Braveheart: Wikis

  
  
  

Note: Many of our articles have direct quotes from sources you can cite, within the Wikipedia article! This article doesn't yet, but we're working on it! See more info or our list of citable articles.

Encyclopedia

From Wikipedia, the free encyclopedia

Braveheart
Directed by Mel Gibson
Produced by Mel Gibson
Alan Ladd, Jr.
Bruce Davey
Stephen McEveety
Written by Randall Wallace
Narrated by Angus Macfadyen
Starring Mel Gibson
Patrick McGoohan
Angus Macfadyen
Brendan Gleeson
Sophie Marceau
Ian Bannen
James Cosmo
Catherine McCormack
David O'Hara
Brian Cox
Music by James Horner
Cinematography John Toll
Editing by Steven Rosenblum
Studio Icon Productions
Distributed by Paramount Pictures (US)
20th Century Fox (international)
Release date(s) May 24, 1995
Running time 175 minutes
Country United States
Language English
French
Latin
Scottish Gaelic
Budget $72,000,000
Gross revenue $210,409,945

Braveheart is a 1995 American epic/drama film directed by, produced by, and starring Mel Gibson. The film was written for the screen and then novelized by Randall Wallace. Gibson portrays William Wallace, a Scottish warrior who gained recognition when he came to the forefront of the First War of Scottish Independence by opposing King Edward I of England (also known as "Longshanks", portrayed by Patrick McGoohan), and subsequently abetted by Edward's daughter-in-law, Princess Isabelle of France (played by Sophie Marceau) and a claimant to the Scottish throne, Robert the Bruce (played by Angus Macfadyen).

The film won five Academy Awards at the 68th Academy Awards, including the Academy Award for Best Picture and Best Director, and had been nominated for an additional five.

Contents

Plot

In 1280, King Edward I of England, known as "Longshanks", has occupied much of southern Scotland, and his oppressive rule there leads to the deaths of William Wallace's father and brother. Years later, after Wallace has been raised abroad by his uncle, the Scots continue to live under the iron fist of Longshanks' cruel laws. Wallace returns, intent on living as a farmer and avoiding involvement in the ongoing "troubles." Wallace rekindles a romance with his childhood friend Murron after showing her the carefully preserved thistle she gave him as a child, and the two marry in secret to avoid the decree of primae noctis the King has set forth. When an English soldier holds her down, he licks her ears and tries to rape her, she defiantly fights back and is slapped across the face. Wallace rescues her and believes she has escaped. The village sheriff captures her and publicly cuts her throat, implying that "an assault on the King's soldiers is the same as an assault on the King himself." In retribution, an enraged Wallace, with the assistance of his fellow villagers, slaughters the English garrison. He cuts the sheriff's throat on the same post and with the same dagger that killed his wife.

Knowing that the local English lord will retaliate, Wallace and his men enter his fortress dressed in English uniforms, killing him and burning it down. In response to Wallace's exploits, the commoners of Scotland rise in revolt against England. As his legend spreads, hundreds of Scots from the surrounding clans volunteer to join Wallace's militia. Wallace leads his army through a series of successful battles against the English, including the Battle of Stirling Bridge and the sacking of the city of York. However, two Scottish nobles, Lochlan and Mornay, planning to submit to Longshanks, betray Wallace, who is defeated at the Battle of Falkirk.

Wallace goes into hiding, fighting a guerrilla war against English forces, and personally murders Mornay and Lochlan, who betrayed him at Falkirk. Meanwhile, Princess Isabelle of France (whose incompetent husband Prince Edward ignores her), meets with Wallace as the English king's emissary. Having heard of him beforehand and after meeting him in person, she becomes enamored with him and secretly assists him in his fight. Eventually, she and Wallace share a tryst, in which she becomes pregnant.

Still believing there is some good in the nobility of his country, Wallace eventually agrees to meet with the young Robert the Bruce, son of the leper noble Robert the Bruce and the chief contender for the Scottish crown, in Edinburgh. Wallace is caught in a trap set by the elder Bruce and the other nobles, beaten unconscious, and handed over to the English. Learning of his father's treachery, the younger Bruce disowns his father.

