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Bullitt
Bullitt film poster by Michel Landi
Directed by	Peter Yates
Produced by	Philip D'Antoni Robert E. Relyea
Written by	Novel: Robert L. Fish Screenplay: Alan Trustman Harry Kleiner
Starring	Steve McQueen Robert Vaughn Jacqueline Bisset James Hagan
Music by	Lalo Schifrin
Cinematography	William A. Fraker
Editing by	Frank P. Keller
Distributed by	Warner Bros.-Seven Arts
Release date(s)	October 17, 1968
Running time	113 minutes
Country	United States
Language	English
Budget	$5,500,000

Bullitt is a 1968 American thriller film starring Steve McQueen, Jacqueline Bisset, and Robert Vaughn. It was directed by Peter Yates and distributed by Warner Bros. The story was adapted for the screen by Alan Trustman and Harry Kleiner, based on the novel titled Mute Witness (1963) by Robert L. Fish (aka Robert L. Pike). Lalo Schifrin wrote the original music score, a mix of jazz, brass and percussion.

The film won the Academy Award for Best Film Editing (Frank P. Keller) and was nominated for Best Sound. Writers Trustman and Kleiner won a 1969 Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay.

Bullitt is probably best-remembered for its car chase scene through the streets of San Francisco, regarded as one of the most influential car chase sequences in movie history.^[1] The scene had Bullitt in a dark "Highland Green" 1968 Ford Mustang GT 390 CID Fastback, chasing two hit-men in a "Tuxedo Black" 1968 Dodge Charger R/T 440 Magnum.

In 2007, Bullitt was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Plot

Ambitious politician Walter Chalmers (Robert Vaughn), is holding a Senate subcommittee hearing in San Francisco on Organized Crime in America. To improve his political standing, Chalmers hopes to bring down mobster Pete Ross (Vic Tayback) with the aid of key witness Johnny Ross, Pete's brother. Bullitt takes place the weekend before the hearing, from Friday night (during the opening credits) to Sunday night.

Following the theft of $2,000,000, and his escape to San Francisco, Johnny (Felice Orlandi) is placed in the San Francisco Police Department's protective custody for the weekend. Chalmers requests Lieutenant Frank Bullitt's (Steve McQueen) unit to guard him.

Bullitt, Sergeant Delgetti (Don Gordon) and Detective Carl Stanton (Carl Reindel), give Ross around-the-clock protection at the Hotel Daniels, a cheap flophouse near the Embarcadero Freeway. Before Ross enters the hotel, he makes several phone calls. Late Saturday night, a pair of hitmen (Paul Genge stunt driver Bill Hickman), burst into the room and shoot both Inspector Stanton and Ross, seriously wounding them both.

Bullitt wants to investigate who shot the pair and find the Mafia boss who ordered the hit. Chalmers attempts to shift blame on to Bullitt and the San Francisco Police Department.

Ross subsequently dies of his wounds. Bullitt suppresses news of the death, asking Doctor Willard (Georg Stanford Brown) to misplace the chart and have the body placed in the morgue under a John Doe identity. Chalmers arrives at the hospital on Sunday morning and is angered that Ross has disappeared. He is further incensed when he and his police minder Captain Baker (Norman Fell) receive no help from Bullitt. Chalmers places pressure on Bullitt to produce Ross, to no effect.

Bullitt reconstructs Ross's movements, finding his way to a hotel where he finds a woman registered under the name Dorothy Simmons (Brandy Carroll). With the hearing the next day, Bullitt suspects the dead mobster may not be who he seems. After picking up his Ford Mustang, Bullitt is tailed by the two hit-men, resulting in a famous car chase that ultimately kills the hit-men.

Back at the police station, Bullitt is interrogated, and is given until Monday morning to follow his remaining lead. He begins to investigate Simmons, but discovers that she has been murdered. Later, Bullitt and Delgetti learn that the Simmons' true identity was Dorothy Renick, and that the murdered man that they knew as Ross may in fact be her husband, Albert. Bullitt asks immigration for a copy of Mr. Rennick's passport, hoping to prove this theory.

