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Cao Xueqin (Chinese: 曹雪芹; pinyin: Cáo Xuěqín; Wade-Giles: Ts'ao
Hsueh-ch'in, 1724[1] or
1715[2]
— 1763[2]
or 1764[3]) is the
author of Dream of the Red Chamber,
believed by many to be the greatest novel written in the Chinese language. His given name was
Cao Zhan (曹霑) and his courtesy name is
Mengruan (夢阮; 梦阮; literally "Dream about Ruan" or "Dream of Ruan").
Family
Cao belonged to a Han
Chinese clan which later became part of the Plain White Branch
(正白旗) of the Manchu Banners. Although
forced into slavery (包衣) to Manchu royalty in the late 1610s, his
ancestors distinguished themselves through military service and
subsequently held posts in officialdom.
Under the Emperor Kangxi the clan's prestige and
power reached its height. Cao Xueqin's grandfather, Cao Yin (曹寅),
was a former playmate to the Emperor Kangxi, and Cao Yin's own
mother was the wet nurse
to the infant Emperor Kangxi. Two years after his ascension, Kangxi
appointed Cao Xueqin's great-grandfather, Cao Xi (曹璽; 曹玺), as the
Commissioner of Imperial Textiles in Jiangning (江寧織造; 江宁织造).
When Cao Xi died in 1684, Yin, as Kangxi's personal confidante,
took over the post. Cao Yin was one of the era's most prominent men of letters and a keen book collector.
By the early 1700s, the Cao clan had become so rich and influential
as to be able to play host four times to the Emperor Kangxi in his
six separate itinerant trips south to the Nanjing region.
When Cao Yin died in 1712, Kangxi, still in power, passed the
office over to Yin's only son, Cao Yong (曹顒; 曹颙). Yong himself died
in 1715. Kangxi then allowed the family to adopt a paternal nephew,
Cao Fu (曹頫), as Cao Yin's posthumous son to continue in that
position. Hence the clan held the office of Imperial Textile
Commissioner at Jiangning for three generations.
The family's fortunes lasted until Kangxi's death and the
ascension of Emperor Yongzheng to the throne. Yongzheng
was much less tolerant of the debts the family chalked up in
office. By 1727, after a series of warnings, he decided to
confiscate the entire Cao clan's properties, including their
mansion, and put Cao Fu under arrest. Many believe this purge was
politically motivated. When Cao Fu was released a year later, the
family, totally impoverished, was forced to relocate to Beijing. Cao Xueqin, still a
young child then, followed the family in this odyssey.
Life
Almost no records of Cao Xueqin's early childhood and adulthood
survive. Redology scholars
are still debating Cao Xueqin's exact date of birth, though he is
known to be around forty to fifty at his death. Cao Xueqin was the
son of either Cao Fu or Cao Yong. It is known for certain that Cao
Yong's only son was born posthumously in 1715; some Redologists
believe this son might be Cao Xueqin.
Most of what we know about Cao Xueqin was passed down from his
contemporaries and friends. Cao himself eventually settled in the
Western suburbs of Beijing where he lived the
larger part of his later years in poverty selling off his
paintings. Friends and acquaintances recalled an intelligent,
highly talented man who spent a decade working diligently on a work
that must have been Dream of the Red Chamber.
They praised both his stylish paintings, particularly of cliffs and
rocks, and originality in poetry, which they likened to Li He's. Cao Xueqin died some time
in 1763 or 1764, leaving his novel in a very advanced stage of
completion. He was survived by a wife and at least one son.
Cao Xueqin achieved posthumous fame through his life's work. The
novel, written in "blood and tears", as a commentator friend said,
is a vivid recreation of an illustrious family at its height and
its subsequent downfall. A small group of close family and friends
appears to have been transcribing his manuscript when Cao died
quite suddenly in 1763-4. Extant handwritten copies of this work –
some 80 chapters – had been in circulation in Beijing shortly after Cao's death and scribal
copies soon became prized collectors' items.
In 1791, Cheng Weiyuan (程偉元; 程伟元) and Gao E (高鶚; 高鹗), who
claimed to have access to Cao’s working papers, published a
"complete", edited 120-chapter version. This is its first moveable type print edition. Reprinted a
year later with more revisions, this 120-chapter edition is the
novel's most printed version. Modern scholars generally think the
authorship of the 1791 ending – the last 40 chapters – to be in
doubt.[2]
See also
References
- ^
Zhou, Ruchang. Cao Xueqin.
p. 230–233.
- ^ a
b
c
Briggs, Asa *(ed.) (1989) The Longman Encyclopedia,
Longman, ISBN 0582916208
- ^
Zhang Yiquan: Hong lou meng volume 1. p.2 cited in the introduction
to The Dream of the Red Chamber. by Li-Tche Houa and Jacqueline
Alézaïs.La Pléiade 1979
External
links