The Full Wiki

Dawson's Creek: Wikis



From Wikipedia, the free encyclopedia

Dawson's Creek
Dawsons creek credits.jpg
Dawson's Creek intertitle
Format Teen drama
Created by Kevin Williamson
Starring James Van Der Beek
Katie Holmes
Joshua Jackson
Michelle Williams
Kerr Smith
Meredith Monroe
Mary Beth Peil
Opening theme "I Don't Want to Wait" by Paula Cole (seasons 1–6); "Run Like Mad" by Jann Arden (international airings of season 1 and DVD versions of seasons 3–6 in English language only)
Country of origin United States
No. of seasons 6
No. of episodes 128 (List of episodes)
Executive producer(s) Tom Kapinos
Greg Prange
Paul Stupin
Kevin Williamson
Camera setup Single-camera[citation needed]
Running time 45 minutes
Original channel The WB
Original run January 20, 1998 (1998-01-20) – May 14, 2003 (2003-05-14)
External links
Official website

Dawson's Creek is an American primetime television drama which initially aired from January 20, 1998, to May 14, 2003, on The WB Television Network. The lead production company was Sony Pictures Television. The show was set in the fictional town of Capeside, Massachusetts and in Boston, Massachusetts during the later seasons. Reruns of the show are often seen in Australia on TV1, in Canada on TVtropolis, in Norway on TV3, in Denmark on TV2 Zulu, in the UK on Fiver, in France on TMC, in Greece on Macedonia TV, in India on Zee Café, in Italy on Italia 1, in Spain on LaOtra and in Lithuania on TV3.



Aimed at a teenaged audience, the semi-autobiography show is based on the small-town childhood of its creator Kevin Williamson (who also wrote the slasher film Scream). The lead character, Dawson Leery, mirrors Williamson's interests and background. Filmed in Wilmington and Durham, North Carolina, Southport, North Carolina, the show was set in a small fictional seaside town called Capeside, Massachusetts. It focused on four friends who were in the early part of their sophomore and first year of high school when the series began. The program, part of a new craze for teen-themed movies and television shows in America in the late 1990s, catapulted its leads to stardom and became a defining show for The WB. Alessandra Stanley of The New York Times declared in 2005 that "The WB is turning out to be the television equivalent of the United Nations" and that "Dawson's Creek was its Dag Hammarskjöld: It was the first series bold enough to pick up the mantle of Beverly Hills, 90210 and an inspiration for many variations on the teenage angst theme, including One Tree Hill on The CW."

Dawson's Creek generated a high amount of publicity before its debut, with several television critics and consumer watchdog groups expressing concerns about its anticipated "racy" plots and dialogue. The controversy even drove one of the original production companies away from the project, but numerous critics praised it for its realism and intelligent dialogue that included allusions to American television icons such as The Dick Van Dyke Show and The Mary Tyler Moore Show. By the end of its run, the show, its crew, and its young cast had been nominated for numerous awards, winning four of them. The series is known for the verbosity and complexity of the dialogue between its teenaged characters—who commonly demonstrate vocabulary and cultural awareness that went beyond the scope of the average high school student, yet that is combined with an emotional immaturity and self-absorption reflecting actual teens. This precociousness has been a staple of a number of teenaged-themed shows since, notably including One Tree Hill (also filmed in Wilmington, North Carolina), The O.C. and Gossip Girl.

Origins and reaction

Kevin Williamson, a native of the small coastal town of Oriental, North Carolina, was approached in 1995 by producer Paul Stupin to write a pilot for a television series. Stupin, who as a Fox Network executive had brought Beverly Hills, 90210 to the air, sought out Williamson after having read his script for the slasher film Scream—a knowing, witty work about high school students. Initially offered to Fox, the network turned it down. The WB, however, was eagerly looking for programming to fill its new Tuesday night lineup. Williamson said "I pitched it as Some Kind of Wonderful, meets Pump Up the Volume, meets James at 15, meets My So-Called Life, meets Little House on the Prairie". The show's lead character, Dawson Leery, was based on Williamson himself: obsessed with movies and platonically sharing his bed with the girl down the creek.

Joey Potter (Katie Holmes) and Dawson Leery (James Van Der Beek) in the "Pilot" episode (c. 1998).

Procter & Gamble Productions (the company behind such daytime dramas as Guiding Light and As the World Turns) was an original co-producer of the series. The company, however, sold its interest in the show three months before the premiere when printed stories surfaced about the racy dialogue and risqué plot lines. John Kiesewetter, television columnist for The Cincinnati Enquirer wrote: "As much as I want to love the show—the cool kids, charming New England setting, and stunning cinematography—I can't get past the consuming preoccupation with sex, sex, sex". Syndicated columnist John Leo said the show should be called "When Parents Cringe," and went on to write "The first episode contains a good deal of chatter about breasts, genitalia, masturbation, and penis size. Then the title and credits come on and the story begins." Tom Shales, of The Washington Post commented that creator Kevin Williamson was "the most overrated wunderkind in Hollywood" and "what he's brilliant at is pandering." In his defense, Williamson denied this was his intention, stating that "I never set out to make something provocative and racy".

