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There is a fine line between crapcore and just
plain crap. Crapcore is less a musical genre or style and more a
method of thinking, and an approach towards creating art. While
crap-core music can range from simplistic acoustic tunes to
avant-garde operettas made by screaming into a hand-held tape
recorder, what remains constant is a naive ability and willingness
to create despite an awful environment and / or the necessity to
use the most rudimentary, broken-down tools. And beyond this
simplistic and haggard bum's work-ethic, crap-core always has an
underlying ugly-ness. The crapcore artist is simultaneously a
cynical and pretentious rip-off artist and an "outsider"
idiot-artist. He or she will continue to create flawed artwork no
matter the situation because of a compulsion and an inability to
function within the "outside world."
Many novelty or crap
artists often confuse their work with Crap-core. Some people assume
crapcore is the same as so-called “rap-core,” a usually awful,
ultra-caucasion rock n’ roll / hip hop hybrid. Crap-core music is
closely related to freak-out, far-out and avant-unlistenable, in
that it is likely sloppy, lo-fi, fueled by alcohol or drugs or
widely considered extremely irritating, however a wide spectrum of
diverse artists could also be defined by such wide definitions.
Some "popular" crapcore artists include German Cars vs American
Homes, Hasil Adkins, Daniel Johnston, Pope John Paul the Third and
Beck.
Here is what James Call, who coined this expression has
to say:
Even more than Butt Rock, crapcore epitomizes the
desire to let it all hang out, to truly rock out with your cock
out, even if your cock is repulsive and upsetting to look at.In this genre, guitarists play with their guitars hung low not
because they're trying to get laid but because they can't figure
out how to use their guitar straps.Crapcore is like
eating a raw steak with a few whole cloves of garlic on top for
seasoning.If Genghis Khan was a musician, he'd be the
spiritual leader of crapcore.