In London, Wallace is brought before the English magistrates and tried for high treason. He denies the charges, declaring that he had never accepted Edward as his King. The court responds by sentencing him to be "purified by pain." After the sentencing, a shaken Wallace prays for strength during the upcoming torture, but clandestinely rejects a painkiller brought to him by Isabelle. Afterwards, she goes to her husband and father-in-law, begging them to show mercy, but they refuse: she retaliates by tormenting the terminally ill and mute King with the knowledge she is pregnant with Wallace's child. The torture takes place in a London square, where he is to be disemboweled. The magistrate offers him a quick death in exchange for a plea for mercy. Awed by Wallace's courage, the Londoners watching the execution begin to yell for mercy to be given. William signals to the magistrate that he wishes to speak. Using the last strength in his body, he cries, "Freedom!" and turns his head, seeing an image of Murron in the crowd smiling at him as he is beheaded.

Some time later, Robert the Bruce (now King Robert I), leads a strong Scottish army and faces a ceremonial line of English troops at the fields of Bannockburn. Invoking Wallace and his desire for freedom among his troops, he leads them into battle. A voiceover, by Gibson, states that the year is 1314 and the Scots won their freedom.

Production

Mel Gibson originally said that he himself was too old to play the role of William Wallace and wished instead to cast actor Jason Patric.[citation needed] Gibson's company Icon Productions had difficulty raising enough money even if he were to star in the film. Warner Bros. was willing to fund the project on the condition that Gibson sign for another Lethal Weapon sequel, which he refused. Paramount Pictures only agreed to American and Canadian distribution of Braveheart after Fox Studios partnered for international rights.[1]

While the crew spent six weeks shooting on location in Scotland, the major battle scenes were shot in Ireland using members of the Irish Army Reserve as extras. To lower costs, Gibson had the same extras portray both armies. The opposing armies are made up of reservists, up to 1,600 in some scenes, who had been given permission to grow beards and swapped their drab uniforms for medieval garb.[2]

According to Gibson, he was inspired by the big screen epics he had loved as a child, such as Stanley Kubrick's Spartacus and William Wyler's The Big Country.

Gibson toned down the film's battle scenes to avoid an NC-17 rating from the MPAA.[3]

An early release in the UK for video rental included a sequence where Wallace went off to present the case for Scotland to the Pope in Rome. On the way he had a misadventure in France and had to move on quickly. When he finally got to Rome and was put before the Pope he was passed over and ignored, implying that the Pope was in favour of King Edward's claims. This section has since been obliterated from all other video/tv/dvd versions of the film. Further information to identify this version would be most welcome by dedicated fans of this film.

Cast

  • Mel Gibson as William Wallace. When his family is killed by the English, he leaves Scotland and travels with his uncle. Upon returning, he falls for a local girl whom he later marries. After his wife is killed by the English, he starts an uprising demanding justice that leads to a war for independence.
  • Patrick McGoohan as King Edward I of England. Nicknamed "Longshanks" for his height over 6 feet, the King of England is determined to ruthlessly put down the Scottish threat and ensure his kingdom's sovereignty.
  • Angus Macfadyen as Robert the Bruce. Son of the elder Bruce and claimant to the throne of Scotland, he is inspired by Wallace's dedication and bravery.
  • Brendan Gleeson as Hamish Campbell. Wallace's childhood friend and captain in Wallace's army, he is often short-sighted and thinks with his fists.
  • Sophie Marceau as French Princess Isabelle, who sympathizes with the Scottish and admires Wallace.
  • Peter Hanly as Prince Edward. The son of King Edward and husband of Princess Isabelle through arranged marriage.
  • Ian Bannen as Robert the Bruce, Sr.. Unable to seek the throne personally due to his disfiguring leprosy, he pragmatically schemes to put his son on the throne of Scotland.
  • James Cosmo as Campbell the Elder. The father of Hamish Campbell and captain in Wallace's army.
  • Catherine McCormack as Murron MacClannough, the executed wife of Wallace. Her name was changed from Marion Braidfute in the script so as to not be confused with the Maid Marian of Robin Hood note.
  • David O'Hara as Stephen. An Irish recruit among Wallace's army, he endears himself to Wallace with his humor, which may or may not be insanity. He professes to be the most wanted man on "his" island, and claims to speak to God personally. He becomes Wallace's protector, saving his life several times.
  • Brian Cox as Argyle. After the death of Wallace's father and brother, Argyle takes Wallace as a child into his care, promising to teach the boy how to use a sword after he learns to use his head. Cox also had a role in another period Scottish film, Rob Roy, which was released the same year.
  • James Robinson II as young William Wallace. The 10-year old actor reportedly spent weeks trying to copy Gibson's mannerisms for the film.