Chalmers arrives at the morgue, demanding, from Bullitt, a signed admission that Ross died while in his custody. Bullitt refuses, producing a copy of the couple's passport photos. Chalmers realizes his mistake upon seeing the couple's true identity: the murdered man was not Johnny Ross, but Albert Renick. The real Ross set Renick up to get the heat off him, then killed Renick's wife to silence her.

Based on clues in the Renicks' luggage, Bullitt follows Ross to the airport, where he discovers the real Johnny Ross (Pat Renella) and pursues him. A stand-off ensues, with Bullitt eventually shooting and killing Ross.

A minor subplot also exists, concerning the relationship between Bullitt and his girlfriend, Cathy (Jacqueline Bisset), and her struggles with the raw nature of his police work.

Car chase

Detective Bullitt spins his tires for the chase.

At the time of the film's release, the car chase scene generated a great amount of excitement.^[2]

Two 1968 390 CID V8 Ford Mustangs (325 bhp) were used for the chase scene, both owned by Ford Motor Company and part of a promotional loan agreement with Warner Bros. The Mustangs' engines, brakes and suspensions were heavily modified for the chase by veteran car racer Max Balchowsky. Ford Motor Company had also originally loaned two Ford Galaxie sedans that were intended to be used in the chase scenes, but the producers found the cars entirely too heavy to put through jumps over the hills of San Francisco without the suspensions of the cars being severely damaged. The Galaxie sedans were replaced with two 1968 440 CID/375 bhp Dodge Chargers that were bought outright from Glendale Dodge in Glendale, California. The engines in both Chargers were left largely unmodified, but the suspensions were upgraded to cope with the demands of the stunt work.

The director called for speeds of about 75–80 mph (120–130 km/h), but the cars (including the ones containing the cameras) reached speeds of over 110 mph (175 km/h) on surface streets. Driver's point-of-view angles were used to give the audience the "feel" of the ride as the cars jumped the hills. Filming the chase scene took three weeks, resulting in 9 minutes and 42 seconds of film. During this film sequence, the Charger loses six hubcaps and has different ones missing in different shots. As a result of shooting from multiple angles simultaneously, and some angles' footage used at different times to give the illusion of different streets, the speeding cars can be seen passing the same green VW bug four different times, and the same blue sedan with black top three times. The Charger also crashes into the camera in one scene and the damaged front fender is noticeable in later scenes. After the Charger hits a parked car, it disappears for a split second from the screen before the scene is changed.

Steve McQueen was an accomplished driver and managed to perform the bulk of the driving stunt work. The stunt coordinator, Carey Loftin, hired famed stuntman and motorcycle racer Bud Ekins to do the risky stunts in the Mustang. He is also the stunt man who lays down his bike in front of a skidding truck during the chase (Ekins also doubled for McQueen in the sequence of The Great Escape in which McQueen's character jumps over a barbed wire fence on a motorcycle). The Mustang’s interior rear view mirror goes up and down depending on who is driving: when the mirror is up (visible) McQueen is behind the wheel, and when it is down (not visible) Ekins is driving. The black Dodge Charger was driven by Bill Hickman, who also played one of the hit-men and helped with the choreography of the chase scene. The other hitman was played by Paul Genge who also rode another Dodge off the road to his death in an episode of Perry Mason - "The Case of the Sausalito Sunrise" 2 years earlier.

Of the two Mustangs, one was scrapped after filming due to liability concerns and the surviving backup car was sold to an employee of Warner Brothers' editing department. The car changed hands several times, and Steve McQueen at one point made an unsuccessful attempt to buy it. Currently in non-working condition, the Mustang is rumored to have been kept in a barn in the Ohio River Valley by an anonymous owner.^[3] The Ford Motor Company has twice reproduced the dark green Mustang for sale to the public; once in 2001, and once in 2008.

In 2001, there were 5,583 special edition Mustang Bullitts produced. The cars were all sequentially numbered with a holographic id tag on the driver's side strut tower in the engine compartment. There is also an anti-counterfeit second id tag under the rear seat. The 2001 Bullitts were produced in 3 color options. Dark Highland Green, matching the movie color, True Blue, and Black. The Dark Highland Green was exclusive to Bullitts. The only option available was the Mach 460 audio system.

