The Full Wiki



More info on Bruno aveillan

Bruno aveillan: Wikis

  

Note: Many of our articles have direct quotes from sources you can cite, within the Wikipedia article! This article doesn't yet, but we're working on it! See more info or our list of citable articles.

Encyclopedia

Bruno Aveillan (born in Toulouse) is a director, a photographer and a multimedia artist.

Bruno Aveillan was born in Toulouse and is one of France's most distinguished and internationally sought after commercials director. After graduating from Ecole Supérieur des Beaux Arts in Toulouse, he worked in advertising as an Art Director and then joined Quad Productions in Paris in 1995 as a director. Since then, he has achieved international acclaim for directing highly sophisticated and superbly cinematographic commercials for prestigious clients such as Coca-Cola, Toyota, Louis Vuitton, Acura, Perrier, Audi, Orange, Club Med, Bailey's, Lacoste, Nike, Volvo, Guerlain and Philips.

Aveillan has a highly developed artistic sensibility and innate talent for capturing extraordinary images that leave a lasting impression on the viewer, critics and industry trade alike. Having studied as a painter, his meticulous attention to detail and his devotion to unveiling the exquisite and the aesthetic, regardless the subject, is a testament to his passion and perfection.

Aveillan first made his name with awards-winning spots for Perrier "La Foule" and Paco Rabanne's "XS". He was also directing alongside Martin Scorsese, Wong Kar-Wai and Oliver Stone on the high-profile Orange spots for Euro RSCG BETC, Paris [1].

He succeeded the prestigious directors Lars von Trier and Roland Joffé to direct the new episode of the famous advertising saga CNP.

To the American audience, Aveillan is best known for his epic commercials; "Medusa", "Dragon" and "Dagger" for Thermasilk (Agency JWT New York), Nintendo Game Boy "Symphony" (Agency Leo Burnett, Chicago), Miller "labels" (Agency The Martin Agency), Time Warner (Agency Beaucoup Chapeaux), Lexus "Button" (Agency Team One) and Lanvin "Oxygene" with supermodel Gisele Bündchen. Aveillan's spot for Nissan Infiniti's "Anthem", [2] Chiat/Day Los Angeles, broke during the 2002 Academy Awards.His talent for creating whole universes and his ability to work with highly sophisticated visual effects is also apparent in Nintendo's "Symphony", [3], Bailey's "Floating"(Agency BBH London) and Audi Q7.

Equally, his superbly sensual and poetic commercials Magnum "Five Senses", Paco Rabanne "XS", Gaz de France"La Dolce Vita" underline his artistic sensibility.

During his career Bruno Aveillan has also filmed world renowned stars such as Monica Bellucci, Claudia Schiffer, Amy Smart, Sharon Stone, Catherine Hurley, Milla Jovovich, Jessica Stam, Inna Zobova, Louise Pedersen, Julia Stegner, Estelle Lefébure, Elsa Benitez, Mylène Farmer, Vlada Roslyakova, Sunniva Stordahl and Virginie Ledoyen.

Today, Aveillan has won a multitude of awards and many of his commercials have become a reference for cinematographic brilliance. In 2008, Aveillan directed the first ever brand campaign for Louis Vuitton " A Journey" which won several awards such as the 2008 Gold Clio Award, Epica Award, Mobius Award, New York Festival, Grand Prix Stratégie, Gold Top com, and the Gold Award at the 2008 London International Awards. He has also directed Mylene Farmer's experimental music video "The Farmer Project". Aveillan also supports the action of ONG such as Reporters without borders and the Food bank for whom he has shot several commercials.

As a multimedia artist, Bruno Aveillan held a solo photographic and experimental movie exhibition 'DIOTOPES' this year at the Galerie Léo Scheer in Paris.

Contents

Awards

  • From 1995 to 2008, the awards include: Golden Globe New York, Prix Stratégie, Club des directeurs artistiques (France, UK, Italy, Allemagne), London International Awards, TV Gold ADDY's, New York Festival, EuroEffies, Masters, Festival de Cannes, AEAF, Clio Awards, Arts Electronica, Epica, Mobius award, Golden award of Montreux, Siggraph, etc.
  • Bruno Aveillan is the only director who has twice won the Grand Prix Imagina award in 1998 (Perrier La Foule) and in 2003 (GDF Dolce Vita).
  • 2000, "Best Director of the year" in France CB News magazine
  • 2003, "Director on TOP" Boards magazine.
  • 2004, he was classified among the five best French advertising film directors, alongside the likes of Remy Belvaux and Frederic Planchon (Lürzer'z Archive)
  • 2005, The experimental film "MINOTAUR-EX" by Bruno Aveillan, with the Dance Company 'Cave Canem' received the prize of exceptional work and the Grand Prix of the public in the "Clays" Festival 2005. He was also jury finalist at the "Dance One Camera Festival 2007 of New York" and selected at the "Silverlake Festival of Los Angeles".
  • 2008, he was classified among the three best French advertising film directors of the decade (Lürzer'z Archive)

Exhibitions

As a multimédia artist, Aveillan's body of work ranges from photography, experimental movies [4], video works, and installations. Aveillan's work has been featured in solo and group exhibitions.

