From Wikipedia, the free encyclopedia
Andrés Calamaro (born Andrés Calamaro Masel,
August 22, 1961 in Buenos Aires) is an Argentine musician, composer and Latin
Grammy winner[1]. His
former band Los Rodríguez was a major success in
Spain in the 1990s. He became
one of the main icons of the Argentine rock in the last two decades
and has sold over 1.3 million copies.
Abuelos de la
Nada
At 17 years of age Calamaro participated as a guest in the
recording of an album of the group Raíces, and shortly
after he started his own band, the Elmer Band, with
guitarist friend Gringui Herrera. This band had an underground hit,
Tristeza de la Ciudad (City Blues)[2].
When Miguel
Abuelo, leader of Los Abuelos de la Nada,
returned to Argentina, he reunited the band and invited Calamaro to
play keyboards. The band was a big success; Calamaro wrote some of
their greatest hits, such as Sin gamulán, Mil
horas and Costumbres argentinas.
Separation
Before the dissolution of Los Abuelos de la Nada,
Calamaro edited his first solo album, Hotel Calamaro in
1984. A second album, Vida Cruel, recorded shortly after
his separation from the band, was received warmly by the press but
did not achieve commercial success.
After a third album, Por Mirarte (1988), Calamaro
started producing for bands such as Los
Fabulosos Cadillacs, Los Enanitos Verdes and soloists
such as Fabiana Cantilo.
Calamaro closed the 1980s with his own band, featuring old
friends Gringui Herrera and Ariel Rot, who recently came back from
Spain. The trio recorded the
album Nadie sale vivo de aquí (No One Here Gets Out Alive)
in 1989 with a number of guest musicians, which obtained the
nomination of Best Record of the Year.
Los
Rodríguez
Due to the economic situation in Argentina, Calamaro and Rot
relocated to Spain. Then, they created the band Los
Rodríguez with Julián Infante. Germán Villela joined at
the drums. The band didn't have a bass player, but Guillermo
Martin, Candi Avello and later Daniel Zamora accompanied the band
in recordings and tours.
Los Rodríguez edited three successful studio albums: Buena
Suerte (1991), Sin documentos (1993) and Palabras
más, palabras menos (1995), as well as the live Disco
Pirata (1992), and the compilation Hasta luego
(1996).
Sin documentos gave them international acclaim, with
its mixture of flamenco
and Latin
American rhythms. They toured Spain and Latin America, and
entered the history of Rock in Spanish.
Solo
A very prolific mind, Andrés Calamaro edited Grabaciones
Encontradas ("Found recordings" which in Spanish could also be
understood as "Found Recordings") while working with Los Rodríguez.
After Palabras más, palabras menos, the band released a
"Greatest Hits" album, which sold nicely, and then dissolved.
In 1997 Calamaro recorded Alta suciedad (literally
"High Filth," but also a pun "High Society"/"Alta Sociedad"), which
sold over half a million copies and took him again touring around
Latin America.
Calamaro began composing song after song. In six months, he had
over 100 songs ready to be edited. Thirty seven of these found
their way to his next album, Honestidad brutal. The album
has hits as: Te quiero igual, Paloma, Los
aviones, Cuando te conocí or La parte de
adelante. This double CD, was created after the break up with
his girlfriend, and this is reflected in all the songs. The album
also contains a collaboration with Maradona.
In 2000, he recorded 103 songs in his five-CD album El
salmón.
Free
music
In the following years, Calamaro made many guest appearances in
concerts and recordings. He posted inedit songs of the 2001-2002
for free download over the Internet, saying that "Music belongs
to those who want to hear it; and to nobody else".
He also made his home recordings available at DeepCamboya. Due to the low quality of the
recordings, and with permission of the author, Camisetas Para Todos, a group of fans,
re-mastered Calamaro's songs and made them available on their site.
He also started Radio Salmón Vaticano, a virtual recording
studio at his web site.
In 2004 he released El Cantante (The Singer), an album
with covers of Tangos and other Latin American rhythms,
and a few of his web released songs.
The
Return
In 2005 he released El Regreso (The Return), a
compilation of the live recordings from his appearance in the Luna Park Stadium earlier that
year. The disc was presented on December 17 to an audience of
20,000 in the Obras Sanitarias Stadium, and was awarded with the
2006 Gardel Award for Rock album by Male Artist and
Best Album Cover. Calamaro was awarded the Golden Gardel
(main award).
After that, he released Tinta Roja, a collection of
classic Tangos as El día que me quieras,Como dos
extraños or Sur. On November 20 of 2006 was released
El Palacio de las Flores, recorded with Litto Nebbia and
on September 11 of 2007, La Lengua Popular, his last album
yet, comes to light. In 2008 Raíces 30 Años followed with
the band Raíces, and in 2009 Andrés, a
solo-antology of 6 CDs[2].
Discography[2]
Los
Abuelos de la Nada
- Los Abuelos de la Nada (1982)
- Vasos y besos (1983)
- Himno de mi corazón (1984)
- En directo desde el Ópera (1985)
Los
Rodríguez
- Buena suerte (1991)
- Disco pirata (1992)
- Sin documentos (1993)
- Palabras más, palabras menos (1995)
- Hasta luego (1997)
- Hasta luego (Collector CD/book) (2001)
- Para no olvidar (2001)
Solo
- Hotel Calamaro (1984)
- Vida cruel (1985)
- Por mirarte (1988)
- Nadie sale vivo de aquí (1990)
- Grabaciones encontradas Vol. I (1993)
- Live en Ayacucho 1988 (1994)
- Caballos salvajes (album)|Caballos salvajes (1995)
- Grabaciones encontradas Vol. II (1996)
- Alta Suciedad (1997)
- Las otras caras de Alta Suciedad (1998)
- Una década perdida (1998)
- Honestidad brutal (1999)
- Alta Suciedad (Collector Series) (1999)
- El Salmón
(2000)
- Duetos (2001)
- El
Cantante (2004)
- El
Regreso (2005)
- Tinta Roja (2006)
- Made in Argentina (DVD) (2006)
- El Palacio de las Flores (2006)
- La
Lengua Popular (2007)
- Dos son Multitud (together with Fito & Fitipaldis)
(2008)
- Nada se Pierde (2009)
References
- ^
2008 Winners
Grammy.com
- ^ a
b
c
Official Biografy (Spanish)
External
links