| 30th | Top fiction works made into feature films |
| American Psycho | |
|---|---|
 First English hardcover edition cover of the book. |
|
| Author | Bret Easton Ellis |
| Genre(s) | Transgressional fiction, Novel |
| Publisher | Vintage Books, New York |
| Publication date | 1991 |
| Pages | 568 |
| ISBN | 9780679735779 |
| OCLC Number | 22308330 |
| Dewey Decimal | 813/.54 20 |
| LC Classification | PS3555.L5937 A8 1991 |
American Psycho (1991) is a psychological thriller and satirical novel by Bret Easton Ellis. The story is told in the first person by fictitious serial killer and Manhattan businessman Patrick Bateman. The graphic violence and sexual content generated much controversy before and since publication. Nearly twenty years on, Ellis's work is being cited as one of the key novels of the late twentieth century.[1] A film adaptation was released in 2000 to generally favorable reviews.[2]
Contents |
Set in Manhattan and beginning on April Fools' Day 1989, American Psycho spans roughly three years in the life of wealthy young investment banker Patrick Bateman. Bateman, 26 years old when the story begins, narrates his everyday activities, from his daily life among the upper-class elite of New York to his forays into murder by nightfall.
Bateman comes from a privileged background, having graduated from Philips Exeter Academy, Harvard (class of 1984), and then Harvard Business School (class of 1986). He works as a vice president at a Wall Street investment company and lives in an expensive Manhattan apartment on the Upper West Side where he embodies the 1980s yuppie culture. Through present tense stream-of-consciousness narrative he describes his conversations with colleagues in bars and cafes, his office, and nightclubs.
The first third of the book contains no violence (except for subtle references apparent only in retrospect), and is simply an account of what seems to be a series of Friday nights, as Bateman documents traveling with his colleagues to a variety of nightclubs, where they snort cocaine, critique fellow clubgoers' clothing, trade fashion advice, and question one another on proper etiquette.
Beginning with the second third of the book, Bateman begins to describe his day-to-day activities, which range from such mundanities as renting videotapes and making dinner reservations to committing brutal violence. Bateman's stream of consciousness is occasionally broken up by chapters in which Bateman directly addresses the reader in order to critique the work of 1980s musicians, specifically Genesis, Huey Lewis and the News and Whitney Houston.
In addition to describing his daily life, Bateman also speaks about his "love" life. He is engaged to a fellow yuppie named Evelyn, though he possesses no deep feelings for anyone; additionally, he frequently solicits sex with attractive women ("hardbodies"), manipulates his secretary's feelings for him, and tries to avoid the attention of Luis Carruthers, a closeted homosexual colleague who confesses his love for Patrick. Bateman also documents his relationship with his estranged family, including his senile mother, whom he visits in a nursing home, and his younger brother, a hedonistic college dropout (Sean Bateman, one of the protagonists from Ellis's earlier novel The Rules Of Attraction; Patrick Bateman himself also briefly appears in said novel).
As the book progresses, Bateman's control over his violent urges deteriorates. The description of his murders become increasingly sadistic and complex, progressing from stabbings to drawn out sequences of torture, rape, mutilation, cannibalism, and necrophilia. His mask of normality appears to slip as he introduces stories about serial killers into casual conversations, and confesses his murderous activities to his co-workers. People react as if Bateman is joking with them, appear not to hear him, or otherwise completely misunderstand him ("murders and executions" is mistaken for "mergers and acquisitions", for example). As the book nears its conclusion, Bateman describes incidents such as seeing a Cheerio interviewed on a talk show, being stalked by an anthropomorphic park bench, and being ordered by an ATM to feed it a stray cat. Bateman's mental state appears increasingly questionable, and the events in the novel draw into question whether he has actually committed any of the murders he has described.
Towards the end of the novel, he visits Paul Owen's apartment, where he has been stockpiling mutilated bodies; to his amazement, Bateman enters a perfectly clean, refurbished apartment with no trace of decomposing bodies, but with many strong-smelling flowers, as though meant to hide a bad odor. He runs into a real-estate agent showing the apartment to prospective buyers. The estate agent asks him if he saw the advert in the Times. When Bateman pretends that he did, the estate agent says that there was none, and that he should leave and not cause any trouble.
