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Bob Kane

Bob Kane (right) with Michael Keaton as Batman on the set of Tim Burton's Batman.
Born Robert Kahn
October 24, 1915(1915-10-24)
New York City, New York
Died November 3, 1998 (aged 83)
Los Angeles, California
Nationality American
Area(s) Penciller, Writer
Notable works Batman

Bob Kane (born Robert Kahn, October 24, 1915 – November 3, 1998) was an American comic book artist and writer, credited as the creator of the famous DC Comics superhero Batman.

Contents

Biography

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Early life and career

A high school friend of fellow cartoonist and future Spirit creator Will Eisner,[1] Robert Kahn graduated from De Witt Clinton High School and legally changed his name to Bob Kane at age 18.[2] Kane studied art at Cooper Union, before "joining the Max Fleischer Studio as a trainee animator in 1934."[3]

Comics

He entered the comics field two years later, in 1936, freelancing original material to editor Jerry Iger's comic book Wow, What A Magazine!, including his first pencil and ink work on the serial Hiram Hick.[3][4] The following year, Kane began to work at Iger's subsequent studio, Eisner & Iger, which was one of the first comic book "packagers" that produced comics on demand for publishers entering the new medium during its late-1930s and 1940s Golden Age. Among his work there was the funny animal feature "Peter Pupp" (which belied its look with overtones of "mystery and menace"[3]), published in the U.K. comic magazine Wags and later reprinted in Fiction House's Jumbo comics. Kane also produced work through Eisner & Iger for two of the companies that would later merge to form DC Comics, including the humor features "Ginger Snap" in More Fun Comics, "Oscar the Gumshoe" for Detective Comics, and "Professor Doolittle" for Adventure Comics. For that last title he went on to do his first adventure strip, "Rusty and his Pals".

Batman

Detective Comics #27 (May 1939). The first appearance of Batman. Art by Bob Kane.

In early 1939, DC's success with the seminal superhero Superman in Action Comics prompted editors to scramble for more such heroes. In response, Bob Kane conceived "the Bat-Man".[5] Kane said his influences for the character included actor Douglas Fairbanks' movie portrayal of the swashbuckler Zorro, Leonardo Da Vinci's diagram of the ornithopter, a flying machine with huge bat-like wings; and the 1930 film The Bat Whispers, based on Mary Rinehart's mystery novel The Circular Staircase.[6]

Bill Finger joined Bob Kane's nascent studio in 1938. An aspiring writer and part-time shoe salesperson, he had met Kane at a party, and Kane later offered him a job ghost writing the strips Rusty and Clip Carson.[7][8] He recalled that Kane

had an idea for a character called 'Batman', and he'd like me to see the drawings. I went over to Kane's, and he had drawn a character who looked very much like Superman with kind of ... reddish tights, I believe, with boots ... no gloves, no gauntlets ... with a small domino mask, swinging on a rope. He had two stiff wings that were sticking out, looking like bat wings. And under it was a big sign ... BATMAN.[8]

Finger said he offered such suggestions as giving the character a cowl and scalloped cape instead of wings; adding gloves; leaving the mask's eyeholes blank to connote mystery; and removing the bright red sections of the original costume, suggesting instead a gray-and-black color scheme. Finger additionally said[2] his suggestions were influenced by Lee Falk's The Phantom, a syndicated newspaper comic strip character with which Kane was familiar as well. Finger, who said he also devised the character's civilian name, Bruce Wayne, wrote the first Batman story, while Kane provided art. Kane, who had already submitted the proposal for Batman at DC and held a contract, is the only person given official company credit for Batman's creation. Comics historian Ron Goulart, in Comic Book Encyclopedia, refers to Batman as the "creation of artist Bob Kane and writer Bill Finger".[9]

According to Kane,

Bill Finger was a contributing force on Batman right from the beginning. He wrote most of the great stories and was influential in setting the style and genre other writers would emulate ... I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective.[10]

The character debuted in Detective Comics #27 (May 1939) and proved a breakout hit. Within a year, Kane hired art assistants Jerry Robinson (initially as an inker) and George Roussos. Shortly afterward, when DC wanted more Batman stories than Kane's studio could deliver, the company assigned Dick Sprang and other in-house pencilers as "ghost artists", drawing uncredited under Kane's supervision. Future Justice League writer Gardner Fox wrote some early scripts, including the two-part story "The Monk" that introduced some of The Batman's first "Bat-" equipment.[11]

In 1943, Kane left the Batman comic books to focus on penciling the daily Batman newspaper comic strip.[4] DC Comics artists ghosting the comic-book stories now included Jack Burnley and Win Mortimer, with Robinson moving up as penciler and Fred Ray contributing some covers. After the strip finished in 1946, Kane returned to the comic books but, unknown to DC, had hired his own personal ghosts[4]: Lew S. Schwartz from 1946-1953[12] and Sheldon Moldoff from 1953-1967.[13]

