From Wikipedia, the free encyclopedia
| Béla Fleck |

Béla Fleck performing on February 9,
2007.
|
| Background information |
| Birth name |
Béla Anton Leoš Fleck |
| Born |
July 10, 1958 (1958-07-10) (age 51)
New York City, New York, U.S. |
| Origin |
Boston, Massachusetts, U.S. |
| Genres |
Bluegrass, jazz, jazz fusion, folk, classical |
| Occupations |
Musician, songwriter, composer, |
| Instruments |
Banjo, guitar |
| Years active |
1978–present |
| Associated acts |
Béla Fleck and the
Flecktones, Trio!, Strength in Numbers, New Grass
Revival, Sparrow Quartet |
| Website |
www.BelaFleck.com |
| Notable instruments |
| Deering Crossfire electric banjo with custom
pickups and synthesizer pickup |
Béla Fleck (born July 10, 1958 in New York City, New York) is an American banjo player. Widely acknowledged
as one of the world's most innovative and technically proficient
banjo players,[1]
he is best known for his work with the bands New Grass
Revival and Béla Fleck and the
Flecktones.
Life and
early career
Béla Anton Leoš Fleck, who is named after famous Hungarian
composer Béla
Bartók, Czech composer Antonín Dvořák (Anton is the Germanic
form of Antonín), and Czech composer Leoš
Janáček,[2] was
drawn to the banjo when he first heard Earl Scruggs play the theme song for the
television show Beverly
Hillbillies. He received his first banjo at age fifteen
from his grandfather (1973).[3
][4] He was
a member of the class of 1970 at P.S. 75 (the Emily Dickinson
School) in Manhattan. Later, Fleck enrolled in New York City's
High School of Music and Art where he studied the French
horn. He was a banjo student under Tony Trischka.
Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle,
Pat Enright, and Mark Schatz in Tasty Licks. During this period,
Fleck released his first solo album (1979): Crossing the
Tracks and made his first foray into progressive bluegrass
composition.
Fleck played on the streets of Boston with bassist Mark Schatz;
and the two, along with guitarist/vocalist Glen Lawson and mandolin
great Jimmy Gaudreau, formed Spectrum: the Band in 1981. Fleck
toured with Spectrum during 1981. That same year, Sam Bush asked Fleck to join
New Grass
Revival. Fleck performed with New Grass Revival for nine years.
During this time, Fleck recorded another solo album,
Drive. It was nominated for a Grammy Award in the then first-time
category of "Best Bluegrass Album" (1988).
During the 1980s Fleck and Bush also performed live occasionally
with Doc Watson and
Merle Watson in various bluegrass festivals, most notably the
annual Telluride Bluegrass
Festival.
Béla Fleck and the
Flecktones
Béla Fleck and Victor Wooten formed Béla Fleck and the
Flecktones in 1988, along with keyboardist and harmonica player Howard Levy and
Wooten's percussionist brother Roy "Future Man"
Wooten, who played synthesizer-based percussion. Levy left the
group in 1992, making the band a trio until Saxophonist Jeff Coffin joined the
group onstage part-time in 1997, eventually becoming a permanent
member. His first studio recording with the band was their 1998
album Left of Cool. In 1996, he appeared on the tribute
album to Hank
Marvin, one of his influences, and The Shadows "Twang" playing a Shadows UK
hit from the 1960s, "The Stranger".
With the Flecktones, Fleck has been nominated for and won
several Grammy awards. (Cf. Grammy sections
below.)
Other
music and recordings
Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has
been nominated in more categories than any other musician,[2]
namely country,
pop, jazz, bluegrass, classical, folk, spoken word, composition, and arranging.
Béla Fleck at Massey Hall, Toronto, ON
In 2001, Fleck collaborated with long-time friend and
playing-partner Edgar
Meyer to record Perpetual Motion, an
album of classical material played on the banjo along with an
assortment of accompanists, including John Williams, Evelyn Glennie,
Joshua Bell and Gary
Hoffman. The album includes selections such as Chopin's Etude Op. 10 No. 4 in C# minor, Debussy's Doctor
Gradus ad Parnassum, and Paganini's Moto Perpetuo (from
which is derived the name), as well as more lyrical pieces such as
the first movement of Beethoven's Moonlight Sonata, two
of Chopin's mazurkas, and
two Scarlatti keyboard sonatas. Perpetual Motion won two
Grammys at the Grammy Awards of
2002 for Best Classical Crossover Album and Best
Arrangement for Fleck and Meyer's arrangement of Doctor
Gradus ad Parnassum. Fleck and Meyer have also composed a
double concerto for banjo
and bass, and performed its debut with the Nashville
Symphony Orchestra.[2]
Fleck names Chick
Corea, Charlie
Parker, and the aforementioned Earl Scruggs as influences.[5] He
regards Scruggs as "certainly the best" banjo player of the
three-finger style.[3
]
Solo and with the Flecktones, Fleck has appeared at Telluride Bluegrass
Festival, Merlefest, Montreal International
Jazz Festival, Toronto Jazz Festival, Newport
Folk Festival, Austin City Limits Music
Festival, Bonnaroo, and Jazzfest, among others.