Bateman confronts Harold Carnes, his lawyer, on whose answering machine he has previously confessed all his crimes; Carnes, who mistakes Bateman for someone else, is amused at what he considers to be a good joke. But Carnes reproaches Bateman for laying the list of crimes at his feet, and further says that Bateman is far too much of a coward to have committed such acts. Challenged by Bateman on the disappearance of Paul Owen – a colleague whom Bateman hacked to death out of professional jealousy – Carnes unexpectedly claims that he had dinner, in London, with Paul Owen a few days previously. The ambiguity is heightened by the fact that mistaken identity is a recurring theme throughout the book. Characters are consistently introduced as other people, or argue over the identities of people they can see in restaurants or at parties. Whether any of the crimes depicted in the novel actually happened, or were simply the fantasies of a delusional psychotic, is deliberately left open.
The opening lines of the book have Bateman staring at graffiti on a Chemical Bank building, reading Abandon all hope ye who enter here, an allusion to the gates of hell portrayed in Dante's Divine Comedy; the book ends with a similar scene, as Bateman sits in a bar, staring at a sign that reads "This is not an exit".
On first appearance, Bateman exemplifies the image of the successful Manhattan executive; he is well-educated, wealthy, unusually popular with women, abreast of cultural trends, belongs to a prominent family, has a high-paying job and lives in an upscale, chic apartment complex. Bateman passes for a refined, intelligent, thoughtful young man. Yet, contrary to his persona, he tortures and murders victims, practices violent sex, cannibalizes his victims, and has sex with corpses. For transportation, Bateman uses personal limousines to search for suitable victims in the streets.
Bateman is extremely style-conscious, and appears an expert in fashion and high-end consumer products. In his narrative, he obsessively describes his and other people's possessions in exhaustive detail, focusing particularly on attire, and even noting articles like pens, and pocket squares. He has a general tendency to pay more heed to the designer, place of purchase, and style of the items he describes, often ignoring the textile type or color. Bateman incisively answers his friends' and co-workers' queries, authoritatively explicating the difference between various types of mineral water, which tie knot is less bulky than a Windsor knot, and the proper way to wear a cummerbund, pocket square, and tie bar.
Bateman's employment at Pierce & Pierce is apparently unnecessary. His father owns another successful company, which is revealed during a conversation between Patrick and his ex-girlfriend when she inquires as to why he would work at P&P. Upon questioning, the sole justification for still working is, in his own words, "I... want... to... fit... in." Because he doesn't need to work, he is supreme in his own world; he usually comes to work late—sometimes by more than an hour—and indulges in long lunches. Despite these advantages, Bateman's envy of his peers runs throughout the novel. In a scene in which characters compare business cards, Bateman panics when he realizes a friend's card is superior to his because it includes a watermark. Just as Bateman is obsessed with wealth and symbols of it, he repeatedly expresses a converse loathing of poor people.
American Psycho generated much controversy for Ellis's graphic description of Bateman's murders. Many include some form of sexual abuse or torture by Bateman, in which graphic language is used to describe the scene. Many of the murders themselves involve various forms of mutilation, including genital mutilation. Ellis also provides detailed descriptions of Bateman examining the internal organs of some of his victims after murdering them, as well as scenes in which Bateman cooks and eats human body parts. Bateman at one point says that he tries to "make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body". Others include Bateman's murder of a child at the New York City Zoo, as well as the killing of a dog.
The book was originally to have been published by Simon & Schuster in March 1991, but the company withdrew from the project because of "aesthetic differences". Vintage Books purchased the rights to the novel and published the book after the customary editing process. The book was never published in hardcover form in the United States, although a deluxe paperback was eventually offered.[4] Ellis received numerous death threats and hate mail after the publication of American Psycho.[5][6]
Feminist activist Gloria Steinem was among those opposed to the release of Ellis' book because of its portrayal of violence toward women. Steinem is also the stepmother of Christian Bale, who portrayed Bateman in the film adaptation of the novel. This coincidence is mentioned in Ellis' mock memoir Lunar Park.
