The Piano |
Miramax |
Jane Campion |
|
1993
(66th) |
The Remains of the Day |
Columbia |
Mike Nichols, John Calley, Ismail Merchant |
|
1994
(67th) |
Forrest Gump |
Paramount |
Wendy Finerman, Steve Tisch, Steve Starkey |
|
1994
(67th) |
Four Weddings and a Funeral |
PolyGram Filmed Entertainment, Working Title Films |
Duncan Kenworthy |
|
1994
(67th) |
Pulp Fiction |
Miramax |
Lawrence Bender |
|
1994
(67th) |
Quiz Show |
Hollywood Pictures |
Michael Jacobs, Julian Krainin, Michael Nozick, Robert Redford |
|
1994
(67th) |
The Shawshank Redemption |
Columbia, Castle Rock Entertainment |
Niki Marvin |
|
1995
(68th) |
Braveheart |
20th Century Fox, Icon |
Mel Gibson, Alan Ladd, Jr., Bruce Davey |
|
1995
(68th) |
Babe |
Universal |
Bill Miller, George Miller, Doug Mitchell |
|
1995
(68th) |
Apollo 13 |
Universal, Imagine Entertainment |
Brian Grazer |
|
1995
(68th) |
Il Postino[K] |
Miramax |
Mario Cecchi Gori, Vittorio Cecchi Gori, Gaetano Daniele |
posthumous nomination for Mario Cecchi Gori |
1995
(68th) |
Sense and Sensibility |
Columbia |
Lindsay Doran |
|
1996
(69th) |
The English Patient |
Miramax |
Saul Zaentz |
|
1996
(69th) |
Fargo |
Gramercy Pictures |
Ethan Coen |
|
1996
(69th) |
Jerry Maguire |
TriStar |
James L. Brooks, Laurence Mark, Richard Sakai, Cameron Crowe |
|
1996
(69th) |
Secrets & Lies |
October Films |
Simon Channing-Williams |
|
1996
(69th) |
Shine |
Fine Line Features |
Jane Scott |
|
1997
(70th) |
Titanic |
Paramount, 20th Century Fox |
James Cameron, Jon Landau |
received the most nominations in history (14 nominations)[4]
won the most Academy Awards in history (11 awards)[3] |
1997
(70th) |
As Good as It Gets |
TriStar |
James L. Brooks, Bridget Johnson, Kristi Zea |
|
1997
(70th) |
The Full Monty |
Fox Searchlight |
Umberto Pasolini |
|
1997
(70th) |
Good Will Hunting |
Miramax |
Lawrence Bender |
|
1997
(70th) |
L.A. Confidential |
Warner Bros. |
Curtis Hanson, Arnon Milchan, Michael G. Nathanson |
|
1998
(71st) |
Shakespeare in Love |
Miramax/Universal |
David Parfitt, Donna Gigliotti, Harvey Weinstein, Edward Zwick, Marc Norman |
|
1998
(71st) |
Elizabeth |
PolyGram Filmed Entertainment |
Shekhar Kapur, Alison Owen, Eric Fellner, Tim Bevan |
|
1998
(71st) |
Life Is Beautiful[K] |
Miramax |
Elda Ferri, Gianluigi Braschi |
|
1998
(71st) |
Saving Private Ryan |
DreamWorks, Paramount |
Steven Spielberg, Ian Bryce, Mark Gordon, Gary Levinsohn |
|
1998
(71st) |
The Thin Red Line |
20th Century Fox |
Robert Michael Geisler, John Roberdeau, Grant Hill |
|
1999
(72nd) |
American Beauty |
DreamWorks |
Bruce Cohen, Dan Jinks |
|
1999
(72nd) |
The Cider House Rules |
Miramax |
Richard N. Gladstein |
|
1999
(72nd) |
The Green Mile |
Castle Rock Entertainment, Warner Bros. |
Frank Darabont, David Valdes |
|
1999
(72nd) |
The Insider |
Touchstone Pictures |
Pieter Jan Brugge, Michael Mann |
|
1999
(72nd) |
The Sixth Sense |
Hollywood Pictures |
Frank Marshall, Kathleen Kennedy, Barry Mendel, M. Night Shyamalan |
|
2000
(73rd) |
Gladiator |
DreamWorks, Universal |
Douglas Wick, David Franzoni, Branko Lustig |
|
2000
(73rd) |
Chocolat |
Miramax |
David Brown, Kit Golden, Leslie Holleran |
|
2000
(73rd) |
Crouching Tiger, Hidden Dragon[K] |
Sony Pictures Classics |
William Kong, Hsu Li Kong, Ang Lee |
|
