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Dame Agatha Christie, DBE

Born Agatha Mary Clarissa Miller
15 September 1890(1890-09-15)
Torquay, Devon, England
Died 12 January 1976 (aged 85)
Wallingford, Oxfordshire, England
Pen name Mary Westmacott
Occupation Novelist
Nationality British
Genres Murder mystery, Thriller, Crime fiction, Romances
Literary movement Golden Age of Detective Fiction
Spouse(s) Archibald Christie (1914–1928)
Max Mallowan (1930–1976)
Signature
Official website

Dame Agatha Christie DBE (15 September 1890 – 12 January 1976), was an English crime writer of novels, short stories and plays. She also wrote romances under the name Mary Westmacott, but is best remembered for her 80 detective novels and her successful West End theatre plays. Her works, particularly those featuring detectives Hercule Poirot and Miss Jane Marple, have given her the title the 'Queen of Crime' and made her one of the most important and innovative writers in the development of the genre.

Christie has been referred to by the Guinness Book of World Records as the best-selling writer of books of all time and the best-selling writer of any kind, along with William Shakespeare. Only the Bible is known to have outsold her collected sales of roughly four billion copies of novels.[1] UNESCO states that she is currently the most translated individual author in the world with only the collective corporate works of Walt Disney Productions surpassing her.[2] Christie's books have been translated into at least 56 languages.

Her stage play The Mousetrap holds the record for the longest initial run in the world: it opened at the Ambassadors Theatre in London on 25 November 1952 and as of 2010 is still running after more than 23,000 performances. In 1955, Christie was the first recipient of the Mystery Writers of America's highest honour, the Grand Master Award, and in the same year, Witness for the Prosecution was given an Edgar Award by the MWA, for Best Play. Most of her books and short stories have been filmed, some many times over (Murder on the Orient Express, Death on the Nile and 4.50 From Paddington for instance), and many have been adapted for television, radio, video games and comics.

In 1968, Booker Books, a subsidiary of the agri-industrial conglomerate Booker-McConnell, bought a 51 percent stake in Agatha Christie Limited, the private company that Christie had set up for tax purposes. Booker later increased its stake to 64 percent. In 1998, Booker sold its shares to Chorion, a company whose portfolio also includes the literary estates of Enid Blyton and Dennis Wheatley.[3]

In 2004, a 5,000-word story entitled "The Incident of the Dog's Ball" was found in the attic of the author's daughter. It was published in Britain in September 2009. On November 10, 2009, Reuters announced that the story will be published by The Strand Magazine.[4]

Contents

Biography

Early life and first marriage

Agatha Mary Clarissa Miller was born in Torquay, Devon, England. Her mother, Clarissa Margaret Boehmer, was the daughter of a British army captain,[5] but had been sent, as a child, to live with her own mother's sister, who was the second wife of a wealthy American. Eventually Margaret married her stepfather's son from his first marriage, Frederick Alvah Miller, an American stockbroker. Thus the two women Agatha called "Grannie" were sisters. Despite her father's nationality as a "New Yorker" and her aunt's relation to the Pierpont Morgans, Agatha never claimed United States citizenship or connection.[6]

The Millers had two other children: Margaret Frary Miller (1879–1950), called Madge, who was eleven years Agatha's senior, and Louis Montant Miller (1880–1929), called Monty, ten years older than Agatha. Later, in her autobiography, Agatha would refer to her brother as "an amiable scapegrace of a brother".[7]

During the First World War, she worked at a hospital as a nurse; she liked the profession, calling it "one of the most rewarding professions that anyone can follow".[8] She later worked at a hospital pharmacy, a job that influenced her work, as many of the murders in her books are carried out with poison.

Despite a turbulent courtship, on Christmas Eve 1914 Agatha married Archibald Christie, an aviator in the Royal Flying Corps.[9] The couple had one daughter, Rosalind Hicks. They divorced in 1928, two years after Christie discovered her husband was having an affair. It was during this marriage that she published her first novel in 1920, The Mysterious Affair at Styles. In 1924, she published a collection of mystery and ghost stories entitled The Golden Ball.

Disappearance

In late 1926, Agatha's husband Archie revealed that he was in love with another woman, Nancy Neele, and wanted a divorce. On 8 December 1926, the couple quarrelled, and Archie Christie left their house in Sunningdale, Berkshire, to spend the weekend with his mistress at Godalming, Surrey. That same evening Agatha disappeared from her home, leaving behind a letter for her secretary saying that she was going to Yorkshire. Her disappearance caused an outcry from the public, many of whom were admirers of Agatha Christie's novels. Despite a massive manhunt, there were no results until eleven days later.[10]