Robin

Bill Finger recalled that,

Robin was an outgrowth of a conversation I had with Bob. As I said, Batman was a combination of [Douglas] Fairbanks and Sherlock Holmes. Holmes had his Watson. The thing that bothered me was that Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking. I found that as I went along Batman needed a Watson to talk to. That's how Robin came to be. Bob called me over and said he was going to put a boy in the strip to identify with Batman. I thought it was a great idea.[8]

Kane, who had previously created a sidekick for Peter Pupp, proposed adding a boy named Mercury who would have worn a "super-costume".[14] Robinson suggested a normal human, along with the name "Robin", after Robin Hood books he had read during boyhood, and noting in a 2005 interview he had been inspired by one book's N. C. Wyeth illustrations.[15]

The impetus came from Bill's wanting to extend the parameters of the story potential and of the drama. He saw that adding a sidekick would enhance the drama. Also, it enlarged the readership identification. The younger kids could then identify with Robin, which they couldn't with Batman, and the older ones with Batman. It extended the appeal on a lot of levels.[15]

The new character, orphaned circus performer named Dick Grayson, came to live with Bruce Wayne as his young ward in Detective Comics #38 (April 1940) and would inspire many similar sidekicks throughout the Golden Age of comic books.

The Joker

Batman's archnemesis the Joker was introduced near that same time, in Batman #1 (Spring 1940). Credit for that character's creation is disputed. Robinson has said he created the character.[16] Kane's position is that

Bill Finger and I created the Joker. Bill was the writer. Jerry Robinson came to me with a playing card of the Joker. That's the way I sum it up. [The Joker] looks like Conrad Veidt — you know, the actor in The Man Who Laughs, [the 1928 movie based on the novel] by Victor Hugo. ... Bill Finger had a book with a photograph of Conrad Veidt and showed it to me and said, 'Here's the Joker'. Jerry Robinson had absolutely nothing to do with it. But he'll always say he created it till he dies. He brought in a playing card, which we used for a couple of issues for him [the Joker] to use as his playing card".[17]

Robinson, whose original Joker playing card was on public display in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from Sept. 16, 2006 to Jan. 28, 2007, and the William Breman Jewish Heritage Museum in Atlanta, Georgia from Oct. 24, 2004 to Aug. 28, 2005, has countered that:

Bill Finger knew of Conrad Veidt because Bill had been to a lot of the foreign films. Veidt ... had this clown makeup with the frozen smile on his face (classic). When Bill saw the first drawing of the Joker, he said, 'That reminds me of Conrad Veidt in The Man Who Laughs.' He said he would bring in some shots of that movie to show me. That's how that came about. I think in Bill's mind, he fleshed out the concept of the character.[18]

Later life and career

As Kane's comic-book work tapered off in the 1960s, he parlayed his Batman status into minor celebrity. He enjoyed a post-comics career in TV animation, creating the characters Courageous Cat and Cool McCool, and as a painter showed his work in art galleries, although even some of these paintings were produced by ghost artists.[19] In 1989, Kane published the autobiography Batman and Me, with a second volume Batman and Me, The Saga Continues, in 1996.

He was set to make a cameo appearance in the 1989 movie Batman as the newspaper artist who prepares the drawing of the "Bat-man" for Alexander Knox, but scheduling conflicts prevented this.[citation needed] Kane's trademark square signature can still be seen clearly on the drawing the news cartoonist gave to Knox. In the novelization of the movie, the character is identified as "Bob the cartoonist".[citation needed]

Kane died on November 3, 1998, from natural causes, leaving behind his wife, Elizabeth Sanders (Kane), an actress who appeared in three Batman films, a daughter, Deborah Majeski, and a grandson.[20] Kane is buried at Forest Lawn - Hollywood Hills Cemetery in Los Angeles, California.[21]

