| Classics Illustrated | |
|---|---|
![]() Cover, issue 4 |
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| Publication information | |
| Publisher | Elliot Publishing Co. (1941–1942) Gilberton Company, Inc. (1942–1967) Frawley Corporation (Twin Circle), (1967–1971) |
| Format | Ongoing series |
| Publication date | 1941 — 1971 |
| Number of issues | 169 |
| Creative team | |
| Creator(s) | Albert Lewis Kanter |
Classics Illustrated is a comic book series featuring adaptations of literary classics such as Moby Dick, Hamlet, and The Iliad. Created by Albert Kanter, the series began publication in 1941 and finished its first run in 1971, producing 169 issues. Following the series' demise, various companies reprinted its titles. This series is different from the Great Illustrated Classics, which is an adaptation of the classics for young readers that includes illustrations, but is not in the comic book form.
Contents |
Russian-born publisher Albert Lewis Kanter (1897–1973) created Classic Comics for Elliot Publishing Company in 1941 with its debut issues being The Three Musketeers, followed by Ivanhoe and The Count of Monte Cristo. In addition to the literary adaptations, books featured author profiles, educational fillers, and an ad for the coming title. In later editions, a catalog of titles and a subscription order form appeared on back covers.
With the fourth issue, The Last of the Mohicans, in 1942, Kanter moved the operation to different offices and the corporate identity was changed to the Gilberton Company, Inc.. Reprints of previous titles began in 1943. Wartime paper shortages forced Kanter to reduce the 64-page format to 56 pages, and, in 1948, rising paper costs reduced books to 48 pages. The series name-changed in March 1947 to Classics Illustrated with issue 35 The Last Days of Pompeii. In 1951, line-drawn covers were replaced with painted covers (issue 81), and the price was raised from 10 cents to 15 cents, (and, at a later date, to 25 cents). In addition to Classics Illustrated, Kanter presided over its spin-offs Classics Illustrated Junior (1953), Specials, and The World Around Us. Between 1941 and 1962, sales totaled 200 million.
The publication of new titles ceased in 1962 for various reasons. The company lost its 2nd-class mailing permit and cheap paperbacks, Cliff's Notes, and television drew readers away from the series. Kanter's last new title was issue 167 Faust (August 1962) though other titles had been planned. These titles appeared in the company's foreign editions. In 1967, Kanter sold his company to Catholic publication Twin Circle and its publisher Patrick Frawley, whose Frawley Corporation brought out two more titles but mainly concentrated on foreign sales and reprinting older titles. After four years, Twin Circle discontinued the line because of poor distribution. By the early 1970s, Classics Illustrated and Junior had been discontinued, although the Classics Illustrated branding would be used on one telemovie, The Legend of Sleepy Hollow. Since the series' demise, various companies have reprinted its titles.
Artists who contributed to Classics Illustrated included Jack Abel, Stephen Addeo, Matt Baker, Dik Browne, Lou Cameron, Sid Check, L.B. Cole, Reed Crandall, George Evans, Graham Ingels, Henry C. Kiefer, Alex Blum, Everett Raymond Kinstler, Jack Kirby, Roy Krenkel, Gray Morrow, Joe Orlando, Norman Nodel, Rudolph Palais, Norman Saunders, John Severin, Joe Sinnott, Angelo Torres, Al Williamson and George Woodbridge.
In 1953, Classics Illustrated Junior debuted with Snow White and the Seven Dwarfs. The line eventually numbered 77 fairy and folk tale, myth and legend titles, ending publication in 1971. Issues included miscellanea such as an Aesop fable and a full-page illustration to color with crayons. Artists included John Costanza and Kurt Schaffenberger.
Of the 162 British titles, there were 13 that never appeared in America, plus some variations in cover art. UK issues never published in the United States include Aeneid, The Argonauts, The Gorilla Hunters and Sail with the Devil. The British Classics Illustrated adaptation of Dr. No was never published under the U.S. Classics Illustrated line, but instead was sold to DC Comics which published it as part of their superhero anthology series, Showcase. The comic followed the plot of the film with images of the film's actors rather than Ian Fleming's original novel.
