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The Brooklyn International Film Festival (BiFF) is an independent film festival held every June in Brooklyn, New York. Started by Marco Ursino, Susan Mackell, and Mario Pegoraro in 1998, its mission is to “discover, expose, and promote independent filmmakers while drawing worldwide attention to Brooklyn as a center for cinema." Its base is South 4th Street, Williamsburg.

The not-for-profit festival operates under the fiscal sponsorship of Brooklyn Economic Development Corporation. Since its inception the festival has grown exponentially, exceeding the boundaries of its Brooklyn base.

BiFF also oversees the annual KidsFilmFest, a program that reaches out to children and families. The New Museum in Manhattan has incorporated our kids programs in their First Saturdays for Families.

Contents

Venue

In 2009, the festival took place at the Brooklyn Heights Cinema on Henry Street in Brooklyn Heights where two screening rooms operated side-by-side featuring 81 two-hour film programs. Nightly networking after-parties took place at various locations in DUMBO, Brooklyn. Previously, the festival has been held at Brooklyn Lyceum, Brooklyn Academy of Music (BAM), Brooklyn Museum, Steiner Studios, Brooklyn Public Library, and the Brooklyn Historical Society.

Entries

Roughly half of films submitted and shown are by US filmmakers, while approximately 20% are European. The remaining 30% come from other parts of the globe. In 2009, the festival received 2,780 films for consideration from 110 countries.

BiFF awards filmmakers over $80,000 in prizes in the form of cash, film services, and products. It accepts around 25 feature narratives, 30 documentaries, 45 short subjects films, 20 experimental films, and 30 animated works. Over 30 screeners help BiFF to review the entries, and there are 25 judges (or, five per category).

The fee for submitting films before November 30 is $30, after which fee rises to $50. Alumni filmmakers are exempt from paying this fees. The fee is also waived in several other cases. Accommodation for participating filmmakers is provided by a festival sponsor, Hotel Chandler, Manhattan.

Past winners

2008 winners

- Grand Chameleon Award: Fix (Tao Ruspoli)
- Best Narrative Feature: Fix (Tao Ruspoli)
- Best Documentary - Diane Seligman Award – Carny (Alison Murray)
- Best Narrative Short : On the Line (Reto Caffi)
- Best Experimental Film: Flying Lesson (R. Chamecki, P. Harder, A. Lerner)
- Best Animation: 24 Frames (Brad Pattullo)
SPIRIT AWARDS:
- Feature: Apollo 45 (Giordana Giulivi)
- Doc: ABC Columbia (Enrica Colusso)
- Short: The Line (Kent Basset)
- Experimental: Nighwalking (Ellen Blom)
- Animation: Hezurbeltzak, A Common Grave (Izibene Onederra)
- Best New Director: Kevin Tucker for The Unidentified

Every year, BiFF creates a "Best of Fest" package to take to different venues as a festival showcase. In the past, these films have been shown in other parts of Brooklyn, in Manhattan, as well as at the Havana Film Festival and the Museo Arte Contemporanea in Rome.

Festival Team

Executive director Marco Ursino has been immersed in the entertainment industry in both the US and Italy for the past 33 years. Beginning in Italy in 1976, he has appeared as an actor in various video projects for Italian TV. He has written several screenplays, worked in production design, and produced independent documentaries and feature films, including his own, Clouds of Magellan, which he wrote and directed. He is a member of the Screen Actors Guild.

Director of programming Mario Pegoraro won Best Short film at the 1993 Venice Film Festival. He also produced the international "City of Water Project" in collaboration with architects from around the globe. He joined BiFF following a successful career in film production, distribution and new media development in 1998.

Director of development Susan Mackell has 19 years of public relations experience working on the PR program for the American College for the Applied Arts in London and Atlanta, Georgia. She has also produced several film projects.