He has also appeared as a sideman with artists ranging from Tony Rice to Dave Matthews
Band to Ginger
Baker and Phish. One notable
appearance with the Dave Matthews Band, along with the rest of the
Flecktones, resulted in the longest singular live song in DMB
history, #41, at 32:03 in length.
In 2005, while the Flecktones were on hiatus, Fleck undertook
several new projects: recording with African traditional musicians;
cowriting a documentary film called Bring it Home about
the Flecktones' first year off in 17 years and their reunion after
that time; coproducing Song of the Traveling Daughter, the
debut album by Abigail Washburn (a young banjo player
who mixes bluegrass and Chinese music);
forming the acoustic fusion supergroup Trio! with fellows Jean-Luc Ponty and Stanley Clarke,
and recording an album as a member of the Sparrow Quartet
(along with Abigail Washburn, Ben Sollee, and Casey
Driessen).
In late 2006, Fleck teamed up with Chick Corea to record an album, The
Enchantment, released in May 2007.[6] Fleck
and Corea toured together throughout 2007.
In July 2007 at the Winnipeg Folk Festival, he
appeared and jammed with Toumani Diabaté, a kora player from
Mali. He is also scheduled to play the 2009 Bonnaroo Music and Arts
Festival with Toumani Diabaté.
Fleck has also played with Malian ngoni (ancestor of the banjo) player Cheick Hamala Diabate.
In December 2007, he performed charity concerts in Germany to
help promote AIDS awareness. His largest concert was held in Grosse
Halle Bern on December 1, 2007.
On June 13, 2008, he performed as part of The Bluegrass
Allstars, composed of bluegrass heavyweights Sam Bush, Luke Bulla,
Edgar Meyer, Bryan Sutton, and Jerry Douglas at the Bonnaroo Music
and Arts Festival in Manchester, Tennessee.
The next day Fleck performed with Abigail Washburn and the Sparrow Quartet
at the same festival.
In 2009, an independent film documentary of Fleck's visit to
Uganda, Tanzania, The Gambia, and Mali, was released to limited run
engagements in US cities. "Throw Down Your Heart" was directed by
Sascha Paladino. It was filmed during Fleck's year off from touring
with the Flecktones.
Banjos
played
- Nechville Meteor Electric Banjo made by Nechville Musical
Products
- Nechville Nextar Banjo made by Nechville Musical Products
- Deering Crossfire Banjo made by the Deering
Banjo Company
- Deering Tenbrooks Saratoga Star made by the Deering
Banjo Company
- Deering John Hartford banjo made by Deering
Banjo Company
- Gibson TB-75 Flathead banjo with reproduction five-string
neck
- Rickenbacker Banjo - Looks like a 360.
Discography
Grammy
awards
[7]
Grammy
nominations
Béla Fleck has been nominated in more categories than any other
musician in Grammy history.[8][9]
- 2009
- Best Contemporary World Music Album Throw Down Your
Heart
- Best Pop Instrumental Performance Throw Down Your
Heart
- Best Classical Crossover Album The Melody Of
Rhythm
- 2008
- Pop Instrumental Album Jingle All The Way
- Country Instrumental Performance Sleigh Ride (from
Jingle All The Way)
- 2006
- 2005
- Country Instrumental Who's Your Uncle (from Best
Kept Secret by Jerry Douglas)
- Contemporary Jazz Album Soulgrass by Bill Evans
- 2002
- Country Instrumental Performance Bear Mountain Hop
(from The Country Bears Soundtrack)
- 2000
- Pop Instrumental Zona Mona (from Outbound)
- 1999
- Bluegrass Bluegrass Sessions
- 1998
- 1996
- 1995
- Country Instrumental Cheeseballs In Cowtown (from
The Bluegrass Sessions: Tales from the Acoustic Planet, Vol.
2)
- 1994
- Spoken Word For Children The Creation by Amy Grant
- 1992
- Jazz Instrumental Magic Fingers (from UFO Tofu)
- 1991
- 1990
- Jazz Album Bela Fleck & The Flecktones
- Jazz Instrumental
- 1989
- 1988
- 1987
- 1986
Notes
References
External
links
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Béla Fleck |
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| Discography |
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| Related
links |
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| Influenced
by |
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| Awards |
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