In Germany, the book was deemed "harmful to minors", and its sales and marketing were severely restricted from 1995 to 2000.
In Australia, the book is sold shrink-wrapped and is classified "R18" under national censorship legislation. The book may not be sold to those under 18 years of age, or criminal prosecution may result. Along with other Category 1 publications, its sale is theoretically banned in the state of Queensland. In Brisbane, the novel is available to those over 18 from all public libraries and can still be ordered and purchased (shrink-wrapped) from many book stores despite this prohibition.[7] At the University of Queensland, the book is only available to students over 18, and is stored where it is not accessible to the public.
In New Zealand, the Government's Office of Film & Literature Classification has rated the book as R18. The book may not be sold or lent in libraries to those under 18 years of age. It is generally sold shrink wrapped in bookstores.
In 2009, Audible.com produced an audio version of American Psycho, narrated by Pablo Schreiber, as part of its Modern Vanguard line of audiobooks. [8]
|
|||||||||||
| American Psycho | |
|---|---|
| Author | Bret Easton Ellis |
| Genre(s) | Transgressional fiction, Novel |
| Publisher | Vintage Books, New York |
| Publication date | 1991 |
| Pages | 416 |
| ISBN | 9780679735779 |
| OCLC Number | 22308330 |
| Dewey Decimal | 813/.54 20 |
| LC Classification | PS3555.L5937 A8 1991 |
American Psycho is a psychological thriller and satirical novel by Bret Easton Ellis, published in 1991. The story is told in the first person by the protagonist, serial killer and Manhattan businessman Patrick Bateman. The book's graphic violence and sexual content generated a great deal of controversy before and after publication. Nearly 20 years on, Ellis's work recently has been described as "one of the key novels of the last century."[1] A film adaptation starring Christian Bale was released in 2000 to generally favorable reviews.[2] The Observer notes that while "some countries [deem it] so potentially disturbing that it can only be sold shrink-wrapped", "critics rave about it" and "academics revel in its transgressive and postmodern qualities".[3] In 2008, it was confirmed that producers Craig Roessler and Jesse Singer were developing a musical adaptation of the novel to appear on Broadway.
Contents |
Ellis researched murders at the New York Public Library. His first draft of American Psycho left all the grisly scenes until last, to be added in later. To one reviewer, Ellis comments:
| “ | [Bateman] was crazy the same way [I was]. He did not come out of me sitting down and wanting to write a grand sweeping indictment of yuppie culture. It initiated because my own isolation and alienation at a point in my life. I was living like Patrick Bateman. I was slipping into a consumerist kind of void that was supposed to give me confidence and make me feel good about myself but just made me feel worse and worse and worse about myself. That is where the tension of "American Psycho" came from. It wasn't that I was going to make up this serial killer on Wall Street. High concept. Fantastic. It came from a much more personal place, and that's something that I've only been admitting in the last year or so. I was so on the defensive because of the reaction to that book that I wasn't able to talk about it on that level.[4] | ” |
| This section requires expansion. |
Set in Manhattan and beginning on April Fools' Day 1989, American Psycho spans roughly three years in the life of wealthy young investment banker Patrick Bateman. Bateman, 26 years old when the story begins, narrates his everyday activities, from his daily life among the upper-class elite of New York to his forays into murder by nightfall.
Bateman comes from a privileged background, having graduated from St. Paul's School, Harvard (class of 1984), and then Harvard Business School (class of 1986). He works as a vice president at a Wall Street investment company and lives in an expensive Manhattan apartment on the Upper West Side, where he embodies the 1980s yuppie culture. Through present tense stream-of-consciousness narrative, he describes his conversations with colleagues in bars and cafes, his office, and nightclubs.
The first third of the book contains no violence (except for subtle references apparent only in retrospect), and is simply an account of what seems to be a series of Friday nights, as Bateman documents travelling with his colleagues to a variety of nightclubs, where they snort cocaine, critique fellow club-goers' clothing, trade fashion advice, and question one another on proper etiquette.
Beginning with the second third of the book, Bateman begins to describe his day-to-day activities, which range from such mundanities as renting videotapes and making dinner reservations to committing brutal murders. Bateman's stream of consciousness is occasionally broken up by chapters in which Bateman directly addresses the reader in order to critique the work of 1980s musicians, specifically Genesis, Huey Lewis and the News and Whitney Houston.
