From Wikipedia, the free encyclopedia
The acanthus is one of the most common
ornaments used to depict foliage.[1]
Architectural ornaments are carved in stone or wood in the
appearance of leaves from the Mediterranean Acanthus spinosus plant, with some
resemblance to thistle, poppy and parsley leaves.
Acanthus ornaments appear extensively in the capitals of the Corinthian
and Composite orders, and applied to the frieze. Ancient Greek culture was
the first to use the ornament, elaborated by the Romans with the
ends of the leaves curled. The design continued in popularity in
the Byzantine, Romanesque and Gothic architecture, again during the
Renaissance, and still favored in the present.
The Roman writer Vitruvius (c. 75 BCE — c.
15 BCE) related that the Corinthian order had been invented by Callimachus, a Greek architect
and sculptor who was inspired by the sight of a votive basket that
had been left on the grave of a young girl. A few of her toys were
in it, and a square tile had been placed over the basket, to
protect them from the weather. An acanthus plant had
grown through the woven basket, mixing its spiny, deeply cut leaves
with the weave of the basket.
Acanthus ornaments are used for the interior of a building on
the crown
molding.
The design is also used in Medieval and Renaissance artwork, particularly in
sculpture and wood carving and in friezes.
The relationship between acanthus ornament and the acanthus
plant has been the subject of a long-standing controversy. Alois Riegl famously
argued in his Stilfragen that acanthus ornament
originated as a sculptural version of the palmette, and only later began to resemble
Acanthus spinosus.[2]
| The
acanthus ornament: its origin as palmette and the appearance in
architecture, art and craft |
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Illustration of Nordic carving.
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Design by William Morris.
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Ornamental acanthus motive engraving on an ennobled watch movement
(by Louis George, Berlin).
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Incrustation element with palmette decoration. Carved ivory, Egypt,
14th century.
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The type of palmette commonly found as an acroterion.
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See also
References
- ^
Philippa Lewis & Gillian Darley, Dictionary of
Ornament (1986) Pantheon: NY
- ^
A. Riegl, tr. E. Kain, Problems of style: foundations for a
history of ornament (Princeton, 1992), 187-206.