David Morose (born September 30,1974 or 1972, is a Canadian musician. Born in Vancouver as David Cowie, Morose is the founder and main force behind the band Born Against Christians . He is the singer and main composer of the band also producing and playing instruments on almost all of the recordings . Ariq Oblivion is the only other composer in the band he writes and plays instruments on almost all of the recordings as well . The production team of Morose Oblivion is a 15 year team in music recording ,engineering and production. Some artists and bands they work with are The Invalids(1990) , Hump , Down Syndrome , Brand O , Way Safer Dead , Slow Children Playing , Sponge , Crackhouse Champions , Attention Death Disorder , Burning People , My days are numbered , Aggressive Behaviour Unit , Blunt Alchohol Content ,BaldLoc, Wojack with Snoop Dogg . Born Against Christians latest release was mastered by Emily Lazar at the Lodge New York and recorded and mixed in Vancouver,Canada. David Morose and Born Against Christians have also been making music for movies this work is credited in the Movies Adam and evil 2004 and Netgames 2003. They are currently working on music for Roamerz for the Vancouver based bleak and blunt production and working on XMen 3 in Vancouver.

Official Biography Producer:“David Morose”
Born and raised in Vancouver,B.C. David Morose a producer also known as “Dmutate” exploded on to the punk scene in the late 80's early 90’s with the self produced record "Everything thats dead Quivers" by the Invalids .
This recording marks an underground production style that would stay with him even today. The early records he produced under the name Black Island and this era was definetly inspired by the production of Steve Albini (Big Black).
The transition to producer from musician was a natural process,states Morose"I started recording and making records because the studios around the city were ripping everyone off. They were making records that sucked in my opinion. For me thats not what writing songs and making records should be about and I wanted to change that. I have always felt that you make a record because you have something to say and if you dont have anything to say then say nothing." Profound and unbounded would describe his early work although alot of the projects were definetly on the Low-budget end of recording a fire was started around a handful of artists and producers and the attitude was taken on that you could D.I.Y. and with great results if you meant it and had a message that people believed in.
"In the beginning of recording writing I wanted to make noise and distortion and my approach was sometimes diabolical and mainly angry. I like songs now even in the most untraditional form. I like arrangements that make sense to the listener being even interested in the song in the first place. Then inside of that space inside of the arrangment is where we can express a message a point or a reason ."
"To get a real performance from the people we worked with on early industrial music we messed with mental torture and even physical at times it seemed alright at the time . We were trying to make something real and get out of our skin and be somehow more alive.
When we did scream tracks it sounded like someone was dying to the neighbors they thought we were killing people in the warehouse next door to them. They called the police more than once but no one really died there."
" I have always felt you make a record because you cant help it, the expressing that is. To be an important recording you really have to have something to say and its gotta be said, sang, rapped whatever that makes sense to me otherwise I would say to any artist to go home and rethink."
-David Morose