Group
  • 2002, Parcours 21. Galerie Pin-up Paris.
  • 2004, Autoportraits. Galerie Pin-up Paris.
  • 2006, Silver Lake Film Festival. Los Angeles.
  • 2007, DFA's 35th. Dance Film Association Inc. New York.
  • 2007, Independent Film Show 2007. EM Arts Naples. [5]
  • 2007, Dance for the Camera. Film Society of Lincoln Center New York.
  • 2007, Hustler of culture. Chicago Department of Cultural Affairs Chicago
  • 2007, DIAF 2007. International Arts Festival Dehli.
  • 2007, ROMP !. Suddenly Dance Theatre Victoria BC.
  • 2007, DKF Muranow. Wprost i Kultura Varsovie.
  • 2009, 1968-2008, 40 ans de films publicitaires à la télévision. Musées de Arts Décoratifs Paris-Louvre.[6]
Solo
  • 2008, Diotopes. Galerie Léo Scheer Paris [7].
  • 2008, Diotopes II. Galerie Léo Scheer Paris

Bibliography

  • (English) Diotopes, Léo Sheer Editor . ISBN 978-2-7561-0131-6
  • Template:Fr Parcours 21, Studio Pin Up Editor.
  • (English) Autoportraits, Studio Pin Up Editor.

References

  • Template:Fr Gérard Lefort, « Apocalypse bulles », in Libération [8], January 4, 1998
  • Template:Fr Laurence Armengau, "B. Aveillan : l'idée c'est ce qui vieillit le moins vite", in CB News, June 22, 1998
  • Template:Fr C.L., "XS by Bruno Aveillan", in Elle, December 9, 1998
  • Template:Fr C. Ghanem-Domont, "Ces publicités qui ont marqué les Français" [9] [10], in Stratégies, January 20, 1999
  • Template:Fr Gérard Leford, "Le rêve et la Ricoré", in Libération [11], May 8, 1999
  • (English) Patricia Winters Lauro, "Thermasilk enters the realm of fairy tales, dragons and special effects", in The New York Times [12], May 8, 2000
  • (English) Kathy Desalvo " Director Bruno Aveillan crafts Fantastic - and heated - story", in Shoot [13], May 18, 2001
  • (English) Therese Balduzzi « Directors on Top : Bruno Aveillan », in Boards [14], May 1, 2002
  • Template:Fr Delphine Le Goff « La fable sanglante de RSF », in Stratégies [15], May 3, 2002
  • (English) Anne Rose Schlutbohm "A whiff of perfume", in Archive, January 2004
  • Template:Fr M.P.« GDF : un savoir-faire révélé en beauté », in Le Figaro, May 3, 2004
  • (English) Markus Albert "Sin and sensuality", in Archive, February 2005
  • (English) Liza Klaussmann "Creatives on verge : Bruno Aveillan", in Variety, June 2006
  • (English) Stephane Zissu "Zom Art : Bruno Aveillan", in Kromag 04 [16], May 2007
  • (English) Shots "AVEILLAN'S EMOTIONAL BAGGAGE", in Shots 6 February 2008 [17], 6 February 2008
  • Template:Fr Clément Ghis Louis Vuitton fait son cinéma, in Libération Next, 22 February 2008 [18]
  • Template:Fr Zoé Balthus La grâce indomptable de la lumière, 13 June 2008 [19]
  • Template:Fr Jérome Beglé Culture Evènement : M. Farmer comme vous ne l'avez jamais vue, in Paris Match, 3 July 2008
  • (English) Michael Kimmelman, Arts : In France Ads Aim at Heart..., in The New York Times, 18 February 2009 [20]
  • (English) Stephen Whelan, Fleetings Moments, in Shots # 113, February 2009 [21]
  • Template:Fr Television : Interview of Bruno Aveillan in La vie des médias on TF1. December 21, 2003 (Archives INA)

Quotations

"Bruno Aveillan is a director who respects the viewers, provides them dream and emotion" Stephan Faudeux in "Sonovision" n° 442, Article page 98/99

"I discovered this filmaker through his commercials (in particular those of Perrier) and since Jean Jacques Annaud, I never met such a visual talent (...) Bruno Aveillan has, for me, the potential and the talent of Tim Burton" Interview of Claude Berri in "Le Film Français special Cannes" n° 2826/27, page 19

«Aveillan has a rare combination of skills – an « acutely high standard », and incredible knowledge of visual spécial effects in addition to the ability to shoot beautiful films. » Kathy De salvo in "Shoot" May 18 2001

"With its latest ad for a Philips "Robot skin", Bruno Aveillan has yet marked spirits. Far from being a first-timer, this director has a much more personal universe than the advertising industry would suggest." Stephane Zissu in "Kromag" 04

"His sense of aesthetics combined with an immoderate taste for the imaginary or rather the world of dreams is impressive. From that fascination comes a unique sensibility that makes Bruno Aveillan an extraordinary painter of human nature." Stephane Zissu in "Kromag" 04

External links



Bruno Aveillan (born 1968 in Toulouse) is a film director.



