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Black Tie Dynasty was an American indie rock band from Fort Worth, Texas.

The group signed with Idol Records in 2004, releasing their debut-EP the following year. Movements, their first full-length album followed in 2006 on the same label. It featured the single "Tender", which peaked at #8 on the Billboard Hot Dance Singles Sales chart.[1] The group toured with Guided By Voices, VHS or Beta, and Spoon following the release of the album.[2] Their follow-up album Down Like Anyone was released independently on November 29th 2008.

The band announced that it would be breaking up via MySpace on Monday, January 27th, 2009. They last performed on March 28th, 2009 at the Granada Theatre in Dallas, TX.

Members

  • Cory Watson - vocals, guitar
  • Eddie Thomas - drums
  • Blake McWhorter - bass
  • Brian McCorquodale - keyboards, vocals

Discography

References


Black Tie Dynasty is an indie alternative rock band located in Ft. Worth, Texas. The group has released an EP and an album under the music label, Idol Records.


Band Members - Cory Watson(vox, guitar), Eddie Thomas(drums), Blake McWhorter(bass), Brian McCorquodale(keys, synth, vox)

Any self-respecting child of the uber-days of new wave, the early 1980s, with its look-into-the-mirror-darkly synth and high drama dance tendencies, will immediately recognize the pitched personas that these Dallas lads inhabit like a second skin. Although some mistaken reviewers continue to lump them in the generic bin of Depeche Mode and the Cure for reasons unknown to me, they are a much better fit in the vinyl echoes of Ultravox and the Church, among others. The drums are subtly syncopated, precise yet not too stiffly preserved sounding, the vocals ebb and flow with dynamic tropes that Morrissey would admit to liking a helluva lot more than copycats inflexions Smoking Popes, the guitar whirls and writhes in sinewy U2 bent and fragile landscapes, and the song Tender is destined to be a big step towards a devoted following of boys with a tad bit of eyeliner make-up and girls with a tongue ready for metro sexual myopic men. Like Icelands endless days and nights, the chill is omnipresent, and the song titles brevity and directness are akin to titles for black and white photography: Midnight Sun, Antarctica, even Lakes. Each serves as a repository for both a wink at the past, when new romanticism and Goth and post-punk fishtailed into each other in pleasant dreams, and each also provides an amalgam of sounds that are both familiar and fleeting, as they should be.-Left Of The Dial

Recording: Movements
Artist: Black Tie Dynasty
Label: Idol Records
Release Date: 25.April.2006
Review: Nostalgia. Some quick research and all I see is "memories" and "nostalgia" in relation to Black Tie Dynasty. To my mind, this is like stopping at first base when there's a home run to be had. Yes, play the record and we're reminded of the early 80s – Echo and the Bunnymen in particular. Big deal. What of context? Indie was a niche market back then. Now it's mainstream. What of potential, of possibility? Writers eh! Spot one influence and it's pipe and slippers time! Tsk.

Black Tie Dynasty built their reputation with their live shows, and released an earlier EP to rival any mini album going. This is their debut proper and to give you an idea, you could take any track and drop it seamlessly into the soundtrack to Donnie Darko. Big, splashy guitar licks, anthems, choruses! Remember those? Black Tie Dynasty make indie that embraces melody. Not for them the angular, discordant thrusts of Forward Russia or Bloc Party. These guys have gone for the songs first and foremost, and THEN delivering them with sonically crafted perfection.

While the EP was a languid, exploratory affair, Movements runs like a Greatest Hits album. Bells is an appropriately named opener as it chimes with all the swaggering intent of A Promise. Just listening to Cory Watson sing is stratospheric stuff. Didn't Bono Vox mean "best voice" in Latin? (McCulloch disagreed.) Well, maybe it's time somebody learned the Latin for second best?

Once around is a lost Editors classic and when the synth kicks in, The Killers would turn and weep. Debt is very formative (I will follow) U2. Less messianic than Bono, more wholesome than Dave Gahan, Watson at least doesn't attempt a faux English accent infusing this record with a fresher, transatlantic feel. I like you is arguably THE killer track here. An obvious single cut, this soaring, timeless classic only makes me wonder just how good Black Tie Dynasty can get. The mood becomes New Romantic on Tender (think early Talk Talk or Tears For Fears) And to throw away a chorus as magnificent as Lakes in the middle of the album….unbelievable generosity.

Movements is a better record than X&Y. Mind you weren't Coldplay another Bunnymen influenced, nostalgia band? Black Tie Dynasty are doing more than chasing the reminiscence dollar. The clubs never rocked to The Bunnymen, The Chameleons, or Kitchens of Distinction. Yet Movements is as essential a collection for indie DJs as the first half of Hot Fuss. Remember most other records of this ilk emphasize style over substance? How many times have we experienced great sound, one or two tunes, yet never able to follow up the early promise? (Hands up Interpol.) Movements has plenty of substance with a fair amount of style thrown in for good measure, but I think this band can get even better. Devotion works well as a climactic finale, but Black Tie Dynasty can go further in perfecting their darker, moodier tracks, varying the pace and stemming the tide of anthems.

Unless fate or the fickle music biz has a cruel trick up its sleeve, greatness is signposted all over this record. Passionate, joyful, honest and ambitious. The stars their destination?

External links

  • Official website











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