“Resonating within the universal chords of youth and aging, the way
that Amanda Marie’s work comments on her life and that which teems
around her is not rude, nor hackneyed. Instead, her work is playful
in a most sophisticated manner.
Amanda Marie’s work may possess
all of the grand things that elevate visual art into grand
exaltations, however I’m not so sure that her work is about much
more than, simply: her. By her own admission her pieces resonate
with her sensibilities and her past. And most importantly, her work
is a physical manifestation of where she is right now.
Living
outside of town with her husband and their child, Amanda Marie’s
studio resembles more of a play space than a stern and somber
artist’s den. There is paint sprayed on the floor, patterns hanging
and all of her necessary tools lining the wall. In here I picture
there to be many more smiles than moments of brooding.
It is
true that children’s books and coloring books have inspired Amanda
Marie. But it is also true that there resides a certain seriousness
in her work - in her illustrations and concepts. And she manages to
successfully yoke it all together without pretension and without
being stodgy.
Using the tools around her she is able to build
characters with enough depth and breadth to be worthy of the
metaphors that she laces through them. Likewise, on account of the
simple brilliance of her style – it lends a familiarity to the
viewer – and to her. In this, Amanda Marie finds it much easier to
address the issues that she does in her work and in her life.
Drawing on the books that shaped her from an early age, Amanda
Marie has always possessed a variety of gifts. One of those was
drawing. To this end, she attended Rocky Mountain College of Art
and Design as an illustrator. And while she began drawing realistic
subject matter as a child, she has certainly paid attention to her
development and now she stands lifetimes away from realism; and
much further down a more complicated path.
Even in her process,
she takes a childlike approach. Her medium is house paint that she
acquires from the dump. Her studio is a playhouse where she has an
assembly line. She makes her canvases, puts colors down and then
goes into her storybook mind to find inspiration within figures and
colors and maybe even one of her new stencils. In all of this it’s
easy to see why Amanda Marie doesn’t find this to be work. For her
it is play. After all, work that feels like hers should be fun to
produce.
And it’s her stencils that embody this childlike
notion of production. Inherent is the notion of repetition – like
her work on the Block Building – which was the repetition of a
stencil or two. In this she has struck a chord of universal
understanding: simplicity and repetition. In these two concepts
there is always a familiarity and a valor. A childlike element of
play.
So it’s probably entirely appropriate that Amanda Marie
is now a mother. Her and her husband have a child and this, I am
sure - as she stays at home with her little tike – is pushing her
even further along her creative and human path.
Living out in a
place called Masonville, a place that I had to actually look-up –
she lives as she works, simply, playfully and in earnest. No,
Amanda Marie is not entrenched in the strange politics of the urban
art culture in Denver. Instead she stays away, constantly producing
and, playing in the swing sets of her mind. “
-------SYNTAX
http://www.denversyntax.com/
Resume
December 2007 “An
Unfinished Story” Transmission Gallery, Richmond, VA
December
2007 “Capitalist Christmas”, Group Show, Fort Collins,
CO
December 2007 “Fight for Flight”,Thinkspace, Las Angeles,
CA
November 2007 Gallery Underground, Group Show, Fort Collins,
CO
November 2007 “Shoe Shine”, Group Show & Competition,
Denver, CO
October 2007 “ Stop Traffic”, Live Painting, Justice
for Children International, Denver, CO
October 2007 Bellevue
Gallery, Group Show, Bellevue, CO
September 2007 “Generation
Gap”, Solo Show, Andenken Gallery, Denver, CO
September 2007
Suitcase Party, Live Painting, Anheiser Busch Airplane Hanger,
CO
July 2007 “White Space”, Live Painting, Boulder Museum of
Contemporary Art, Design Within Reach, Boulder, CO
July 2007 Art
in the City, Group Show, Denver, CO
June 2007 Hurry up Quickly,
Group Show, Den Gallery, CO
April 2007 “Plastisol Free4all”,
Group show, Denver, CO
May 2005 Andenken Gallery, Solo Show,
Denver, CO
April 2005 “Life Lessons”, Solo Show, Double
Daughters, Denver, CO
February 2005 “Boyfriend, Girlfriend”,
Group Show, Andenken Gallery, Denver, CO
July 2003 “Pro(test)
America”, Group Show, Wheelbarrow Gallery, Denver, CO
May 2003
“Wheelbarrow Out”, Group Show, Wheelbarrow Gallery, Denver,
CO
Other Projects
2007 Mural, DIA & New Belgium Brewery,
Denver, CO
2007 Mural, Andenken & New Belgium Brewery,
Denver, CO
2007 Cover Illustration, Rocky Mountain Chronicle,
Fort Collins, CO
2007 Wine Labels, Zodiac Cellars, Democratic
National Convention, Denver, CO
2007 Mural, Block Building,
Denver, CO
2007 Garage Door Mural, Block Building, Denver,
CO
2006 Cover Illustration, Matter 09 Fuel, Fort Collins,
CO
Publications
2007 The Onion, Denver, CO
2007 Syntax
Magazine, Denver, CO
2007 Rocky Mountain Chronicle, Fort
Collins, CO
2007 Matter Journal, Fort Collins, CO
2007 Denver
Post, Denver, CO
2007 Art in Denver, Denver, CO
2006 Juxtapoz
Magazine