| Billy Fury | |
|---|---|
![]() Billy Fury statue at Albert Dock, Liverpool, by Tom Murphy, a Liverpool sculptor, in 2003. The
sculpture was donated to National Museums Liverpool
by 'The Sound of Fury' fan club. Picture taken 8 March 2008. Birkenhead and the River Mersey in the
background.
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| Background information | |
| Birth name | Ronald William Wycherley |
| Born | 17 April 1940 Liverpool, England |
| Died | 28 January 1983 (aged 42) Paddington, West London, England |
| Genres | Rock, pop, rockabilly |
| Occupations | Singer, songwriter, musician |
| Instruments | Guitar |
| Years active | 1959 – 1983 |
| Labels | Decca, Parlophone |
| Associated acts | The
Tornados Fury's Tornados Georgie Fame |
| Website | Link |
Billy Fury, born Ronald William Wycherley (17 April 1940 - 28 January 1983)[1 ], was an internationally successful British pop singer from the late 1950s to the early 1960s, and remained an active songwriter until the 1980s. Rheumatic fever which he first contracted as a child, damaged his heart and ultimately contributed to his death.[2] An early British rock and roll (and film) star, he equalled The Beatles' record of 24 hits in the 1960s, and spent 332 weeks on the UK charts, without a chart-topping single or album.[1 ] Allmusic journalist, Bruce Eder, states, "His mix of rough-hewn good looks and unassuming masculinity, coupled with an underlying vulnerability, all presented with a good voice and some serious musical talent, helped turn Fury into a major rock and roll star in short order".[2]
In 2003 a bronze statue of Fury was unveiled at the National Museum of Liverpool Life.[1 ]
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Wycherley was born at Smithdown Hospital (later Sefton General Hospital, now demolished), Smithdown Road, Liverpool. At the age of 11, he started music lessons, taking up the piano, and he received his first guitar at the age of 14.[2] By 1955, the skiffle boom had begun in the United Kingdom and Wycherley led his own local group, whilst earning money working on a tugboat and then as a stevedore. By 1958, he was appearing locally, had won a talent competition, and was writing his own songs.[2] Wycherley first attended a gig in Birkenhead,[3] run by impresario Larry Parnes, in the hope of interesting the established artiste, Marty Wilde, in some of the songs he had written. Instead, in an episode that has become pop music legend, Parnes pushed young Wycherley up on stage right away.[2] He was such an immediate success that Parnes signed him, added him to the tour, and renamed him 'Billy Fury'.[4] His early stage performances were suggestive by English standards, so that he was forced to restrain himself from his more overtly sexual moves when a curtain was brought down at one of his shows.[2] In October 1959, the UK music magazine, NME, commented that Fury's stage antics had been drawing much press criticism.[5 ]
He released his first hit single for Decca, "Maybe Tomorrow", in 1959.[4] He made his television debut soon after, in a televised play Strictly For Sparrows, and he was soon a fixture on televised musical showcases, such as Oh Boy![2] By March 1960, he reached #9 in the UK Singles Chart with his own composition "Colette",[1 ] followed by "That's Love" and his first album The Sound of Fury (1960),[4] which featured a young Joe Brown on lead guitar,[2] with backup vocals by The Four Jays.
After further hits and sacking his band The Blue Flames — which included keyboardist Georgie Fame[4] — auditions were held for a new group and held by Parnes in Liverpool. Among those who failed were The Beatles,[2] who for the first time called themselves The Silver Beetles. They were offered the job for £20 a week on condition that they sacked their bassist Stuart Sutcliffe. John Lennon refused and the band left after Lennon had secured Fury's autograph. The Beatles were salvaged, however, by being sent on a tour of Scotland with Johnny Gentle and Duffy Power, who were a couple more of Parnes' acts.
Instead, The Tornados were recruited as his backing band, and from January 1962 to August 1963 they toured and recorded with Fury.
