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BORG2 is the major opposing faction to Black Rock City LLC as to the direction the Burning Man event should take.
Controversy, which was brewing for many years, came to a head in late 2004 when Black Rock City LLC was accused of inadequately funding the art segments of the event. BORG2 is a democratic fork off the Burning Man enlightened despotism.

BORG2’s mission statement states that “BORG2 is an experimental project designed to demonstrate a radically collaborative community-based process to fund and curate public works of art at the Burning Man 2005 event.”[ http://www.
BORG2.org] BORG2 configures their mission as a “demonstration project using MASSIVELY Collaborative DO-MOCRACY as a means to inspire, facilitate, curate and fund public works of art for Burning Man. In the process, we also intend to reaffirm the core truth of the larger Burning Man experiment: Collaborative creative work, broadly defined, is our main vehicle towards community.” [1435]


BORG2 is an attempt of artists and long term community members to resolve more than one issue.
On one level, artists want to regain control over the means of production, ownership and distribution of their skilled labor within Black Rock City. Since artmaking is a large part of the participatory ethos of Burning Man, BORG2 members are also attempting to rebirth the event to a state that existed before the growing size of the city/project necessitated more political bureaucratic structure and control. The BORG2 event is planning to exist in a separate village within Black Rock City during Burning Man.

Two long term members, Jim Mason and Chicken John, founded the movement, circulating their speeches and bluster through email lists and an online petition addressed and received by Larry Harvey.
Their petition promotes art curation based on direct democracy instead of the hierarchical curatorship model used by Burning Man:

“…the "art curation" should be put in the hands of rotating "Guest Curators" and all funding decisions should be made by "Direct Vote" of the full community.
The art should also be well funded (10% of the gate) and not subject to creativity squashing litmus tests for "theme compliance" and "mandatory interactivity".” [1436]

In order to avert the founders-as-despot-syndrome, Jim Mason and Chicken John formed a means of electing a council and then stepped away from the project.
Volunteers interested in being on the council posted their names and platforms on a web site. This site supported a voting mechanism, whereby anyone could register and vote on councilmembers. Winners received majority votes.

As of this writing, art council members have been focusing on raising funds and organizing a web-based system for voting on art proposals.
Art council members are physically spread throughout the country. They have weekly meeting through conference call.

The art council is setting up the political structure for BORG2 through common work on a wiki.
Following the path of many political systems, initial content and structure is populated by early adopters who set format and protocol.

This debate has been covered extensively by the local San Francisco press.


History of BORG2



For one week a year, Black Rock City exists in the Black Rock Desert of Nevada, a flat, dry alkali lakebed which does not support life.
During that time, Black Rock City is one of the largest cities in Nevada http://factfinder.census.gov/servlet/GCTTable?_bm=n&_lang=en&mt_name=DEC_2000_PL_U_GCTPL_ST7&format=ST-7&_box_head_nbr=GCT-PL&ds_name=DEC_2000_PL_U&geo_id=04000US32, with a population of approximately 35, 000 at last count. Black Rock City is the home of Burning Man, a participatory social experiment in community and self-reliance. One could say that Burning Man is the participatory layer of Black Rock City.

Central to the Burning Man event is the burning of a large effigy.
On the last night of the event, the effigy is burned and Black Rock City expires for another year.

Basic cultural principles of Burning Man include participation, self-reliance, and the ecological principle of ‘leave no trace’.
No cash transactions are allowed. Participants engage in a gift economy, although an underground barter economy is apparent.

Everyone is welcome, although the price of a admission ticket, which can run up to $350 during the event, can be an economic deterrent.
Banning does occur, but is rare. Participants are self-managed, and the type of participation they engage in is self-determined.

Responsibility for one’s self is crucial in a permissive society within the harsh desert environment, with temperatures that can rise up to 117 degrees and winds that can gust up to 50 mph.
Every participant is required to bring enough food, water, and shelter for their own personal survival. Nearly every year, Black Rock City hosts one or two accidental deaths. The entrance ticket reads, "You assume the risk of serious injury or death by attending."

Black Rock City is arranged according to polar coordinates.
The city has a Department of Public Works, a Department of Mutant Vehicles, public utilities, a fire department, a field hospital, a public art program, over 20 radio stations and an airport. A community group, known as the Black Rock Rangers patrol the city to mediate disputes. The urban infrastructure has been described by the London Observer as a "beautifully zoned tentopolis designed with a precision of which the Renaissance city state idealists would approve.” Louise Brill, in a Leonardo article, The Art of Burning Man, pointed out that Burning Man has become “the largest outdoor art performance festival in North America…. In the greater scope of the Burning Man Festival it has become an art incubator encouraging an exploration of creative expression against unique physical constraints and challenges of using a 20,000-year-old prehistoric lakebed as a blank canvas of artistic expression.”

Black Rock City has an official daily newspaper, The Black Rock Gazette, and an alternative daily newspaper, called Piss Clear.
In 2004, Burning Man saw its first street protest (of one member).

At the helm of Burning Man and Black Rock City is founder Larry Harvey, the event and city’s enlightened monarch.
Larry Harvey has stated the goal of Burning Man as "a project dedicated to discovering those optimal forms of community which will produce human culture in the conditions of our post-modern mass society” [1437]

As with many projects, initial conditions were determined by early adopters who set format and protocol.
Much of the organization and protocol of Burning Man is supervised by the Black Rock City LLC, or BORG, short for Burning Man Organization. The BORG has roughly five members other than Larry Harvey. During the earlier years of Burning Man, Black Rock City resembled the “Temporary Autonomous Zone” or TAZ of anarchist theorist Hakim Bey. A TAZ could subvert the system and its commodification of every possible experience by seizing land. A community could commandeer some part of the public environment and create their own reality, and then melt away before the authorities showed up. [1438]

The scale of the event has increased enormously, and Black Rock City has in turn become more structured.
Floods of new participants, arriving with superficial knowledge of the event and its basic ideals, unskilled in the community's norms, challenge the structure of the organization and force the event to focus on its civic protocol.

Although the society is inclusive, permissive, and self-managing, political authority and social hierarchy evolved once the city grew to a certain threshold.
Some artists and long-term attendees believe the underlying freedoms and concepts of the Burning Man event have been reduced or eliminated by these developments, leading to criticism of the current event as being too structured and controlled.

As a society, Burning Man is politics in a petri dish.
Some theorize that the city follows an accelerated evolution due to its existence for only one week per year.

In 2004, a group of Black Rock City artists critical of the Burning Man organization, specifically the art curatorship and its effect on the Burning Man event as well as the control issues mentioned above, chose to fork.
They created BORG2 and a concurrent call for more democracy in the political organization of Black Rock City and the Burning Man event, especially in the selection and funding of artwork.

External link

  • BORG2
  • SF Gate article
  • SF Bay Guardian article








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