In Greece the series is named Κλασσικά Εικονογραφημένα (Klassiká Eikonografiména, meaning Classics Illustrated) and is being published continuously since 1951 by Εκδόσεις Πεχλιβανίδη (Ekdóseis Pechlivanídes, Pechlivanídes Publications). It is based on the American series, with the difference that well-known Greek illustrators and novelists work to adapt stories of particular Greek interest. Κλασσικά Εικονογραφημένα are read by thoudands of young Greeks, and the first issues are of interest to collectors.
The publishing house of Κλασσικά Εικονογραφημένα, Εκδόσεις Πεχλιβανίδη (Pechlivanídes Publications), was founded by three brothers of the Πεχλιβανίδης (Pechlivanídes) family from the Greek-speaking parts of Asia Minor: Μιχάλης, Michális, Michael; Κώστας, Kóstas; and Γιώργος, Giórgos, George), collectivelly known as αδελφοί Πεχλιβανίδη (Pechlivanídes brothers). They had extensive experience in publishing from the 1920s, mainly in advertising — but also in children's books after 1936, when Κώστας Πεχλιβανίδης (Kóstas Pechlivanídes) finished his studies in the –then modern– printing techniques in Leipzig .
The Pechlivanídes brothers had inherited the printing press of Bavarian lithographer Grundman — and his experience as well. Having worked for years with offset printing, the Pechlivanídes brothers, already well-known in the publications field, founded after the war the Εκδόσεις Ατλαντίς (Atlantis Publications) house in order to restart publishing children's books. They saw a genuine opportunity in Classics Illustrated, which they read while travelling in the United States of America, and they decided to print them in Greece as well.
The first issue of Κλασσικά Εικονογραφημένα was made available on 1 March 1951. It was an adaptation of Victor Hugo's Les Misérables, and attracted extensive critique in Greece, both positive and negative. It was the first 'American' kind of comic in Greece (which at time was under 'attack' by many American goods), but also the first 4-colour or tetrachromous offset (with 336 multicoloured illustrations as the frontpage advertised). Its cost at the time was 4,000 Drachmas, and the first edition (90,000 copies) was out of print in no time, and was reprinted twice in the following days (according to Ατλαντίδα/Atlantídha/Atlantis, it sold about a million copies). The quality of printing, the 4-coloured pages (tetrachromy), but also the avantgardness of a book in which these clouds mean that the person from which they originate does not utter the words written in the cloud but is thinking them (according to the instructions of use of the first issues) made the series extremely successful not only amongst the youth but also amongst the adult readership.
The publication of the Classics in Greece, notwithstanding its success, attracted negative responses by people of art and politicians (including Ευάγγελος Παπανούτσος, Evángelos Papanoútsos). Many considered it a form of decadence to adapt classic works in comic form, while others were afraid of the "Americanisation" of the youth's education, and the controversy led to discussions even within the Βουλή (Voulí, Parliament of Greece). Nevertheless, the Greek people welcomed the comics, which became one of the most successful series in the afterwar years.
In 1990, First Comics partnered with Berkeley Publishing to acquire the rights and Classics Illustrated returned with new adaptations and a line-up of artists that included Kyle Baker, Dean Motter, Mike Ploog, P. Craig Russell, Bill Sienkiewicz, Joe Staton, Rick Geary and Gahan Wilson.[1][2] However, the line lasted only a little over a year.
In 1997–1998, Acclaim Books, the successor to Valiant Comics, published a series of recolored reprints in a digest-size format with accompanying study notes by literary scholars. The Acclaim line included Mark Twain's Adventures of Huckleberry Finn, with art by Frank Giacoia, and The Three Musketeers, illustrated by George Evans. The series favored Mark Twain with reprints of Pudd'nhead Wilson, The Prince and the Pauper and Tom Sawyer. Other reprints in this series were Fyodor Dostoyevsky's Crime and Punishment, Herman Melville's Moby-Dick and Nathaniel Hawthorne's The House of the Seven Gables.
In 2003, Toronto's Jack Lake Productions Inc. revived Classics Illustrated Junior, also reprinting from the original editions. In 2005, Jack Lake Productions published a Classics Illustrated 50th anniversary edition of The War of the Worlds in both hard and softcover versions. In early 2006, Jack Lake Productions in collaboration with First Classics began worldwide licensing of artwork associated with Classics Illustrated, Classics Illustrated Junior, Classics Illustrated Special Issues and The World Around Us titles.
