Amplifier: Wikis


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From Wikipedia, the free encyclopedia

Generally, an amplifier or simply amp, is any device that changes, usually increases, the amplitude of a signal. The relationship of the input to the output of an amplifier—usually expressed as a function of the input frequency—is called the transfer function of the amplifier, and the magnitude of the transfer function is termed the gain.

In popular use, the term usually describes an electronic amplifier, in which the input "signal" is usually a voltage or a current. In audio applications, amplifiers drive the loudspeakers used in PA systems to make the human voice louder or play recorded music. Amplifiers may be classified according to the input (source) they are designed to amplify (such as a guitar amplifier, to perform with an electric guitar), the device they are intended to drive (such as a headphone amplifier), the frequency range of the signals (Audio, IF, RF, and VHF amplifiers, for example), whether they invert the signal (inverting amplifiers and non-inverting amplifiers), or the type of device used in the amplification (valve or tube amplifiers, FET amplifiers, etc.).

A related device that emphasizes conversion of signals of one type to another (for example, a light signal in photons to a DC signal in amperes) is a transducer, a transformer, or a sensor. However, none of these amplify power.


Figures of merit

The quality of an amplifier can be characterized by a number of specifications, listed below.



The gain of an amplifier is the ratio of output to input power or amplitude, and is usually measured in decibels. (When measured in decibels it is logarithmically related to the power ratio: G(dB)=10 log(Pout /(Pin)). RF amplifiers are often specified in terms of the maximum power gain obtainable, while the voltage gain of audio amplifiers and instrumentation amplifiers will be more often specified (since the amplifier's input impedance will often be much higher than the source impedance, and the load impedance higher than the amplifier's output impedance).

  • Example: an audio amplifier with a gain given as 20dB will have a voltage gain of ten (but a power gain of 100 would only occur in the unlikely event the input and output impedances were identical).


The bandwidth (BW) of an amplifier is the range of frequencies for which the amplifier gives "satisfactory performance". The "satisfactory performance" may be different for different applications. However, a common and well-accepted metric are the half power points (i.e. frequency where the power goes down by half its peak value) on the power vs. frequency curve. Therefore bandwidth can be defined as the difference between the lower and upper half power points. This is therefore also known as the −3 dB bandwidth. Bandwidths (otherwise called "frequency responses") for other response tolerances are sometimes quoted (−1 dB, −6 dB etc.) or "plus or minus 1dB" (roughly the sound level difference people usually can detect).

A full-range audio amplifier will be essentially flat between 20 Hz to about 20 kHz (the range of normal human hearing). In ultra high fidelity amplifier design, the amp's frequency response should extend considerably beyond this (one or more octaves either side) and might have −3 dB points < 10 and > 65 kHz. Professional touring amplifiers often have input and/or output filtering to sharply limit frequency response beyond 20 Hz-20 kHz; too much of the amplifier's potential output power would otherwise be wasted on infrasonic and ultrasonic frequencies, and the danger of AM radio interference would increase. Modern switching amplifiers need steep low pass filtering at the output to get rid of high frequency switching noise and harmonics.


Efficiency is a measure of how much of the input power is usefully applied to the amplifier's output. Class A amplifiers are very inefficient, in the range of 10–20% with a max efficiency of 25% for direct coupling of the output. Inductive coupling of the output can raise their efficiency to a maximum of 50%.

Class B amplifiers have a very high efficiency but are impractical because of high levels of distortion (See: Crossover distortion). In practical design, the result of a tradeoff is the class AB design. Modern Class AB amplifiers are commonly between 35–55% efficient with a theoretical maximum of 78.5%.

Commercially available Class D switching amplifiers have reported efficiencies as high as 90%. Amplifiers of Class C-F are usually known to be very high efficiency amplifiers. The efficiency of the amplifier limits the amount of total power output that is usefully available. Note that more efficient amplifiers run much cooler, and often do not need any cooling fans even in multi-kilowatt designs. The reason for this is that the loss of efficiency produces heat as a by-product of the energy lost during the conversion of power. In more efficient amplifiers there is less loss of energy so in turn less heat.

In RF Power Amplifiers, such as cellular base stations and broadcast transmitters, specialist design techniques are used to improve efficiency. Doherty designs, which use a second transistor, can lift efficiency from the typical 15% up to 30-35% in a narrow bandwidth. Envelope Tracking designs are able to achieve efficiencies of up to 60%, by modulating the supply voltage to the amplifier in line with the envelope of the signal.


An ideal amplifier would be a totally linear device, but real amplifiers are only linear within certain practical limits. When the signal drive to the amplifier is increased, the output also increases until a point is reached where some part of the amplifier becomes saturated and cannot produce any more output; this is called clipping, and results in distortion.

