The term as been used variously throughout both history and
literature, with the correct form adding weight to its romantic
application. Chorus, at the begining of Henry V describes the King
as "The Captain of this Ruin'd Band". Captaincy and Nobility of
some sort have often been blurred.
Cesare Borgia claimed the title of
'Captain-General' of the Papal Army once his father had ascended to
the Fisherman's Chair as
Pope
Alexander VI
("The Invincible"), and during the Rennaisance period, Swiss
Mercenaries operating under the rules of Condottiere were led by
Captains, regardless of their usual social rank or the size of the
force in question. It was this rule of "leadership by merit" which
made them so effective a fighting force. In the film
Fellowship
of the Ring, first of The
Lord
of The Rings trilogy by
J.R.R. Tolkien, as filmed by
Peter Jackson a dying
Boromir makes peace with Aragorn, telling him, "I would have called
you my Brother, my Captain, my King". Elswhere in the trilogy, the
spectral leader of the nine Nazgul, the terrifying Black Riders, is
refered to 'The Captain of Despair'. Although this seems from
context to be more a description than an actual title, it must be
noted that the Nine were once kings of men in their own right.
Towards the final part of the trilogy, largely dealing with pitched
battles, Gandalf calls for 'The Captains of Gondor' as he enters
war-council with the defenders. Haldir is described as an Elven
Captain, and Eomer. nephew of king Theoden (therefore himself a
Royal) is noted as being Captain of the Riddermark, leader of the
Rohirrim, a superb fast-response cavalry squadron.
The term
Captain seems to have been used throughout history as a mark of
respect towards soldiers, much as 'civilians' were honoured with
titles like 'My Lord/Lady' regardless of their actual social
position, especially those no longer serving in a particular force,
and this has continued into literature. Many of the European
Fairy-Tales describe the wandering soldier of fortune who stray
into the tale as being a Captain. It is certainly plausible to have
the roads filled with wandering soldiers, due to the
almost-constant state of war in Europe from about 1300 to as
recently as the late 1800's; As to whether these were noble
soldiers of fortune, Knight without armour seeking adventure,
deserters stumbling from conflict to conflict, or just plain
criminals, is unknown. The literature of the time, fairy tales or
simple morality tales, set the scene by having a noble young
(marriageable) soldier, wander into a tale of woe at the
appropriate juncture. They are invariably revealed as captains.
This gives rise to the question as to whether the men indeed held
that rank, were simply promoting themselves for personal gain, or
wether the very fact that they were no longer in service gave them
that position; The laws of Condotta, which governed the
organisation of Mercenary soldiers seems to suggest that a Soldier
released from contract, or retired from service, was entitled to
the Honorific of Captain. Perhaps this 'promotion' was granted to
ensure safe passage home, or was a ploy for gaining a better
position in his next contract is unclear; perhaps it was simply a
self-aggrandising title used by lower ranks seeking respect. More
likely it was simply this- Socially, civilians have had a tendency
to look down on the common soldiery as a whole, whilst
demonstrating a marked respect to men of officer rank; to the
socially aware, a military rank of Captain and above for men of a
certain age is akin to nobility. A soldier leaving the service of
his Condotta (Mercenary Regiment) was 'promoted' to Captain- the
fact that he was the commander of a force consisting of only one
man (himself) was immaterial, as Condotta units led by Captains
varied in size from small skirmish teams to full field regiments.
It would however ensure the respect he had earned, and ensure a
welcome into the "decent society" who might otherwise have looked
down on what was effectively an unemployed soldier without a war,
and therefore useless. A Captain was clearly a man to be reckoned
with, and could therefore be depended upon to conduct himself well
in whichever field he chose to involve himslf with in peacetime. A
similar device was used in the Southern United States from the 19th
century, with the title of Colonel being granted as an honour to
certain public figures. From this, the term has entered popular
usage in such romantic titles as "Captains of Industry" to signify
bold commercial Adventurers and would-be merchant princes, when in
some cases the term "Robber-Baron" might be more apt.
It is
tempting to think that the same guideline provides the title given
to various costumed Superheroes. Marvel Comics Flagship publication
Captain America centres around a man with enhanced abilities, the
only subject of what was to have been an army of super-soldiers.
According to the story, the character of Steve Rodgers was unfit
for military service in World War II until he was recreated in a
laboratory. The experiment is a success, and the doctor behind it
is murdered, taking his secret with him. Rodgers is in fact
inducted into the U.S.Army, an important distinction in that few of
the other Superheroes using the title are in fact soldiers. Captain
America goes onto fight the Axis Forces (seemingly single handedly
at times) and is brought into modern times by a suspended animation
plot device, where he continues to serve America through the
Department of Defence, the Pentagon, and the White House. The
interesting use of the title of captain harks back to the days of
Condotta; Steve Rodgers fights in a costume based upon the American
Flag - rather the olive drab of his colleagues- and bears the title
of Captain, although out of costume he holds the lowest rank of
Private. Other costumed heros have followed suit in so far as using
a Captaincy as part of an impressive title, although very few, and
none as evidently as Captain America, have a record of Military
Service.
Perhaps the most famous fiction captains are the
masters of Starfleet vessels in the various incarnations of Star
Trek. As the original series began, James T. Kirk and Mr. Spock
(note the Maritime use of the title of Mister) held the ranks of
Captain and Lieutenant Commander respectively. This indicated that
the Captain was the master of the vessel, although it was soon
revealed that captain was a rank of its own as well as a command
position; Kirk wears captain-rank insignia. However, the possiblity
of being a Captain in Command whilst holding a different rank, as
in modern navies, was never shown, giving the impression that all
Starfleet Captains were ship's commanders, the rank and the job
being the same. Higher ranks such as Admiral and Commodore were
shown, with the impression that they were winding up their careers
towards retirement, or in many cases, becoming Ambassadors. None of
them were ever in active command of a serving Ship of the Line,
although most had been- Ie. they were captains when they were
Captains, as it were. In the film versions, made some years later,
Kirk holds the rank of Admiral, and Spock is a captain. In Star
Trek II: The Wrath of Khan, Admiral Kirk is assisting Captain Spock
in a training exercise when an emergency forces them to take the
training vessel into conflict. Admiral Kirk assumes command as the
ranking officer and Spock takes his old position of Second in
Command and Science Officer. The crew readily move into their
familiar roles, even calling him by the title of Captain, although
Admiral is used as apoint of honour on several occasions. At the
end of Star Trek IV: The Voyage Home, Kirk is demoted as punishment
for his maverick behaviour; This is actually a veiled reward for
his politically-sensitive heroics. Kirk becomes a Captain again,
and regains command of his beloved ship. Spock remains his second
in command, as always, although he too retains his captain's rank,
as does Chief Engineer Montgomery Scott - a pleasant situation for
all concerned, which in a real Navy would be unlikely to
happen.
For many, the romantic connotations of the word are
summed up in the film Dead Poets Society, in which an enigmatic
poetry teacher at a Private School engages his student's
imagination by getting them to veiw poetry as a living thing,
another way of seeing the world around them. To this effect, he has
the students attract his attention in class by declaring "O
Captain! My Captain!". This is in fact the title (and opening line)
to a poem by Walt Whitman. The three verse work was written to mark
the assassination of President Abraham Lincoln in 1865. In so
doing, Whitman marks his alarm at the loss of a great leader, a
dynamic and charismatic man in both war and peace, holding the
highest possible office, by assigning to him the title of Captain;
In so doing he harks back to the ancient practice of
Captains-General, of Princes amongst men, men of honour and of
duty, and brings us almost full circle.