2000
(73rd) |
Erin Brockovich |
Universal, Columbia |
Danny DeVito, Michael Shamberg, Stacey Sher |
|
2000
(73rd) |
Traffic |
USA Films |
Edward Zwick, Marshall Herskovitz, Laura Bickford |
|
2001
(74th) |
A Beautiful Mind |
Universal, DreamWorks |
Brian Grazer, Ron Howard |
|
2001
(74th) |
Gosford Park |
USA Films |
Robert Altman, Bob Balaban, David Levy |
|
2001
(74th) |
In the Bedroom |
Miramax |
Graham Leader, Ross Katz, Todd Field |
|
2001
(74th) |
The Lord of the Rings: The Fellowship of the Ring |
New Line Cinema |
Peter Jackson, Fran Walsh, Barrie M. Osborne |
The Lord of the Rings film trilogy is one of only two trilogies (with The Godfather Trilogy) that received nominations for each installment.[3] |
2001
(74th) |
Moulin Rouge! |
20th Century Fox |
Martin Brown, Baz Luhrmann, Fred Baron |
|
2002
(75th) |
Chicago |
Miramax |
Bob Weinstein, Harvey Weinstein, Craig Zadan, Martin Richards |
|
2002
(75th) |
Gangs of New York |
Miramax |
Alberto Grimaldi, Harvey Weinstein |
|
2002
(75th) |
The Hours |
Paramount, Miramax |
Scott Rudin, Robert Fox |
|
2002
(75th) |
The Lord of the Rings: The Two Towers |
New Line Cinema |
Barrie M. Osborne, Fran Walsh, Peter Jackson |
The Lord of the Rings film trilogy is one of only two trilogies (with The Godfather Trilogy) that received nominations for each installment.[3] |
2002
(75th) |
The Pianist |
Focus Features |
Roman Polanski, Robert Benmussa, Alain Sarde |
|
2003
(76th) |
The Lord of the Rings: The Return of the King |
New Line Cinema |
Barrie M. Osborne, Peter Jackson, Fran Walsh |
The Lord of the Rings film trilogy is one of only two trilogies (with The Godfather Trilogy) that received nominations for each installment.[3]
This film won the most Academy Awards in history (11 awards)[3] |
2003
(76th) |
Lost in Translation |
Focus Features |
Ross Katz, Sofia Coppola |
|
2003
(76th) |
Master and Commander: The Far Side of the World |
20th Century Fox, Miramax, Universal |
Samuel Goldwyn, Jr., Peter Weir, Duncan Henderson |
|
2003
(76th) |
Mystic River |
Warner Bros. |
Robert Lorenz, Judie G. Hoyt, Clint Eastwood |
|
2003
(76th) |
Seabiscuit |
Universal, DreamWorks |
Kathleen Kennedy, Frank Marshall, Gary Ross |
|
2004
(77th) |
Million Dollar Baby |
Warner Bros. |
Clint Eastwood, Albert S. Ruddy, Tom Rosenberg |
|
2004
(77th) |
The Aviator |
Warner Bros., Miramax |
Michael Mann, Graham King |
|
2004
(77th) |
Finding Neverland |
Miramax |
Richard N. Gladstein, Nellie Bellflower |
|
2004
(77th) |
Ray |
Universal |
Taylor Hackford, Stuart Benjamin, Howard Baldwin |
|
2004
(77th) |
Sideways |
Fox Searchlight |
Michael London |
|
2005
(78th) |
Crash |
Lions Gate Entertainment |
Paul Haggis, Cathy Schulman |
|
2005
(78th) |
Brokeback Mountain |
Focus Features |
Diana Ossana, James Schamus |
|
2005
(78th) |
Capote |
United Artists |
Caroline Baron, William Vince, Michael Ohoven |
|
2005
(78th) |
Good Night, and Good Luck |
Warner Bros. |
Grant Heslov |
|
2005
(78th) |
Munich |
DreamWorks, Universal |
Steven Spielberg, Kathleen Kennedy, Barry Mendel |
|
2006
(79th) |
The Departed |
Warner Bros. |
Graham King |
|
2006
(79th) |
Babel |
Paramount Vantage |
Alejandro González Iñárritu, Steve Golin, Jon Kilik |
|
2006
(79th) |
Letters from Iwo Jima[K] |
Warner Bros. |