Agatha Christie's gravestone in Cholsey

Eleven days after her disappearance, Christie was identified as a guest at the Swan Hydropathic Hotel (now the Old Swan Hotel[11]) in Harrogate, Yorkshire where she was registered as 'Mrs Teresa Neele' from Cape Town. Christie gave no account of her disappearance. Although two doctors had diagnosed her as suffering from amnesia, opinion remains divided as to the reasons for her disappearance. One suggestion is that she had suffered a nervous breakdown brought about by a natural propensity for depression, exacerbated by her mother's death earlier that year, and the discovery of her husband's infidelity. Public reaction at the time was largely negative with many believing it was all just a publicity stunt, whilst others speculated she was trying to make the police think her husband killed her as revenge for his affair.[12]

Second marriage and later life

In 1930, Christie married archaeologist Max Mallowan after joining him in an archaeological dig. Their marriage was especially happy in the early years and remained so until Christie's death in 1976.[13] In 1977, Mallowan married his longtime associate, Barbara Parker.[13]

Christie's travels with Mallowan contributed background to several of her novels set in the Middle East. Other novels (such as And Then There Were None) were set in and around Torquay, where she was born. Christie's 1934 novel, Murder on the Orient Express was written in the Hotel Pera Palace in Istanbul, Turkey, the southern terminus of the railway. The hotel maintains Christie's room as a memorial to the author.[14] The Greenway Estate in Devon, acquired by the couple as a summer residence in 1938, is now in the care of the National Trust. Christie often stayed at Abney Hall in Cheshire, which was owned by her brother-in-law, James Watts. She based at least two of her stories on the hall: The short story The Adventure of the Christmas Pudding, which is in the story collection of the same name, and the novel After the Funeral. "Abney became Agatha's greatest inspiration for country-house life, with all the servants and grandeur which have been woven into her plots. The descriptions of the fictional Styles, Chimneys, Stoneygates and the other houses in her stories are mostly Abney in various forms."[15]

During the Second World War, Christie worked in the pharmacy at University College Hospital of University College, London, where she acquired a knowledge of poisons that she put to good use in her post-war crime novels. For example, the use of thallium as a poison was suggested to her by UCH Chief Pharmacist Harold Davis (later appointed Chief Pharmacist at the UK Ministry of Health), and in The Pale Horse, published in 1961, she employed it to dispatch a series of victims, the first clue to the murder method coming from the victims’ loss of hair. So accurate was her description of thallium poisoning that on at least one occasion it helped solve a case that was baffling doctors.[16]

Agatha Christie's room at the Hotel Pera Palace, where she wrote Murder on the Orient Express.

To honour her many literary works, she was appointed Commander of the Order of the British Empire in the 1956 New Year Honours.[17] The next year, she became the President of the Detection Club.[18] In the 1971 New Year Honours she was promoted Dame Commander of the Order of the British Empire,[19] three years after her husband had been knighted for his archeological work in 1968.[20] They were one of the few married couples where both partners were honoured in their own right.

From 1971 to 1974, Christie's health began to fail; however, she continued to write. Recently, using experimental, computerized, textual tools of analysis, Canadian researchers have suggested that Christie may have begun to suffer from Alzheimer's disease or other dementia.[21][22][23][24][25] In 1975, sensing her increasing weakness, Christie signed over the rights of her most successful play, The Mousetrap, to her grandson.[13] Agatha Christie died on 12 January 1976, at age 85, from natural causes, at her Winterbrook House in the north of Cholsey parish, adjoining Wallingford in Oxfordshire (formerly Berkshire). She is buried in the nearby churchyard of St Mary's, Cholsey.

Christie's only child, Rosalind Margaret Hicks died, also aged 85, on 28 October 2004 from natural causes, in Torbay, Devon.[26] Christie's grandson, Mathew Prichard, was heir to the copyright to some of his grandmother's literary work (including The Mousetrap) and is still associated with Agatha Christie Limited.

Hercule Poirot and Miss Marple

Agatha Christie's first novel The Mysterious Affair at Styles was published in 1920 and introduced the long-running character detective Hercule Poirot, who appeared in 33 of Christie's novels and 54 short stories.

Her other well known character, Miss Marple, was introduced in The Tuesday Night Club in 1927 (short story), and was based on women like Christie's grandmother and her "cronies".[27]

During the Second World War, Christie wrote two novels, Curtain and Sleeping Murder, intended as the last cases of these two great detectives, Hercule Poirot and Jane Marple, respectively. Both books were sealed in a bank vault for over thirty years, and were released for publication by Christie only at the end of her life, when she realized that she could not write any more novels. These publications came on the heels of the success of the film version of Murder on the Orient Express in 1974.

Like Arthur Conan Doyle with Sherlock Holmes, Christie was to become increasingly tired of her detective, Poirot. In fact, by the end of the 1930s, Christie confided to her diary that she was finding Poirot “insufferable," and by the 1960s she felt that he was "an ego-centric creep." However, unlike Conan Doyle, Christie resisted the temptation to kill her detective off while he was still popular. She saw herself as an entertainer whose job was to produce what the public liked, and the public liked Poirot.[28]

In contrast, Christie was fond of Miss Marple. However, it is interesting to note that the Belgian detective’s titles outnumber the Marple titles by more than two to one. This is largely because Christie wrote numerous Poirot novels early in her career, while The Murder at the Vicarage remained the sole Marple novel until the 1940s.

