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American action painters: Wikis

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In 1952 Harold Rosenberg coined the term "action painting," modeled on his intimate knowledge of de Kooning's working process. His essay, "The American Action Painters," brought into focus the paramount concern of de Kooning, Pollock, and Kline in particular, with the act of painting. Lee Krasner, Elaine de Kooning, and Joan Mitchell might also have been included, though their work was not then discussed in this connection. For the action painter the canvas was not a representation but an extension of the mind itself, in which the artist thought by changing the surface with his or her brush. Rosenberg saw the artist's task as a heroic exploration of the most profound issues of personal identity and experience in relation to the large questions of the human condition.

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