Reception

Box office

On its opening weekend, Braveheart grossed US$9,938,276 in the United States[4] and $75.6 million in its box office run in the United States and Canada.[5] Worldwide, Braveheart grossed over $210 million and was the 18th highest grossing film of 1995.[5]

The film's depiction of the Battle of Stirling Bridge is often considered one of the greatest movie battles in cinema history.[6][7]

The film generated huge interest in Scotland and in Scottish history, not only around the world, but also in Scotland itself. Fans come from all over the world to see the places in Scotland where William Wallace fought for Scottish freedom, and also to the places in Scotland and Ireland to see the locations used in the film. At a Braveheart Convention in 1997, held in Stirling the day after the Scottish Devolution vote and attended by 200 delegates from around the world, Braveheart author Randall Wallace, Seoras Wallace of the Wallace Clan, Scottish historian David Ross and Bláithín FitzGerald from Ireland gave lectures on various aspects of the film. Several of the actors also attended including James Robinson (Young William), Andrew Weir (Young Hamish), Julie Austin (the young bride) and Mhairi Calvey (Young Murron).

Academy Awards

The movie was nominated for 10 Oscars and won 5.

Award Person
Best Picture Mel Gibson
Alan Ladd, Jr.
Bruce Davey
Stephen McEveety
Best Director Mel Gibson
Best Cinematography John Toll
Best Sound Editing Lon Bender
Per Hallberg
Best Makeup Peter Frampton
Paul Pattison
Lois Burwell
Nominated:
Best Original Screenplay Randall Wallace
Best Original Score James Horner
Best Sound Andy Nelson
Scot Millan
Anna Behlmer
Brian Simmons
Best Film Editing Charles Knode
Best Costume Design Steven Rosenblum

Cultural effects

The film is credited by Lin Anderson, author of Braveheart: From Hollywood To Holyrood as having played a significant role in affecting the Scottish political landscape in the mid to late 1990s.[8]

Wallace Monument

In 1997 a statue of Gibson as "William Wallace" was placed outside the Wallace Monument near Stirling, Scotland. The statue, which includes the word "Braveheart" on Wallace's shield, the work of sculptor Tom Church, was the cause of much controversy and one local resident stated that it was wrong to "desecrate the main memorial to Wallace with a lump of crap".[9] In 1998 the statue was vandalised by someone who smashed the face in with a hammer. After repairs were made, the statue was encased in a cage at night to prevent further vandalism. This only incited more calls for the statue to be removed as it then appeared that the Gibson/Wallace figure is imprisoned. The statue was removed from the site in 2008 to make way for a new restaurant and reception to the visitors' centre.

Criticism

Accusations of anti-gay depictions

The depiction of Prince Edward as an effeminate homosexual in the film drew accusations of 'homophobia' against Gibson. He replied that "The fact that King Edward throws this character out a window has nothing to do with him being gay. . . ."He's terrible to his son, to everybody."[10] Gibson defended his depiction of Prince Edward as weak and ineffectual, saying,

“'I'm just trying to respond to history. You can cite other examples – Alexander the Great, for example, who conquered the entire world, was also a homosexual. But this story isn't about Alexander the Great. It's about Edward II.”[11]

Gibson asserted that the reason the king killed his son’s lover was because the king was a “psychopath,”[12] and he expressed bewilderment that some audience members would laugh at this murder:

"We cut a scene out, unfortunately . . . where you really got to know that character (Edward II) and to understand his plight and his pain. . . . But it just stopped the film in the first act so much that you thought, 'When's this story going to start?'"[13]

It is strongly debated whether Edward II, who fathered at least five children, was gay or bisexual. Some have criticized Braveheart for its portrayal of the Prince of Wales as weak and effeminate and for the scene in which Edward I throws his son’s male lover out of the window.[14]