Christie never wrote a novel or short story featuring both Poirot and Miss Marple. In a recording, recently re-discovered and released in 2008, Christie revealed the reason for this: "Hercule Poirot, a complete egoist, would not like being taught his business or having suggestions made to him by an elderly spinster lady".[27]

Poirot is the only fictional character to have been given an obituary in The New York Times, following the publication of Curtain in 1975.

Following the great success of Curtain, Christie gave permission for the release of Sleeping Murder sometime in 1976, but died in January 1976 before the book could be released. This may explain some of the inconsistencies compared to the rest of the [Marple series — for example, Colonel Arthur Bantry, husband of Miss Marple's friend, Dolly, is still alive and well in Sleeping Murder despite the fact he is noted as having died in books published earlier. It may be that Christie simply did not have time to revise the manuscript before she died. Miss Marple fared better than Poirot, since after solving the mystery in Sleeping Murder she returns home to her regular life in St. Mary Mead.

On an edition of Desert Island Discs in 2007, Brian Aldiss claimed that Agatha Christie told him that she wrote her books up to the last chapter, and then decided who the most unlikely suspect was. She would then go back and make the necessary changes to "frame" that person.[29] The evidence of Christie's working methods, as described by successive biographers, contradicts this claim.[citation needed]

Formula and plot devices

Almost all of Agatha Christie’s books are whodunits, focusing on the English middle and upper classes. Usually, the detective either stumbles across the murder or is called upon by an old acquaintance, who is somehow involved. Gradually, the detective interrogates each suspect, examines the scene of the crime and makes a note of each clue, so readers can analyze it and be allowed a fair chance of solving the mystery themselves. Then, about halfway through, or sometimes even during the final act, one of the suspects usually dies, often because they have inadvertently deduced the killer's identity and need silencing. In a few of her novels, including Death Comes as the End and And Then There Were None, there are multiple victims. Finally, the detective organizes a meeting of all the suspects and slowly denounces the guilty party, exposing several unrelated secrets along the way, sometimes over the course of thirty or so pages. The murders are often extremely ingenious, involving some convoluted piece of deception. Christie’s stories are also known for their taut atmosphere and strong psychological suspense, developed from the deliberately slow pace of her prose.

Twice, the murderer surprisingly turns out to be the unreliable narrator of the story.

In four stories, Christie allows the murderer to escape justice (and in the case of the last three, implicitly almost approves of their crimes); these are The Witness for the Prosecution, Murder on the Orient Express, Curtain and The Unexpected Guest. After the dénouement of Taken at the Flood, her sleuth Poirot has the guilty party arrested for the lesser crime of manslaughter. (When Christie adapted Witness into a stage play, she lengthened the ending so that the murderer was also killed.) There are also numerous instances where the killer is not brought to justice in the legal sense but instead dies (death usually being presented as a more 'sympathetic' outcome), for example Death on the Nile, The Murder of Roger Ackroyd, Crooked House, Appointment with Death and The Hollow. In some cases this is with the collusion of the detective involved. Five Little Pigs, and arguably Ordeal by Innocence, end with the question of whether formal justice will be done unresolved.

Critical reception

Agatha Christie was revered as a master of suspense, plotting, and characterization by most of her contemporaries and, even today, her stories have received glowing reviews in most literary circles.[citation needed] Fellow crime writer Anthony Berkeley Cox was an admitted fan of her work, once saying that nobody can write an Agatha Christie novel but the authoress herself.[citation needed]

However, she does have her detractors, most notably the American novelist Raymond Chandler, who criticised her in his essay, The Simple Art of Murder, and the American literary critic Edmund Wilson, who was dismissive of Christie and the detective fiction genre generally in his New Yorker essay, "Who Cares Who Killed Roger Ackroyd?".[30]

Stereotyping

Christie occasionally inserted stereotyped descriptions of characters into her work, particularly before the end of the Second World War (when such attitudes were more commonly expressed publicly), and particularly in regard to Italians, Jews, and non-Europeans generally. For example, in the first editions of the collection The Mysterious Mr Quin (1930), in the short story "The Soul of the Croupier," she described "Hebraic men with hook-noses wearing rather flamboyant jewellery"; in later editions the passage was edited to describe "sallow men" wearing same.[31]

Portrayals

Christie has been portrayed on a number of occasions in film and television.

Several biographical programs have been made, such as the 2004 BBC television program entitled Agatha Christie: A Life in Pictures, in which she is portrayed by Olivia Williams, Anna Massey, and Bonnie Wright.

