At the Spine is primarily the vehicle for the songwriting, instrumentation and vocals, of Mike Toschi (Toskey). The songs on FDOS traverse various living and working experiences in places ranging from the South Bronx and Harlem, to Portland, Seattle, and San Diego. As the son of a McGovern voting Vietnam Veteran, and someone whose 21 year old cousin in the US Army had a third of his skull blown off in Iraq, Toschi draws on strong anti-war/anti-Bush/anti-imperialist sentiments in fiery songs like "First Day of Spring" and "Eyes that Cry." There are also the more familiar themes of relationships and broken hearts ("Kiss and Remember", "Mouth of Hell", "Another Day", and "Luna") and of working mindless labor jobs for stupid rich people (cover of Hank William's "House of Gold"). "La Frontera" is a rousing southwestern flavored tale of an 18 year old bribing Mexican cops to spare an acquaintance a sentence in a Tijuana jail. Mellower songs like "Razors" tell tales of working in inner city schools teaching day laborers, gang involved and at risk youth amidst streets lined with addicts, housing projects, and the homeless.

While the album addresses some heavier issues, like the live show, it is meant to be an album that sonically celebrates life. Domestically, we may be losing the battle, but as Emma Goldman reportedly said, "If I can't dance, I don't want to be a part of your revolution." The album is about resisting the senselessness of the military industrial complex without letting them take away our laughter, dance, music, and right to revolt.

The album was mixed and mastered by Eric Oz at Iron Orange studio. Eric is an engineer at Glenn Sound in Seattle, WA, who has recorded sessions with The White Stripes, Elliott Smith, Built to Spill, Sebadoh, etc. The album was recorded at Supply & Demand Studios by Chris Cox and El Vecino de Los Muertos studio in Seattle, WA by Mike Toschi.

Live and touring, this music is being performed as an energetic trio with Chris Croft on drums, Matt Dente on bass and Toschi on guitar and vocals.

Mike Toschi is the ex-lead guitarist for The Plains and occasional guitar player for Colin Spring and Portland based folk rockers Bit Part. In 2000 he released a quiet solo album and from 1995-1998 he played in the Portland power trio, The Help. In 1996 he founded Global Seepej Records, trying to assist like-minded artists that put out authentic music.


PRESS

PNW Inlander Weekly
Standing Up Straight

They've been called it all: the next Pixies, just like early Fugazi, early Guided by Voices, early Neil Young. The comparisons are plentiful and all overboard, if you ask me. Because after checking out their sophomore album, First Day of Spring, I can say that these guys stand on their own feet. Comparisons aren't really necessary. No matter how they sound, the members of At the Spine approach their entire career as a band differently than anyone else. First Day of Spring is a worldly album that touches on more than just rock 'n' roll. Songs explore the damage of the war in Iraq, anti-Bush sentiments and life in a Mexican jail. Songs become stories, not just obtuse, self-reflective ballads. At the Spine gives you a glimpse of real life, not just rock 'n' roll life. They speak from the cardboard hut of a homeless man, from the desk of an inner-city teacher. Music is a revolution for At the Spine, an upheaval against all the power and energy that goes into sadness, war, strife and struggle. Their latest album is "about resisting the senselessness of the military-industrial complex... [without letting] them take away our laughter, dance, music and right to revolt." For At the Spine, rock is hardly skin-deep. (Leah Sottile, PNW Inlander Weekly, Spokane, WA. March 10, 2005).



Punk Planet Magazine
CD Review

This is honestly one of the best records, front to back that I've heard all year. (Punk Planet Magazine, Chicago, IL Issue 59, Jan/Feb 2004).



The Stranger
Up and Coming

At the Spine's great debut barely hints at their live power: The band exults madly all over the room with a performance to banish all jadedness. This band is so strong and fresh that watching them, I can't help but imagine. (The Stranger, Seattle, WA July 31-Aug 6th, 2003)



Time Out NY
Preview

At the Spine basically is multi-instrumentalist Mike Toschi, who sounds blissfully impervious to whatever fad his indie-rock peers are currently into. Even after a few listens, The Curriculum is Never Neutral (Global Seepej) keeps on revealing quirky new hooks, new layers. (Time Out NY, Issue No. 405 July 3-10, 2003).



