Cleo Manago (born
September 21 1963) is an
American educator, essayist, activist,
behavorial health strategist and cultural expert. He has been a
featured commentator on major television networks and in
newspapers, and a frequent guest host - with Dominique De Prima of
The Front
Pageon Stevie Wonder's KJLH radio
station.
Biography
The founder of two prominent,
groundbreaking organizations
http://www.bmxny.org/
The Black Men’s Xchange and the
http://www.amassi.com/ AmASSI National Health & Cultural
Centers. Manago was reared in Seattle, Washington; Buffalo, New
York and the Watts and Compton areas of South Central Los
Angeles.
Mr. Manago has projects in New York City (Harlem);
Atlanta, Miami, Los Angeles, Baltimore and Johannesburg, South
Africa, and manages a cadre of volunteers and staff. Publications
featuring his works include the
Black Scholar-Journal of Black
Studies and Research,
American Journal of Public Health,
Ebony, Ebony Man, and
Black Diaspora magazines.
Articles on Manago have appeared in the
Final Call, African
Times, Los Angeles Times, Black Star News, Amsterdam News, Atlanta
Journal Constitution, and several scholarly journals and
books. Books include:
Atonement (collected stories from the Million Man
March) and
Male Lust
(an anthology on male sexuality). His views are presented in the
bell
hooks’ book:
‘We
Real Cool: Black Men and Masculinity.’FYI-Interview
Excerpt
Please describe your current or most recent
project (s). Include a brief overview of your
motivation for the project and any notable challenges you
encountered. First, thank you, sincerely, for this
interview. Though, I am often interviewed by a number of different
sources, I do not take opportunities to engage the community for
granted.
My recent projects include writing and developing a
film that examines the intersection of Black male American imagery,
sexuality; self and societal perceptions, and the impact of these
on life in America - historically and currently. My motivation is
the same as it has always been, until meaningful change occurs:
improving the unity, perception, self-concept, wellness, structural
and cultural imbalances Black people face, and making America aware
of the importance of advancing this situation. The challenges have
been the main ones always faced by non-mainstream film, acquiring
the resources to get it made.
Under what circumstances
did you get started as a gay activist? I am not a gay
activist. Never have been, and strongly request not to be referred
to as such. I am a Black, same-gender-loving “social architect” and
visionary, a researcher, doer, cultural expert and behavior change
strategist. Organizations and activities I have headed up purposely
dismantle or challenge thinking that is not constructive or
instructive to our community. We build community, create dialogue
and motivate behavior and attitude change.
What got me started
was inspired by my being naturally a very sensitive child, and
inquisitive thinker from a very young age. I came from a community
and family where internalized oppression, religious contradictions
and the symptoms of what I learned to be racism and post-slavery
trauma syndrome were rampant. I could not accept things as they
were, so I fantasized until I was old enough to actualize doing
something about what pained or concerned me. Those issues were more
relevant to being Black in America than my sexuality. As early as 8
years of age it was quite clear that I would be falling in love
with another male. As a matter of fact by age 8, I already had.
There’s a popular autobiographic story I wrote called,
In Love
Too Early, In Love Too Late, that tells that story.
I was
never interested in being a Black gay activist. I have always
experienced Black gay activism as culturally dissonant or too
limiting in scope to be of meaningful or transformative benefit to
Black people. As a matter of fact, focus on gay identity (ID) has
kept us in a state of suspended animation and non-progress. The
state of this community, including; a sustained HIV problem (for 30
years now), no supportive or effective leadership, being still
politically insignificant, with no strong independent institutions,
to date, indicates my point. Black gay identifying youth (or Black
youth being persuaded to identify as gay) and those at HIV risk, or
living with it have little to no protective, educational or
empowerment infrastructure or programs. This too contributes to the
still high HIV infection rates, disproportionate substance use and
premature death.
You are often credited as being the
first to coin the acronyms “MSM” or “SGL,” how do they differ from
“DL”?To contextualize my perspective, I will add the
word “gay” to your list. Hopefully, as I describe them all, how
they differ will be clear. The term “MSM” (men who have sex with
men) was developed in response to the HIV/AIDS epidemic, and that
it impacted a continuum of Black and Latino males who have sex with
males. Not just those who identified as gay. As is still true, many
Black and Latino males who have sex with males – be it based on
desire, love or circumstance - do not identify with or as a gay.
Nor do many have an affinity with the culture, and, in particular
the politics of gay (rainbow flags, triangles, lambdas,
white/European homosexual culture, parades, the interracialist
media portrayals and “outing” people, etc.).
Even among many
Blacks who do use the term gay it is often not a pride-driven or
social change decision, but a term loosely used as opposed to more
offensive terms (i.e. punk, faggot, and sissy). It was realized by
“us” who paid attention that the term “gay” was limiting and
alienating to a large group of males of color. Instead of judging
that, for the sake of public health, a more inclusive term - MSM -
was needed to capture the diversity and self-perceptions among
homosexual and bisexual males (particularly of color). The goal was
to create opportunity for them all to be educated and access
HIV/AIDS services. But the relentless gay ID agenda, to receive
funding, has always and still does divert the original public
health intent of MSM.
The term SGL or same-gender-loving was
created from the Black community to provide SGL Black folks with a
way of referencing ourselves that articulated and highlighted
“loving” as our intention. That we do and can love needed (and
needs) to be noted. It often gets lost in the fog of internalized
and societal oppression, disastrous relationships and more recently
the Black male HIV/AIDS holocaust. The labels Gay or lesbian do not
remedy much for Black people, nor do they affirm us. They do affirm
white people. Despite homophobia, HIV/AIDS, Revs. Jerry Fallwell
and Pat Robertson, the Christian Right or the [President] Bushes,
gays [white homosexuals] have been very successful politically,
monetarily and medically as a result of their movement. On the
other hand, without a gap, Black people have endured epidemics of
HIV, self hate and cultural disruption that gay identity (ID) could
never solve. And, it needs to be solved! Things are worst now for
us, as we have relied on gay identity assimilation as a magic
bullet. It has been a bullet in our foot, not to our benefit.
SGL tends to and intends to culturally affirm us as it was
created by us for us, and to shake things up from the previous gay
ID complacency problem that kept us in an unconstructive trance.
That trance needed to be broken. I am pleased to say that SGL has
definitely done that, around the world and Diaspora. I never
initiate mentioning my relationship to SGL, because, it is not and
should not be about me, but about SGL Black people needing to be
affirmed, restored, and learn to love and respect our selves in our
own image. Click
here for the full
interview.
References and Sources
<references/>
Cleo Manago's website Cleo Manago’s Neglected
Blog Site Why
Blacks Get Infected More Often with HIV: What The Research Does Not
Say. Search&as_epq=cleo
manago&as_oq=&as_eq=&lr=&cr=&as_ft=i&as_filetype=&as_qdr=all&as_nlo=&as_nhi=&as_occt=any&as_dt=i&as_sitesearch=&as_rights=&safe=images
Cleo Manago Google Search Results What Really Led to My
Farrakhan Invitation to Speak at the MMM