Christie has also been portrayed fictionally. Some of these have explored and offered accounts of Christie's disappearance in 1926, including the 1979 film Agatha (with Vanessa Redgrave) and the Doctor Who episode "The Unicorn and the Wasp" (with Fenella Woolgar). Others, such as 1980 Hungarian film, Kojak Budapesten (not to be confused with the 1986 comedy by the same name) create their own scenarios involving Christie's criminal skill.[32] In the 1986 TV play, Murder by the Book, Christie herself (Peggy Ashcroft) murdered one of her fictional-turned-real characters, Poirot.

Christie has also been parodied on screen, such as in the film Murder by Indecision, which featured the character "Agatha Crispy".

List of works

See List of works by Agatha Christie

Other works based on Christie's books and plays

Plays adapted into novels by Charles Osborne

Plays adapted by other authors

Movie adaptations

Year Title Story Based On Other Notes
1928 "The Passing Of Mr. Quin" The Coming of Mr. Quin First Christie film adaptation.
1929 "Die Abenteurer G.m.b.H." The Secret Adversary First Christie foreign film adaptation. German adaptation of The Secret Adversary
1931 "Alibi" The stage play Alibi and the novel The Murder of Roger Ackroyd First Christie film adaptation to feature Hercule Poirot.
1931 "Black Coffee" Black Coffee None.
1932 "Le Coffret de Laque" Black Coffee French adaptation of Black Coffee.
1934 "Lord Edgware Dies" Lord Edgware Dies None.
1937 "Love from a Stranger" The stage play Love from a Stranger and the short story Philomel Cottage Released in the US as A Night of Terror.
1945 "And Then There Were None" The stage play And Then There Were None and the novel And Then There Were None First Christie film adaptation of And Then There Were None.
1947 "Love from a Stranger" The stage play Love from a Stranger and the short story Philomel Cottage Released in the UK as A Stranger Walked In.
1957 "Witness for the Prosecution" The stage play Witness for the Prosecution and the short story The Witness for the Prosecution None.
1960 "The Spider's Web" Spider's Web None.
1961 "Murder, She Said" 4.50 From Paddington First Christie film adaptation to feature Miss Marple.
1963 "Murder at the Gallop" After the Funeral None.
1964 "Murder Most Foul" Mrs. McGinty's Dead None.
1964 "Murder Ahoy!" None An original movie not based on any book, although it borrows some elements of They Do It With Mirrors.
1965 "Gumnaam" And Then There Were None Uncredited adaptation of And Then There Were None.
1965 "Ten Little Indians" The stage play And Then There Were None and the novel And Then There Were None None.
1965 "The Alphabet Murders" The A.B.C. Murders None.
1972 "Endless Night" Endless Night None.
1974 "Murder on the Orient Express" Murder on the Orient Express None.
1974 "And Then There Were None" The stage play And Then There Were None and the novel And Then There Were None Released in the US as Ten Little Indians.
1978 "Death on the Nile" The stage play Murder on the Nile and the novel Death on the Nile None.
1980 "The Mirror Crack'd" The Mirror Crack'd from Side to Side None.
1982 "Evil Under the Sun" Evil Under the Sun None.
1985 "Ordeal by Innocence" Ordeal by Innocence None.
1987 "Desyat Negrityat" The stage play And Then There Were None and the novel And Then There Were None Russian film adaptation of And Then There Were None.
1988 "Appointment With Death" The stage play Appointment with Death and the novel Appointment with Death None.
1989 "Ten Little Indians" The stage play And Then There Were None and the novel And Then There Were None None.
1995 "Innocent Lies" Towards Zero None.
2005 "Mon petit doigt m'a dit..." By the Pricking of My Thumbs French adaptation of By the Pricking of My Thumbs.
2007 "L'Heure zéro" Towards Zero French adaptation of Towards Zero.
2008 "Le crime est notre affaire" 4.50 From Paddington French adaptation of 4.50 From Paddington

Television adaptations

Agatha Christie's Poirot television series

Episodes include:

Graphic novels

Euro Comics India began issuing a series of graphic novel adaptations of Christie's work in 2007.

HarperCollins independently began issuing this series also in 2007.

In addition to the titles issued the following titles are also planned for release:

Video games

  • 1988 The Scoop (published by Spinnaker Software and Telarium) (PC)
  • 2005 Agatha Christie: And Then There Were None (PC and Wii in 2008).
  • 2006 Agatha Christie: Murder on the Orient Express (PC and Wii in 2009)
  • 2007 Agathe Christie: Death on the Nile (I-Spy" hidden-object game) (PC)
  • 2007 Agatha Christie: Evil Under the Sun (PC and Wii in 2008)
  • 2008 Agatha Christie: Peril at End House (I-Spy" hidden-object game)
  • 2009 Agatha Christie: The ABC Murders (DS)
  • 2009 Agatha Christie: Dead Man's Folly (PC)