Fury concentrated less on rock and roll and more on mainstream ballads, such as "Halfway to Paradise" and "Jealousy"[4] (which reached #3 and #2 respectively in the UK Singles Chart in 1961). Fury confessed to the NME that "I wanted people to think of me simply as a singer - and not, more specifically, as a rock singer. I'm growing up, and I want to broaden my scope. I shall continue to sing rock songs, but at the same time my stage act is not going to be as wild in the future".[6 ] This was Decca's decision to mould Fury into a teen idol after his last self-penned song, "My Christmas Prayer", had failed to chart. 1962 and 1963 were Fury's best years chartwise. In 1962 Fury appeared in his first film, Play It Cool, modelled on the Elvis movies.[2] It featured Helen Shapiro, Danny Rivers, Shane Fenton and Bobby Vee, who appeared with The Vernons Girls. The hit single from the film was "Once Upon a Dream". There were other notable performances by several British actors and performers such as Richard Wattis, Lionel Blair and Dennis Price.
Fury's We Want Billy! (1963) was one of the first live albums in UK rock history and featured renditions of his hits and cover versions of several R&B songs such as "Unchain My Heart".
In 1965 he appeared in the film I've Gotta Horse,[4] which also featured The Bachelors, Michael Medwin and Jon Pertwee. The album from the film was available in stereo. In 1966, Fury left Decca Records and signed a five-year recording contract with EMI's Parlophone label, during which he would see some modest success but nothing like the frenzied stardom of his first seven years in the music industry.[2]
Having had more UK hits, such as "It's Only Make Believe" and "I Will" (written by Dick Glasser, not to be confused with the Paul McCartney song), both in 1964, and "In Thoughts of You" (1965), Fury began a lengthy absence from the charts in 1967, and underwent surgery for heart problems in 1970 and 1971 which led to his abandoning touring.[4][2] Despite spending many weeks on the charts, Fury never achieved a number one single, but he remained popular even after his hits stopped. "I Will" became a U.S. hit for Dean Martin (1965) and for Ruby Winters (1977).
In 1973, Fury came out of semi-retirement to play 'Stormy Tempest' in the film That'll Be the Day.[4] Starring David Essex and Ringo Starr, it was roughly based on the early days of The Beatles. Starr was from the same Dingle area of Liverpool as Fury, and had originally played drums for Rory Storm & The Hurricanes, whom the Stormy Tempest group were said to be modelled upon. Fury toured the UK successfully in the mid 1970s with his one-time idol, Marty Wilde.[2] Outside of the limelight, Fury looked after other interests, which included wildlife preservation.[2]
Fury's health deteriorated and he underwent heart surgery notably in 1976.[4] In 1980 he was declared bankrupt. A new single, "Be Mine Tonight," fell short of the UK Singles Chart in 1981, and on 4 March the following year, Fury collapsed and nearly died while working on his farm.[2] He went back on tour that summer and managed to place the singles "Love or Money" and "Devil or Angel" on the UK chart.[2] In 1981 and 1982, Fury was signed to Polydor Records by A&R man Frank Neilson and recorded a comeback album, The One And Only (released posthumously) with Shakin' Stevens' producer Stuart Colman. Due of his health, Fury did little touring to promote the new album. His last public appearance was at the Sunnyside, Northampton, in December 1982. He recorded a live performance for the television show, Unforgettable, featuring six of his old hits.
Fury lived with Lee Middleton from 1959 to 1967, married Judith Hall in May 1969 and lived with the property heiress Lisa Voice (née Rosen) from 1971 until his death on 28 January 1983 at Paddington, West London.[7] Fury had been found unconscious in his home, and he died that same day in hospital.[2] He was 42 years old. Amid numerous tributes and memorials, a posthumous single, "Forget Him", became his final chart hit later that year.[2]
The song "Wondrous Place", a favourite of Fury's (he re-recorded it at least three times during his career) later received airplay on UK television when it was used as the theme for a Toyota Yaris car advertisement in 1999 and 2000.
Fury was a keen amateur birdwatcher.