Some amplifiers are designed to handle this in a controlled way which causes a reduction in gain to take place instead of excessive distortion; the result is a compression effect, which (if the amplifier is an audio amplifier) will sound much less unpleasant to the ear. For these amplifiers, the 1 dB compression point is defined as the input power (or output power) where the gain is 1 dB less than the small signal gain.

Linearization is an emergent field, and there are many techniques, such as feedforward, predistortion, postdistortion, EER, LINC, CALLUM, cartesian feedback, etc., in order to avoid the undesired effects of the non-linearities.


This is a measure of how much noise is introduced in the amplification process. Noise is an undesirable but inevitable product of the electronic devices and components. The metric for noise performance of a circuit is Noise Factor. Noise Factor is the ratio of input signal to that of the output signal.

Output dynamic range

Output dynamic range is the range, usually given in dB, between the smallest and largest useful output levels. The lowest useful level is limited by output noise, while the largest is limited most often by distortion. The ratio of these two is quoted as the amplifier dynamic range. More precisely, if S = maximal allowed signal power and N = noise power, the dynamic range DR is DR = (S + N ) /N.[1]

Slew rate

Slew rate is the maximum rate of change of output variable, usually quoted in volts per second (or microsecond). Many amplifiers are ultimately slew rate limited (typically by the impedance of a drive current having to overcome capacitive effects at some point in the circuit), which may limit the full power bandwidth to frequencies well below the amplifier's small-signal frequency response.

Rise time

The rise time, tr, of an amplifier is the time taken for the output to change from 10% to 90% of its final level when driven by a step input. For a Gaussian response system (or a simple RC roll off), the rise time is approximated by:

tr * BW = 0.35, where tr is rise time in seconds and BW is bandwidth in Hz.

Settling time and ringing

Time taken for output to settle to within a certain percentage of the final value (say 0.1%). This is called the settle time, and is usually specified for oscilloscope vertical amplifiers and high accuracy measurement systems. Ringing refers to an output that cycles above and below its final value, leading to a delay in reaching final value quantified by the settling time above.


In response to a step input, the overshoot is the amount the output exceeds its final, steady-state value.

Stability factor

Stability is a major concern in RF and microwave amplifiers. The degree of an amplifier's stability can be quantified by a so-called stability factor. There are several different stability factors, such as the Stern stability factor and the Linvil stability factor, which specify a condition that must be met for the absolute stability of an amplifier in terms of its two-port parameters.

Electronic amplifiers

There are many types of electronic amplifiers, commonly used in radio and television transmitters and receivers, high-fidelity ("hi-fi") stereo equipment, microcomputers and other electronic digital equipment, and guitar and other instrument amplifiers. Critical components include active devices, such as vacuum tubes or transistors. A brief introduction to the many types of electronic amplifier follows.

Power amplifier

The term "power amplifier" is a relative term with respect to the amount of power delivered to the load and/or sourced by the supply circuit. In general a power amplifier is designated as the last amplifier in a transmission chain (the output stage) and is the amplifier stage that typically requires most attention to power efficiency. Efficiency considerations lead to various classes of power amplifier: see power amplifier classes.

Vacuum tube (valve) amplifiers

The glow from four "Electro Harmonix KT88" brand power tubes lights up the inside of a Traynor YBA-200 guitar amplifier

According to Symons, while semiconductor amplifiers have largely displaced valve amplifiers for low power applications, valve amplifiers are much more cost effective in high power applications such as "radar, countermeasures equipment, or communications equipment" (p. 56). Many microwave amplifiers are specially designed valves, such as the klystron, gyrotron, traveling wave tube, and crossed-field amplifier, and these microwave valves provide much greater single-device power output at microwave frequencies than solid-state devices (p. 59).[2]

Transistor amplifiers

The essential role of this active element is to magnify an input signal to yield a significantly larger output signal. The amount of magnification (the "forward gain") is determined by the external circuit design as well as the active device.

Many common active devices in transistor amplifiers are bipolar junction transistors (BJTs) and metal oxide semiconductor field-effect transistors (MOSFETs).

Applications are numerous, some common examples are audio amplifiers in a home stereo or PA system, RF high power generation for semiconductor equipment, to RF and Microwave applications such as radio transmitters.

Transistor-based amplifier can be realized using various configurations: for example with a bipolar junction transistor we can realize common base, common collector or common emitter amplifier; using a MOSFET we can realize common gate, common source or common drain amplifier. Each configuration has different characteristic (gain, impedance...).

Operational amplifiers (op-amps)

An operational amplifier is an amplifier circuit with very high open loop gain and differential inputs which employs external feedback for control of its transfer function or gain. Although the term is today commonly applied to integrated circuits, the original operational amplifier design was implemented with valves.