Unpublished material

  • Snow Upon the Desert (romantic novel)
  • Personal Call (supernatural radio play, featuring Inspector Narracott who also appeared in The Sittaford Mystery; a recording is in the British Library Sound Archive)
  • The Woman and the Kenite (horror: an Italian translation, allegedly transcribed from an Italian magazine of the 1920s, is available on the internet: La moglie del Kenita).
  • Butter In a Lordly Dish (horror/detective radio play, adapted from The Woman and the Kenite)
  • Being So Very Wilful (romantic)
  • Two previously unpublished Poirot short stories, The Capture of Cerberus and The Incident of the Dog's Ball—both variants of published works—were included in The Secret Notebooks of Agatha Christie by John Curran, a study of Christie's plotwork published in 2009. (ISBN 0007310560)

Animation

In 2004 the Japanese broadcasting company Nippon Hōsō Kyōkai turned Poirot and Marple into animated characters in the anime series Agatha Christie's Great Detectives Poirot and Marple, introducing Mabel West (daughter of Miss Marple's mystery-writer nephew Raymond West, a canonical Christie character) and her duck Oliver as new characters.

See also

  • Tropes in Agatha Christie's novels
  • Agatha Christie: A Life in Pictures (Her life story in a 2004 BBC drama)
  • Abney Hall (home to her brother-in-law; several books use Abney as their setting)
  • Greenway Estate (Christie's former home in Devon. The grounds are now in the possession of the National Trust and open to the public)
  • Agatha Christie indult (a non-denominational request to which Christie was signatory seeking permission for the occasional use of the Tridentine (Latin) mass in England and Wales)

Notes

  1. ^ {{cite web|url=http://www.variety.com/article/VR1117776459.html?categoryid=3&cs=1 |title=Agatha Christie gets a clue for filmmakers{{ndash}}Entertainment News, Michael Fleming, Media{{ndash}}Variety |publisher=Variety.com |date=2000-02-15 |accessdate=2010-03-09}}
  2. ^ "Statistics on whole Index Translationum database". UNESCO. http://databases.unesco.org/xtrans/stat/xTransStat.a?VL1=A&top=50&lg=0. Retrieved 2008-05-14. 
  3. ^ "Chorion". Chorion. http://www.chorion.co.uk/. Retrieved 2010-03-09. 
  4. ^ Burton Frierson (2009-11-10). "Lost Agatha Christie story to be published". Reuters. http://www.reuters.com/article/lifestyleMolt/idUSTRE5A95OG20091110. Retrieved 2009-11-11. 
  5. ^ Morgan, Janet. Agatha Christie, A Biography. (Page 2) Collins, 1984 ISBN 0-00-216330-6
  6. ^ Wagoner, Mary S. Agatha Christie. (Page 26) Twayne Publishers, 1986 ISBN 0805769366, 9780805769364
  7. ^ Brief Biography of Agatha Christie Christie Bio
  8. ^ Christie, p. 230
  9. ^ Christie, pp. 215, 237
  10. ^ "MRS. CHRISTIE FOUND IN A YORKSHIRE SPA; Missing Novelist, Under an Assumed Name, Was Staying at a Hotel There. CLUE A NEWSPAPER PICTURE Mystery Writer Is Victim of Loss of Memory, Her Husband Declares. MRS. CHRISTIE FOUND IN A YORKSHIRE SPA". New York Times. 1926-12-15. http://select.nytimes.com/gst/abstract.html?res=F60C17FE3C591B7A93C7A81789D95F428285F9&scp=4&sq=Agatha%20Christie%20Disappearance&st=cse. Retrieved 2009-09-16. 
  11. ^ The Harrogate Hydropathic hotel, nowadays the Old Swan Hotel, was also known as the Swan Hydro, because of its location on Swan Road, on the site of an earlier Old Swan Hotel. A Brief History of Harrogate
  12. ^ Adams, Cecil, Why did mystery writer Agatha Christie mysteriously disappear? The Chicago Reader, 4/2/82. [1] Accessed 5/19/08.
  13. ^ a b c Thompson, Laura. Agatha Christie: An English Mystery. London: Headline Review. 2008. ISBN 978-0-7553-1488-1.
  14. ^ jbottero; "Agatha Christie's Hotel Pera Palace" http://virtualglobetrotting.com/map/51232/ 2008-06-05 23:08:11
  15. ^ Agatha Christie: A Reader's Companion – Vanessa Wagstaff and Stephen Poole, Aurum Press Ltd. 2004. Page 14. ISBN 1845130154.
  16. ^ "Thallium poisoning in fact and fiction" http://www.pharmj.com/pdf/comment/pj_20061125_onlooker.pdf
  17. ^ London Gazette: (Supplement) no. 40669, p. 11, 30 December 1955. Retrieved on 7 September 2009.
  18. ^ "Biography: Agatha Christie" Retrieved 22 February 2009; http://www.illiterarty.com/authors/biography-agatha-christie
  19. ^ London Gazette: (Supplement) no. 45262, p. 7, 31 December 1970. Retrieved on 7 September 2009.
  20. ^ London Gazette: (Supplement) no. 44600, p. 6300, 31 May 1968. Retrieved on 7 September 2009.
  21. ^ Kingston, Anne. “The ultimate whodunit,” Maclean’s. 2 April 2009. (Retrieved 2009-08-28.)
  22. ^ Boswell, Randy. “Study finds possible dementia for Agatha Christie,” The Ottawa Citizen. 6 April 2009. (Retrieved 2009-08-28.)
  23. ^ Devlin, Kate. “Agatha Christie ‘had Alzheimer’s disease when she wrote final novels,’” The Telegraph. 4 April 2009. (Retrieved 2009-08-28.)
  24. ^ Flood, Alison. “Study claims Agatha Christie had Alzheimer’s,” The Guardian. 3 April 2009. (Retrieved 2009-08-28.)
  25. ^ "Agatha Christie suffered from Alzheimer's". Toronto: Prokerala News. 17 December 2009. http://www.prokerala.com/news/articles/a100939.html. Retrieved 17 December 2009. 
  26. ^ "Deaths England and Wales 1984–2006". Findmypast.com. http://www.findmypast.com/BirthsMarriagesDeaths.jsp. Retrieved 2010-03-09. 
  27. ^ a b Mills, Selina (2008-09-15). "BBC:Dusty clues to Christie unearthed". BBC News. http://news.bbc.co.uk/today/hi/today/newsid_7612000/7612534.stm. Retrieved 2010-03-09. 
  28. ^ "Agatha Christie – Her Detectives and Other Characters" Retrieved 22 February 2009 http://www.christiemystery.co.uk/detectives.html
  29. ^ Aldiss, Brian. "BBC Radio 4 – Factual – Desert Island Discs -Brian Aldiss". bbc.com. http://www.bbc.co.uk/radio4/factual/desertislanddiscs_20070128.shtml. Retrieved 2009-02-22. 
  30. ^ Wilson, Edmund. “Who Killed Roger Ackroyd,” The New Yorker. June 20, 1945.
  31. ^ Pendergast, Bruce (2004). Everyman's Guide to the Mysteries of Agatha Christie. Victoria, BC, Canada: Trafford. p. 399. ISBN 1412023041. 
  32. ^ "Kojak Budapesten" 1990. http://www.imdb.com/title/tt0081006/plotsummary

