Background music: Wikis

  
  

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Updated live from Wikipedia, last check: May 29, 2012 23:16 UTC (44 seconds ago)

From Wikipedia, the free encyclopedia

Although background music was by the end of the 20th century generally identified with Muzak or elevator music, there are several stages in the development of this concept.

Contents

Antecedents

In the Baroque and Classical music era music could be performed as a background to other activities. For instance:

  • French kings of the baroque era could have music performed during their stately dinners.
  • Opera or other public music performances could have such a high "social function" character that few people would actually listen to the music being performed.

Incidental music

Incidental music is music in a play, radio/tv program or some other form that is not primarily musical, adding atmosphere to the action. It can be dated back at least as far as Greek drama. A number of classical composers have written incidental music for various plays.

Furniture music

Furniture music was an invention of Erik Satie around 1920. This type of "background music" fell into oblivion when the composer died a few years later, and was not again executed until it was rediscovered several decades later. Typical of Furniture music are short musical passages, with an indefinite number of repeats.

Elevator music

Elevator music is a more general term indicating music that is played in rooms where many people come together (that is, with no intention whatsoever to listen to music). There is a specific sound associated with elevator music, usually involving themes from "soft" popular music or "light" classical music being worked over by slow strings. This type of music was produced, for instance, by the Mantovani Orchestra, and conductors like Franck Pourcel and James Last, peaking in popularity around the 1970s.

Ambient music

The term Ambient music is generally used when more, but often less distinguishable, influences, like elements of Jazz or sounds from nature, are mingled in the "soundscape." Note, however, that some producers and composers of "ambient music" or "soundscapes" (or similar types of music; see Ambient music article) might not have any intention to use the qualifier "background" for their music.

Foreground music

In opposition to background music, foreground music is intended to be listened to actively. Lifestyle Companies, in particular, like to employ foreground music, individually compiled and scheduled to increase customer loyalty and time spent in their stores. However, sometimes the opposite effect is achieved: if the music proves to be too intrusive, it may drive people out of the store. Very often these companies have professional DJs select music matching their brand. In most cases currently popular chart music is used.

Anime, video game and blog music

Background music (often abbreviated "BGM") is also the term used to describe the music in video games (sometimes written "VGM"), incidental music in anime, and music in blogs or websites.

Internet delivered background music

In recent years the proliferation of Internet delivered background music by such companies as Trusonic has gained traction. This allows the retailer to instantly update music and messages which are deployed at the store level as opposed to using older compact disc and satellite technologies.

See also


Quotes

Up to date as of January 14, 2010

From Wikiquote

Quotes about background music, often referred to as elevator music (for the common practice of playing this genre in elevators) or Muzak (a trademarked name of a company famous for supplying this music)

Sourced

  • "I object to background music no matter how good it is. Composers want people to listen to their music, they don't want them doing something else while their music is on. I'd like to get the guy who sold all those big businessmen the idea of putting music in the elevators, for he was really clever. What on earth good does it do anybody to hear those four or eight bars while going up a few flights."
    • Aaron Copland, quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.
  • ""The barbarians are inside the gate. They're playing Muzak in Jenners."
    • The full content of a letter to The Scotsman newspaper demonstrating contempt for the genre. source







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