Clint Eastwood, Steven Spielberg, Robert Lorenz |
|
2006
(79th) |
Little Miss Sunshine |
Fox Searchlight |
David T. Friendly, Peter Saraf, Marc Turtletaub |
|
2006
(79th) |
The Queen |
Miramax |
Andy Harries, Christine Langan, Tracey Seaward |
|
2007
(80th) |
No Country for Old Men |
Miramax, Paramount Vantage |
Scott Rudin, Ethan Coen, Joel Coen |
|
2007
(80th) |
Atonement |
Focus Features |
Tim Bevan, Eric Fellner, Paul Webster |
|
2007
(80th) |
Juno |
Fox Searchlight |
Lianne Halfon, Mason Novick, Russell Smith |
|
2007
(80th) |
Michael Clayton |
Warner Bros. |
Jennifer Fox, Kerry Orent, Sydney Pollack |
|
2007
(80th) |
There Will Be Blood |
Paramount Vantage, Miramax |
Paul Thomas Anderson, Daniel Lupi, JoAnne Sellar |
|
2008
(81st) |
Slumdog Millionaire[O] |
Fox Searchlight, Warner Bros. |
Christian Colson |
|
2008
(81st) |
The Curious Case of Benjamin Button |
Paramount, Warner Bros. |
Kathleen Kennedy, Frank Marshall, Cean Chaffin |
|
2008
(81st) |
Frost/Nixon |
Universal |
Ron Howard, Brian Grazer, Eric Fellner |
|
2008
(81st) |
Milk |
Focus Features |
Bruce Cohen, Dan Jinks |
|
2008
(81st) |
The Reader |
The Weinstein Company |
Anthony Minghella, Sydney Pollack, Donna Gigliotti, Redmond Morris |
posthumous nominations for Minghella and Pollack |
2009
(82nd) |
The Hurt Locker |
Summit Entertainment |
Nominees to be determined |
|
2009
(82nd) |
Avatar |
20th Century Fox |
James Cameron, Jon Landau |
|
2009
(82nd) |
The Blind Side |
Warner Bros. |
Nominees to be determined |
|
2009
(82nd) |
District 9 |
TriStar Pictures |
Peter Jackson, Carolynne Cunningham |
|
2009
(82nd) |
An Education |
Sony Pictures Classics |
Finola Dwyer, Amanda Posey |
|
2009
(82nd) |
Inglourious Basterds |
The Weinstein Company, Universal Studios |
Lawrence Bender |
|
2009
(82nd) |
Precious: Based on the Novel "Push" by Sapphire |
Lions Gate Entertainment |
Lee Daniels, Sarah Siegel-Magness, Gary Magness |
|
2009
(82nd) |
A Serious Man |
Focus Features |
Joel Coen, Ethan Coen |
|
2009
(82nd) |
Up |
Walt Disney Pictures, Pixar Animation Studios |
Jonas Rivera |
|
2009
(82nd) |
Up in the Air |
Paramount Pictures |
Daniel Dubiecki, Ivan Reitman, Jason Reitman |
|
| Annual |
Year |
Film |
Awards |
Noms |
Milestone |
| 1st |
1927-28 |
Wings |
2 |
2 |
Winner of the first Academy award for Best Picture |
| 1st |
1927-28 |
Wings |
2 |
2 |
First (and only) silent film to win Best Picture |
| 2nd |
1928-29 |
The Broadway Melody |
1 |
3 |
First sound film to win Best Picture |
| 2nd |
1928-29 |
The Broadway Melody |
1 |
3 |
First musical to win Best Picture |
| 2nd |
1928-29 |
The Broadway Melody |
1 |
3 |
First film to win Best Picture without winning any other Academy Awards |
| 2nd |
1928-29 |
The Broadway Melody |
1 |
3 |
First winner for Best Picture to receive an acting nomination |
| 3rd |
1929-30 |
All Quiet on the Western Front |
2 |
2 |
First talkie war film to win Academy Awards |
| 4th |
1930-31 |
Cimarron |
3 |
7 |
First film to be nominated for every major Academy Award, including Best Picture |
| 4th |
1930-31 |
Cimarron |
3 |
7 |
First Western to win Best Picture |
| 4th |
1930-31 |
Skippy |
1 |
4 |
First (and only) film based on a comic book, comic strip, or graphic novel to be nominated for Best Picture |
| 5th |
1931-32 |
Grand Hotel |
1 |
1 |