In addition to describing his daily life, Bateman also speaks about his "love" life. He is engaged to a fellow yuppie named Evelyn, though he possesses no deep feelings for anyone; additionally, he frequently solicits sex with attractive women ("hardbodies"), manipulates his secretary's feelings for him, and tries to avoid the attention of Luis Carruthers, a closeted homosexual colleague who confesses his love for him. Bateman also documents his relationship with his estranged family, including his senile mother, whom he visits in a nursing home, and his younger brother, a hedonistic college dropout (Sean Bateman, one of the protagonists from Ellis's earlier novel The Rules of Attraction; Patrick Bateman himself also briefly appears in said novel).
As the book progresses, Bateman's control over his violent urges deteriorates. The description of his murders become increasingly sadistic and complex, progressing from stabbings to drawn out sequences of torture, rape, mutilation, cannibalism, and necrophilia. His mask of sanity appears to slip as he introduces stories about serial killers into casual conversations, and confesses his murderous activities to his co-workers. People react as if Bateman is joking with them, appear not to hear him, or otherwise completely misunderstand him ("murders and executions" is mistaken for "mergers and acquisitions", for example). As the book nears its conclusion, Bateman describes incidents such as seeing a Cheerio interviewed on a talk show, being stalked by an anthropomorphic park bench, and being ordered by an ATM to feed it a stray cat. Bateman's mental state appears increasingly questionable, and the events in the novel draw into question whether he has actually committed any of the murders he has described.
Towards the end of the novel, he visits an apartment where he has been stockpiling mutilated bodies; to his amazement, Bateman enters a perfectly clean, refurbished apartment with no trace of decomposing bodies, but with many strong-smelling flowers, as though meant to hide a bad odour. He runs into a real estate agent showing the apartment to prospective buyers. The estate agent asks him if he saw the advertisement in the New York Times. When Bateman pretends that he did, the estate agent says that there was none, and that he should leave and not cause any trouble.
Bateman confronts Harold Carnes, his lawyer, on whose answering machine he has previously confessed all his crimes; Carnes, who mistakes Bateman for someone else, is amused at what he considers to be a good joke. Carnes reproaches Bateman for laying the list of crimes at his feet, and further says that Bateman is far too much of a coward to have committed such acts. Challenged by Bateman on the disappearance of Paul Owen – a colleague whom Bateman hacked to death out of professional jealousy – Carnes unexpectedly claims that he had dinner, in London, with Paul Owen a few days previously. The ambiguity is heightened by the fact that mistaken identity is a recurring theme throughout the book. Characters are consistently introduced as other people, or argue over the identities of people they can see in restaurants or at parties. Whether any of the crimes depicted in the novel actually happened, or were simply the fantasies of a delusional psychotic, is deliberately left open.
The opening lines of the book have Timothy Price staring at graffiti on a Chemical Bank building, reading Abandon all hope ye who enter here, an allusion to the gates of hell portrayed in Dante's Divine Comedy; the book ends with a similar scene, as Bateman sits in a bar, staring at a sign that reads "This is not an exit", which is a direct reference to Jean-Paul Sartre's play No Exit (from which the famous quote "Hell is other people" is derived).
as Patrick Bateman in the film adaptation.]]
On first appearance, Bateman exemplifies the image of the successful Manhattan executive; he is well-educated, wealthy, popular with women, abreast of cultural trends, belongs to a prominent family, has a high-paying job and lives in an upscale, chic apartment complex. Bateman passes for a refined, intelligent, thoughtful young man, but is in reality a violent sociopath who tortures and murders people, rapes several women, cannibalizes his victims, and has sex with corpses. Bateman uses personal limousines to search for suitable victims in the streets.
Bateman is extremely style-conscious, and appears an expert in fashion and high-end consumer products. In his narrative, he obsessively describes his and other people's possessions in exhaustive detail, focusing particularly on attire, and even noting articles like pens, and pocket squares. He has a general tendency to pay more heed to the designer, place of purchase, and style of the items he describes, often ignoring the textile type or color. Bateman incisively answers his friends' and co-workers' queries, authoritatively explicating the difference between various types of mineral water, which tie knot is less bulky than a Windsor knot, and the proper way to wear a cummerbund, pocket square, and tie bar.