In 2007, it was announced that Papercutz acquired the license and would begin publishing graphic novels starting with The Wind in the Willows. They will be combining reprints of some of the original titles with new modern adaptations, largely produced in France, the first of which will be The Adventures of Tom Sawyer, with art by Severine Lefebvre. In November 2007, Jack Lake Productions Inc., published for the first time in North America #170 The Aeneid (originally published in the UK) along with #1 The Three Musketeers, #4 The Last of the Mohicans and #5 Moby Dick.
In September of 2008, Classic Comic Store Ltd., based in the U.K., began publishing both the original Gilberton Classics Illustrated regular and Junior lines for distribution in the U.K., Republic of Ireland, South Africa, Australia and New Zealand. The issue number sequence is different to the original runs, although the Junior series was in the same sequence as the original, but with numbering starting at 1 instead of 501.[3] In September 2009, Classic Comic Store Ltd announced that although they would continue to publish the Classics Illustrated titles, they were no longer publishing the Junior series after issue 12, but rather importing the issues from Canada. This meant that the numbers used would be as per the Canadian issues (i.e. the first one imported would be issue 513).[4]
The authorship is based on the information held by Michigan State University Libraries, Special Collections Division in their Reading Room Index to the Comic Art Collection ( [5] and [6])
| Issue | Title | Author |
|---|---|---|
| 1 | The Three Musketeers | Alexandre Dumas, père |
| 2 | Ivanhoe | Walter Scott |
| 3 | The Count of Monte Cristo | Alexandre Dumas, père |
| 4 | The Last of the Mohicans | James Fenimore Cooper |
| 5 | Moby Dick | Herman Melville |
| 6 | Tale of Two Cities | Charles Dickens |
| 7 | Robin Hood | (Uncredited; based in part on Merry Adventures of Robin Hood by Howard Pyle) |
| 8 | Arabian Nights | --- |
| 9 | Les Misérables | Victor Hugo |
| 10 | Robinson Crusoe | Daniel Defoe |
| 11 | Don Quixote | Miguel de Cervantes |
| 12 | Rip Van Winkle & Headless Horseman | Washington Irving |
| 13 | Dr Jekyll & Mr Hyde | Robert Louis Stevenson |
| 14 | Westward Ho! | Charles Kingsley |
| 15 | Uncle Tom's Cabin | Harriet Beecher Stowe |
| 16 | Gulliver's Travels | Jonathan Swift |
| 17 | The Deerslayer | James Fenimore Cooper |
| 18 | The Hunchback of Notre Dame | Victor Hugo |
| 19 | Huckleberry Finn | Mark Twain |
| 20 | The Corsican Brothers | Alexandre Dumas, père |
| 21 | Three Famous Mysteries (The Sign of the Four, The Murders in the Rue Morgue, The Flayed Hand) | Arthur Conan Doyle/Edgar Allan Poe/Guy de Maupassant |
| 22 | The Pathfinder | James Fenimore Cooper |
| 23 | Oliver Twist | Charles Dickens |
| 24 | A Connecticut Yankee in King Arthur's Court | Mark Twain |
| 25 | Two Years Before the Mast | R. H. Dana Jr. |
| 26 | Frankenstein | Mary W. Shelley |
| 27 | The Adventures of Marco Polo | --- |
| 28 | Michael Strogoff | Jules Verne |
| 29 | The Prince and the Pauper | Mark Twain |
| 30 | The Moonstone | William Wilkie Collins |
| 31 | The Black Arrow | Robert Louis Stevenson |
| 32 | Lorna Doone | R. D. Blackmore |
| 33 | The Adventures of Sherlock Holmes | Arthur Conan Doyle |
| 34 | Mysterious Island | Jules Verne |
