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Comets
are a recurring theme in works of popular culture, as a metaphor
for anything that is fast, hot, famous, or strange. They often
appear as subjects for science fiction authors and filmmakers
although they are often misrepresented as fiery rather than icy
objects.
In the popular comic
strip, Calvin and Hobbes, Calvin ascribes the end
of the world to the passing of Halley's Comet. When Hobbes rebukes
him on this, however, he defeatedly sets about starting his
homework.
Television
In the 1966 episode of the TV
series The Time Tunnel, entitled "End of the
World", the main characters time travel back to 1910 and witness
the hysteria generated by the comet. Interestingly, the episode
portrays the people afraid of a collision with the comet rather
than the "poison gas" from the comet's tail.
In the
Futurama episode "A Taste Of
Freedom", it is mentioned that Earth once fought a war "to take
back Halley's Comet". Comet Halley has also been mined for water
ice in another episode.
The Doctor Who serial "Attack of
the Cybermen" features the titular villains planning to
devastate Earth by steering the comet into the planet.
In an
episode of the Nickelodeon TV series
Hey
Arnold!, Arnold and Gerald urge the city to turn off the
lights so they can see the comet.
In The Simpsons episode
"Bart the
Mother", the family is waiting for eggs to hatch, when Homer
says: "This is the most exciting thing I've seen since Halley's
Comet collided with the moon!"
In the Disney Channel TV
series American Dragon Jake Long
episode "Hero of the Hourglass", Jake goes back in time to tell his
dad about the magical world at a beach picnic for Halley's
Comet.
In the Supernatural episode "Dead Man's Blood"
it is revealed that Samuel Colt made a gun with mystical properties
"back in 1835, when Halley's comet was
overhead."
Movies
In the movie TMNT Halley's Comet
is mentioned by Michelangelo. In reply to Donatello's
explaining of how the monsters are coming to New York, Michelangelo
says: "Oh, so it's like Halley's Comet, only monsters come
out?"
Games
In FamicomgameJESUS: Dreadful
Bio-Monster, Halley's Comet has been approaching Earth for
quite some time, and the nations of Earth send a mission to
investigate the Comet, as some form of life has been detected
inside the gas of the comet.
In the computer game Shadow of the
Comet, the passing of the Comet, combined with a special
vantage point, is the only time (presumably) certain entities can
be summoned.
Music
The early rock and roll group,
Bill Haley & His
Comets, owes its name to the chance resemblance between the
names of Bill Haley and Edmond Halley.
Richard "Nancy" Wright
wrote a song entitled "Halley's Comet." The song was performed by
the band Phish over 50 times
during their 21 year career. A formal studio release of
the song was never issued, although it is available on some of
their Live Phish releases.
Mary Chapin Carpenter had a song
about the comet, "Halley Came To Jackson", on her 1990 Shooting
Straight in the Dark album.
The Australian band
Drops Of
Light released the song "Halley's Comet" in 1986. The music
video incorporated footage from the Giotto spacecraft which had
been donated to the band for the video clip. The song was written
by Vincent Ruello and was published by PG Records
Melbourne.
In the comic strip
Gordo by Gus Arriola, the title character
occasionally drove a taxi named El Cometa Halley. During
the media hype over Comet Kohoutek a rival taxi appeared named
Cometa Kohoutek that tended to beat Gordo to his
customers.
In December 1973, Snoopy and Woodstock saw Comet Kohoutek in the sky
and mistook it for a sign that the world was coming to an
end.
Television
On an episode of The Simpsons, principal
Skinner comments that he once missed the chance to name a comet
after himself, vowing revenge on "Principal Kohoutek... him
and that boy of his!"
Music
The jazz composer Sun Ra performed the Concert for the Comet Kohoutek
in December 1973, released as an album by ESP-Disk.
The first single of German
avant-garde music group Kraftwerk, released in December 1973, was called
"Kohoutek-Kometenmelodie". On the
album Autobahn, which appeared a few months
later, the track title was shortened to "Kometenmelodie" (comet
melody).
The first album of Yahowha 13 from 1973 is called
Kohoutek.
Argent's 1974 album Nexus begins with
three linked tracks inspired by Kohoutek: "The Coming of Kohoutek";
"Once Around the Sun"; and "Infinite Wanderer".
The rock bandJourney wrote and
recorded the instrumental "Kohoutek", which appeared on their
self-titled debut album Journey in 1975.
Bill Carroll released an album
in 1994 titled Kohoutek.
The English techno group
808 State wrote and
recorded the instrumental "Kohoutek", which appeared on their
1996 albumDon Solaris.
The annual Kohoutek Music and Arts festival
at Pitzer
College is a free event named after and in honor of the comet
held every spring.
The avant-garde jazz group Weather Report
released an album in 1974 called "Mysterious Traveler." The cover
artwork featured a painting of a comet in a nighttime
sky.
