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Alfred Brendel KBE (born 5 January 1931) is an Austrian pianist, born in Czechoslovakia and a resident of the United Kingdom. He is also a poet and author of the surreal.



Brendel was born in Vízmberk, Czechoslovakia, now Loučná nad Desnou, Czech Republic, to a non-musical family. They moved to Zagreb when Brendel was six, and later to Graz, where they lived during World War II, towards the end of which the 14-year old Brendel was sent to Yugoslavia to dig trenches. However, he developed frostbite and was taken to hospital. Throughout his childhood, Brendel had occasional piano lessons, but otherwise little formal music education.

After the war, Brendel composed music, as well as continuing to play the piano and to paint. However, he never had more formal piano lessons and although he attended masterclasses with Edwin Fischer and Eduard Steuermann, he was largely self-taught.

Brendel gave his first public recital in Graz at the age of 17.[1] He called it "The Fugue In Piano Literature", and as well as fugal works by Johann Sebastian Bach, Johannes Brahms and Franz Liszt, it included some of Brendel's own compositions. However, he gave up composing shortly after this to concentrate on the piano. In 1949 he won 4th prize in the Ferruccio Busoni Piano Competition in Bolzano, Italy and moved to Vienna the following year. At the age of 21, he made his first record, Sergei Prokofiev's Piano Concerto No. 5. He went on to make a string of other records, including three complete sets of the Ludwig van Beethoven piano sonatas (one on Vox Records and two on Philips Records). He was the first performer to record the complete solo piano works of Beethoven.[2] He has also recorded works by Liszt, Brahms (including Brahms' concertos), Robert Schumann and Franz Schubert. Unlike virtually all classical pianists, he has recorded very little by Frédéric Chopin other than the polonaises. An important collection of Alfred Brendel is the complete Mozart piano concertos recorded with Sir Neville Marriner and the Academy of St. Martin in the Fields, which is included in the Phillips 180 CD complete Mozart Edition.

Brendel recorded extensively for the Vox label, providing them his first of three sets of the complete Beethoven sonatas. He did not secure a major recording contract until the 1970s, nor did he play much outside Austria. His breakthrough came after a recital of Beethoven at the Queen Elizabeth Hall in London, the day after which three major record labels called his agent. Around this time he moved to Hampstead, London, where he still resides.[1] Since the 1970s, Brendel has recorded for Philips Classics Records.[3]

Brendel has been married twice. His first marriage, from 1960 to 1972, was to Iris Heymann-Gonzala, and they had a daughter, Doris. In 1975, Brendel married Irene Semler, and the couple have three children; a son, Adrian, who is a cellist, and two daughters, Katharina and Sophie.[4]


Brendel is regarded as one of the most thoughtful interpreters of classical Germanic works by such composers as Beethoven, Schubert and Mozart. He plays relatively few 20th century works, but is closely associated with Arnold Schoenberg's Piano Concerto. Towards the end of his concert career he stopped playing many of the most physically demanding pieces in the repertoire, such as the Hammerklavier Sonata of Beethoven, owing to problems with arthritis.

Critical reaction to Brendel's playing has been mixed. While he has been lauded by Michael Steinberg as "the new Schnabel", critic Harold C. Schonberg noted that some critics and specialists accused the pianist of "pedanticism".[5]. Brendel's playing is sometimes described as being "cerebral"[6], and he has said that he believes the primary job of the pianist is to respect the composer's wishes without showing off himself, or adding his own spin on the music:

"I am responsible to the composer, and particularly to the piece".[4]

As well as his former mentor and teacher, Edwin Fischer, he cites Alfred Cortot, Wilhelm Kempff, and the conductors Bruno Walter and Wilhelm Furtwängler as particular influences.

In recent years, Brendel has worked with younger pianists such as Paul Lewis, Mark Gasser, Roberto Carnevale, Andrew von Oeyen and Till Fellner. He has also performed in concert and recorded with his son Adrian.[7]

In November 2007, Brendel announced that he would retire from the concert platform after his concert of 18 December 2008 in Vienna, which featured him as soloist in Mozart's Piano Concerto No. 9 in E flat.[2]

Brendel has been Honorary Member of the Royal Academy of Music since 1972.[8]


Brendel is also a published poet and author.[9] His books include:

  • Musical Thoughts and Afterthoughts (Essays) (1976)
  • Music Sounded Out (1990)
  • One Finger Too Many (Poetry) (1998)
  • Alfred Brendel on Music (collected essays) (2001)
  • Me, of All People: Alfred Brendel in Conversation with Martin Meyer (2002) (UK edition: The Veil of Order)
  • Cursing Bagels (Poetry) (2004)




  1. ^ a b "Brendel, Alfred", Grove Music Online, 2007. Accessed 3 June 2007.
  2. ^ a b Charlotte Higgins (21 November 2007). "Alfred Brendel, piano maestro, calls time on concert career". The Guardian.,,2214378,00.html. Retrieved 21 November 2007.  
  3. ^ Anthony Holden (8 January 2006). "Alfred Brendel, A Personal 75th Birthday Selection". The Observer.,,1681512,00.html. Retrieved 21 November 2007.  
  4. ^ a b Nicholas Wroe (5 October 2002). "Keeper of the flame". The Guardian.,,804868,00.html. Retrieved 21 November 2007.  
  5. ^ The Great Pianists from Mozart to the Present, Harold C. Schonberg, Simon & Schuster, Second Edition, 1987, ISBN 0671638378
  6. ^ Tom Service (16 June 2003). "Alfred Brendel (Snape Maltings Concert Hall, Suffolk)". The Guardian.,,978109,00.html. Retrieved 21 November 2007.  
  7. ^ Andrew Clements (1 July 2003). "Adrian and Alfred Brendel (Wigmore Hall, London)". The Guardian.,,988659,00.html. Retrieved 24 November 2007.  
  8. ^ "Honorary Members of the Royal Academy of Music (Oct.14, 2009)". Royal Academy of Music. 14 October 2009. Retrieved 14 October 2009.  
  9. ^ Alfred Brendel (27 March 2004). "Hymns, Pianos and Laughing Angels". The Guardian.,,1179003,00.html. Retrieved 21 November 2007.  
  10. ^

External links




Up to date as of January 14, 2010

From Wikiquote

Alfred Brendel is a pianist.


  • "If I belong to a tradition, it is a tradition that makes the masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the composer what he ought to have composed."
  • "With Fischer, one was in more immediate contact with the music: there was no curtain before the soul when he communicated with the audience. One other musician, Furtwangler, conveyed to the same degree this sensation of music not being played, but rather happening by itself."


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