He is buried at the Paddington District Cemetery, Mill Hill, London.[7]
| Year | Title | UK Albums Chart[1 ] |
|---|---|---|
| 1960 | The Sound of Fury | #18 |
| 1960 | Billy Fury | - |
| 1961 | Halfway to Paradise | #5 |
| 1963 | Billy | #6 |
| 1963 | We Want Billy! ¶ | #14 |
| 1971 | The World of Billy Fury | - |
| Year | Title | UK Albums Chart[1 ] |
|---|---|---|
| 1983 | The Billy Fury Hit Parade | #44 |
| 1983 | The One and Only Billy Fury | #54 |
| 2008 | His Wondrous Story - The Complete Collection | #10 |
| Year | Title | UK Singles Chart[1 ] | Label |
|---|---|---|---|
| 1959 | "Maybe Tomorrow" | #18 | Decca |
| 1959 | "Margo" | #28 | Decca |
| 1959 | "Angel Face" | - | Decca |
| 1959 | "My Christmas Prayer" | - | Decca |
| 1959 | "Colette" | #9 | Decca |
| 1960 | "That's Love" † | #19 | Decca |
| 1960 | "Wondrous Place" | #25 | Decca |
| 1960 | "A Thousand Stars" | #14 | Decca |
| 1961 | "Don't Worry" ‡ | #40 | Decca |
| 1961 | "Halfway to Paradise" | #3 | Decca |
| 1961 | "Jealousy" | #2 | Decca |
| 1961 | "I'd Never Find Another You" | #5 | Decca |
| 1962 | "Letter Full of Tears" | #32 | Decca |
| 1962 | "Last Night Was Made for Love" | #4 | Decca |
| 1962 | "Once Upon a Dream" | #7 | Decca |
| 1962 | "Because of Love" | #18 | Decca |
| 1963 | "Like I've Never Been Gone" | #3 | Decca |
| 1963 | "When Will You Say I Love You?" | #3 | Decca |
| 1963 | "In Summer" | #5 | Decca |
| 1963 | "Somebody Else's Girl" | #18 | Decca |
| 1963 | "Do You Really Love Me Too? (Fools Errand)" | #13 | Decca |
| 1964 | "I Will" | #14 | Decca |
| 1964 | "It's Only Make Believe" | #10 | Decca |
| 1965 | "I'm Lost Without You" | #16 | Decca |
| 1965 | "In Thoughts of You" | #9 | Decca |
| 1965 | "Run to My Lovin' Arms" | #25 | Decca |
| 1966 | "I'll Never Quite Get Over You" | #35 | Decca |
| 1966 | "Don't Let a Little Pride Stand in Your Way" | - | Decca |
| 1966 | "Give Me Your Word" | #27 | Decca |
| 1967 | "Hurtin' is Loving" | - | Parlophone |
| 1967 | "Loving You" | - | Parlophone |
| 1967 | "Suzanne in the Mirror" | - | Parlophone |
| 1968 | "Beyond the Shadow of a Doubt" | - | Parlophone |
| 1968 | "Silly Boy Blue" | - | Parlophone |
| 1968 | "Phone Box" | - | Parlophone |
| 1968 | "Lady" | - | Parlophone |
| 1969 | "I Call for My Rose" | - | Parlophone |
| 1969 | "All the Way to the U.S.A." | - | Parlophone |
| 1970 | "Why Are You Leaving?" | - | Parlophone |
| 1970 | "Paradise Alley" | - | Parlophone |
| 1972 | "Will the Real Man Stand Up?" | - | Fury Records |
| 1974 | "I'll Be Your Sweetheart" | - | Warner Bros. |
| 1981 | "Be Mine Tonight" | - | Polydor |
| 1982 | "Love or Money" | #57 | Polydor |
| 1982 | "Devil or Angel" | #58 | Polydor |
| 1983 | "Let Me Go, Lover!" | - | Polydor |
| 1983 | "Forget Him" | #59 | Polydor |
[7]
¶ - Billed as Billy Fury and The Tornados
† - Billed as Billy Fury with The Four Jays
‡ - Billed as Billy Fury with The Four Kestrels
| “ | I have often been called
the last of the rock and rollers - and quite frankly I take this as
a compliment - but I don't agree with this tag line: there are a lot of great rock singers in this country. |
” |
NME - May 1963[8 ]
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