References

Further reading

Articles

Books

  • Barnard, Robert (1980). A Talent to Deceive – An Appreciation of Agatha Christie. London: Collins. ISBN 0002161907.  Reprinted as New York: Mysterious Press, 1987.
  • Thompson, Laura (2007). Agatha Christie : An English Mystery. London: Headline Review. ISBN 0755314875. 

External links


Quotes

Up to date as of January 14, 2010

From Wikiquote

I don't think necessity is the mother of invention — invention, in my opinion, arises directly from idleness, possibly also from laziness. To save oneself trouble.

Dame Agatha Mary Clarissa Christie (1890-09-151976-01-12) was an English author of detective fiction.

Contents

Sourced

I have given them life instead of death, freedom instead of the cords of superstition, beauty and truth instead of corruption and exploitation.
  • Understand this, I mean to arrive at the truth. The truth, however ugly in itself, is always curious and beautiful to seekers after it.
  • Crime is terribly revealing. Try and vary your methods as you will, your tastes, your habits, your attitude of mind, and your soul is revealed by your actions.
    • The ABC Murders (1936) Ch. 17
  • I have given them life instead of death, freedom instead of the cords of superstition, beauty and truth instead of corruption and exploitation. The old bad days are over for them, the Light of the Aton has risen, and they can dwell in peace and harmony freed from the shadow of fear and oppression.
    • Akhenaten, as portrayed in Akhnaton (1937); Christie later revised the play slightly in 1972, and it was published in 1973.
  • An archaeologist is the best husband any woman can have; the older she gets, the more interested he is in her.
    • Christie denied having made this remark, which had been attributed to her by her second husband Sir Max Mallowan in a news report (1954-03-09)
  • Oh dear, I never realized what a terrible lot of explaining one has to do in a murder!
  • I specialize in murders of quiet, domestic interest.
  • It is ridiculous to set a detective story in New York City. New York City is itself a detective story.
  • I have a certain experience of the way people tell lies.