First (and only) film to win Best Picture without receiving any other nominations |
| 6th |
1932-33 |
She Done Him Wrong |
0 |
1 |
Shortest film to be nominated for Best Picture (1 hour 6 minutes) |
| 6th |
1932-33 |
The Private Life of Henry VIII |
1 |
2 |
First foreign film to be nominated for Best Picture and to win any Academy Award (British) |
| 7th |
1934 |
It Happened One Night |
5 |
5 |
First of only three films to win every major Academy Award, including Best Picture |
| 7th |
1934 |
It Happened One Night |
5 |
5 |
First Best Picture nominee to win both Best Actor and Best Actress |
| 7th |
1934 |
It Happened One Night |
5 |
5 |
First comedy to win Best Picture |
| 8th |
1935 |
Mutiny on the Bounty |
1 |
8 |
First remake to win Best Picture |
| 8th |
1935 |
Mutiny on the Bounty |
1 |
8 |
Only film to have three performers nominated in the Best Actor category |
| 8th |
1935 |
Mutiny on the Bounty |
1 |
8 |
Last film to date to win Best Picture without winning any other Academy Awards |
| 8th |
1935 |
A Midsummer Night's Dream |
2* |
3 |
First Shakespeare adaptation to be nominated for Best Picture (*one of its two Oscars was a write-in winner) |
| 10th |
1937 |
A Star Is Born |
1 |
7 |
First all-color film nominated for Best Picture |
| 10th |
1937 |
The Life of Emile Zola |
3 |
10 |
First biographical picture (biopic) to win Best Picture |
| 11th |
1938 |
Grand Illusion |
0 |
1 |
First foreign language film to be nominated for Best Picture (French) |
| 11th |
1938 |
You Can't Take It With You |
2 |
7 |
First of only two Best Picture winners to have been adapted for the screen from plays which won the Pulitzer Prize |
| 12th |
1939 |
The Wizard of Oz |
2 |
6 |
First children's film to be nominated for Best Picture |
| 12th |
1939 |
Gone with the Wind |
8 |
13 |
Longest film to win Best Picture (3 hours 54 minutes) |
| 12th |
1939 |
Gone with the Wind |
8 |
13 |
First all-color film to win Best Picture |
| 13th |
1940 |
Rebecca |
2 |
11 |
First thriller to win Best Picture |
| 15th |
1942 |
Mrs. Miniver |
6 |
12 |
First Best Picture nominee to receive nominations in all of the four acting categories |
| 16th |
1943 |
The Ox-Bow Incident |
0 |
1 |
Last film to date to be nominated for Best Picture and no other award |
| 18th |
1945 |
The Bells of St. Mary's |
1 |
8 |
First sequel to be nominated for Best Picture |
| 18th |
1945 |
The Lost Weekend |
4 |
7 |
Only film to win both Best Picture and the Cannes Film Festival Grand Prix du Festival International du Film |
| 21st |
1948 |
Hamlet |
4 |
7 |
First foreign film to win Best Picture (British) |
| 23rd |
1950 |
All About Eve |
6 |
14 |
First of only two films to receive 14 Academy Award nominations, including Best Picture |
| 26th |
1953 |
From Here to Eternity |
8 |
13 |
Last Best Picture winner to date to receive nominations in all of the four acting categories |
| 26th |
1953 |
The Robe |
2 |
5 |
First motion picture (and Best Picture nominee) in CinemaScope |
| 28th |
1955 |
Marty |
4 |
8 |
Only film to win both Best Picture and the Cannes Film Festival Palme d'Or |
| 28th |
1955 |
Marty |
4 |
8 |
Shortest film to win Best Picture (1 hour 31 minutes) |
| 28th |
1955 |
Marty |
4 |
8 |
First (and only) film based on a television movie or mini-series to win Best Picture |
