Ballroom dance: Wikis


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Ballroom dance

Ballroom dance refers to a set of partner dances, which are enjoyed both socially and competitively around the world. Its performance and entertainment aspects are also widely enjoyed on stage, in film, and on television.

Ballroom dance may refer, at its widest, to almost any type of social dancing as recreation. However, with the emergence of dancesport in modern times, the term has become narrower in scope. It usually refers to the International Standard and International Latin style dances (see dance categories below). These styles were developed in England,[1] and are now regulated by the World Dance Council (WDC). In the United States, two additional variations are popular: American Smooth and American Rhythm. There are also a number of historical dances, and local or national dances, which may be danced in ballrooms or salons. Sequence dancing, in pairs or other formations, is still a popular style of ballroom dance.[2]


Definitions and history

The term "ballroom dancing" is derived from the word ball, which in turn originates from the Latin word ballare which means "to dance". In times past, ballroom dancing was social dancing for the privileged, leaving folk dancing for the lower classes. These boundaries have since become blurred, and it should be noted even in times long gone, many ballroom dances were really elevated folk dances. The definition of ballroom dance also depends on the era: Balls have featured Minuet, Quadrille, Polonaise, Pas de Gras, Mazurka, and other popular dances of the day, which are now considered to be historical dances.


Renaissance Period

The first authoritative knowledge of the earliest ballroom dances were recorded toward the end of the sixteenth century, when Jehan Tabourot, under the pen name "Thoinot-Arbeau", published in 1588 his Orchésographie, a study of late sixteenth-century French Renaissance social dance. Among the dances described were the solemn basse danse, the livelier branle, pavane, and the galliarde which Shakespeare called the "cinq pace" as it was made of five steps.[3]

Galliard in Siena, Italy, 15th century

In 1650 the Minuet, originally a peasant dance of Poitou, was introduced into Paris and set to music by Jean-Baptiste Lully and danced by the king Louis XIV in public, and would continue to dominate ballroom from that time until the close of the eighteenth century.

Toward the latter half of the seventeenth century, Louis XIV founded his 'Académie Royale de Musique et de Danse', where specific rules for the execution of every dance and the "five positions" of the feet were formulated for the first time by members of the Académie. Eventually, the first definite cleavage between ballet and ballroom came when professional dancers appeared in the ballets, and the ballets left the Court and went to the stage. Ballet technique such as the turned out positions of the feet, however, lingered for over two centuries and past the end of the Victoria era.[3]

Victorian Era

An RKO publicity still of Astaire and Rogers dancing to "Smoke Gets in Your Eyes" in Roberta (1935)

The waltz with its modern hold took root in England about 1812, when Carl Maria von Weber wrote Invitation à la valse which marked the adoption of the Waltz form into the sphere of absolute music. The dance was initially met with tremendous opposition due to the semblance of impropriety associated with the closed hold, though the stance gradually softened.[3] In the 1840s several new dances made their appearance in the ballroom, including the Polka, Mazurka, and the Schottische, in the meantime a strong tendeny emerged to drop all 'decorative' steps such as entrechats and ronds de jambes that had found a place in the Quadrilles and other dances.

Early 20th century

Modern ballroom dances has its roots early in the 20th century, when several different things happened more or less at the same time. The first was a movement away from the sequence dances towards dances where the couples moved independently. This had been pre-figured by the waltz, which had already made this transition. The second was a wave of popular music, such as jazz, much of which was based on the ideas of black musicians in the USA. Since dance is to a large extent tied to music, this led to a burst of newly invented dances. There were many dances crazes in the period 1910–1930.

Vernon and Irene Castle, early ballroom dance pioneers, c. 1910-1918.

The third event was a concerted effort to transform some of the dance crazes into dances which could be taught to a wider dance public in the USA and Europe. Here Vernon and Irene Castle were important, and so was a generation of English dancers in the 1920s, such as Josephine Bradley and Victor Silvester. These professionals analysed, codified, published and taught a number of standard dances. It was essential, if popular dance was to flourish, for dancers to have some basic movements they could confidently perform with any partner they might meet. Here the huge Arthur Murray organisation in America, and the dance societies in England, such as the Imperial Society of Teachers of Dancing, were highly influential. Finally, much of this happened during and after a period of World War, and the effect of such a conflict in dissolving older social customs was considerable.[4][5]

Later, in the 1930s, the on-screen dance pairing of Fred Astaire and Ginger Rogers influenced all forms of dance in the USA and elsewhere. Although both actors had separate careers, their filmed dance sequences together, which included portrayals of the Castles, have reached iconic status.[6] Much of Astaire and Rogers' work portrayed social dancing, although the performances were highly choreographed (often by Astaire or Hermes Pan), and meticulously staged and rehearsed.[7]

Competitive dancing

Young couple dancing cha-cha-cha at a junior Latin dance competition in the Czech Republic.