Aveillan first made his name in 1998 with spots for Perrier and Paco Rabanne's sexually charged fragrance "XS." By 2001, Aveillan was directing alongside Martin Scorsese, Wong Kar-Wai and Oliver Stone on the high-profile Orange spots for Euro RSCG BETC, Paris. To an American audience, Aveillan is best known for his epic Thermasilk spots for JWT New York and recent Nintendo Game Boy spot "Symphony" from Leo Burnett, Chicago.
Originally trained as a painter, his background becomes obvious in the fantasy worlds created for Thermasilk's "Tango" and "Dagger"; Greek mythology and Victorian gothic imagery are brought to life in these highly cinematic and effects-intensive spots.

Bruno Aveillan's smoothly blended artistic and effects palette is increasingly flavoring high profile US spots, like Nissan Infiniti's "Anthem," which broke during the 2002 Academy Awards.
Set in the giddy fins and future-heavy world of a 1950s car show, "Anthem" succeeds in capturing the fanciful Atomic Age convention and confused excitement when the car of the future, the Infiniti, turns up and wows the crowd.

For Paco Rabanne's "XS," a romantic scene of a couple in a swimming pool, Aveillan suggested starting with the underwater love scene and revealing the real setting only towards the end. Filmed in a cube devoid of bubbles and highlights, the couple seems to float in an other-wordly universe.

Aveillan's talent in devising whole universes is also apparent in Nintendo's "Symphony," in which a sculpture supporting the gallery of a baroque theater and an enormous crystal chandelier animate and attack the orchestra. The chandelier fragments into a million pieces, violin bows become flaming arrows and a cymbal beheads the animated statue.

Despite the options effects provide, Aveillan believes it is the coherence of details in decor that make a fantasy believable. Therefore his work is based on drawing and research. He strives to shoot as much as possible in camera and a maximum of direct interaction.


« Aveillan has a rare combination of skills – an « acutely high standard », and incredible knowledge of visual spécial effects in addition to the ability to shoot beautiful films. » Kathy De salvo in Shoot may 18 2001

« Bruno Aveillan has this fairy-tale and cinematic style, his work is mysterious and poetic » Pascale Chadennat in Lurzer’s Archive n° 1/2003



Awards


  • From1995 to 2007, many awards and short list like : Golden Globe New York, Prix Stratégie, Club des directeurs artistiques (France, UK, Italy, Allemagne), TV Gold ADDY’s, New York Festival, EuroEffies, Masters, Festival de Cannes, AEAF, Clio Awards, Arts Electronica, Epica, Mobius award, Golden award of Montreux, Siggraph, etc.

  • Bruno Aveillan is the only director who won two times the Imagina award in 1998 (Perrier) and in 2003 (GDF Dolce Vita).

  • En 2000, Bruno Aveillan was "Director of the year" in France CB News magazine

  • En 2003, Aveillan was « Director on TOP » Boards magazine.




  • References



  • Gérard Lefort, « Apocalypse bulles », in Libération, january 4 1998
  • Laurence Armengau, "B. Aveillan : l'idée c'est ce qui vieillit le moins vite", in CB News, june 22 1998
  • Cynthia Ghanem-Domont, "Ces publicités qui ont marqué les Français", in Stratégies, january 20 1999
  • Gérard Leford, "Le rêve et la Ricoré", in Libération, may 8 1999
  • Patricia Winters Lauro, "Thermasilk enters the realm of fairy tales, dragons and special effects", in The New York Times, may 8 2000
  • Kathy Desalvo " Director Bruno Aveillan crafts Fantastic - and heated - story", in Shoot, may 18 2001
  • Anne Rose Schlutbohm "A whiff of perfume", in Archive, january 2004
  • M.P.« GDF : un savoir-faire révélé en beauté », in Le Figaro, may 3 2004
  • Markus Albert "Sin and sensuality", in Archive, february 2005
  • Liza Klaussmann "Creatives on verge : Bruno Aveillan", in Variety, june 2006
  • Télévision : Interview of Bruno Aveillan in La vie des médias on TF1. december 21 2003 (Archives INA)




  • External links


  • http://www.quad.fr/










  • Got something to say? Make a comment.
    Your name
    Your email address
    Message
    Please enter the solution to case below
    70+12=