Anglophobia

Braveheart has been accused of Anglophobia. The film was referred in The Economist as "xenophobic"[15] and John Sutherland writing in the Guardian stated that, "Braveheart gave full rein to a toxic Anglophobia".[16] Colin MacArthur, author of Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema calls it "a f***in’ atrocious film"[17] and writes that a worrying aspect of the film is its appeal to "(neo-) fascist groups and the attendant psyche.[18] According to The Times, MacArthur said "the political effects are truly pernicious. It’s a xenophobic film."[17] The Independent has noted, "The Braveheart phenomenon, a Hollywood-inspired rise in Scottish nationalism, has been linked to a rise in anti-English prejudice".[19]

Historical inaccuracies

Mel Gibson as William Wallace anachronistically wearing woad

Historian Elizabeth Ewan describes Braveheart as a film which "almost totally sacrifices historical accuracy for epic adventure".[20]

Historian Sharon Krossa notes that the film contains numerous historical errors, beginning with the wearing of belted plaid by Wallace and his men. She points out that in the period in question, "... no Scots ... wore belted plaids (let alone kilts of any kind)."[21] Moreover, when Highlanders finally did begin wearing the belted plaid, it was not "in the rather bizarre style depicted in the film."[21] She compares the inaccuracy to "... a film about Colonial America showing the colonial men wearing 20th century business suits, but with the jackets worn back-to-front instead of the right way around."[21] She remarks "The events aren't accurate, the dates aren't accurate, the characters aren't accurate, the names aren't accurate, the clothes aren't accurate -- in short, just about nothing is accurate" [22]

Historian Alex von Tunzelmann writing in The Guardian noted several historical inaccuracies: William Wallace never met Isabelle, as she married the Prince of Wales three years after Wallace's death; and the primae noctis decree was never used by King Edward.[23] (in fact, there is little historical evidence that primae noctis existed in the first place). In 2009, the film was second on a list of "most historically inaccurate movies" in The Times.[24]

Screenwriter Randall Wallace is very vocal about defending his script from historians who have dismissed the film as a Hollywood perversion of actual events. Admitting that Braveheart is based more on Blind Harry's poem than any historical source, he has said: "Is Blind Harry true? I don't know. I know that it spoke to my heart and that's what matters to me, that it spoke to my heart."[25]

In the 2007 humorous non-fictional historiography An Utterly Impartial History of Britain, author John O'Farrell notes that Braveheart could not have been more historically inaccurate, even if a "Plasticine dog" had been inserted in the film and the title changed to William Wallace and Gromit, referencing the popular series of British short films titled Wallace and Gromit.

In the DVD audio commentary of Braveheart, director Mel Gibson acknowledges many of the historical inaccuracies but defends his choices as director, noting that the way events were portrayed in the film were much more "cinematically compelling" than the historical and/or mythical fact.

The Title

Whilst the nom de plume of "Braveheart" well befits Wallace it historically connects more to Bruce. After death Bruce's heart was encased in lead and (according to legend) was carried around in battle by the Scottish army. Before a battle (alluded to at the end of the film by the throwing of Wallace's sword) the encased heart was thrown towards the enemy for Bruce to lead his men, with the cry of "Forward Brave Heart..." This continued for some 50 years before it was finally buried in Melrose Abbey. It was exhumed in 1986 and underwent archaeological and scientific evaluation in Edinburgh. There was indeed a human heart within, held in a thick oil/ licker. The heart was re-interred in 1988 following analysis.

Soundtrack

The soundtrack for Braveheart was composed and conducted by James Horner, and performed by the London Symphony Orchestra. The soundtrack, comprising 77 minutes of background music taken from significant scenes in the film, was noticeably successful, and Horner produced a follow-up soundtrack in 1997 titled More Music from Braveheart. International and French versions of the soundtrack have also been released.[citation needed]

Braveheart (1995)

  1. Main Title (2:51)
  2. A Gift of a Thistle (1:37)
  3. Wallace Courts Murron (4:25)
  4. The Secret Wedding (6:33)
  5. Attack on Murron (3:00)
  6. Revenge (6:23)
  7. Murron’s Burial (2:13)
  8. Making Plans/ Gathering the Clans (1:52)
  9. “Sons of Scotland” (6:19)
  10. The Battle of Stirling (5:57)
  11. For the Love of a Princess (4:07)
  12. Falkirk (4:04)
  13. Betrayal & Desolation (7:48)
  14. Mornay’s Dream (1:15)
  15. The Legend Spreads (1:09)
  16. The Princess Pleads for Wallace’s Life (3:38)
  17. “Freedom”/The Execution/ Bannockburn (7:24)
  18. End Credits (7:16)

More Music from Braveheart (1997)

The follow-up soundtrack features dialogue taken from the actual film, while the original soundtrack was purely an instrumental recording.