Competitions, sometimes referred to as DanceSport, range from world championships, regulated by the World Dance Council (WDC), to less advanced dancers at various proficiency levels. Most competitions are divided into professional and amateur, though in the USA pro-am competitions occur. The International Olympic Committee now recognizes competitive ballroom dance.[8] It has recognized another body, the International DanceSport Federation (IDSF), as the sole representative body for dancesport in the Olympic Games. However, it seems doubtful that dance will be included in the Olympic Games, especially in light of efforts to reduce the number of participating sports.

Ballroom dance competitions are regulated by each country in its own way. There are about 30 countries which compete regularly in international competitions. There are another 20 or so countries which have membership of the WDC and/or the IDSF, but whose dancers rarely appear in international competitions.[9] In Britain there is the British Dance Council; in the United States, amateur dance proficiency levels are defined by USA Dance (formerly United States Amateur Ballroom Dance Association, USABDA).

Ballroom dancing competitions in the former USSR also included the Soviet Ballroom dances, or Soviet Programme. Australian New Vogue is danced both competitively and socially. In competition there are 15 recognised New Vogue dances, which are performed by the competitors in sequence. These dance forms are not recognised internationally, neither are the US variations such as American Smooth, and Rhythm. Such variations in dance and competition methods are attempts to meets perceived needs in the local market-place.

Internationally, the Blackpool Dance Festival, hosted annually at Blackpool, England, is considered the most prestigious event a dancesport competitor can attend.

Formation dance is another style of competitive dance recognised by the IDSF.

Elements of competition

Intermediate level international style Latin dancing at the 2006 MIT ballroom dance competition. A judge stands in the foreground.

In competition ballroom, dancers are judged by diverse criteria such as poise, the hold or frame, posture, musicality and expression, timing, body alignment and shape, floor craft, foot and leg action, and presentation.[10] Judging in a performance-oriented sport is inevitably subjective in nature, and controversy and complaints by competitors over judging placements are not uncommon. The scorekeepers—called scrutineers—will tally the total number recalls accumulated by each couple through each round until the finals, when the Skating system is used to place each couple by ordinals, typically 1-6, though the number of couples in the final may vary.

Medal tests

Medal examinations for amateurs enable dancers' individual abilities to be recognized according to conventional standards. In medal exams, which are run by bodies such as the Imperial Society of Teachers of Dancing (ISTD), each dancer performs two or more dances in a certain genre in front of a judge. Genres such as Modern Ballroom or Latin are the most popular. Societies such as the ISTD also offer medal tests on other dance styles (such as Country & Western, Rock 'n Roll or Tap). In some North American examinations, levels include Newcomer, Bronze, Silver, Gold and Championship; each level may be further subdivided into either two or four separate sections.


Victor Fung and Anna Mikhed dancing a tango in 2006. The couple, dancing for the USA, came third in the Professional World Championship 2009.

In one common usage "ballroom dance" refers to the ten dances of International Standard and International Latin, though the term is also often used interchangeably with the five International Standard dances [11] In the United States and Canada, the American Style (American Smooth and American Rhythm) also exists. The dance technique used for both International and American styles is similar, but International Standard allows only closed dance positions, whereas American Smooth allows closed, open and separated dance movements. In addition, different sets of dance patterns are usually taught for the two styles. International Latin and American Rhythm have different styling, and have different dance patterns in their respective syllabi.

Others dances sometimes placed under the umbrella "ballroom dance" include Nightclub Dances such as Lindy Hop, West Coast Swing, Nightclub Two Step, Hustle, Salsa, and Merengue. The categorization of dances as "ballroom dances" has always been fluid, with new dances or folk dances being added to/removed from to the ballroom repertoire from time to time, so no list of subcategories or dances is any more than a description of current practices. There are other dances historically accepted as ballroom dances, and are revived via the Vintage dance movement.

In Europe, Latin Swing dances include Argentine Tango, Mambo, Lindy Hop, Swing Boogie (sometimes also known as Nostalgic Boogie), and Disco Fox. One example of this is the subcategory of Cajun dances that originated in New Orleans, with branches reaching both coasts of the United States.

Standard/Smooth dances are normally danced to Western music (often from the mid-twentieth century), and couples dance counter-clockwise around a rectangular floor following the line of dance. In competitions, competitors are costumed as would be appropriate for a white tie affair, with full gowns for the ladies and bow tie and tail coats for the men; though in American Smooth it is now conventional for the men to abandon the tailsuit in favor of shorter tuxedos, vests, and other creative outfits.

Latin/Rhythm dances are commonly danced to contemporary Latin American music, and with the exception of a few traveling dances (e.g. Samba and Paso Doble) couples do not follow the line of dance and perform their routines more or less in one spot. In competitions, the women are often dressed in short-skirted latin outfits while the men outfitted in tight-fitting shirts and pants; the goal being to bring emphasis to the dancers' leg action and body movements.