Footnotes

  1. ^ Weinstein, Simcha (2006). Up, Up, and Oy Vey! (1st ed.). Leviathan Press. ISBN 978-1-881927-32-7. 
  2. ^ a b Kane, Bob; Tom Andrae (1989). Batman & Me. Forestville, CA: Eclipse Books. pp. 44. ISBN 1-56060-017-9. 
  3. ^ a b c Bob Kane Biography (1914-1998). Accessed May 8, 2008
  4. ^ a b c Biography by Joe Desris, in Batman Archives, Volume 3 (DC Comics, 1994), p. 223 ISBN 1-56389-099-2
  5. ^ Daniels, Les. Batman: The Complete History. Chronicle Books, 1999. ISBN 0-8118-4232-0, pg. 18.
  6. ^ Daniels, page 20
  7. ^ Walker, Brian. The Comics Since 1945 (Harry N. Abrams), pp. 10-12
  8. ^ a b c Steranko, Jim. The Steranko History of Comics (Supergraphics, Reading, Pa., 1970; ISBN 0-517-50188-0), p. 44
  9. ^ Goulart, Ron, Comic Book Encyclopedia (Harper Entertainment, New York, 2004) ISBN 0-06-053816-3.
  10. ^ Kane, Andrae, p. 43
  11. ^ Kane, Andrae, p. 103; Daniels, page 29
  12. ^ Lew Schwartz interview, Alter Ego #51 (Aug. 2005)
  13. ^ Moldoff, in a 1994 interview given while Kane was alive, described his clandestine arrangement in Alter Ego #59 (June 2006, p. 15)
  14. ^ Comic Book Interview Super Special: Batman (Fictioneer Press, 1989
  15. ^ a b Interview, (October 2005). "Jerry Robinson". The Comics Journal (271). ISSN 0194-7869. http://www.tcj.com/index.php?option=com_content&task=view&id=350&Itemid=48. Retrieved 2007-11-18. 
  16. ^ Per many sources, including Robinson interview, The Comics Journal #271
  17. ^ Entertainment Weekly writer Frank Lovece official site: Web Exclusives — Bob Kane interview
  18. ^ Newsarama (Oct. 18. 2006): "The Joker, the Jewish Museum and Jerry: Talking to Jerry Robinson" (interview)
  19. ^ POV Online (column of March 15, 2007): "News from Me: Arnold", by Mark Evanier
  20. ^ Boxer, Sarah. "Bob Kane, 83, the Cartoonist Who Created 'Batman,' Is Dead", The New York Times November 7, 1998
  21. ^ Seeing-Stars.com: "The Grave of Bob Kane"

References

  • Goulart, Ron, Over 50 Years of American Comic Books (BDD Promotional Books Company, 1991) ISBN 0792454502; ISBN 978-0792454502

External links


Quotes

Up to date as of January 14, 2010

From Wikiquote

Robert "Bob" Kane (1915-10-241998-11-03), born Robert Kahn, was an American comic book writer and artist best known as the originator of the DC Comics character Batman.

Contents

Sourced

  • There were other Batman writers throughout the years but they could never capture the style and flavor of Bill's scripts. Bill was the best writer in the business and it seemed that he was destined to write Batman.
    • Bob Kane and Tom Andrae (1989). Batman & Me. Forestville, CA: Eclipse Books. pp. 44. 1-56060-017-9.  
  • Bill Finger was a contributing force on Batman right from the beginning. He wrote most of the great stories and was influential in setting the style and genre other writers would emulate ... I made Batman a superhero-vigilante when I first created him. Bill turned him into a scientific detective.
    • Bob Kane and Tom Andrae (1989). Batman & Me. Forestville, CA: Eclipse Books. pp. 43. 1-56060-017-9.  
  • Bill Finger and I created the Joker. Bill was the writer. Jerry Robinson came to me with a playing card of the Joker. That's the way I sum it up. [The Joker] looks like Conrad Veidt — you know, the actor in The Man Who Laughs, [the 1928 movie based on the novel] by Victor Hugo. ... Bill Finger had a book with a photograph of Conrad Veidt and showed it to me and said, 'Here's the Joker'. Jerry Robinson had absolutely nothing to do with it. But he'll always say he created it till he dies. He brought in a playing card, which we used for a couple of issues for him [the Joker] to use as his playing card".

Unsourced

  • Batman phenomena gives me great satisfaction to realise that i have millions of fans in the world, that i have created a hero that influenced so many people in the world and it gives me a wonderful spiritual satisfaction to know that and it really touches my heart i feel so gratified that i created a superhero who can reach all elements of our society, that's quite fullfilling.

About Bob Kane

  • Robin was an outgrowth of a conversation I had with Bob. As I said, Batman was a combination of Fairbanks and Sherlock Holmes. Holmes had his Watson. The thing that bothered me was that Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking. I found that as I went along Batman needed a Watson to talk to. That's how Robin came to be. Bob called me over and said he was going to put a boy in the strip to identify with Batman. I thought it was a great idea.
    • Bill Finger and Jim Steranko (1970). The Steranko History of Comics. Reading, Pa.: Supergraphics. pp. p.44. ISBN 0-517-50188-0.  
  • A lot of people don't give him [Kane] as much credit for his art, but I thought he had a flair. It was rudimentary, but in a way that worked to his benefit in the strip. He didn't know much about perspective and anatomy, so he had to improvise.
    • Jerry Robinson, "Interview", The Comics Journal 271, October 2005
  • Bob and I got on very well during the years I worked on Batman. He was a mild-mannered individual who made no demands on Jerry [Robinson] and me, and in general, he was terrific to work for.
    • Dark Knight Archives Volume Two (DC Comics, 1995)

External links

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