  1. Prologue/ "I Shall Tell You of William…" (dialogue-Robert the Bruce) (3:35)
  2. Outlawed Tunes on Outlawed Bag Pipes (2:03)
  3. The Royal Wedding (dialogue-Robert the Bruce) (2:12)
  4. "The Trouble with Scotland" (dialogue-King Edward the Longshanks) (0:40)
  5. Scottish Wedding Music (1:14)
  6. Prima Noctum (1:46)
  7. The Proposal (dialogue-Wallace and Murron) (1:35)
  8. "Scotland Is Free!" (dialogue-Wallace) (0:17)
  9. Point of War/JonnyCope/Up in the Morning Early (traditional) (2:59)
  10. Conversing with the Almighty (dialogue-various) (1:20)
  11. The Road to the Isles/ Grendaural Highlanders/ The Old Rustic Bridge by the Mill (traditional) (3:52)
  12. "Son of Scotland!" (dialogue-Wallace) (12:09)
  13. Vision of Murron (1:45)
  14. "Unite the Clans!" (dialogue-Wallace) (0:23)
  15. The Legend Spreads (dialogue-Storytellers) (1:07)
  16. "Why Do You Help Me?" (dialogue-Wallace and Princess Isabelle) (0:37)
  17. For the Love of a Princess (previously released score) (4:05)
  18. "Not Every man Really Lives" (dialogue-Wallace and Isabelle)
  19. "The Prisoner wishes to Say a Word (dialogue-The Executioner and Wallace) (3:43)
  20. "After the Beheading" (dialogue-Robert the Bruce) (1:48)
  21. "You Have Bled for Wallace!" (dialogue-Robert the Bruce) (1:22)
  22. Warrior Poets (dialogue-Wallace) (0:29)
  23. Scotland the Brave (traditional) (2:47)
  24. Leaving Glenurquhart (traditional) (3:32)
  25. Kirkhill (traditional) (4:08)