| 29th |
1956 |
Around the World in Eighty Days |
5 |
8 |
First film to win Best Picture in a year when all nominees were filmed in color |
| 30th |
1957 |
The Bridge on the River Kwai |
7 |
8 |
Won the Best Film in the BAFTA, Golden Globe and New York Film Critics Circle Award |
| 32nd |
1959 |
Ben-Hur |
11 |
12 |
First of only three films to win 11 Academy Awards, including Best Picture |
| 33rd |
1960 |
The Apartment |
5 |
10 |
Last black-and-white film before 1993 (and last entirely in B&W) to win Best Picture |
| 34th |
1961 |
West Side Story |
10 |
11 |
First of only two Best Picture winners to have more than one credited director (Jerome Robbins and Robert Wise) |
| 34th |
1961 |
West Side Story |
10 |
11 |
Most Oscar-winning musical (10 wins) |
| 35th |
1962 |
Lawrence of Arabia |
7 |
10 |
Only Best Picture winner to have credited roles for actors of only one gender |
| 39th |
1966 |
Who's Afraid of Virginia Woolf? |
5 |
13 |
First (and only) Best Picture nominee to be nominated for every award category in which it was eligible |
| 40th |
1967 |
In the Heat of the Night |
5 |
7 |
First (and only) mystery to win Best Picture |
| 41st |
1968 |
Oliver! |
6 |
11 |
First film with an MPAA rating to win Best Picture |
| 41st |
1968 |
Oliver! |
6 |
11 |
First (and only) G-rated film to date to win Best Picture |
| 42nd |
1969 |
Midnight Cowboy |
3 |
7 |
First (and only) X-rated film to win Best Picture |
| 43rd |
1970 |
Patton |
7 |
10 |
First PG-rated film to win Best Picture |
| 44th |
1971 |
A Clockwork Orange |
0 |
4 |
Last X-rated film to be nominated for Best Picture |
| 44th |
1971 |
The French Connection |
5 |
8 |
First R-rated film to win Best Picture |
| 45th |
1972 |
Cabaret |
8 |
10 |
Best Picture nominee to win the most Academy Awards (8) without winning Best Picture |
| 46th |
1973 |
The Exorcist |
2 |
10 |
First horror film to be nominated for Best Picture |
| 47th |
1974 |
The Godfather Part II |
6 |
11 |
First sequel to win Best Picture. |
| 48th |
1975 |
One Flew Over the Cuckoo's Nest |
5 |
9 |
Second of only three films to win every major Academy Award, including Best Picture |
| 49th |
1976 |
Rocky |
3 |
10 |
First sports film to win Best Picture |
| 50th |
1977 |
Star Wars |
6 |
10 |
First Science fiction film to be nominated for Best Picture |
| 50th |
1977 |
The Turning Point |
0 |
11 |
First of two Best Picture nominees to receive 11 nominations without winning any Academy Awards |
| 53rd |
1980 |
Ordinary People |
4 |
6 |
Last film to date to win Best Picture without a Best Film Editing nomination. |
| 54th |
1981 |
Reds |
3 |
12 |
Last Best Picture nominee to date to receive nominations in all four of the acting categories |
| 58th |
1985 |
The Color Purple |
0 |
11 |
Second of two Best Picture nominees to receive 11 nominations without winning any Academy Awards |
| 58th |
1985 |
The Color Purple |
0 |
11 |
First PG-13-rated to be nominated for Best Picture |
| 58th |
1985 |
Kiss of the Spider Woman |
1 |
4 |
First Independent film to be nominated for Best Picture |
| 59th |
1986 |
Children of a Lesser God |
1 |
5 |
First film directed by a woman (Randa Haines) to be nominated for Best Picture |
| 60th |
1987 |
The Last Emperor |
9 |
9 |
First PG-13-rated film to win Best Picture |