The Mysterious Affair at Styles (1920)

This is the first story featuring "Hercule Poirot".
  • The intense interest aroused in the public by what was known at the time as "The Styles Case" has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist.
  • Every murderer is probably somebody’s old friend.
    • Hercule Poirot
  • I am not keeping back facts. Every fact that I know is in your possession. You can draw your own deductions from them.
    • Hercule Poirot
  • "This affair must all be unravelled from within." He tapped his forehead. "These little grey cells. It is 'up to them' — as you say over here."
    • Hercule Poirot
  • I did not deceive you, mon ami. At most, I permitted you to deceive yourself.
    • Hercule Poirot

The Mystery of the Blue Train (1928)

  • "Eh bien, Mademoiselle, all through my life I have observed one thing - ´All one wants one gets!´ Who knows?" His face screwed itself up comically. "You may get more than you bargain for."
    • Hercule Poirot
  • I do not argue with obstinate men. I act in spite of them.
    • Hercule Poirot
  • Men are foolish, are they not, Mademoiselle? To eat, to drink, to breathe the good air, it is a very pleasant thing, Mademoiselle. One is foolish to leave all that simply because one has no money - or because the heart aches. L´amour, it causes many fatalities, does it not?
    • Hercule Poirot
  • I was wrong about that young man of yours. A man when he is making up to anybody can be cordial and gallant and full of little attentions and altogether charming. But when a man is really in love he can't help looking like a sheep. Now, whenever that young man looked at you he looked like a sheep. I take back all I said this morning. It is genuine.
    • Miss Viner
  • "I saw a particular personage and I threatened him - yes, Mademoiselle, I, Hercule Poirot, threatened him."
    "With the police?"
    "No," said Poirot drily, "With the Press - a much more deadly weapon."
  • "Life is like a train Mademoiselle. It goes on. And it is a good thing that that is so."
    "Why?"
    "Because the train gets to its journey's end at last, and there is a proverb about that in your language, Mademoiselle."
    "'Journeys end in lovers meeting'" Lenox laughed. "That is not going to be true for me."
    "Yes - yes, it is true. You are young, younger than you yourself know. Trust the train Mademoiselle, for it is le bon Dieu who drives it."

Peril at End House (1932)

  • I like to inquire into everything. Hercule Poirot is a good dog. The good dog follows the scent, and if, regrettably, there is no scent to follow, he noses around — seeking always something that is not very nice.
    • Hercule Poirot

Murder on the Orient Express (1934)

  • The impossible could not have happened, therefore the impossible must be possible in spite of appearances.
    • Hercule Poirot
  • Exactly! It is absurd — improbable — it cannot be. So I myself have said. And yet, my friend, there it is! one cannot escape from the facts.
    • Hercule Poirot

Murder in Mesopotamia (1936)

  • I don't pretend to be an author or to know anything about writing. I'm doing this simply because Dr Reilly asked me to, and somehow when Dr Reilly asks you to do a thing you don't like to refuse.
    • Amy Leatheran
  • That was the worst of Dr Reilly. You never knew whether he was joking or not. He always said things in the same slow melancholy way — but half the time there was a twinkle underneath it.
    • Amy Leatheran
  • Believe me, nurse, the difficulty of beginning will be nothing to the difficulty of knowing how to stop. At least that's the way it is with me when I have to make a speech. Someone's got to catch hold of my coat-tails and pull me down by main force.
    • Dr Reilly
  • God bless my soul, woman, the more personal you are the better! This is a story of human beings — not dummies! Be personal — be prejudiced — be catty — be anything you please! Write the thing your own way. We can always prune out the bits that are libellous afterwards!
    • Dr Reilly
  • I don't think I shall ever forget my first sight of Hercule Poirot. Of course, I got used to him later on, but to begin with it was a shock, and I think everyone else must have felt the same! I don't know what I'd imagined — something like Sherlock Holmes — [...] Of course, I knew he was a foreigner, but I hadn't expected him to be quite as foreign as he was, if you know what I mean. When you saw him you just wanted to laugh! He was like something on the stage or at the pictures. [...] He looked like a hairdresser in a comic play!
    • Amy Leatheran

Death on the Nile (1937)

Poirot (to Colonel Race): "We know almost all there is to know. Except that what we know seems incredible. Impossible."


Mrs Van Schuyler: You perfectly foul French upstart!
Hercule Poirot: Belgian upstart, please, madame


Salome Otterbourne (referring to the juice she is drinking): Barman. This crocodile has lost its crock.


(Simon and Linnet Doyle arrive at the Temple of Abu Simbel, the wind picks up, and an uninvited guest appears)
Jacqueline De Bellefort: Welcome to the Temple of Abu Simbel. The façade is 84 feet long. Each of the statues is 65 feet high.
Linnet Ridgeway Doyle: GET AWAY FROM ME! GET AWAY! GET AWAY FROM ME!


Spoiler warning: Plot, ending, or solution details follow.

Rosalie Otterbourne (on learning of her mother's murder): I can't believe it. Mother dead. Why?
Jim Ferguson: She must have found something out.
Rosalie: Oh, God. Poor darling. I loved her in spite of it all (starts crying). And now she's gone. I can't take it in. Suddenly, I'm...
Jim: All alone.
(Rosalie nods)
Jim. No you're not. I'll look after you.
Rosalie: Oh, Jim (she cuddles up to him). Poor mother.
Jim: You would never have got away from her. Not while she was alive.