References

  1. ^ Michael Fleming (2005-07-25). "Mel tongue-ties studios". Daily Variety. http://www.variety.com/article/VR1117926430.html. 
  2. ^ Braveheart 10th Chance To Boost Tourism In Trim, Meath Chronicle, August 28, 2003 . Retrieved 30 April 2007.
  3. ^ [1]
  4. ^ "Editing Braveheart (section) - Wikipedia, the free encyclopedia". En.wikipedia.org. http://en.wikipedia.org/w/index.php?title=Braveheart&action=edit&section=5. Retrieved 2009-02-27. 
  5. ^ a b "Braveheart (1995)". Boxofficemojo.com. http://www.boxofficemojo.com/movies/?id=braveheart.htm. Retrieved 2009-02-27. 
  6. ^ "The best -- and worst -- movie battle scenes". CNN. 2007-03-30. http://www.cnn.com/2007/SHOWBIZ/Movies/03/29/movie.battles/index.html. Retrieved 2007-04-01. 
  7. ^ Noah Sanders (2007-03-28). "Great Modern Battle Scenes - Updated!". Double Viking. http://www.doubleviking.com/great-modern-battle-scenes-4361-p.html. Retrieved 2007-04-02. 
  8. ^ Boztas, Senay (2005-07-31). "Wallace movie ‘helped Scots get devolution’ - [Sunday Herald]". Braveheart.info. http://www.braveheart.info/news/2005/sunday_herald/2007-07-31/51063.html. Retrieved 2009-02-27. 
  9. ^ By Hal G.P. Colebatch on 8.8.06 @ 12:07AM. "The American Spectator". Spectator.org. http://www.spectator.org/dsp_article.asp?art_id=10191. Retrieved 2009-02-27. 
  10. ^ "Gay Alliance has Gibson's 'Braveheart' in its sights", Daily News, May 11, 1995, http://www.nydailynews.com/archives/gossip/1995/05/11/1995-05-11_gay_alliance_has_gibson_s__b.html, retrieved February 13, 2010 
  11. ^ The San Francisco Chronicle, May 21, 1995, “Mel Gibson Dons Kilt and Directs” by Ruth Stein
  12. ^ Matt Zoller Seitz. "Mel Gibson talks about Braveheart, movie stardom, and media treachery". Dallas Observer. http://www.dallasobserver.com/Issues/1995-05-25/film/film_3.html. Retrieved 2008-01-27. 
  13. ^ USA Today, May 24, 1995, “Gibson has faith in family and freedom” by Marco R. della Cava
  14. ^ Masculinity and marginality in 'Rob Roy' and 'Braveheart' Winter 1997
  15. ^ "Economist.com". Economist.com. 2006-05-18. http://www.economist.com/PrinterFriendly.cfm?story_id=6941798. Retrieved 2009-02-27. 
  16. ^ http://www.guardian.co.uk/film/2003/aug/11/religion.world
  17. ^ a b "Braveheart battle cry is now but a whisper". London: Times Online. http://www.timesonline.co.uk/tol/news/uk/scotland/article546776.ece. Retrieved 2009-02-27. 
  18. ^ Colin, McArthur (2003). Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. I.B.Tauris. p. 5. ISBN 1860649270. http://books.google.com/books?id=XMOUo5VUkoQC&printsec=frontcover&dq=Brigadoon,+Braveheart+And+The+Scots&ei=mYF6SYvYMaKIyASPsaG2Bg#PPA5,M1. 
  19. ^ "Most race attack victims `are white': The English Exiles - News". The Independent. 1999-02-08. http://www.independent.co.uk/news/most-race-attack-victims-are-white-the-english-exiles-1069506.html. Retrieved 2009-02-27. 
  20. ^ Ewan, Elizabeth. "Braveheart." American Historical Review 100, no. 4 (October 1995): 1219–21.
  21. ^ a b c Krossa, Sharon L.. "Braveheart Errors: An Illustration of Scale". http://medievalscotland.org/scotbiblio/bravehearterrors.shtml. Retrieved 2009-06-15. 
  22. ^ Krossa, Sharon L.. "Regarding the Film Braveheart". http://www.medievalscotland.org/scotbiblio/braveheart.shtml. Retrieved 2009-11-26. 
  23. ^ Template:Citew web
  24. ^ >White, Caroline (August 4, 2009). "The 10 most historically inaccurate movies". London: The Times. http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article6738785.ece. Retrieved 2009-08-05. 
  25. ^ Anderson, Lin. "Braveheart: From Hollywood to Holyrood." Luath Press Ltd. (2005): 27.

External links

Awards
Preceded by
Forrest Gump
Academy Award for Best Picture
1995
Succeeded by
The English Patient

Quotes

Up to date as of January 14, 2010

From Wikiquote

Braveheart is a 1995 film that was loosely based on the life of William Wallace, a 14th century Scottish hero. The film won the Academy Award for Best Picture in 1995.

Directed by Mel Gibson and written by Randall Wallace.
Every man dies, not every man really lives. taglines


Contents

William Wallace

Actual non-fictional quotations are available at William Wallace

  • Every man dies. Not every man truly lives.
  • [ending narration] In the year of our Lord, 1314, patriots of Scotland, starving and outnumbered, charged the fields of Bannockburn. They fought like warrior poets. They fought like Scotsmen. And won their freedom.

King Edward Longshanks

  • Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. Their dead cost nothing.

Dialogue

Longshanks: Nobles. Nobles are the key to the door of Scotland. Grant our nobles lands in the north. Give their nobles estates here in England, and make them too greedy to oppose us.
Advisor: But sire, our nobles will be reluctant to uproot. New lands mean new taxes, and they are already taxed for the war in France.
Longshanks: Are they? Are they? The trouble with Scotland is that it's full of Scots. Perhaps the time has come to reinstitute an old custom. Grant them prima noctes. First night, when any common girl inhabiting their lands is married, our nobles shall have sexual rights to her on the night of her wedding. If we can't get them out, we breed them out. That should fetch just the kind of lords we want to Scotland, taxes or no taxes.
Advisor: A most excellent idea, sire.
Longshanks: Is it?

William: Of course, running a farm is a lot of work, but that will all change when my sons arrive.
Murron: So, you've got children?
William: Not yet, but I was hoping you could help me with that.
Murron: So, you want me to marry you then?
William: Well, that's a bit sudden, but alright.
Murron : Is that what you call a proposal?
William: I love you, always have. I want to marry you.
[she kisses him]
William: Is that a yes?
Murron: Aye, that's a yes.