| 61st |
1988 |
Rain Man |
4 |
8 |
First (and only) film to win Berlin Golden Bear and Best Picture |
| 62nd |
1989 |
Driving Miss Daisy |
4 |
9 |
Last film to date to win Best Picture without being nominated for Best Director |
| 62nd |
1989 |
Driving Miss Daisy |
4 |
9 |
Second of only two Best Picture winners to have been adapted for the screen from plays having won the Pulitzer Prize |
| 62nd |
1989 |
Driving Miss Daisy |
4 |
9 |
Last Best Picture winner to date with a PG rating (or lower) |
| 63rd |
1990 |
The Godfather Part III |
0 |
7 |
First of only two trilogies to have all three films nominated for Best Picture |
| 64th |
1991 |
Beauty and the Beast |
2 |
6 |
First animated film to to be nominated for Best Picture |
| 64th |
1991 |
The Silence of the Lambs |
5 |
7 |
Third of only three films to win every major Academy Award, including Best Picture |
| 64th |
1991 |
The Silence of the Lambs |
5 |
7 |
Last Best Picture winner to date to win both Best Actor and Best Actress |
| 64th |
1991 |
The Silence of the Lambs |
5 |
7 |
First horror film to win Best Picture |
| 66th |
1993 |
Schindler's List |
7 |
12 |
First (and only) black-and-white film after 1960 to win Best Picture (though with some color sequences) |
| 66th |
1993 |
The Fugitive |
1 |
7 |
First (and only) film based on a television series to be nominated for Best Picture |
| 67th |
1994 |
Four Weddings and a Funeral |
0 |
2 |
First (and only) film to be nominated for Best Picture and only one other award after the switch to five nominees in 1944 |
| 70th |
1997 |
As Good As It Gets |
2 |
7 |
Last Best Picture nominee to date to win both Best Actor and Best Actress |
| 70th |
1997 |
Titanic |
11 |
14 |
Second of only two films to receive 14 Academy Award nominations, including Best Picture |
| 70th |
1997 |
Titanic |
11 |
14 |
Second of only three films to win 11 Academy Awards, including Best Picture |
| 70th |
1997 |
Titanic |
11 |
14 |
First Best Picture winner to be produced, directed, written, and edited by the same person (James Cameron) |
| 70th |
1997 |
Titanic |
11 |
14 |
First Best Picture winner to gross over US$1,000,000,000, worldwide.[8] |
| 70th |
1997 |
Titanic |
11 |
14 |
Last film to date to win Best Picture without a screenplay nomination (Adapted or Original) |
| 71st |
1998 |
Shakespeare in Love |
7 |
13 |
Last comedy to date to win Best Picture |
| 71st |
1998 |
Shakespeare in Love |
7 |
13 |
Most Oscars without a Best Director win |
| 73rd |
2000 |
Traffic |
4 |
5 |
Last Best Picture nominee to date to have been based on a television movie or mini-series |
| 73rd |
2000 |
Crouching Tiger, Hidden Dragon |
4 |
10 |
First (and only) martial arts film to date to be nominated for Best Picture |
| 73rd |
2000 |
Crouching Tiger, Hidden Dragon |
4 |
10 |
Foreign language film nominated for Best Picture to date with the most number of Academy Award nominations |
| 74th |
2001 |
A Beautiful Mind |
4 |
8 |
Last biopic to date to win Best Picture |
| 75th |
2002 |
Chicago |
6 |
13 |
Last musical to date to win Best Picture |
| 76th |
2003 |
The Lord of the Rings: The Return of the King |
11 |
11 |
Second of only two trilogies to have all three films nominated for Best Picture |
| 76th |
2003 |
The Lord of the Rings: The Return of the King |
