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Annette von Droste-Hülshoff on the Twenty Deutsche Mark banknote
House of Annette von Droste-Hülshoff in Meersburg (Germany).

About this sound Annette von Droste-Hülshoff (German pronunciation: [aˈnɛtə fɔn ˈdʁɔstəˈhʏlshɔf]; January 10, 1797 – May 25, 1848) was a 19th century German author, and one of the most important German poets.



She was born at the family seat castle Burg Hülshoff (now a part of Havixbeck) inside the Prince-Bishopric of Münster into an aristocratic, Catholic family of Westphalia. She was educated by private tutors and began to write as a child, but did not publish any of her work until she was forty years old. Among her best-known writings are the cycle of poems Das geistliche Jahr (The Spiritual Year) and the novella Die Judenbuche (The Jew's Beech).

Her early intellectual training was largely influenced by her cousin, Clemens August Freiherr von Droste zu Vischering, who, as archbishop of Cologne, became notorious for his extreme ultramontane views (see below). She received a wider liberal education than was common for aristocratic women of her time.

Despite her withdrawn and restricted life she corresponded with intellectual contemporaries such as the Brothers Grimm. As her health continually worsened, earning a living through her writing was never an option. Despite this, she took her literary work very seriously.

She was able to break from her circumstances during a trip to Lake Constance, originally only to visit relatives. From 1841 she stayed with her brother-in-law, Baron Joseph Maria Christoph von Lassberg at the Meersburg Castle. In 1837 she became friends with the author Levin Schücking, who, through her agency, became the librarian at the Meersburg Castle.

Annette von Droste-Hülshoff is considered the most gifted and original of German women poets[1]. Her verse is strong and vigorous, but often unmusical, if not to say harsh; one looks in vain for a touch of sentimentality or melting sweetness in it. That this harshness in a way reflects her conditions as a woman in 19th century Germany can be seen in poems like "Am Turme" ( As a lyric poet, she is at her best when she is able to attune her thoughts to the sober landscape of the Westphalian moorlands of her home. Her narrative poetry, and especially Das Hospiz auf dem Großen St. Bernard and Die Schlacht im Loener Bruch (both 1838), belongs to the best German poetry of its kind. She was a strict Roman Catholic, and her religious poems, published in 1852, after her death, under the title Das geistliche Jahr, nebst einem Anhang religiöser Gedichte, enjoyed great popularity.

Annette von Droste-Hülshoff died in May 1848 at the Meersburg Castle, probably from pneumonia.


Annette von Droste-Hülshoff on a German stamp from 1961
Annette von Droste memorial in the garden of the Hülshoff castle in Havixbeck, Germany
Burg Hülshoff in Havixbeck, Germany: birth-place of Annette von Droste

See also


Some of the material for this article comes from the equivalent German-language Wikipedia article. It cites:

  • P. Berglar: Annette von Droste-Hülshoff. Rowohlt Verlag, Reinbek 1967
  • Levin Schücking: Annette von Droste. Stuttgart 1964
  • E. Staiger: Annette von Droste-Hülshoff. Frauenfeld 1967

External links

This article incorporates text from the public-domain Catholic Encyclopedia of 1913.

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