Robert the Bruce: A rebellion has begun.
Robert Bruce, Sr.: Under whom?
Robert the Bruce: A commoner named William Wallace.
Robert Bruce Sr.: We will embrace this rebellion. You will support it from our lands in the north while I gain English favor by condemning it, and ordering it opposed from our lands in the south. Sit down. Stay a while.
Robert the Bruce: This Wallace, he doesn't even have a knighthood, but he fights with passion and he inspires.
Robert Bruce, Sr.: And you wish to charge off and fight as he did. So would I.
Robert the Bruce: Well, maybe it's time.
Robert Bruce, Sr.: It is time to survive. You're the 17th Robert Bruce. The 16 before you passed you land and title because they didn't charge in. Call a meeting of the nobles.
Robert the Bruce: But they do nothing but talk.
Robert Bruce, Sr.: Rightly so. They're as rich in English titles and lands as they are in Scottish, just as we are. You admire this man, this William Wallace. Uncompromising men are easy to admire. He has courage, so does a dog. But it is exactly the ability to compromise that makes a man noble. And understand this: Edward Longshanks is the most ruthless king ever to sit in the throne of England. And none of us, and nothing of Scotland will remain, unless we are as ruthless. Give in to our nobles. Knowing their minds is the key to the throne.

William: We'll make spears. Hundreds of them, long spears. Twice as long as a man.
Hamish: That long?
William: Aye.
Hamish: Some men are longer than others.
Campbell: Your mother been telling you stories about me again, eh?
Gaurd: Volunteers coming in!
Faudron: William Wallace, we've come to fight and to die for you.
William: Stand up, man, I'm not the Pope.
Faudron: My name is Faudron. My sword is yours. I brought you this. [reaches for something, Hamish tries to stop him]
Gaurd: We checked 'em for arms.
Faudron: brought you this. [pulls out sash] My wife made it for you.
William: Thank you
Stephen: [laughs, speaking heavenward] Him? That can't be William Wallace. I'm prettier than this man. All right Father, I'll ask him. [To William] If I risk my neck for you, will I get a chance to kill Englishmen?
Hamish: Is your father a ghost, or do you converse with the Almighty?
Stephen: In order to find his equal, an Irishman is forced to talk to God. [Heavenward] Yes, Father. [To William and Hamish] The Almighty says don't change the subject, just answer the fucking question.
Hamish: Mind your tongue.
Campbell: Insane Irish.
[Stephen pulls a sharpened stag's horn and holds it to the throat of Campbell]
Stephen: Smart enough to get a dagger past your guards, old man.
William: That's my friend, Irishman. And the answer your question is yes - if you fight for me, you get to kill the English.
Stephen: Excellent! Stephen is my name. I'm the most wanted man on my island. Except I'm not on my island of course. More's the pity.
Hamish: Your island? You mean Ireland.
Stephen: Yeah. It's mine.
Hamish: You're a madman.
Stephen: [laughs] I've come to the right place then.

Stephen: The Almighty says this must be a fashionable fight. It's drawn the finest people.
Lochlan: Where is thy salute?
William: For presenting yourselves on this battlefield, I give you thanks.
Lochlan: This is our army. To join it you give homage.
William: I give homage to Scotland. And if this is your army, why does it go?
Soldier 1: We didn't come here to fight for them.
Soldier 2: Home! The English are too many!
William: Sons of Scotland! I am William Wallace.
Soldier 2: William Wallace is seven feet tall!
William: Yes, I've heard. Kills men by the hundreds. And if HE were here, he'd consume the English with fireballs from his eyes, and bolts of lightning from his arse.
[Scottish army laughs]
William: I AM William Wallace! And I see a whole army of my country men, here, in defiance of tyranny. You've come to fight as free men, and free men you are. What will you do with that FREEDOM? Will you fight?
Soldier 1: Against that? No, we'll run, and we'll live.
William: Aye, fight and you may die, run, and you'll live... at least a while. And dying in your beds, many years from now, would you be willing to trade ALL the days, from this day to that, for one chance, just one chance, to come back here and tell our enemies that they may take our lives, but they'll never take... OUR FREEDOM!

