From Wikipedia, the free encyclopedia
- Not to be confused with Daniel Keyes.
Daniel Keys Moran (born November 30, 1962),
also known by his initials DKM, is an American computer
programmer and a science fiction writer.
Biography
He was born to Richard Joseph Moran and Marilynn Joyce Moran. He
has three sisters, Kari Lynn Moran, Jodi Anne Moran and Kathleen
Moran.[1]
A native of Southern California, he formerly lived (with his
former wife Holly Thomas Moran) in North
Hollywood.[1]
DKM, his third wife Amy Stout-Moran, and their sons Richard Moran
and Connor Moran, along with Amy's two daughters and one son later
lived in Woodland Hills, Los
Angeles.[2]
In early 2005 Keys Moran lost vision in one eye due to wet macular
degeneration.[2]
Moran currently maintains an active blog, and has in the past
maintained two web sites. Queen Of Angels (1999–2004) was
his official web site, and Lakers Talk (2002–2006) was a
fansite for the Los Angeles Lakers. Much of his work
is available for sanctioned free download at the Daniel Keys Moran
Mirror.
Bibliography
Moran had ambitious plans for a 33 volume series, The
Tales of the Continuing Time, three novels of which
(Emerald Eyes, The Long Run, The Last Dancer) were published in the
late 1980s and early 1990s. Moran has also authored several short
stories and essays that were featured on National Public Radio.
The
Great Wheel of Existence
The multi-verse in which most of DKM’s work is set.
Human/Praxcelis Union
Stepping through a “doorway” in
The Armageddon
Blues
- “All the Time in the World” — Isaac Asimov’s Science
Fiction Magazine. Vol. 6 No. 5 (whole no. 52) May 1982. Story
art: Laura Buscemi/Artifact.
- The Armageddon Blues (expansion of "All the Time in
the World") — Bantam Spectra paperback (April 1988). ISBN
0-553-27115-6. Cover art: Jim Burns.
Quiet Vision hardcover ISBN 972-1-57646-576-5[3] (April
2001), tradepaper ISBN 1-57646-637-X (June 2002). Cover design:
DKM.
- “Realtime” with Gladys
Prebehalla — Isaac Asimov’s Science Fiction Magazine.
Vol. 8 No. 8 (whole no. 81) August 1984. Cover art: Hisaki Yasuda.
Story art: Ron Lindahn.
- The Ring — Bantom Doubleday hardcover (October 1988).
ISBN 0-385-24816-4. Jacket art: Shusei. Jacket design: Jamie S.
Warren.
based in part on a screenplay by William Stewart and
Joanne Nelson.
The
Continuing Time
The PKF chase Trent in
The Long Run
- Emerald Eyes — Bantam Spectra paperback (June 1988).
ISBN 0-553-27347-7. Cover art: Paul and Stephen Youll.
Quiet Vision hardcover ISBN 1-57646-577-2 (June 2001), tradepaper
ISBN 1-57646-638-8 (June 2002). Cover art and design: DKM.
- The Long Run — Bantam Spectra paperback (September
1989). ISBN 0-553-28144-5. Cover art Jim Burns.
Quiet Vision hardcover ISBN 1-57646-578-0 (August 2001), tradepaper
ISBN 1-57646-639-6 (April 2002). Cover design: DKM.
- Emerald Eyes • “The Star” • The Long Run —
Queen Of Angels limited edition[4]
hardcover omnibus (August 1998). Jacket art and design: DKM.
“The Star” is a new short story set between the two novels, and is
also included in the Quiet Vision printings of Emerald
Eyes.
- The Last Dancer — Bantam Spectra paperback (November
1993). ISBN 0-553-56249-5. Cover art: Manuel Pérez Clemente
Sanjulián.
Quiet Vision hardcover ISBN 1-57646-579-9 (March 2002). Jacket art
and design: DKM.
- Players: The AI War — (unpublished — first three
chapters available on-line at DKM's blog or the semi-official DKM fan site)
In May 2007, Moran described his intention to clean up and publish
AI War.[5]
- Lord November: The Man-Spacething War — (unpublished —
first two chapters available on-line at the semi-official DKM fan site)
The Sunset
Strip
- Terminal Freedom — with Jodi
Moran. Queen Of Angels hardcover (March 1997). Jacket design:
DKM.
Quiet Vision tradepaper ISBN 1-57646-643-4 (February 2002). Cover
design: DKM.
- In Cool Blood — with Jodi Moran. (unpublished)
Other
stories
- “Given the Game” — Aboriginal Science Fiction.
Nov.–Dec. 1990 (No. 24). Cover and story art: Charles Lang.
- “Hard Time” — Story,
with Lynn Barker. Star Trek: Deep Space Nine, episode
4×19. (April 15, 1996).
- “On Sequoia Time” — Asimov’s Science Fiction. Vol. 20
No. 9 (whole no. 249) September 1996. Story art: Steve
Cavallo.
- “Roughing it During the Martian Invasion,” — with Jodi Moran. War of the Worlds: Global
Dispatches anthology, edited by Kevin Anderson — Bantam
Spectra paperback (May 1997). ISBN 0-553-10353-9.
