|Born||18 December 1908
Richmond, Surrey, England
|Died||25 April 1982 (aged 73)
Nettlebed, Oxfordshire, England
|Spouse(s)||Peter Fleming (1936-1971)|
She began her stage acting career in 1928, and subsequently achieved success in West End and Broadway productions. She also appeared in several films, including the romantic drama Brief Encounter (1945), for which she received a nomination for the Academy Award for Best Actress. She was nominated for BAFTA Awards on five occasions, and won twice, for her work in the film The Prime of Miss Jean Brodie (1969), and for the television production Mrs. Palfrey at the Claremont, a BBC Play for Today broadcast in 1973.
Much of her later work was for television, and she continued performing in theatre for the rest of her life. She died suddenly from a stroke.
Born in Richmond, Surrey, Johnson was the second daughter of Robert Johnson and Ethel Griffiths. During her childhood, her family called her "Betty". Johnson's first public performance was in 1916, when she played a role in a charity performance of King Cophetua and the Beggar Maid to raise funds for returned World War I soldiers. She attended St Paul's Girls School in London from 1919 until 1926, and played in the school's orchestra under Gustav Holst. She acted in school productions, but had no other acting experience, when she was accepted to study at the Royal Academy of Dramatic Art in 1926, and later spent a term in Paris, studying under Pierre Fresnay at the Comédie Française. She later recalled her choice of an acting career with the comment, "I thought I'd rather like it. It was the only thing I was good at. And I thought it might be rather wicked.”
Her stage début, and first professional role, was as Sarah in George Bernard Shaw's Major Barbara at the Theatre Royal in Huddersfield in 1928. She went to London the following year to take the place of Angela Baddeley in the part of Currita in A Hundred Years Old, which was performed at the Lyric Theatre in Hammersmith.
In 1930 Johnson played in Cynara with Sir Gerald Du Maurier and Gladys Cooper. She made her first trip to the United States the following year to star as Ophelia in a New York City production of Hamlet.
She returned to London, where she appeared in a number of minor productions, before establishing herself with a two year run in The Wind and the Rain (1933–1935). She married the journalist Peter Fleming in 1935, and in 1939 gave birth to their first child, a son. Her theatre career flourished with her portrayals of Elizabeth Bennett in Pride and Prejudice (1940) and the second Mrs. de Winter in Rebecca (1940); the production of the latter was halted when the theatre was destroyed by a bomb in September 1940.
During World War II, Johnson lived with her widowed sister and sister-in-law and helped care for their combined seven children. Unable to commit her time to the often lengthy run of a play, Johnson preferred the less time-consuming schedules of film and radio, that allowed her to devote time to her family, and her work for the Women's Auxiliary Police Corps. She appeared in In Which We Serve (1942) and This Happy Breed (1944), both directed by David Lean and written by Noël Coward.
Lean and Coward sought Johnson for the next production, Brief Encounter (1945). She accepted the role with misgivings, due to her family responsibilities, but was interested in the part, writing to her husband, "There is no getting away from the fact that it is a very good part and one which I should love to play. I have found myself already planning how I should play bits and how I should say lines..." A romantic drama about a conventional middle-class housewife who falls in love with a doctor she meets in the refreshment room of a railway station, the film was well received. Johnson was awarded the New York Film Critics Circle Award for Best Actress and was nominated for the Academy Award for Best Actress.
After the war, Johnson concentrated on her family life, which included two daughters born in 1946 and 1947 and her occasional acting work was secondary for the following decade.
She returned to theatre in 1957, with Ralph Richardson in The Flowering Cherry. As a member of the National Theatre Company, Johnson appeared in the plays The Master Builder (1964) and Hay Fever (1965), and later reprised her roles in the television productions.
They were the parents of three children.
Johnson distanced herself from her acting career while her children were young, preferring to devote her attention to her family. She was described as a woman "always ready to laugh" and "maternal in a light -hearted way", and her daughter recalled that she was often torn between her desire to care for her family and her need to be involved in the "mechanics" of acting.
In 1982, she was touring with Sir Ralph Richardson in Angela Huth's The Gathering and the play's West End run had been announced. On one of her days off, she was at her home in Nettlebed, Oxfordshire playing bridge with friends, when she collapsed from a stroke. She died a few hours later in her home. She left an estate worth £150,557.
On 18 December 2008, to mark the centenary of her birth, a blue plaque was unveiled at her childhood home in Richmond, London. Among the guests at the ceremony were her daughters, Lucy Fleming and Kate Grimond.
In an article for The Times, Grimond noted that the "tragedy of theatre" is that even the best performances fade from memory, and that Johnson's current reputation rests almost entirely on her performance in Brief Encounter. She commented that the advent of video allowed the film to be seen by a new audience and that modern appraisals of the film had led to it being regarded as a classic, but that the renewed appreciation for Johnson's performance had started only shortly before her death.
|1941||A Letter from Home||English Mother|
|1942||In Which We Serve||Mrs. Kinross/Alix|
|1943||Dear Octopus||Cynthia||aka The Randolph Family|
|1944||This Happy Breed||Ethel Gibbons||National Board of Review Award for Best Actress|
|1945||Brief Encounter||Laura Jesson||New York Film Critics Circle Award for Best Actress
Nominated — Academy Award for Best Actress
|1949||The Astonished Heart||Barbara Faber|
|1951||I Believe in You||Matty Matheson||Nominated — BAFTA Award for Best Actress in a Leading Role|
|1952||The Holly and the Ivy||Jenny Gregory|
|1953||The Captain's Paradise||Maud St. James||Nominated — BAFTA Award for Best Actress in a Leading Role|
|1955||A Kid for Two Farthings||Joanna|
|1957||The Good Companions||Miss Trant|
|1969||The Prime of Miss Jean Brodie||Miss Mackay||BAFTA Award for Best Actress in a Supporting Role|
|1980||The Hostage Tower||Mrs. Wheeler|
|Staying On||Lucy Smalley||BBC
Nominated — British Academy Television Award for Best Actress