On disc-based video formats, an audio commentary is an additional audio track consisting of a lecture or comments by one or more speakers, that plays in real time with video. Commentaries can be serious or entertaining in nature, and can add information which otherwise would not be disclosed to audience members.[1]
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The DVD medium allows multiple audio tracks for a each video program. DVD players usually allow these to be selected by the viewer from the main menu of the DVD or using the remote. These tracks will contain dialogue and sound of the movie, often with alternative tracks featuring different language dialogue, or various types of audio encoding (such as Dolby Digital, DTS or PCM). Among them may be at least one commentary track.
There are several different types of commentary. The two main types simply define the length of the commentary rather than the type of content. They are:
Typically a commentary track will include feature-length commentary from the film's director, cast members, or occasionally writers and producers. Occasionally actors will perform commentary in-character. (In recording sessions with multiple speakers, a designated moderator may encourage the discussion flow,) Some DVDs include outsider commentary performed by film critics, historians, scholars or fans. In more elaborate productions, multiple speakers from various recording sessions may be edited together for a single audio program.
Some DVDs feature commentaries with on-screen video enhancements, such as telestrator prompts, (allowing the director or commentator to "draw" on the screen, pointing out specific details), or the Ghostbusters "video commentary", where one of the subtitle tracks is used to add silhouettes of the speakers in a manner where they seem to be in a theater commenting on the movie as it was screened for them in the style of Mystery Science Theater 3000. Less common are actual video commentaries, showing the speakers as they are recording the commentary, requiring separate video tracks.
The value of audio commentaries as a marketing tool was revealed during the heyday of laserdisc, the laser-based video format produced before the introduction of DVDs. The Criterion Collection company, for example, produced high-quality "deluxe" editions of classic films on laserdisc, using the best available prints and re-edited versions. These were often very expensive compared to today's DVDs and included bonus material such as trailers, deleted scenes, production stills, behind-the-scenes information, and audio commentaries from the directors, producers, cast, cinematographers, editors, and production designers. They were marketed to movie professionals, fans and scholars who were seen as an elite niche of consumers who could afford to pay more for definitive, quality editions. The audio commentaries on laserdiscs were typically encoded on secondary analog tracks which had become redundant, as modern laserdiscs had stereo audio encoded digitally alongside. This is why certain older videodisc players, which predate the digital audio standard, are only able to play back analog tracks with audio commentary.
The first audio commentary was featured on the Criterion Collection release of the original King Kong movie, on laserdisc in December 1984. It featured film historian Ronald Haver and his first words were:
Hello, ladies and gentlemen, I'm Ronald Haver, and I'm here to do something which we feel is rather unique. I'm going to take you on a lecture tour of King Kong as you watch the film. The laserdisc technology offers us this opportunity and we feel it's rather unique — the ability to switch back and forth between the soundtrack and this lecture track...
The decline of the laserdisc format and the increasing popularity of DVD was highlighted in the fall of 1997, when simultaneous laserdisc and DVD editions of the movie Contact were released. The former contained one bonus audio commentary track by director, Robert Zemeckis, and producer Steve Starkey. However, the DVD contained two additional, separate audio commentaries (by Jodie Foster and the special effects producers), as well as other bonus features. Despite its history with laserdiscs, the idea of audio commentary was still such an uncommon notion that, in its January 1998 review of the Contact DVD, Entertainment Weekly scoffed, "Who in the universe would want to journey through more than eight hours of gassy, how-we-filmed-the-nebulae trivia included in this "Special Edition" disc? Meant to show off DVD's enormous storage capacity, it only demonstrates its capacity to accommodate mountains of filler."[2]
In general, directors are open to recording commentary tracks, as many feel it can be helpful to young filmmakers, or they simply want to explain their intention in making the film, while others (such as Steven Spielberg or David Lynch) feel commentary can de-mystify and cheapen a movie. Director Steven Spielberg has not recorded commentary tracks for any of his films. He feels that the experience of watching a film with anything other than his intended soundtrack detracts from what he has created. Woody Allen has a similar lack of enthusiasm for commentaries, stating, "I'm not interested in all that extra stuff. [...] I want my films to speak for themselves. And hopefully they do."[3]
Originally inspired by a column by Roger Ebert,[5] a small but active fan base of DVD commentary enthusiasts has sprung up since 2002 offering their own specially-recorded fan-made DVD commentaries. These tracks (usually made available in MP3 format) allow the fans to put forth their own opinions and expertise on a movie or TV series in much the same way as an on-disc commentary. These commentary tracks are played by starting a DVD player with the movie and an MP3 player with the track simultaneously. A substantial community of fan commentators exists[6], creating many hundreds of downloadable tracks available on the Web.
The idea of downloadable commentary tracks has since been co-opted by TV show creators themselves, as creators of TV shows such as the 2004 Battlestar Galactica, Star Trek: Enterprise, and the Doctor Who revival have recorded downloadable commentary tracks meant to be watched along with the episodes as recorded from TV.