(Mrs Van Schuyler is using her magnifying glass to study a picture of Linnet)
Mrs Van Schuyler: So that's the Ridgeway girl.
Miss Bowers: What are you studying so closely? The picture, or her pearls?
Mrs Van Schuyler: Keep a civil tongue in your head, Bowers, or you will be out of a job.
Miss Bowers: What do I care? This town is filled with rich old widows willing to pay for a little grovelling and a body massage. You go ahead and fire me.
Mrs Van Schuyler: Temper, temper, Bowers. It's obvious you need a holiday (picks up newspaper). How would a little trip down the Nile suit you?
Miss Bowers: There is nothing I would dislike more. If there are two things in the world I can't abide, it's heat and heathens (snatches the paper while she speaks).
Mrs Van Shuyler: Good. Then we'll go. Bowers, pack.
(Bowers throws down the paper)

Death Comes as the End (1945)

  • Because, Renisenb, it is so easy and it costs so little labour to write down ten bushels of barley, or a hundred head of cattle, or ten fields of spelt - and the thing that is written will come to seem like the real thing, and so the writer and the scribe will come to despise the man who ploughs the fields and reaps the barley and raises the cattle - but all the same the fields and the cattle are real - they are not just marks of inks on papyrus. And when all the records and all the papyrus rolls are destroyed and the scribes are scattered, the men who toil and reap will go on, and Egypt will still live.
    • Hori
  • "You know that in all tombs there is always a false door?"
    Renisenb stared. "Yes, of course."
    "Well, people are like that too. They create a false door - to deceive. If they are conscious of weakness, of inefficiency, they make an imposing door of self-assertion, of bluster, of overwhwlming authority - and, after a time, they get to believe in it themselves. They think, and everybody thinks, that they are like that. But behind that door, Renisenb, is a bare rock ... And so when reality comes and touches them with the feather of truth - their true self reasserts itself."
  • "It is the kind of thing that happens to you when you are stupid," said Esa. "Things go entirely differently from the way you planned them."

The Hollow (1946)

  • I must have a talk with you, David, and learn all the new ideas. As far as I can see, one must hate everybody but at the same time give them free medical attention and a lot of extra education, poor things! All those helpless little children herded into schoolhouses every day—and cod liver oil forced down babies’ throats whether they like it or not—such nasty-smelling stuff.
    • Lucy Angkatell
  • John, forgive me... for what I can't help doing.
    • Henrietta Savernake
  • And if you cast down an idol, there's nothing left.
    • Henrietta Savernake

Dead Man's Folly (1956)

  • I can imagine anything! That's the trouble with me. I can imagine things now — this minute. I could even make them sound all right, but of course none of them would be true.
    • Ariadne Oliver
  • It would be difficult Bland thought, to forget Hercule Poirot, and this not entirely for complimentary reasons.

Curtain - Poirot's Last Case (1975)

  • Who is there who has not felt a sudden startled pang at reliving an old experience or feeling an old emotion?
  • This, Hastings, will be my last case. It will be, too, my most interesting case — and my most interesting criminal.
    • Hercule Poirot
  • I have no more now to say. I do not know, Hastings, if what I have done is justified or not justified. No — I do not know. I do not believe that a man should take the law into his own hands... But on the other hand, I am the law! As a young man in the Belgian police force I shot down a desperate criminal who sat on a roof and fired at people below. In a state of emergency martial law is proclaimed.
  • I have always been so sure — too sure... But now I am very humble and I say like a little child: "I do not know..." ~ Hercule Poirot

An Autobiography (1977)

  • I don't think necessity is the mother of invention — invention, in my opinion, arises directly from idleness, possibly also from laziness. To save oneself trouble.

Unsourced

  • The best time to plan a book is while you are doing the dishes

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See Also


Simple English

File:Agatha Christie plaque -Torre
a plaque with a picture of Agatha Christie

Agatha Christie (15 September 1890 – 12 January]] 1976) was an English writer of crime stories.

She was born in Torquay and was married twice; she had one child called Rosalind Hicks.

Agatha Christie worked in a hospital and in a pharmacy in World War I.

Her books are very famous all over the world, and she sold a lot of books. Her stories are about murders and finding out who did them. The most well-known characters in her books are Miss Marple and Hercule Poirot. Miss Marple is an old lady, and she talks to everyone. She uses logic to find out who is guilty of the murder. Hercule Poirot is a private detective from Belgium who lives in London. He likes to find out who did the murder by thinking about all the evidence.

She also wrote romance novels and theatre plays. They were very successful too.

In 1971, she was honoured by the Queen with the title Dame Commander of the Order of the British Empire.

English Wikiquote has a collection of quotations related to:

mrj:Агата Кристи








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