From Wikipedia, the free encyclopedia
Carl Theodor Dreyer, Jr. (3 February 1889 – 20
March 1968) was a Danish film director. He
is regarded by many critics and filmmakers as one of the greatest
directors in cinema.[1][2][3][4][5]
Life
Dreyer was born illegitimate in Copenhagen, Denmark. His birth mother was an unmarried
Swedish maid named Josefine Bernhardine Nilsson, and he was put up
for adoption by his birth father, Jens Christian Torp, a farmer who
was his mother's employer. He spent the first two years of his life
in orphanages until his adoption by a typographer named Carl
Theodor Dreyer, Sr., and his wife, Inger Marie (née Olsen). His adoptive parents were strict
Lutherans and his childhood was largely
unhappy. But he was a highly intelligent school student, who left
home and formal education at the age of sixteen. He dissociated
himself from his adoptive family, but their teachings were to
influence the themes of many of his films.
Dreyer died of pneumonia in Copenhagen at age 79. The
documentary Carl Th. Dreyer: My Metier contains
reminiscences from those who knew him.
Career
As a young man, Dreyer worked as a journalist, but he eventually joined the
film industry as a writer of title cards for silent films and
subsequently of screenplays. His first attempts at film direction
had limited success, and he left Denmark to work in the French film
industry. While living in France he mixed with Jean Cocteau, Jean Hugo and other members
of the French artistic scene and in 1928 he made his first classic film,
The Passion of Joan of
Arc. Working from the transcripts of Joan's trial, he
created a masterpiece of emotion that drew equally from realism and
expressionism. Dreyer used private finance from Baron Nicolas de
Gunzburg to make his next film as the Danish film industry was
in financial ruin. Vampyr (1932) is a surreal meditation on fear.
Logic gave way to mood and atmosphere in this story of a man
protecting two sisters from a vampire. The movie contains many
indelible images, such as the hero, played by de Gunzburg (under
the screen name Julian West), dreaming of his own burial and the
animal blood lust on the face of one of the sisters as she suffers
under the vampire's spell. The film was shot mostly silent but with
sparse, cryptic dialogue in three separate versions - English,
French and German.
Both films were box office failures, and Dreyer did not make
another movie until 1943. Denmark was by now under Nazi occupation,
and his Day of
Wrath had as its theme the paranoia surrounding witch
hunts in the sixteenth century in a strongly theocratic culture. With this work, Dreyer
established the style that would mark his sound films: careful
compositions, stark monochrome cinematography, and very long takes.
In the more than a decade before his next full-length feature film,
Dreyer made two documentaries. In 1955, he made Ordet (The Word)
based on the play of the same name by Kaj Munk. The film combines a love story with
a conflict of faith. Dreyer's last film was 1964's Gertrud.
Although seen by some as a lesser film than its predecessors, it is
a fitting close to Dreyer's career, as it deals with a woman who,
through the tribulations of her life, never expresses regret for
her choices.
The great, never finished project of Dreyer’s career was a film
about Jesus. Though a manuscript
was written (published 1968) the unstable economic conditions and
Dreyer’s own demands of realism together with his switching
engagement let it remain a dream.
Filmography
Feature
films
Short
films
- Good Mothers (Mødrehjælpen, 12 min,
1942)
- Water from the Land (Vandet på landet,
1946)
- The Struggle Against Cancer (Kampen mod
kræften, 15 min, 1947)
- The Danish Village Church (Landsbykirken, 14
min, 1947)
- They Caught the Ferry (De nåede færgen, 11
min, 1948)
- Thorvaldsen (10 min, 1949)
- The Storstrom Bridge (Storstrømsbroen, 7 min,
1950)
- The Castle Within the Castle (Et Slot i et
slot, 1955)
References
External
links
|
Films directed by Carl Theodor Dreyer |
|
| Silent
films |
|
|
| Sound
films |
|
|
| Short
films |
Good Mothers (1942) · Water from the
Land (1946) ·
The Struggle Against Cancer (1947) · The Danish Village
Church (1947) ·
They Caught the Ferry (1948) · Thorvaldsen
(1949) · The
Storstrom Bridge (1950) · The Castle Within the
Castle (1955)
|
|
| Persondata |
| NAME |
Dreyer, Carl Theodor |
| ALTERNATIVE
NAMES |
|
| SHORT
DESCRIPTION |
Danish film director |
| DATE OF BIRTH |
February 3, 1889 |
| PLACE OF
BIRTH |
Copenhagen, Denmark |
| DATE OF DEATH |
March 20, 1968 |
| PLACE OF
DEATH |
Copenhagen, Denmark |