Kevin Smith recorded a commentary track for Clerks II intended for download to an MP3 player for viewing in the movie theater during the movie's first run, coined In-Theater Audio Commentary; however, the commentary was not released because theater chains felt it would be distracting to viewers who were not listening to the commentary. This commentary was later included on the Clerks II DVD.[7]
Mystery Science Theater 3000 head writer and on-screen host Michael J. Nelson has started his own website to sell downloadable commentaries called RiffTrax. He also regularly commentates on the public domain films that colorizing company Legend Films releases on DVD, including Night of the Living Dead and Reefer Madness.
DVD commentaries have been parodied by a number of people. Most notably:
Some film companies transfer the audio commentary of the laserdisc release of a film on to the DVD rather than creating a new one. For example, El Mariachi Special Edition, Total Recall Special Edition, Spaceballs and A Nightmare on Elm Street all contain the commentary from the laserdisc release. This may be for financial reasons, depending on whether the rights to the original commentary are cheaper to use than recording a new one (a company releasing a film on DVD today may not be the same company who released it on laserdisc); or it could simply be that the original commentary does its job well without the need for an update. Contrastingly, some DVDs do not have a commentary even though the laserdisc release did (for example, Taxi Driver). This may be because the parties involved have not reached a publication agreement.
The audio commentaries of The Criterion Collection are often considered some of the finest and most informative commentaries ever made, and the Laserdisc releases of classic films can be highly priced because Criterion generally does not license their commentaries for use on later DVDs when the rights to films they have release revert back to the studio, including the aforementioned Taxi Driver. Other notables include the commentary for The Silence of the Lambs (featuring stars Jodie Foster and Anthony Hopkins, along with director Jonathan Demme) and Terry Gilliam's tracks for The Adventures of Baron Munchausen and The Fisher King.
Some video games, such as the episodic sequels to Half-Life 2 and Lara Croft Tomb Raider: Anniversary, have experimented with audio commentaries. Unlike DVD commentaries, the systems used for video games do not use a predetermined continuous flow of speech, because the events of a game depend on the player's actions. Instead, in-game prompts are used to allow players to activate a relevant audio commentary for a specific area. The camera and action may also be altered to more readily showcase the developer's comments.
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On disc-based video formats, an audio commentary is an additional audio track consisting of a lecture or comments by one or more speakers, that plays in real time with video. Commentaries can be serious or entertaining in nature, and can add information which otherwise would not be disclosed to audience members.[1][dead link]
Contents |
| This section may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (March 2009) |
The DVD medium allows multiple audio tracks for a each video program. DVD players usually allow these to be selected by the viewer from the main menu of the DVD or using the remote. These tracks will contain dialogue and sound of the movie, often with alternative tracks featuring different language dialogue, or various types of audio encoding (such as Dolby Digital, DTS or PCM). Among them may be at least one commentary track.
There are several different types of commentary.[original research?] The two main types simply define the length of the commentary rather than the type of content. They are:
Typically a commentary track will include feature-length commentary from the film's director, cast members, or occasionally writers and producers. Occasionally actors will perform commentary in-character. (In recording sessions with multiple speakers, a designated moderator may encourage the discussion flow,) Some DVDs include outsider commentary performed by film critics, historians, scholars or fans. In more elaborate productions, multiple speakers from various recording sessions may be edited together for a single audio program.
Some DVDs feature commentaries with on-screen video enhancements, such as telestrator prompts,[specify] (allowing the director or commentator to "draw" on the screen, pointing out specific details), or the Ghostbusters "video commentary", where one of the subtitle tracks is used to add silhouettes of the speakers in a manner where they seem to be in a theater commenting on the movie as it was screened for them in the style of Mystery Science Theater 3000. Less common are actual video commentaries, showing the speakers as they are recording the commentary, requiring separate video tracks.
The value of audio commentaries as a marketing tool was revealed during the heyday of laserdisc, the laser-based video format produced before the introduction of DVDs. The Criterion Collection company, for example, produced high-quality "deluxe" editions of classic films on laserdisc, using the best available prints and re-edited versions. These were often very expensive compared to today's DVDs and included bonus material such as trailers, deleted scenes, production stills, behind-the-scenes information, and audio commentaries from the directors, producers, cast, cinematographers, editors, and production designers. They were marketed to movie professionals, fans and scholars who were seen as an elite niche of consumers who could afford to pay more for definitive, quality editions. The audio commentaries on laserdiscs were typically encoded on secondary analog tracks which had become redundant, as modern laserdiscs had stereo audio encoded digitally alongside. This is why certain older videodisc players, which predate the digital audio standard, are only able to play back analog tracks with audio commentary.
The first audio commentary was featured on the Criterion Collection release of the original King Kong movie, on laserdisc in December 1984. It featured film historian Ronald Haver and his first words were:
Hello, ladies and gentlemen, I'm Ronald Haver, and I'm here to do something which we feel is rather unique. I'm going to take you on a lecture tour of King Kong as you watch the film. The laserdisc technology offers us this opportunity and we feel it's rather unique — the ability to switch back and forth between the soundtrack and this lecture track...