The Spokesman Review
At the Spine Packs Politics into the B-Side

The music's as much about rocking as anything, and the group's Built to Spill and Fugazi-esque guitar-driven sound proves it. And concertgoers are bound to verify that At the Spine likes to cut loose and rock the house. "Things are messed up and we have to think about them and try and correct them, but we can't let that destroy our ability to have fun," he said. "We have to try to do both. That's what I'm trying to do with the album. It's kind of a sonic celebration of resistance." (Tom Bowers, The Spokesman-Review, Spokane, WA. March 11, 2005).



Portland Mercury
At The Spine at Slabtown

Like a more metal-minded Frank Black, Global Seepej label head and At the Spine frontman Mike Toschi sketches person politics to the sound of perfectly serrated pop. (Portland Mercury, Portland, OR. Vol 6 No. 5, June 30, 2005).



NadaMucho.com
Saturday March 19th at the Sunset

At the Spine are one of Seattle's best kept secrets. Their debut album, The Curriculum's Never Neutral, mixed Fugazi-like guitar precision with melodic alt-rock and edgy percussion, charting decent college radio play outside Seattle and garnering glowing reviews from the NYC and LA indie rock press. Live, ATS guitarist/vocalist Mike Toschi is like a jack-rabbit on crack, pogoing spastically across the stage and into the crowd, all the while managing to propel his oftentimes bitter songs to new levels of sonic intensity. This show is a CD release celebration for the band's sophomore effort, First Day of Spring, which contains the same controlled bursts of guitar rock cacophony amidst improved songwriting and a slightly more varied approach. (Matt Ashworth, Editor, NadaMucho.com, Seattle WA, March 10, 2005).



Seattle Weekly
Notable Shows

It takes stones to compose a song based on refrigerator magnet poetry; it takes talent to make it unpretentious and listenable, and At the Spine's rootsy multi-instrumentalist wizard Mike Toschi exhibits both on "Kiss and Remember," the intro to his fine new record First Day of Spring (Global Seepej), released tonight. Sunset Tavern, 9 p.m. $6. (Andrew Bonazelli, Seattle Weekly Seattle, WA. March 16-22, 2005).



Ticket/NW Source

Seattle's much-praised At the Spine -- led by Mike Toschi -- releases its second album, "The First Day of Spring." The band combines the political protest of folk and the angry power of metal. (Ticket/NW Source, Seattle Times/Seattle Post Intelligencer, March 18, 2005).



Tablet Magazine
CD Review: At the Spine First Day of Spring Global Seepej Records

A collection of Fugazi-esque rockers, this album bristles with relentless energy and literate, politically inspired lyrics that will send neo-cons scrambling for the "disc skip" button. But for all the righteous anger, the finest moments are the softer ones; the opener is based upon lyrics crafted with refrigerator magnet poetry (don't hit me it's better than it sounds), and there's a version of an old Irish drinking song entitled "Moonshiner" that is nearly worth the price of admission on its own. (Brian Graham, Tablet Magazine, May 2005).



Seattle Weekly
Notable Shows

Michael Toschi is the pixie-pop mastermind behind local rock outfit At the Spine. His eccentricity extends to the liner notes of 2003's The Curriculum Is Never Neutral, which details not only specific tunings and capo placements, but provides brief contextual settings for each track. The hipster DJ-baiting "Power Broker" is a major standout. (Seattle Weekly, Andrew Bonazelli, January 5, 2005).


Portland Mercury
At the Spine

Mike Toschi is a technical virtuoso of sorts, playing all of the instruments except drums on At the Spine's latest record, The Curriculum is Never Neutral (including guitar, bass, organ, and singing). Playing live with a bassist and drummer, At the Spine's shows are legendary, blending their wandering-heart folk and rock jams into a sweaty live performance. (Katie Shimer, Portland Mercury: UP & COMING, Sept. 18, 2003).


The Local Planet Weekly

Friday, June 13th: At the Spine at Mootsy's
Lead by the straightforward storytelling of frontman Mike Toschi, the Seattle trio At the Spine displays a rangy meld of lo-fi rock songs that skirt along the backbone of indie rock, punk, folk and occasionally jazz. There's something eerily familiar about At the Spine's recent release The Curriculum is Never Neutral reminiscent of the quirkiness of early 90's Guided By Voices and Pavement. And in a time when bland, fast-food radio formats tout familiar new music and retro hits, At the Spine create familiar retro hints that make for exciting new hits. What a novel concept!!! Thursday and Friday at Mootsy's. 9:30 p.m. (Jeremy Hadley, The Local Planet Weekly, Spokane, WA. June 2003).