| 35 | The Last Days of Pompeii | Edward Bulwer-Lytton |
| 36 | Typee | Herman Melville |
| 37 | The Pioneers | James Fenimore Cooper |
| 38 | The Adventures of Cellini | --- |
| 39 | Jane Eyre | Charlotte Bronte |
| 40 | Mysteries (The Pit and the Pendulum, The Unparalleled Adventure of One Hans Pfaall, The Fall of the House of Usher) | Edgar Allan Poe |
| 41 | Twenty Years After | Alexandre Dumas, père |
| 42 | The Swiss Family Robinson | Jonathan Wyss |
| 43 | Great Expectations | Charles Dickens |
| 44 | Mysteries of Paris | Eugene Sue |
| 45 | Tom Brown's School Days | Thomas Hughes |
| 46 | Kidnapped | Robert Louis Stevenson |
| 47 | Twenty Thousand Leagues Under the Sea | Jules Verne |
| 48 | David Copperfield | Charles Dickens |
| 49 | Alice in Wonderland | Lewis Carroll |
| 50 | Tom Sawyer | Mark Twain |
| 51 | The Spy | James Fenimore Cooper |
| 52 | The House of the Seven Gables | Nathaniel Hawthorne |
| 53 | Christmas Carol | Charles Dickens |
| 54 | The Man in the Iron Mask | Alexandre Dumas, père |
| 55 | Silas Marner | George Eliot |
| 56 | Toilers of the Sea | Victor Hugo |
| 57 | The Song of Hiawatha | Henry Wadsworth Longfellow |
| 58 | The Prairie | James Fenimore Cooper |
| 59 | Wuthering Heights | Emily Bronte |
| 60 | Black Beauty | Anna Sewell |
| 61 | The Woman in White | Wilkie Collins |
| 62 | Western Stories (The Luck of Roaring Camp, The Outcasts of Poker Flat) | Bret Harte |
| 63 | The Man without a Country | Edward Everett Hale |
| 64 | Treasure Island | Robert Louis Stevenson |
| 65 | Benjamin Franklin - Autobiography | Benjamin Franklin |
| 66 | The Cloister and the Hearth | Charles Reade |
| 67 | The Scottish Chiefs | Jane Porter |
| 68 | Julius Caesar | William Shakespeare |
| 69 | Around the World in 80 Days | Jules Verne |
| 70 | The Pilot | James Fenimore Cooper |
| 71 | The Man Who Laughs | Victor Hugo |
| 72 | The Oregon Trail | Francis Parkman |
| 73 | The Black Tulip | Alexandre Dumas, père |
| 74 | Mr Midshipman Easy | Frederick Marryat |
| 75 | The Lady of the Lake | Walter Scott |
| 76 | The Prisoner of Zenda | Anthony Hope |
| 77 | The Iliad | Homer |
| 78 | Joan of Arc | --- |
| 79 | Cyrano de Bergerac | Edmond Rostand |
| 80 | White Fang | Jack London |
| 81 | The Odyssey | Homer |
| 82 | The Master of Ballantrae | Robert Louis Stevenson |
| 83 | The Jungle Book | Rudyard Kipling |
| 84 | The Gold Bug and Other Stories | Edgar Allan Poe |
| 85 | The Sea Wolf | Jack London |
| 86 | Under Two Flags | Ouida |
| 87 | A Midsummer Night's Dream | William Shakespeare |
| 88 | Men of Iron | Howard Pyle |
| 89 | Crime and Punishment | Dostoyevsky |
| 90 | Green Mansions | W H Hudson |
| 91 | The Call of the Wild | Jack London |
| 92 | The Courtship of Miles Standish and Evangeline | Longfellow |
| 93 | Pudd'nhead Wilson | Samuel L Clemens |
| 94 | David Balfour | Robert Louis Stevenson |
| 95 | All Quiet on the Western Front | Erich Maria Remarque |
| 96 | Daniel Boone | John Bakeless |
| 97 | King Solomon's Mines | H. Rider Haggard |
| 98 | The Red Badge of Courage | Stephen Crane |
| 99 | Hamlet | William Shakespeare |
| 100 | Mutiny on the Bounty | Charles Nordhoff & James Norman Hall |
| 101 | William Tell | Frederick Schiller |
| 102 | The White Company | Arthur Conan Doyle |
| 103 | Men Against the Sea | Charles Nordhoff & James Norman Hall |
| 104 | Bring 'Em Back Alive | Frank Buck |