The decline of the laserdisc format and the increasing popularity of DVD was highlighted in the fall of 1997, when simultaneous laserdisc and DVD editions of the movie Contact were released. The former contained one bonus audio commentary track by director, Robert Zemeckis, and producer Steve Starkey. However, the DVD contained two additional, separate audio commentaries (by Jodie Foster and the special effects producers), as well as other bonus features. Despite its history with laserdiscs, the idea of audio commentary was still such an uncommon notion that, in its January 1998 review of the Contact DVD, Entertainment Weekly scoffed, "Who in the universe would want to journey through more than eight hours of gassy, how-we-filmed-the-nebulae trivia included in this "Special Edition" disc? Meant to show off DVD's enormous storage capacity, it only demonstrates its capacity to accommodate mountains of filler."[2]
In general,[original research?] directors are open to recording commentary tracks, as many feel it can be helpful to young filmmakers,[citation needed] or they simply want to explain their intention in making the film,[who?] while others (such as Steven Spielberg or David Lynch[citation needed]) feel commentary can de-mystify and cheapen a movie. Director Steven Spielberg has not recorded commentary tracks for any of his films. He feels that the experience of watching a film with anything other than his intended soundtrack detracts from what he has created.[citation needed] Woody Allen has a similar lack of enthusiasm for commentaries, stating, "I'm not interested in all that extra stuff. [...] I want my films to speak for themselves. And hopefully they do."[3]
| This article may contain an excessive amount of intricate detail that may only interest a specific audience. Please relocate any relevant information, and remove excessive trivia, praise, criticism, lists and collections of links. (March 2009) |
| This article may contain an excessive amount of intricate detail that may only interest a specific audience. Please relocate any relevant information, and remove excessive trivia, praise, criticism, lists and collections of links. (March 2009) |
Originally inspired by a column by Roger Ebert,[6] a small but active fan base of DVD commentary enthusiasts has sprung up since 2002 offering their own specially-recorded fan-made DVD commentaries. These tracks (usually made available in MP3 format) allow the fans to put forth their own opinions and expertise on a movie or TV series in much the same way as an on-disc commentary. These commentary tracks are played by starting a DVD player with the movie and an MP3 player with the track simultaneously. A substantial community of fan commentators exists[7], creating many hundreds of downloadable tracks available on the Web.
The idea of downloadable commentary tracks has since been co-opted by TV show creators themselves, as creators of TV shows such as the 2004 Battlestar Galactica, Star Trek: Enterprise, and the Doctor Who revival have recorded downloadable commentary tracks meant to be watched along with the episodes as recorded from TV.
Kevin Smith recorded a commentary track for Clerks II intended for download to an MP3 player for viewing in the movie theater during the movie's first run, coined In-Theater Audio Commentary; however, the commentary was not released because theater chains felt it would be distracting to viewers who were not listening to the commentary. This commentary was later included on the Clerks II DVD.[8]
Mystery Science Theater 3000 head writer and on-screen host Michael J. Nelson has started his own website to sell downloadable commentaries called RiffTrax. He also regularly commentates on the public domain films that colorizing company Legend Films releases on DVD, including Night of the Living Dead and Reefer Madness.
| This "In popular culture" section may contain minor or trivial references. Please reorganize this content to explain the subject's impact on popular culture rather than simply listing appearances, and remove trivial references. (March 2009) |
DVD commentaries have been parodied by a number of people. Most notably:
Some film companies transfer the audio commentary of the laserdisc release of a film on to the DVD rather than creating a new one. For example, El Mariachi Special Edition, Total Recall Special Edition, Spaceballs and A Nightmare on Elm Street all contain the commentary from the laserdisc release. This may be for financial reasons, depending on whether the rights to the original commentary are cheaper to use than recording a new one (a company releasing a film on DVD today may not be the same company who released it on laserdisc); or it could simply be that the original commentary does its job well without the need for an update. Contrastingly, some DVDs do not have a commentary even though the laserdisc release did (for example, Taxi Driver). This may be because the parties involved have not reached a publication agreement.
The audio commentaries of The Criterion Collection are often considered some of the finest and most informative commentaries ever made, and the Laserdisc releases of classic films can be highly priced because Criterion generally does not license their commentaries for use on later DVDs when the rights to films they have release revert back to the studio, including the aforementioned Taxi Driver. Other notables include the commentary for The Silence of the Lambs (featuring stars Jodie Foster and Anthony Hopkins, along with director Jonathan Demme) and Terry Gilliam's tracks for The Adventures of Baron Munchausen and The Fisher King.
Some video games, such as the episodic sequels to Half-Life 2 and Lara Croft Tomb Raider: Anniversary, have experimented with audio commentaries. Unlike DVD commentaries, the systems used for video games do not use a predetermined continuous flow of speech, because the events of a game depend on the player's actions. Instead, in-game prompts are used to allow players to activate a relevant audio commentary for a specific area. The camera and action may also be altered to more readily showcase the developer's comments.
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