Fully differential amplifiers (FDA)

A fully differential amplifier is a solid state integrated circuit amplifier which employs external feedback for control of its transfer function or gain. It is similar to the operational amplifier but it also has differential output pins.

Video amplifiers

These deal with video signals and have varying bandwidths depending on whether the video signal is for SDTV, EDTV, HDTV 720p or 1080i/p etc.. The specification of the bandwidth itself depends on what kind of filter is used and which point (-1 dB or -3 dB for example) the bandwidth is measured. Certain requirements for step response and overshoot are necessary in order for acceptable TV images to be presented.

Oscilloscope vertical amplifiers

These are used to deal with video signals to drive an oscilloscope display tube and can have bandwidths of about 500 MHz. The specifications on step response, rise time, overshoot and aberrations can make the design of these amplifiers extremely difficult. One of the pioneers in high bandwidth vertical amplifiers was the Tektronix company.

Distributed amplifiers

These use transmission lines to temporally split the signal and amplify each portion separately in order to achieve higher bandwidth than can be obtained from a single amplifying device. The outputs of each stage are combined in the output transmission line. This type of amplifier was commonly used on oscilloscopes as the final vertical amplifier. The transmission lines were often housed inside the display tube glass envelope.

Microwave amplifiers

Travelling wave tube (TWT) amplifiers

Used for high power amplification at low microwave frequencies. They typically can amplify across a broad spectrum of frequencies; however, they are usually not as tunable as klystrons.


Very similar to TWT amplifiers, but more powerful and with a specific frequency "sweet spot". They generally are also much heavier than TWT amplifiers, and are therefore ill-suited for light-weight mobile applications. Klystrons are tunable, offering selective output within their specified frequency range.

Musical instrument (audio) amplifiers

An audio amplifier is usually used to amplify signals such as music or speech.

Other amplifier types

Carbon microphone

One of the first devices used to amplify signals was the carbon microphone (effectively a sound-controlled variable resistor). By channeling a large electric current through the compressed carbon granules in the microphone, a small sound signal could produce a much larger electric signal. The carbon microphone was extremely important in early telecommunications; analog telephones in fact work without the use of any other amplifier. Before the invention of electronic amplifiers, mechanically coupled carbon microphones were also used as amplifiers in telephone repeaters for long distance service.

Magnetic amplifier

A magnetic amplifier is a transformer-like device that makes use of the saturation of magnetic materials to produce amplification. It is a non-electronic electrical amplifier with no moving parts. The bandwidth of magnetic amplifiers extends to the hundreds of kilohertz.

Rotating electrical machinery amplifier

A Ward Leonard control is a rotating machine like an electrical generator that provides amplification of electrical signals by the conversion of mechanical energy to electrical energy. Changes in generator field current result in larger changes in the output current of the generator, providing gain. This class of device was used for smooth control of large motors, primarily for elevators and naval guns.

Field modulation of a very high speed AC generator was also used for some early AM radio transmissions.[3] See Alexanderson alternator.

Johnsen-Rahbek effect amplifier

The earliest form of audio power amplifier was Edison's "electromotograph" loud-speaking telephone, which used a wetted rotating chalk cylinder in contact with a stationary contact. The friction between cylinder and contact varied with the current, providing gain. Edison discovered this effect in 1874, but the theory behind the Johnsen-Rahbek effect was not understood until the semiconductor era.

Mechanical amplifiers

Mechanical amplifiers were used in the pre-electronic era in specialized applications. Early autopilot units designed by Elmer Ambrose Sperry incorporated a mechanical amplifier using belts wrapped around rotating drums; a slight increase in the tension of the belt caused the drum to move the belt. A paired, opposing set of such drives made up a single amplifier. This amplified small gyro errors into signals large enough to move aircraft control surfaces. A similar mechanism was used in the Vannevar Bush differential analyzer.

Optical amplifiers

Optical amplifiers amplify light through the process of stimulated emission. See Laser and Maser.

Miscellaneous types

  • There are also mechanical amplifiers, such as the automotive servo used in braking.
  • Relays can be included under the above definition of amplifiers, although their transfer function is not linear (that is, they are either open or closed).
  • Also purely mechanical manifestations of such digital amplifiers can be built (for theoretical, didactical purposes, or for entertainment), see e.g. domino computer.
  • Another type of amplifier is the fluidic amplifier, based on the fluidic triode.