11 |
11 |
Third of only three films to date to win 11 Academy Awards, including Best Picture |
| 76th |
2003 |
The Lord of the Rings: The Return of the King |
11 |
11 |
Last film to date to win Best Picture and all of its other nominated categories |
| 76th |
2003 |
The Lord of the Rings: The Return of the King |
11 |
11 |
First (and only) film to win more than 10 awards and not receive an acting nomination |
| 76th |
2003 |
The Lord of the Rings: The Return of the King |
11 |
11 |
First (and only) film to date with ten or more nominations (11) to win in every nomination it received including Best Picture |
| 76th |
2003 |
The Lord of the Rings: The Return of the King |
11 |
11 |
First (and only) fantasy film to date to win Best Picture |
| 77th |
2004 |
Million Dollar Baby |
4 |
7 |
Last film to date to be nominated for every major Academy Award, including Best Picture |
| 77th |
2004 |
The Aviator |
5 |
11 |
Last film to date to win the most Academy Awards (5) in its year without winning Best Picture |
| 78th |
2005 |
Crash |
3 |
6 |
First (and only) film festival acquisition to win Best Picture |
| 78th |
2005 |
Good Night, and Good Luck |
0 |
6 |
Last black-and-white film to date to be nominated for Best Picture |
| 79th |
2006 |
Letters from Iwo Jima |
1 |
4 |
Last foreign language film to date to be nominated for Best Picture (Japanese) |
| 79th |
2006 |
The Departed |
4 |
5 |
First (and only) remake of a foreign film to win Best Picture |
| 80th |
2007 |
No Country for Old Men |
4 |
8 |
Last western to date to win Best Picture |
| 80th |
2007 |
No Country for Old Men |
4 |
8 |
Last Best Picture winner to date to have more than one credited director (Joel and Ethan Coen) |
| 80th |
2007 |
No Country for Old Men |
4 |
8 |
First (and only) film of the 2000s decade to gross under $2 million in its opening weekend to win Best Picture |
| 81st |
2008 |
Slumdog Millionaire |
8 |
10 |
Last film to date to win Best Picture without receiving any acting nominations |
| 81st |
2008 |
Slumdog Millionaire |
8 |
10 |
Tied with Gandhi as Best Picture winner with second most Oscars for a British production (behind The English Patient) and second most Oscars for a non-American production (behind The Last Emperor).[9] |
| 82nd |
2009 |
Up |
2 |
5 |
First computer animated film to be nominated for Best Picture |
| 82nd |
2009 |
Up |
2 |
5 |
Last family film to date to be nominated for Best Picture |
| 82nd |
2009 |
District 9 |
0 |
4 |
First best picture nominee to be filmed partly in mockumentary style. |
Before 1951, the award was for the studio or studios which produced the film. Since then, the award has been to the individual producers credited on the film. Note also that until 1943, there were ten rather than five nominated films per year. As of 2009, there are ten nominated films, once again. The first year in which multiple individuals jointly won was 1973, with three winners for The Sting. The most joint winners was five, for Shakespeare in Love in 1998. After this the Academy imposed a limit of three nominated producers per film; however this may be exceeded in "a rare and extraordinary circumstance", such as in 2008 when Anthony Minghella and Sydney Pollack were posthumously included among four nominees for The Reader.[10]