| 105 | From the Earth to the Moon | Jules Verne |
| 106 | Buffalo Bill | --- |
| 107 | King — of the Khyber Rifles | Talbot Mundy |
| 108 | Knights Of The Round Table | (Uncredited; based in part on The Story of King Arthur and his Knights by Howard Pyle) |
| 109 | Pitcairn's Island | Charles Nordhoff & James Norman Hall |
| 110 | A Study in Scarlet | Arthur Conan Doyle |
| 111 | The Talisman | Walter Scott |
| 112 | The Adventures of Kit Carson | Edward Ellis |
| 113 | The Forty Five Guardsmen | Alexandre Dumas, père |
| 114 | The Red Rover | James Fenimore Cooper |
| 115 | How I Found Livingstone | Henry M Stanley |
| 116 | The Bottle Imp (also The Beach of Falesá) | Robert Louis Stevenson |
| 117 | Captains Courageous | Rudyard Kipling |
| 118 | Rob Roy | Walter Scott |
| 119 | Soldiers Of Fortune | Richard Harding Davis |
| 120 | Hurricane | Charles Nordhoff & James Norman Hall |
| 121 | Wild Bill Hickok | --- |
| 122 | The Mutineers | Charles Boardman Hawes |
| 123 | Fang and Claw | Frank Buck |
| 124 | The War of the Worlds | H. G. Wells |
| 125 | The Ox-Bow Incident | Walter Van Tilburg Clark |
| 126 | The Downfall | Émile Zola |
| 127 | The King of the Mountains | Edmond About (translated by Mary Louise Booth) |
| 128 | Macbeth | William Shakespeare |
| 129 | Davy Crockett | --- |
| 129A | The Story of Jesus: Classics Illustrated Special Issue | --- |
| 130 | Caesar's Conquests (see also Caesar's Civil War) | Julius Caesar |
| 131 | The Covered Wagon | Emerson Hough |
| 132 | The Dark Frigate | Charles Boardman Hawes |
| 133 | The Time Machine | H. G. Wells |
| 134 | Romeo and Juliet | William Shakespeare |
| 135 | Waterloo (novel) | Chatrian Erckmann |
| 135A | The Ten Commandments: Classics Illustrated Special Issue | (Tie-in with the Cecil B. DeMille movie) |
| 136 | Lord Jim | Joseph Conrad |
| 137 | The Little Savage | Frederick Marryat |
| 138 | Journey to the Center of the Earth | Jules Verne |
| 138A | Adventures in Science: Classics Illustrated Special Issue | --- |
| 139 | Reign Of Terror | G. A. Henty |
| 140 | On Jungle Trails | Frank Buck |
| 141 | Castle Dangerous | Walter Scott |
| 141A | The Rough Rider: Classics Illustrated Special Issue | "Prepared in cooperation with the Theodore Roosevelt Centennial Commission." |
| 142 | Abraham Lincoln | --- |
| 143 | Kim | Rudyard Kipling |
| 144 | First Men in the Moon | H. G. Wells |
| 144A | Blazing the Trails West: Classics Illustrated Special Issue (Chapters: "Gold, Fur and Freedom" ; "Daniel Boone" ; "The Lewis and Clark Expedition" ; "The Santa Fe Trail" ; "Fur and Mountains" ; "Kit Carson" ; "Texas and the Alamo" ; "The Mexican War.") | --- |
| 145 | The Crisis | Winston Churchill |
| 146 | With Fire and Sword | Henryk Sienkiewicz |
| 147 | Ben Hur | Lew Wallace |
| 147A | Crossing the Rockies: Classics Illustrated Special Issue | --- |
| 148 | Buccaneer | Based on the Cecil B. DeMille film, which was in turn based on the novel Lafitte the Pirate by Lyle Saxon |
| 149 | Off on a Comet | Jules Verne |
| 150 | The Virginian | Owen Wister |
| 150A | Royal Canadian Mounted Police: Classics Illustrated Special Issue (Chapters: "March to Fort Whoop-Up"; "Pony soldiers"; "Indians and outlaws"; "Unrest and rebellion"; "Patrolling the prairies"; "The gold rush"; "Into the far North"; "The modern Mountie"; "Manhunt!"; "Molding a Mountie") | --- |