  1. ^ Franks A.H. 1963. Social dance: a short history. Routledge & Kegan Paul, London.
  2. ^ Victor Silvester 1980. Old Time and sequence dancing. Barrie and Jenkins, London.
  3. ^ a b c Silvester, Victor 1993. Modern Ballroom Dancing. Tralfalgar Square, London.
  4. ^ Franks A.H. 1963. Social dance: a short history. Routledge & Kegan Paul, London. Chapter 7. The twentieth century: Jazz and after.
  5. ^ Richardson P.J.S. 1948. The history of English ballroom dancing (1900–1945). Jenkins, London.
  6. ^ "History of Musical Film, by John Kenrick". Retrieved 2008-05-29.  
  7. ^ "Review of "Swing Time" (1936)". 1998-02-15. Retrieved 2008-05-29.  
  8. ^ Certificate of Olympic recognition of IDSF
  9. ^ Complete listings of affiliations are given in the programmes of the major competitions.
  10. ^ "What Judges Look For". Retrieved 2006-12-22.  
  11. ^ "History of Modern Ballroom Dancing". Retrieved 2007-02-20.  .
  12. ^ "IDSF Competition Rules 2008 Rule 5.12". Retrieved 2009-02-22.  .

Simple English

File:Pierre-Auguste Renoir
A waltz, by Renoir, 1882. The waltz is the oldest of present-day dances.
File:Tango ballroom
Victor Fung and Anna Mikhed dancing a tango. The couple, dancing for the USA, came third in the Professional World Championship 2009.

Ballroom dance is the name for a number of dances done in pairs, usually a woman with a man. The most important difference in style is between the ballroom dances (waltz, quickstep, foxtrot, tango and Viennese waltz), and the latin dances (cha-cha-cha, samba, rumba, jive[1] and paso doble). There are also sequence dances, where dancers move together in a set pattern.

All these dances can be danced socially, more or less any way people want to. As competition dances, they are organised under the rule of the World Dance Council. These competitions are known as the International style, because all international competitions are conducted with those regulations. There are other systems of dance regulated by national bodies. American style is one; Scottish dancing is another; Greek classical dance is another.

Although the most famous dancers were Fred Astaire and Ginger Rogers, they did not dance in ballrooms. Their career together was entirely on film. Astair danced also on the stage, and on television. The most famous American pair were Vernon and Irene Castle; and Arthur Murray, whose chain of dance schools taught many Americans to dance. The most famous English dancer was probably Victor Silvester, who was a professional dancer and bandleader.


International style

There are ten international style ballroom dances, five standard (or modern) and five Latin:

Most of these are dances that started in other places, but were developed in their modern form by English dancers and dance teachers.[2][3]

Most people do these dances for fun. When people compete against each other, the women wear formal dresses (gowns) for standard competition and short skirts for Latin. Men wear formal evening wear ('white tie and tails') for standard and informal shirts for Latin.

Some people earn medals to show how they are improving. They dance in front of a judge to earn a medal at the Bronze, Silver, or Gold levels.

There are also some line dances, in which people dance as a group instead of with a partner. Some line dances are done to Mambo, Waltz, Paso Doble, and Samba.

Some people dance in couples, but also as a group, with everyone doing the same steps. This is called formation dancing.


People compete at many levels, but the basic division is between amateurs and professionals. Then, amongst amateurs, there are ages grades (British regulations): [4]

  • Juveniles, up to 12. Standard juvenile clothing is worn.
  • Juniors, up to 16.
  • Youth, up to 21.
  • Adult Amateur, 16 and over.
  • Seniors, 35+.
  • Over 45s.

In the USA, competitions may be divided according to dancing ability: Newcomer, Pre-Bronze, Bronze, Silver, Gold, Pre-Championship, and Championship.

The best-known competition is the Blackpool Dance Festival, England. This has been going annually since 1920 (except for war years), and its events, like most English events, are open to the world.

American style

American style ballroom dancing is sometimes called Social style. It includes smooth and rhythm dances:

  • Smooth: Waltz, Tango, Foxtrot, Viennese Waltz
  • Rhythm: Cha Cha, Mambo, Rumba, Bolero, East Coast Swing

Movies and television shows

File:Wedding ball of the Duc de Joyeuse,
The Wedding Ball of the Duc de Joyeuse, 1581.
File:Catherine Palace
Ballroom: a large room for dancing. The Catherine Palace, near St Petersburg.


  • Strictly Ballroom
  • Shall We Dance?
  • Dance With Me
  • Dirty Dancing with Patrick Swayze and Jennifer Grey
  • movies with Fred Astaire and Ginger Rogers (such as Flying Down to Rio, The Gay Divorcee, Top Hat, and Carefree)


  • Ballroom Bootcamp (US)
  • So You Think You Can Dance (US, UK, Belgium, Netherlands)
  • Dancing with the Stars (United States, Netherlands)
  • Strictly Come Dancing (UK)

Other ballroom dances


  • West Coast Swing
  • Lindy Hop
  • Balboa


  • Salsa
  • Merengue
  • Cumbia


  • Argentine Tango
  • Polka

Other pages


  1. Though not a latin dance, jive is included because its dance style is similar to the others
  2. Richardson P.J.S. 1948. The history of English ballroom dancing (1900–1945). Jenkins, London.
  3. Franks A.H. 1963. Social dance: a short history. Routledge & Kegan Paul, London.
  4. UK Dancesport [1]


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