:« Et attendu le comete de l'an passé et la
retrogradation de Saturne, mourra à l'hospital un grand marault
tout catharré et croustelevé, à la mort du quel sera sedition
horrible entre les chatz et les rats, entre les chiens et les
lievres, entre les faulcons et canars, entre les moines et les
oeufz. »
:Roughly translated: « Last year's comet and Saturn's
retrogradation indicate that an old fart will die in an hospital,
and this will cause great conflict between cats and rats, dogs and
hares, falcons and ducks, monks and eggs. »
:«
Ces astres, après avoir été si longtemps la terreur du monde, sont
tombés tout à coup dans un tel discrédit, qu'on ne les croit plus
capables de causer que des rhumes. »
:Roughly translated: « These
heavenly bodies, after having terrorised the world for so long,
have suddenly fallen into such discredit that they are thought only
capable of causing colds. »
Voltaire, in his Lettre sur la prétendue
comète (1773), comments ironically on the rumours of impending
doom surrounding Lalande's presentation to the Académie
des sciences of his "Réflexions sur les comètes qui peuvent
approcher de la Terre".
<!---
:« Quelques Parisiens, qui ne
sont pas philosophes, et qui, si on les en croit, n'auront pas le
temps de le devenir, m'ont mandé que la fin du monde approchait, et
que ce serait infailliblement pour le 20 du mois de mai où nous
sommes. Ils attendent ce jour-là une comète qui doit prendre notre
petit globe à revers, et le réduire en poudre impalpable, selon une
certaine prédiction de l'Académie des sciences qui n'a point été
faite. Rien n'est plus probable que cet événement ; car Jacques
Bernouilli, dans son "Traité de la comète", prédit expressément que
la fameuse comète de 1680 reviendrait avec un terrible fracas, le
17 mai 1719 ; il nous assura qu'à la vérité, sa perruque ne
signifierait rien de mauvais, mais que sa queue serait un signe
infaillible de la colère du ciel. Si Jacques Bernouilli se trompa,
ce ne peut être que de cinquante-quatre ans et trois jours. Or, une
erreur aussi peu considérable étant regardée comme nulle dans
l'immensité des siècles, par tous les géomètres, il est clair que
rien n'est plus raisonnable que d'espérer la fin du monde pour le
20 du mois de mai 1773, ou dans quelque autre année. Si la chose
n'arrive pas, ce qui est différé n'est pas perdu. »
Poe's The Conversation of Eiros
and Charmion (1839) is an end-of-the-world story involving
a comet that steals the nitrogen from Earth's atmosphere, the
remaining oxygen causing our fiery end.
Jules Verne's Voyages et
Aventures du Capitaine Hatteras (Journeys and
Adventures of Captain Hatteras, 1866) briefly alludes to
then-current hypothesis of an antediluvian cometary collision with
Earth, responsible for shifting our planet's rotation axis.
Verne's Hector Servadac, Voyages et aventures à travers le
Monde Solaire (Off on a Comet, 1877) is a Victorian vision of
touring the solar system via handy "comet Gallia".
The Day
of the Triffids (1951) is a novel by John Wyndham in which a
meteor
shower causes permanent and irreversible blindness in the
population and renders them easy prey to giant mobile
vegetables.
In Dan Simmons' Hyperion universe (1989),
Ouster orbital forest
rings make use of captured comets as irrigation devices; the
orbital forest receives water and other important supplies from
passing 'shepherd' comets.
In his Revelation
Space series, particularly in the novel Redemption Ark
(2002), Alastair Reynolds depicts a future human
civilization's most advanced society, the Conjoiners, living in the interior of a
comet in the very distant Oort Cloud of another star.
The plot of the film Maximum
Overdrive (1986) involves radiation from the tail of a
passing comet, causing every machine on Earth to come to life and
become homicidal, although at the end of the film it is hinted that
the phenomenon was caused by a UFO.
In the TV series Millennium (1996), a fictional
double-tailed comet, P1997 Vansen-West, features
occasionally during the second season.
The Paramount/DreamWorks
motion picture Deep Impact (1998) tells the story
of a comet (Wolf-Biederman) on a collision course with Earth, and
focuses primarily on the emotional reactions of those who are
affected by the impending disaster.
Comet Yano-Moore is a fictional comet invented
for the BBC science fiction
series Space Odyssey: Voyage
To The Planets (2004) and named after and as a tribute to
the British astronomer Patrick Moore and the Japanese astronomer
Hajime Yano.
In the
fictional world of Myth (1997), featured in the
Bungie made computer game
of the same name, every thousand years the world moves from an age
of light, to an age of darkness and vice-versa, brought about by
war. Every time this has happened, a great comet has been observed
in the sky.
In
the game Shadow The Hedgehog (2001), a
special comet holding the game's main enemies (the black arms) is
the black comet. It is used to spread a gas across the planet that
paralyses any non-black arm so the spawn can eat them.