- A series of commentaries for NPR Sirius’ The Way In, airing in 2001:
- “The Road Goes Everywhere”
- “A Freeway in My Back Yard”
- “The Vast and Endless Sea”
- “It’s Great to Be Me”
- As of early 2006, Moran was working on a couple of books
(Symphony in Black & The Hotel California) in
the vein of Travis
McGee.
Star Wars
- all three short stories below were published in Bantam Spectra
paperback anthologies, edited by Kevin J. Anderson, with cover art by
Stephen Youll.
- Published under a pseudonym, about which Moran had the
following comment on his website. — “Editorial changes that
were unacceptable to me were made to ‘A Barve Like That,’ which is
why the ‘J. D. Montgomery’ pseudonym, but on balance it is perhaps
not a bad story, and I won't disown it if people understand that
the final product is only perhaps 80% mine.”
Concepts in the Continuing
Time
Daniel Keys Moran’s Continuing Time stories cover an abnormally
large number of standard SF/F themes and story devices. There are
multiple universes, time travel, cyberpunk, alien invasions,
martial arts, dance, paganism, the politics of world government, an
interesting twist on non-violent protest, and any number of
everyday technologies that were unheard of in 1985 but are
surprisingly common today.
The Crystal
Wind
This fanciful name for the virtual space created by a global
network of interconnected computers is Moran’s extrapolation of
what the Internet would become. Aside from its everyday uses in his
stories it also provides another environment in which good and evil
can do battle. Surprisingly, the most significant battle in the
series is a fight against excessive governmental control of this
fundamental quasi-public space.
As part of Moran’s description of how a ubiquitously available
Internet would affect society (The Long Run, 1989), he
introduced the concept of Internet addiction
disorder, which he called “data-starve”.
Images
Characters who have a significant presence in the Crystal Wind
are called Players, one such is ‘Trent the Uncatchable’ in
The Long Run. But when Players ‘Dance’ in the Crystal Wind
they can easily incur the wrath of the authorities, corporate
entities, or other denizens of the Crystal Wind. All competent
Players carefully craft an Image that they use to interact
with the virtual world. This Image is a set of customized code that
the Player slowly builds and improves over time. Its primary tasks
are to filter the overwhelming amount of available data into
understandable information, and to put into effect (through complex
technical means) the wishes of the Player. In this way, the Player
automates as much of the slow human search, analysis, actions and
reactions that are much faster using suitably advanced Image
algorithms and hardware. In effect, they create a computer version
of themselves that requires only occasional input from the slower
but more complex Player.
Prior to the beginning of the stories, the aforementioned Trent
character spent some years developing an Image called ‘Ralf the
Wise and Powerful’. The juvenile nature of the name reflects
Trent's youth as he was not yet a teenager at the time. As the
events in the stories unfold, it is a seemingly minor point when an
eleven year old Trent is forced by circumstance to abandon his
Image code in the net. Trent's impressive capabilities are
confirmed by the fact that his Image was sophisticated enough to
make the leap (with some assistance) to becoming a full sentient
AI. As Trent’s Image it was an online representation of his skills,
outlook, ethics and morals. As an independent being Ralf closely
adheres to his origins, and acts to support Trent in his efforts to
serve the greater good according to his pacifistic moral code. It
should be pointed out that the Trent character is portrayed as an
exceptional Player, perhaps the best ever. After leaving 'Ralf the
Wise and Powerful', Trent created (and later semi-merged with)
'Johnny Johnny'.
The living
flame
A force of life which can be "brought down" into the mundane
world by gifted individuals, mostly through dancing. As of the most
recent stories it is unknown what effects the flame has apart from
giving the witnesses a deep feeling of spirituality. Denice
Castanaveras is, as of the end of "The Last Dancer" the only person
alive who knows how to invoke the flame.
Co-authors
Neither of Moran’s co-authors has published independently, and
there is little public information about them. The information
below was posted by Moran on his website.
- Jodi Anne Moran
- DKM's younger sister, born March 9, 1964. She is the author of
an unpublished novel, Devlin’s Razor.
- Gladys Prebehalla
- A woman approximately the same age as DKM's mother whom he met
in a writing class when he was about 20 years old. They
collaborated on a story, “Maggie Archer”, about an older woman
forced to have a computer in her house
Notes
- ^ a
b
"Author Biographies & Dedications".
Emerald Eyes & The Long Run. Bantam Books.
- ^ a
b
"Daniel Key Moran". BlogSpot.com. http://danielkeysmoran.blogspot.com/.
- ^
The hardcover printing of The Armageddon Blues only lists
an ISBN of
972-1-57646-576-5, but online sellers—AbeBooks, Amazon, etc.—use a
10-digit ISBN 1-57646-576-4, which would make the actual 13-digit
ISBN 978-1-57646-576-9.
- ^
While the book itself says it is a limited printing of 1000 copies,
only 500 were printed before DKM decided to publish through Quiet
Vision Publishing.Limited Edition FAQ
- ^
Moran, Danial Keys. Suppose I ought to have
posted this here ... (May 27, 2007)
External
links