| 6th | Top film director and cinematographer collaborations |
| Cries and Whispers | |
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![]() Swedish theatrical release poster |
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| Directed by | Ingmar Bergman |
| Produced by | Lars-Owe Carlberg |
| Written by | Ingmar Bergman |
| Narrated by | Ingmar Bergman |
| Starring | Harriet Andersson Kari Sylwan Ingrid Thulin Liv Ullmann Inga Gill Erland Josephson |
| Music by | Johann Sebastian Bach Frédéric Chopin |
| Cinematography | Sven Nykvist |
| Editing by | Siv Lundgren |
| Studio | Svensk Filmindustri |
| Release date(s) | United States: 21 December, 1972 Sweden: 5 March 1973 |
| Running time | 91 min. |
| Country | Sweden |
| Language | Swedish |
| Budget | 1.5 million SEK |
Cries and Whispers (Swedish: Viskningar och rop, lit. "Whispers and Cries") is a 1972 Swedish film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film is set on a mansion at the end of the 19th century and is about two sisters who watch over their third sister on her deathbed, torn between fearing she might die and hoping that she will. After several unsuccessful experimental films Cries and Whispers was a critical and commercial success, gaining nominations for five academy awards. This included a nomination for Best Picture, which was unusual for a foreign-language film.
Cries and Whispers returned to the traditional Bergman themes of the female psyche or the quest for faith and redemption. Unlike Bergman's previous films, Cries and Whispers uses saturated colour, especially crimson. It was for the color and light scheme that the cinematographer and long-time collaborator Sven Nykvist was awarded the Academy Award for Best Cinematography.
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Cries and Whispers is set at the end of the 19th century on a mansion. It depicts the last days of Agnes (Harriet Andersson) who is in the final stages of cancer and is experiencing heavy pain. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. They remain distant and cold as their dying sister is reminding them of their life's scars and their own mortality. Only the deeply religious maid Anna (Kari Sylwan), whose only daughter died early, is able to comfort her. When Agnes dies and a priest (Anders Ek) arrives at her death bed she returns to the living for a short moment. In a dream-like sequence she asks her family for love and care. For a moment Karin, Maria and the dead Agnes are getting closer to each other, only to be even more distant shortly afterwards. Only Anna is able to embrace and mourn the dead.
The film is characterized by flashbacks that return to the life of the protagonists and their memories, dreams and desires. Maria remembers her adulterous affair with the physician David (Erland Josephson). Agnes remembers her childhood and her enigmatic mother. Karina remembers how she snubbed her hated husband by harming herself. The last flashback visualizes an entry from Agnes' diary shows where the three sisters clad in white stroll together in the park of the family mansion.
Bergman's films were difficult to market commercially and thus foreign capital was not available to finance the film. Bergman then decided to shoot the film in Swedish and not in English as his previous film The Touch (1971 film) and to finance Cries and Whispers through his own production company Cinematograph. Although he used personal savings of 750,000 SEK and loans of 200,000 SEK he also had to ask the Swedish Film Institute for support to finance the 1.5 million SEK budget. To save costs the main actresses and Nykvist gave their salary as a loan and were nominally co-producers.[1]
Cries and Whispers was shown out of competition at the 1973 Cannes Film Festival, where Bergman received an overwhelming emotional response by the audience.[1] and where it won the Vulcain Prize of the Technical Artist.[2] At the 46th Academy Awards it was nominated for five awards, the Academy Awards for Best Director, Best Original Screenplay, Best Cinematography, Best Costume Design for the costume designer Marik Vos and unusually for a foreign-language film for Best Picture. In the end Sven Nykvist won the cinematography award for his work as director of photography.[3] To qualify for the academy awards the film was rushed to a premiere in Los Angeles county, before the official premiere in Sweden a few months later.[1]
Cries and Whispers was nominated and won several other awards on festivals and from critics associations. At the 27th British Academy Film Awards Sven Nykvist was nominated for Best Cinematography and Ingrid Thulin for Best Supporting Actress[4], at the 30th Golden Globe Awards the film was nominated for Best Foreign Language Film.[5] and at the David di Donatello ceremony Ingmar Bergman won in the category Best Foreign Director and Andersson, Sylwan, Thulin and Ullmann won the Special David award.[6] In Scandinavia the film won the Guldbagge Awards for Best Film, Harriet Andersson for Best Actress and Sven Nykvist the Special Jury Price, the Jussi Award for Best Foreign Director and the Bodil Awards for Best European Film. The film won also several awards from critics associations, including the New York Film Critics Circle Awards, National Board of Review awards and National Society of Film Critics awards.[7]
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