The 2008 Bullitt Mustang contained the sequential numbering on an engraved strut tower brace. The 2008 vehicle was available in Highland Green and black.

The 2008 model has a 4.6-liter V8 engine, 315 hp (235 kW). Both were made available in Dark Highland Green, a color similar to that used on the film's automobile.^[4]

Comparisons

The movie is also considered highly influential in many other ways within its genre. The use of a rebellious and borderline-insubordinate police officer as a protagonist operating despite interference from higher-ups was followed in many later movies, notably Coogan's Bluff 1968 and Dirty Harry and The French Connection, both released in 1971. The idea of making the officer fairly young and cool, and equipped with a sports car, was subsequently used by Starsky and Hutch and Miami Vice.

The movie as a whole, including the car chase, makes extensive use of the San Francisco Bay area. However, San Francisco's most famous landmark, the Golden Gate Bridge, was not a part of the chase scene because the city's film commission refused to allow the filmmakers to close the bridge and film there. (The bridge is only briefly visible in the background during the part of the chase scene along Marina Boulevard.)

In the 2007 film Zodiac directed by David Fincher, the real-life San Francisco homicide investigator David Toschi (played by Mark Ruffalo) is said to be the model for McQueen's character Bullitt, including the use of a specially designed quick-draw shoulder holster for his weapon.^[5]

References

External links

• Bullitt at the Internet Movie Database
• Bullitt at Allmovie
• Bullitt at the Internet Movie Cars Database

From Wikiquote

Bullitt is a 1968 film about an all guts, no glory San Francisco cop who becomes determined to find the underworld kingpin that killed the witness in his protection.

Directed by Peter Yates. Written by Alan Trustman and Harry Kleiner, based on the novel Mute Witness by Robert L. Fish.

Frank Bullitt

"Bullitt's Wakeup Call": Sergeant Delgetti goes to Bullitt's apartment to wake him up for a work assignment. Bullitt has a hard time waking up and Delgetti picks up a newspaper and starts reading an article to himself.

• (08:35) [to Delgetti]: Why don't you just relax and have your orange juice and shut up Delgetti.

Walter Chalmers

• I do not choose to have people accuse me of false promises for the sake of cheap sensationalism, or to be compromised - or castrated - by your lieutenant.

Dialogue

"Marked Man": After Johnny Ross gets away, his brother, Pete Ross, calls his boss.

Pete Ross: This is Pete.

Telephone voice: Yeah

Pete Ross: We lost him.

Telephone voice: He's your brother, Ross. If you can't find him, we have people who can. And you're paying for the contract.

"The Hospital": While at the hospital Captain Bennett comes to see what is going on and talk to Bullitt.

Captain Bennett: I got the report back from the lab, nothing at the hotel. How come they got in?

Bullitt: Ross got to the door, unhooked the chain, from the inside.

Captain Bennett: He let the killers in himself? Well ah, why would he do a thing like that?

Bullitt: I'm waiting to ask him.

Captain Bennett: What about the setup? What do you think about that?

Bullitt: Shotgun and a backup man. Professionals.

Captain Bennett: Yep.

"Chalmers Calls the Shots": After Johnny Ross is shot and taken to the hospital and has emergency surgery, Senator Walter Chalmers shows up, and aggravated, chastises Bullitt.

Chalmers: Now what went wrong lieutenant?

Bullitt: Who else knew where he was?

Chalmers (irritated at Bullitt): What?

Bullitt (in a questioning manner, but with a small patronizing gesture): Who else knew where he was?

Chalmers: What are you implying?

Bullitt: Well, they knew where to look for him and used your name to get in.

Chalmers: Are you suggesting I disclosed his whereabouts?

Bullitt: Somebody did. And it didn't come from us.

Chalmers: That's hardly the issue.

Bullitt (affronted at Chalmers): Well, it certainly is. (justifiable tone): I, I've got an officer with a family. And he's shot up pretty bad.

Chalmers: Em'em, and I've got a witness that can't talk.

Bullitt: I want to know about Ross. What is the deal you had with him?