Bateman's employment at Pierce & Pierce is apparently unnecessary. His father owns another successful company, which is revealed during a conversation between Patrick and his ex-girlfriend when she inquires as to why he would work at P&P. Upon questioning, the sole justification for still working is, in his own words, "I... want... to... fit... in." Because he doesn't need to work, he is supreme in his own world; he usually comes to work late — sometimes by more than an hour — and indulges in long lunches. Despite these advantages, Bateman's envy of his peers runs throughout the novel. In a scene in which characters compare business cards, Bateman panics when he realizes a friend's card is superior to his because it includes a watermark. Just as Bateman is obsessed with wealth and symbols of it, he repeatedly expresses a converse loathing of poor people.
American Psycho generated a great deal of controversy for Ellis's graphic description of Bateman's murders. Many include some form of sexual abuse or torture by Bateman, in which graphic language is used to describe the scene. Many of the murders themselves involve various forms of mutilation, including genital mutilation. In one section of the novel, Bateman forces a tube into a woman's vagina and lets a rat loose inside of her. After pulling the tube out he continues to saw her in half with a chainsaw. Ellis also provides detailed descriptions of Bateman examining the internal organs of some of his victims after murdering them, as well as scenes in which Bateman cooks and eats human body parts. Bateman at one point says that he tries to "make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body". Others include Bateman's murder of a child at the New York City Zoo, as well as the killing of a dog.
The book was originally to have been published by Simon & Schuster in March 1991, but the company withdrew from the project because of "aesthetic differences". Vintage Books purchased the rights to the novel and published the book after the customary editing process. The book was never published in hardcover form in the United States, although a deluxe paperback was eventually offered.[6] Ellis received numerous death threats and hate mail after the publication of American Psycho.[7][8]
Feminist activist Gloria Steinem was among those opposed to the release of Ellis' book because of its portrayal of violence toward women. Steinem is also the stepmother of Christian Bale, who portrayed Bateman in the film adaptation of the novel. This coincidence is mentioned in Ellis' mock memoir Lunar Park.
In Germany, the book was deemed "harmful to minors," and its sales and marketing were severely restricted from 1995 to 2000.
In Australia, the book is sold shrink-wrapped and is classified "R18" under national censorship legislation. The book may not be sold to those under 18 years of age, or criminal prosecution may result. Along with other Category 1 publications, its sale is theoretically banned in the state of Queensland and it may only be purchased shrink-wrapped. In Brisbane, the novel is available to those over 18 from all public libraries and can still be ordered and purchased (shrink-wrapped) from many book stores despite this prohibition.[9]
In New Zealand, the Government's Office of Film & Literature Classification has rated the book as R18. The book may not be sold or lent in libraries to those under 18 years of age. It is generally sold shrink wrapped in bookstores.
In 2009, Audible.com produced an audio version of American Psycho, narrated by Pablo Schreiber, as part of its Modern Vanguard line of audiobooks.[10]
| Wikiquote has a collection of quotations related to: American Psycho |
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American Psycho is a 2000 film about a young, well-to-do man who isn't quite as normal as he seems....once you notice all the body parts of women he keeps in his apartment.
Contents |
   | AmPsycho 2000 Emails which were a continuation of the story by Brett Easton Ellis over the internet - American Psycho Am.2000 Emails |
| | Metacritic reviews for American Psycho - American Psycho (2000): Reviews |
| | stills from the movie - Movie Photos: American Psycho |
| | A long-running site and discussion forum dedicated to both the novel and movie for American Psycho - "This Is Not An Exit" - The American Psycho Page - Discussions on the movie and novel by Bret Easton Ellis |
| | NotAnExit.net - Weblog discussion of American Psycho and other Ellis projects - A Bret Easton Ellis Celeblog | Not An Exit |
| | IMDb biography of Bret Easton Ellis - Bret Easton Ellis - Biography |
| | Another take on the novel - American Psycho more than it seems - The Tech |
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