See also


  1. ^ Verhoeven CJM, van Staveren A, Monna GLE, Kouwenhoven MHL and Yildiz E (2003). Structured electronic design: negative feedback amplifiers. Boston/Dordrecht: Kluwer Academic. pp. 10. ISBN 1-4020-7590-1. 
  2. ^ Robert S. Symons (1998). "Tubes: Still vital after all these years". IEEE Spectrum 35 (4): 52–63. doi:10.1109/6.666962. 
  3. ^ OTB - Below 535, A Historical Review of Continuous Wave Radio Frequency Power Generators

Study guide

Up to date as of January 14, 2010

From Wikiversity

This learning project is about electronic amplifiers such as those used with an electric guitar.



An amplifier uses a small weak electronic signal and a power supply to produce a larger strong signal. This task can be done the new way using solid-state devices usually called transistors or an older way using electron tubes, also called valves. Amplification can also be done in an even older way mechanically using a horn of some type as in the Victrola and similar devices. The principles of amplification are ancient as in the medical stethescope and who knows how far back?

Wikipedia: An electronic amplifier is a device for increasing the power of a signal.

Types and kinds

All amplification methods have common aspects most of which are expressed as ratios:

  • Gain - the ratio between input and output energy
  • Signal to Noise - Generally, the ratio between harmonic content that is desireable to that which is undesirable
  • Efficiency - An amalgamation of factors used to measure energy that is used productively or dissipated as heat or other incidental loss
  • Frequency response - A measure of an amplifier's ability to respond to various types of periodic change.
  • ...several others

Electronic amplification can happen over a wide band of frequencies and physical conditions ranging from audible sound to electromagnetic radiation. The design parameters and objectives of an amplifier circuit are methodically built to a variety of types and kinds. For this discussion, we shall begin with an elementary examination of the Audio Amplifier.

Point to ponder: Can visible and invisible light be amplified? Some might argue that anything that can be modulated, can be amplified. spoil

Sound transducers

A sonic signal enters and exits an amplifier by means of a sound transducer. Input devices such as microphones, magnetic pickups and piezo-electric devices faithfully translate sound, mechanical vibration or other type of audible energy into variable electrical energy that can enter the input stage or circuit. Output devices for converting amplified electrical energy back into sound are most commonly called loudspeakers.

Electron tubes

The first electronic amplifiers used evacuated glass tubes containing four basic types of conducting members:

  1. filament - also called heaters, these innermost elements usually composed of tungsten, emmited energy in the form of heat producing the orange glow seen from behind a vintage w:guitar amplifier.
  2. cathode - this electrode connected directly or through a resister to the negative side of a DC Power source supplies a stream of w:electrons knocked off of it by the heat from the filament toward an outermost electrode called the...
  3. plate - this electrode is connected to the positive side of the power supply through a resistive or inductive load componant used to develop the amplified power of the tube (valve).
  4. grid - One or more screen-like elements are placed between the cathode and plate and present to the tube an input signal that represents a varying voltage that is biased somewhere between the negative potential of the cathode and the positive postential of the plate.

The kinetic energy allowed to flow between the cathode and the plate varies indirectly but at the same rate as the potential energy on the grid. To understand the operation of an amplifier tube, one should thing in terms of voltage with repect to ground. In most classic tube designes, the negative side of the power supply was connected with the chassis of the aparatus which was in turn connected (for best results) to Earth ground. Earth ground is nearly always at a 0-volt potential, unless of course a lightning strike or other anomoly is nearby.

under construction

Simple English

The word amplifier usually refers to an electronic amplifier. Electronic amplifiers make a signal from a radio or electric musical instrument (such as an electric guitar or an electric bass guitar) louder and stronger. Amplifiers are also hidden in any electronic thing that makes sound with loudspeakers. This includes televisions, radios, computers, and mp3 players, to name a few.

Devices similar to the electronic amplifier are made in mechanical engineering. The power assisted steering and braking on a motor car utilise mechanical amplifiers to multiply the amount of force applied by the driver.

How it works

Electronic amplifiers make a signal from the radio or electric instrument louder and stronger by using transistors or vacuum tubes. Electronic amplifiers have to be connected to electrical current or a battery to work. Once the signal from the radio or electric instrument has been made louder and stronger, the signal needs to be connected to a loudspeaker so that people can hear it.

When an amplifier tries to make the sound louder than it can, it adds distortion to the sound. Some amplifiers are made to add controlled distortion. Distortion from transistors sounds different than distortion from tubes. Distortion from tubes is more musical. Because of all this, amplifiers usually add controlled distortion with tubes. That is not to say that those amplifiers do not also use transistors. That is to say that the part that gets more electricity than it can use without distortion is a vacuum tube.


From the 1920s until the 1950s, electronic amplifiers used vacuum tubes. However, electronic amplifiers with vacuum tubes were heavy, and they produced a lot of heat. They also broke down a lot.

Since the 1960s, most electronic amplifiers have been built with transistors. Transistors are lighter, less expensive, and more reliable.


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