Chalmers: Deal? Lieutenant don't try to evade the responsibility. In your "parlance", you blew it. You knew the significance of his testimony, yet you failed to take adequate measures to protect him. So to you it was a job, no more. Were it more, and you'd the dedication I was lead to believe.

Bullitt: You believe what you want. You work your side of the street, and I'll work mine.

(The two men stare intently at each other)

Chalmers: Lieutenant I shall personally officiate at your public crucifixion, if Ross doesn’t recover during the course of the hearings so I can at least present his deposition. And I assure you I shall not suffer the consequence of your incompetence. And even if there wasn’t any, I’m rather certain I can prove negligence on your part.

"Hitman's Trail": Bullitt and Delgetti return to the hotel to investigate the murder of Ross. While there the interview the desk clerk. The clerk seems to be playing dumb. Bullit tells Delgetti to take him downtown. The desk clerk, thinking he might have to go to the police station, then starts to remember and gives Delgetti the description and details.

Desk Clerk: Am I helping you, sir?

Delgetti: I never had it so good.

"Bullitt's World": After Bullitt wrecks his car, and can't get a loaner from the department, Cathy drives him to look for Ross's trail. They find the body of a woman, Dorothy Simmons/Ross, in San Mateo motel room. On the way back to San Francisco after seeing the disturbing scene and how Bullitt seems to show know reaction to it. Cathy starts to think about him and the two of them together.

Cathy: What will happen to us, in time?

Bullitt: Time starts now.

"Telltale Luggage": Bullitt and Delgetti have searched the luggage of Dorothy Simmons and her boyfriend.

Delgetti: No passports, no tickets.

Bullitt: Call Immigration in Chicago, have them wire Rennick's passport application, I'll get a fingerprint check on Ross.

"Dead Man's Identity": Bullitt sends for the passport application of Albert and Dorothy Rennick. When he goes to retrieve them Captain Bennett and Chalmers, with Captain Baker in tow, come in the the teletype room to take control.

Captain Bennett: Albert Edward Rennick, used car salesman, Chicago.

Chalmers [puzzled]: Who's Rennick?

Bullitt: He was the man who was shot at the Hotel Daniels. You sent us to guard the wrong man, Mr. Chalmers.

"The Airport" (01:38:20—01:39:30): Bullitt and Delgetti go to the airport to try and apprehend Ross. Chalmers shows up and tries to tell Bullitt that Bullitt could still help both of them to higher notoriety and high office.

Chalmers: He's still my witness. I'll be delighted to let you have him after he testifies tomorrow.

(pause: Bullitt moves away from Chalmers, trying to ignore him. Bullitt knows that his patients with Chalmers is starting grow thin, and he wants to just concentrate on Ross. As he watches the plane returning to the gate through the window, Chalmers comes up to Bullitt again)

Chalmers: The organization..., several murders, could do us both a great deal of good.

Bullitt: Look Chalmers, let's understand each other... I don't like you.

Chalmers: Oh come on now, don't be naive now lieutenant. We both know how careers are made. Integrity is something you sell the public.

Bullitt: You sell what ever you won't, but don't sell it here tonight.

Chalmers: Frank, we must all compromise.

Bullitt: Bullshit! (pause as he looks Chalmers in the eye) Get the hell out of here now.

Taglines

• There are bad cops and there are good cops - and then there's Bullitt.

• Steve McQueen As 'Bullitt'

• The word 'cop' isn't written all over him - something more puzzling is.

• Detective Lt. Frank Bullitt - some other kind of cop. Pity the guy he works for.

Cast

• Steve McQueen - Frank Bullitt
• Robert Vaughn - Walter Chalmers
• Jacqueline Bisset - Cathy
• Don Gordon - Delgetti
• Robert Duvall - Weissberg
• Simon Oakland - Captain Bennet
• Norman Fell - Baker
• Georg Stanford Brown - Dr. Willard
• Justin Tarr - Eddy
• Carl Reindel - Stanton
• Felice Orlandi - Renick
• Vic Tayback - Pete Ross
• Pat Renella - Johnny Ross

External links

Wikipedia has an article about:

Bullitt

• Bullitt quotes at the Internet Movie Database
• Bullitt at Rotten Tomatoes