Magno "Carlo" Jose Caparas (born December 14, 1948, in Pampanga), widely known as Carlo J. Caparas, is a Filipino comic strip creator/writer-turned director and producer, who is best known for creating Filipino superheroes and comic book characters such as Panday, Bakekang, Totoy Bato, Joaquin Bordado,Kamagong, Kamandag, Angela Markado, and Tasya Fantasya, Gagambino, Ang Huling Lalaki ng Baluarte, Pieta and Ang Babaeng Hinugot Sa Aking Tadyang and amongst others. He is also known as a director of numerous movies dealing with massacre such as Kuratong Baleleng and The Cory Quirino Kidnap: NBI Files.
Caparas was awarded the 2008 Sagisag Balagtas Award.
The title National Artist of the Philippines is given to a Filipino who has been given the highest recognition for having made significant contributions to the development of Philippine arts. Such Filipinos are pronounced by virtue of a Presidential Proclamation to be National Artists, having been conferred membership in the Order of National Artists. Aside from the prestige associated with the proclamation, benefits they enjoy from then on include a monthly pension, medical and life insurance, arrangements for a state funeral, a place of honor at national state functions, and recognition at cultural events. 
This led to controversy, however, when the nominating committee for the award, composed of representatives from the National Commission for Culture and the Arts (NCCA) and the Cultural Center of the Philippines (CCP), revealed that Caparas and three other individuals that year had not originally been recommended by the committee for proclamation to the Order of National Artist, and had instead been proclaimed when Macapagal-Arroyo exercised her "presidential prerogative." A number of artists, including a number of previously proclaimed National Artists, protested. Protests specifically raised about the declaration of Caparas, and of NCCA executive director Cecilla Guidote-Alvarez, who as heads the NCAA secretariat that receives nominations for national artists, was supposed in the National Artist guidelines to be disqualified from being considered for the honor.
Complaints regarding Caparas' proclamation centered on the complaints that he did not illustrate the comic books he wrote and was therefore not qualified for the honor under visual arts, and the assertion of protesting artists that his work in the category of Film is supposedly "sub-par", being comprised largely of "pito-pito"("seven-seven") films rush-finished in seven days, and "massacre films" whose focus was sensational crimes.
National Artist for literature Bienvenido Lumbera who is chairman of the Concerned Artists of the Philippines and a member of the combined “final selection committee" of the NCAA and CCP, remarked that Caparas’ nomination was twice rejected by two NCAA panels:
“[Caparas] was first proposed as a nominee for literature, but the committee rejected him. He was again proposed as nominee for visual artist but the panel again turned him down."
Petitions and blog posts on-line have also proliferated against Carlo Caparas in light of his controversial National Artist Recognition.
Lourd de Veyra, frontman for the band Radioactive Sago Project also satirized the controversial director, and compared the director's work to fecal matter in a blog post about a sign that said "Bawal Tumae Dito." “The movies of National Artist Carlo J. Caparas are a fine example of Philippine excremental cinema," Lourd remarked 
The Arroyo administration was quick to defend its choices of individuals to be named to the Order of National Artists. Acting Executive Secretary and Presidential political adviser Gabriel Claudio told reporters that:
"I think we can defend [their] track record and qualifications and reasons [for their selection].”
He also said the administration would “stand by the qualifications, qualities, track record and reputation of those named as National Artists.”
Caparas defended his proclamation, saying that other aspirants to the honor ought to wait their turn.
“Ganyan talaga kung may uten na for grabs. E, iisa lang ang pipiliin. Sana, maghintay na lang sila ng tamang panahon sa gusto nilang makahawak. Hindi naman ito palambingan, ito palakasan.”(That's the way it is whenever something is for grabs. Only one person can be selected. They ought to wait for the right time for them if they want to win. This were a case of sucking up.)
Kaya wag mag-alala ang mga critics ko, may pagkakataon pa sila at ang mga manok nila na manalo in the future. (So my critics shouldn't worry, they or their fighting cocks still have opportunities to win in the future.) They cannot take the award from me anymore."
“Baka ang nasa isip nila ay bata pa ako. Pero hindi naman ‘yon ang basehan. Sino naman ang ko-contest sa decision ng Cultural Center, ng NCCA at ng Malacañang tungkol sa award na ito? Mabuti na nga at ngayon pa lang ay ibinibigay na ang ganitong award sa mga taong nandito. Ang akala kasi nila ay sa matatanda o sa beterano o sa mga patay na ibinibigay ang ganitong award. Pati sa mga sipsip ibinibigay rin.” (Maybe they think I'm too young. But that's not a valid basis [for a choice]. Who would contest the decision of the Cultural Center, the NCCA, and Malacañang regarding this award? It's a good thing they're giving this award to someone who's still here. They think awards like this should only be given to the old, to veterans, or to the dead.)
Caparas said that instead of criticizing his award, entertainment people “should unite and work together to revive the ailing movie and komiks industry.” He attributed his win to the fact that he managed to cross over from comic books to film and television, and saying that his triumph was significant because he was a National Artist who came from the working class. He said this even though many other National Artists do not come from the privileged people. “I am a National Artist who came from the masses," the Philippine Daily Inquirer quoted him as saying. "I work and struggle with them.” He said it was time for a National Artist “who the masses can identify with—someone who walks beside them, someone who can inspire them.” Noting that some Filipinos did not even know the National Artists he said “Hopefully, since I am still active in TV and in the movies, this will encourage our countrymen to learn more about our National Artists.”
|Year||Title of Work|
|2009||Ang Panday (film)|
|2009||Totoy Bato (TV series) - GMA 7|
|2009||Ang Babaeng Hinugot sa Aking Tadyang - GMA 7|
|2008||Gagambino - GMA 7|
|2008||Carlo J. Caparas' Joaquin Bordado|
|2007||Carlo J. Caparas' Kamandag|
|2006||Bakekang (TV series) - GMA 7|
|2005||Panday (TV series) - ABS-CBN|
|2003||The Cory Quirino Kidnap: NBI Files|
|1998||Hiwaga ng Panday|
|1995||Kuratong Baleleng (Wilson Sorronda: Leader Kuratong Baleleng Solid Group)|
|1995||The Lilian Velez Story|
|1995||The Marita Gonzaga Rape-Slay: In God We Trust|
|1994||The Untold Story: Vizconde Massacre 2 - God Have Mercy on Us|
|1993||Dugo ng Panday (The Blacksmith's Legacy)|
|1990||Ayaw Matulog ng Gabi|
|1989||Ang Mahiwagang Daigdig ni Elias Paniki|
|1988||Sandakot na Bala|
|1988||Celestina Sanchez A.K.A. Bubble|
|1987||Anak ng Lupa|
|1986||Panday TV series (1986)|
|1986||Lumuhod Ka Sa Lupa!|
|1984||God Saves Me|
|1984||Pieta, Ikalawang Aklat|
|1984||Ang Panday IV|
|1984||Minsan Pa Nating Hagkan Ang Nakaraan|
|1982||Ang Panday... Ikaltlong Yugto|
|1982||Alyas Palos II|
|1981||Ang Pagbabalik ng Panday|
|1981||Ang Babaeng Hinugot sa Aking Tadyang|
|1980||Andres de Saya|
|1980||Kung Tawagin Siya'y Bathala|
|1979||Durugin si Totoy Bato|
|1978||Ang Huling Lalaki ng Baluarte|