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Arne Nordheim (born 20 June 1931 in Larvik) is a Norwegian composer, since 1982 living in the Norwegian State's honorary residence, Grotten, next to the Royal Palace in Oslo. Nordheim has received numerous prizes for his compositions, and was elected honorary member of the International Society for Contemporary Music in 1997.

At the then Oslo Conservatory of Music (now the Norwegian Academy of Music), where Nordheim studied from 1948 to 1952, he started out as a theory and organ student, but changed to composition, studying with Karl August Andersen (1903–1970), Bjarne Brustad, and Conrad Baden; in 1955 he studied with Vagn Holmboe in Copenhagen[1], and studied musique concrète in Paris. Later he studied electronic music in Bilthoven (1959), and paid many visits to the Studio Eksperymentalne of Polish Radio (1967–1972), where many of his early electronic works were realised (including Pace, Solitaire, and Lux et tenebrae (Poly-Poly)).

Nordheim's musical output is focused around themes of 'solitude, death, love, and landscape' (Aksnes); these themes are already evident in his song cycle Aftonland (Evening Land, 1959), a setting of poems by the Swedish poet Pär Lagerkvist, which brought him national recognition. The 1961 Canzona per orchestra was his international breakthrough. Inspired by Giovanni Gabrieli's canzone, the work showcases Nordheim's historical leanings, as well as his occupation with space as a parameter of music. Nordheim's spatial concerns, coupled with his focus on death and human suffering, are brought together in what is arguably his most famous work, Epitaffio per orchestra e nastro magnetico (1963). Written in memory of the Norwegian flautist Alf Andersen, who died that year at a very young age, the work incorporated Salvatore Quasimodo's poem Ed è sùbito sera. Originally conceived for orchestra and chorus, Nordheim realised that his wish to have the whole performance space 'singing' was better achieved with the use of electronic means. The result is a remarkable, almost imperceptible, blending of the orchestral sounds with the choral sounds of the tape, where the final line 'ed è sùbito sera' ('and suddenly it is evening') is the only part of the text that can be heard.

Later works include The Tempest (1979), Magma (1988), the Violin Concerto (1996) and Fonos for trombone and orchestra (2004). In The Tempest, a ballet based on Shakespeare's play, electronics and orchestral sounds are again mixed, while the focus is more strongly on vocal music (e.g. the 'double voice' of Caliban), while Nordheim's continued use of historical elements is shown by the incorporation of Leonardo da Vinci's musical rebus, which solved reads Amore sol la mi fa remirare, la sol mi fa sollecita. Norwegian music label Rune Grammofon released a collection of his electronic music work. Draumkvedet is a monumental stage work for orchestra, (acting) chamber choir, soloists and dancers, and was performed 40 times in 1994 with the Broadcasting Corporation Radio Orchestra and Grex Vocalis.

On 18 August 2006, Arne Nordheim received the honorary doctors degree (doctor honoris causa) at the Norwegian Academy of Music.

References

  • Hallgjerd Aksnes, 'Nordheim, Arne', Grove Music Online ed. Laura Macy, article updated 19.04.04,

References

External links

Awards
Preceded by
Espen Skjønberg
Recipient of the Norsk kulturråds ærespris
1990
Succeeded by
Synnøve Anker Aurdal







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