| 151 | Won by the Sword | G. A. Henty |
| 152 | Wild Animals I Have Known | Ernest Thompson Seton |
| 153 | The Invisible Man | H. G. Wells |
| 153A | Men, Guns and Cattle: Classics Illustrated Special Issue | --- |
| 154 | The Conspiracy of Pontiac | Francis Parkman |
| 155 | The Lion of the North | G. A. Henty |
| 156 | The Conquest of Mexico | Bernal Diaz Del Castillo |
| 156A | The Atomic Age: Classics Illustrated Special Issue | --- |
| 157 | The Lives of the Hunted | Ernest Thompson Seton |
| 158 | The Conspirators | Alexandre Dumas, père |
| 159 | The Octopus | Frank Norris |
| 160 | The Food of the Gods | H. G. Wells |
| 161 | Cleopatra | H. Rider Haggard |
| 162 | Robur the Conqueror | Jules Verne |
| 163 | The Master of the World | Jules Verne |
| 164 | The Cossack Chief | Nikolai Gogol |
| 165 | The Queen's Necklace | Alexandre Dumas, père |
| 166 | Tigers and Traitors | Jules Verne |
| 166A | World War II: Classics Illustrated Special Issue | --- |
| 167 | Faust | Goethe |
| 167A | Prehistoric World: Classics Illustrated Special Issue | --- |
| 168 | In Freedom's Cause | G. A. Henty |
| 169 | Negro Americans, the Early Years | --- |
The authorship is based on the information held by Michigan State University Libraries, Special Collections Division in their Reading Room Index to the Comic Art Collection ( [5] and [6]). The titles and publication dates are obtained from a personal collection.[7]
| Issue | Publication Date | Title | Author | US Issue |
|---|---|---|---|---|
| 1 | October 2008 | The War of the Worlds | H. G. Wells | 124 |
| 2 | November 2008 | Oliver Twist | Charles Dickens | 23 |
| 3 | December 2008 | Robin Hood | (Uncredited; based in part on Merry Adventures of Robin Hood by Howard Pyle) | 7 |
| 4 | January 2009 | The Man in the Iron Mask | Alexandre Dumas | 54 |
| 5 | February 2009 | Romeo and Juliet | William Shakespeare | 134 |
| 6 | March 2009 | Journey to the Center of the Earth | Jules Verne | 138 |
| 7 | April 2009 | Les Misérables | Victor Hugo | 9 |
| 8 | May 2009 | The Jungle Book | Rudyard Kipling[8] | 83 |
| 9 | June 2009 | Mutiny on the Bounty | Charles Nordhoff & James Norman Hall | 100 |
| 10 | July 2009 | Wuthering Heights | Emily Brontë | 59 |
| 11 | August 2009 | Knights Of The Round Table | (Uncredited; based in part on The Story of King Arthur and his Knights by Howard Pyle) | 108 |
| 12 | September 2009 | Jane Eyre | Charlotte Brontë | 39 |
| 13 | October 2009 | Frankenstein | Mary W. Shelley | 26 |
| 14 | November 2009 | The Time Machine | H. G. Wells | 133 |
| 15 | December 2009 | Christmas Carol | Charles Dickens | 53 |
| 16 | Expected January 2010 | Moby Dick | Herman Melville | 5 |
| 17 | Expected February 2010 | Macbeth | William Shakespeare | 128 |
| 18 | Expected March 2010 | The Invisible Man | H. G. Wells | 153 |
| 19 | Expected April 2010 | Huckleberry Finn | Mark Twain | 19 |
| 20 | Expected May 2010 | Great Expectations | Charles Dickens | 43 |
| 21 | Expected June 2010 | Treasure Island | Robert Louis Stevenson | 64 |
| 22 | Expected July 2010 | Alice in Wonderland | Lewis Carroll | 49 |
| 23 | Expected August 2010 | Black Beauty | Anna Sewell | 60 |
| 24 | Expected September 2010 | Kidnapped | Robert Louis Stevenson | 46 |
Other companies producing comic adaptations of literature:
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