External links

Brooklyn International Film Festival official website



BACKGROUND:
BiFF was established in 1998 as the first international competitive film festival in New York. Conceptually unique, the festival has grown exponentially each year in terms of number of submissions, program quality and size, international exposure, media coverage, audience attendance and participation, sponsorship, endorsements, community outreach, and budget. From 1998 through 2001, BiFF was held at the Commodore Theater in Williamsburg, Brooklyn. From 2002 through 2006, BiFF partnered with the Brooklyn Museum. Since its inception, the festival has reviewed more than 12,000 films. For the 2007 edition, BiFF received 2,000 film submissions from 98 countries and will select 150 film premieres to be part of the competitive program. At the 2006 festival, over a 10-day period, 11,000 customers attended BiFF’s 36 film programs. BiFF’s primary goal is to connect filmmakers to distribution companies and expose them to the media. Many films that have premiered at BiFF in the past few years went on to be released theatrically and/or are available at video stores near you.

MISSION:
BiFF is dedicated to discovering, exposing, and promoting independent filmmakers and their work. BiFF is committed to expanding the rich and diverse cultural resources that are and will become the heritage of Brooklyn citizens. BiFF is a 501(c)(3) non-profit corporation.

VENUES:
BiFF’s films have been showcased at the Brooklyn Museum, Brooklyn Academy of Music (BAM), Brooklyn Public Library, Brooklyn Historical Society, Brooklyn Children’s Museum, Commodore Theater, Anthology Film Archives, Kodak Theater, Limelight Gallery, Pioneer Theater, Queens Museum of Art, Remote Lounge, Lunatarium, BRIC-Brooklyn Information & Culture, JCC Manhattan, Black & White Gallery, Yabby’s Lounge, Lansky Lounge, Williamsburg Art and Historical Center, MicroMuseum, Havana Film Festival (Cuba), and n[ever]land at Palazzo delle Esposizioni and Museo Arte Contemporanea (Rome, Italy).

COVERAGE:
BiFF has been featured on NBC’s “Law & Order”, Fox 5 News, Current TV, NY1 News, WNYC TV, Sundance Channel, and Channel Thirteen (PBS). BiFF has been featured locally on WNYC, Bloomberg and WBAI radios; and it has been massively advertised on all the Time Warner Cable stations. BiFF has been covered by countless publications, including The New York Times, NY Magazine, Village Voice, Time Out NY, Wall Street Journal, Daily News, NY Post, and NY Press; as well as Canadian, Mexican, French, Spanish, Italian, German, Danish, Dutch, Japanese, and Korean newspapers; and by Spanish (TV1, Antenna 3, TeleCinco), Italian (RAI 3, RAI International), and Egyptian television stations.

AUDIENCE:
BiFF’s audience is a dynamic mix of artists, media representatives, film distributors, the five boroughs’ film enthusiasts, and the international filmmakers. They are Independent, demanding, smart, hip, confident, open-minded, receptive, social, communicative, well-rounded and well traveled, inventive, laid back, but always looking for the “next thing”, sexy, curious, mostly singles, and definitely aware of the new trends.

BROOKLYNFILMFESTIVAL.ORG:
BiFF’s Internet associations and partnerships are endless. Since its launch in February 1999, over 1,000,000 unique viewers have visited the festival’s web site. BiFF manages an email list of 25,000 people, which includes distributors, VIP’s, and film industry professionals. Since 1999, the festival has been broadcast live over the Internet at www.brooklynfest.org. BiFF creates International awareness about the webcast by reaching out to embassies, consulates, and institutions of the participating countries.

FORMATS & CATEGORIES:
The Festival supports all formats (35mm, HD, DVD, Beta, and DV). The films are divided in five categories: Feature Length Film (Narrative), Documentary, Short Subject (Narrative), Experimental Project, and Animation.

AWARDS:
A panel of journalists, film festival directors, and film related professionals grade each film to select the best in its category, awarding the Chameleon Statuette (and prizes) to each of the five winners. The festival board selects the best film of the year among the five winners, awarding it the Grand Chameleon Award. The festival also assigns one Spirit Award and one Audience Award in each category. Other awards are: Best Production, Best New Director, Best Screenplay, Best Cinematography, Best Editing, Best Production Design, Best Original Score, Best Actress and Best Actor.









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