William: I said I have an offer for you.
Lochlan: You disrespect a banner of truce?
William: From his king? Absolutely. Here are Scotland's terms. Lower your flags, and march straight back to England, stopping at every home you pass by to beg forgiveness for 100 years of theft, rape, and murder. Do that and your men shall live. Do it not, and every one of you will die today.
Cheltham: [laughing] You are outmatched. You have no heavy cavalry. In two centuries no army has won without--.
William: I'm not finished. Before we let you leave, your commander must cross that field, present himself before this army, put his head between his legs, and kiss his own arse.
[Cheltham rides off]
Mornay: I'd say that was rather less cordial than he was used to.

Craig: Sir William, where are you going?
William: We have beaten the English, but they'll come back because you won't stand together.
Craig: Well what will you do?
William: I will invade England and defeat the English on their own ground.
Craig: Invade? That's impossible.
William: Why? Why is that impossible? You're so concerned with squabbling for the scraps from Longshank's table that you've missed your God given right to something better. There is a difference between us. You think the people of this country exist to provide you with position. I think your position exists to provide those people with FREEDOM. And I go to make sure that they have it.

Robert the Bruce: Wait! I respect what you said, but remember that these men have lands and castles. It's much to risk.
William: And the common man who bleeds on the battlefield, does he risk less?
Robert the Bruce: No, but from top to bottom this country has no sense of itself. Its nobles share allegiance with England. Its clans war with each other. If you make enemies on both sides of the border, you'll end up dead.
William: We all end up dead; it's just a question of how and why.
Robert the Bruce: I'm not a coward. I want what you want, but we need the nobles.
William: We need them?
Robert the Bruce: Aye.
William: Now tell me, what does that mean to be noble? Your title gives you claim to the throne of our country, but men don't follow titles, they follow courage. Now our people know you. Noble, and common, they respect you. And if you would just lead them to FREEDOM, they'd follow you. And so would I.

Robert Bruce, Sr.: I'm the one who's rotting, but I think your face looks graver than mine. Son, we must have alliance with England to prevail here. You achieved that. You saved your family, increased your land. In time, you will have all the power in Scotland.
Robert the Bruce: Lands, titles, men, power... nothing.
Robert Bruce, Sr.: Nothing?
Robert the Bruce: I have nothing. Men fight for me because if they do not, I throw them off my land and I starve their wives and children. Those men who bled the ground red at Falkirk fought for William Wallace. He fights for something that I never had. And I took it from him, when I betrayed him. I saw it in his face on the battlefield and it's tearing me apart.
Robert Bruce, Sr.: All men betray. All lose heart.
Robert the Bruce: I DON'T WANT TO LOSE HEART!!!. I want to believe as he does. I will never be on the wrong side again.

Robert the Bruce: [after William is betrayed] Father! You. Rotting. Bastard. Why? Why?
Robert Bruce, Sr.: Longshanks required Wallace. So did our nobles. That was the price of your crown.
Robert the Bruce: Die! I want you to die.
Robert Bruce, Sr.: Soon enough I'll be dead. And you'll be king.
Robert the Bruce: I don't want anything from you. You're not a man, and you're not my father.
Robert Bruce, Sr.: You are my son, and you have always known my mind.
Robert the Bruce: You deceived me.
Robert Bruce, Sr.: You let yourself be deceived. In your heart, you always knew what had to happen here. At last, you know what it means to hate. Now you're ready to be a king.
Robert the Bruce: My hate will die ... with you.

Royal Magistrate: It can all end, right now. Peace. Bliss. Just say it. Cry out mercy.
Crowd: Mercy...mercy!
Royal Magistrate: Cry out. Just say it. Mercy.
Hamish: Mercy lad, mercy.
Stephen: Jesus, mercy.
Royal Magistrate: The prisoner wishes to say a word.
William: FREEEEE-DOMMMMMM!!!!!

Taglines

  • Every man dies, not every man really lives.
  • What kind of man would defy a king?
  • His passion captivated a woman. His courage inspired a nation. His heart defied a king.
  • He who fought, fought for FREEDOM.

Cast

External links

Wikipedia
Wikipedia has an article about:

Simple English

Braveheart is a movie starring Mel Gibson. It is loosely based around the life of Scottish freedom fighter William Wallace, who fought against the English when they occupied Scotland.

Other websites









Got something to say? Make a comment.
Your name
Your email address
Message