The Parents Television Council proclaimed the show the single worst program of the 1997–1998 season, a title the Council would also award it for the 1998–1999 season. The Council also cited it the fourth worst show in 2000–2001. However, on the opposite end of the ideological spectrum, the National Organization for Women offered an endorsement, deeming it one of the least sexually exploitive shows on the air. For every scathing review there was a glowing one: Variety wrote that it was "an addictive drama with considerable heart...the teenage equivalent of a Woody Allen movie—a kind of 'Deconstructing Puberty'". The Atlanta Journal-Constitution called it "a teen's dream". The Dayton Daily News listed Capeside as a television town they'd most like to live in. The Seattle Times declared it the best show of the 1997–1998 season. The New York Times had perhaps the best headline on its review: "Young, Handsome, and Clueless in Peyton Place". That was precisely the sort of allusion real teenagers weren't likely to get, let alone make, but the show's punchy dialogue was full of them. Dawson calls his mother's co-anchor "Ted Baxter" and refers to his parents as "Rob and Laura Petrie." He responds to his principal's request for a film glorifying the football team as belonging to "the Leni Riefenstahl approach to filmmaking." Jen says her parents followed "the Ho Chi Minh school of parenting." The verbiage was high-flying too: star Michelle Williams confessed in interviews she had to consult her dictionary when she read the scripts.

While never a huge ratings success among the general television population, Dawson's Creek did very well with the younger demographic it targeted and became a defining show for the WB Network. (The first season's highest ranked episode was the finale, which was fifty-ninth, while the highest rated was the second episode, scoring so well only because there was no programming on the other networks, which were carrying President Clinton's State of the Union address in the midst of the Lewinsky scandal.)

The show endured phenomenal success in Australia where it rated number one in its timeslot for every episode covering seasons one to four. Its incredible support extended out into the music industry too when "Songs From Dawson's Creek", released in 1999 on Sony Music, reached #1 on the Australian Album Chart. It remained in the top spot for six weeks and was certified 3x Platinum; inevitably, it was the fifth highest selling album of the year. This was followed in 2001 when "Songs From Dawson's Creek — Volume 2" was released. Debuting at #1, the show's second soundtrack went on to achieve platinum status and was praised by critics and fans alike.

Season overview


Cast and characters

Regular cast

Actor Character Regular Seasons Recurring Seasons
James Van Der Beek Dawson Leery 1–6
Katie Holmes Josephine "Joey" Potter 1–6
Michelle Williams Jen Lindley 1–6
Joshua Jackson Pacey Witter 1–6
Kerr Smith Jack McPhee 3–6 2
Meredith Monroe Andie McPhee 3 – mid-4 2, 4, 6
Busy Philipps Audrey Liddell 5–6
Mary-Margaret Humes Gail Leery 1–4 5 – 6
John Wesley Shipp Mitch Leery 1–4 5
Mary Beth Peil Evelyn "Grams" Ryan 1–6
Nina Repeta Bessie Potter 1–4 5 – 6
  • Despite the title being named after James Van Der Beek's character, Katie Holmes is the only cast member who appeared in all 128 episodes. Van Der Beek's character, along with Joshua Jackson and Michelle Williams, did not appear in a handful of episodes during the show's final two seasons.
  • Kerr Smith and Meredith Monroe were added to the cast during the show's second season in recurring capacities until they were promoted to full-time series regulars during the show's third season. Monroe later left the series mid-way through the fourth season while Smith remained with the series for the remainder of its run.
  • At the beginning of the show's fifth season, only Mary Beth Peil remained a regular character out of the show's four "adult" characters whereas Mary-Margaret Humes, John Wesley Shipp and Nina Repeta were scaled back to recurring roles.
  • Busy Philipps joined the show's cast during the fifth season as a recurring role and was a series regular character during the show's sixth and final season on the air.

Supporting cast (in alphabetical order)

Actor Character
Jensen Ackles C.J. (Season 6)
Sasha Alexander Gretchen Witter (Season 4)
Dana Ashbrook Rich Rinaldi (Season 6)
Jason Behr Chris Wolfe (Season 2)
Obba Babatunde Mr. Green (Season 3)
Nicole Bilderback Heather Tracy (Season 6)
Lourdes Benedicto Karen Torres (Season 5)
Mika Boorem Harley Hetson (Season 6)
Jordan Bridges Oliver Chirckirk (Season 5)
Brittany Daniel Eve Whitman (Season 3)
David Dukes Will/Joseph McPhee (Seasons 2–4)
John Finn John Witter (Seasons 2, 4 & 6)
Megan Gray Emma Jones (Season 6)
Carolyn Hennesy Mrs. Valentine (Season 4)
Roger Howarth Professor Greg Hetson (Season 6)
Oliver Hudson Eddie Doling (Season 6)
Leann Hunley Tamara Jacobs (Season 1&2)
Ian Kahn Danny Brecher (Season 5)
Edmund J. Kearney Mr. Peterson (Seasons 1 & 2)
Monica Keena Abby Morgan (Seasons 1 & 2)
Ken Marino Professor David Wilder (Season 5)
Mark Matkevich Drue Valentine (Season 4)
David Monahan Tobey Barret (Season 4)
Chad Michael Murray Charlie Todd (Season 5)
Obi Ndefo Bodie Wells (Season 1&3)
Dylan Neal Doug Witter (Seasons 1–6)
Hal Ozsan Todd Carr (Season 5)
Michael Pitt Henry Parker (Season 3)
Harve Presnell Arthur "A.I." Brooks (Season 4)
Gareth Williams Mike Potter (Seasons 2 & 6)
Ali Larter Kristy Livingstone (Season 2)
Rachael Leigh Cook Devon (Season 2)
Mädchen Amick Nicole Kennedy (Season 2)
Mel Harris Helen Lindley (Season 2)
Marla Gibbs Mrs. Fran Boyd (Season 1)
Tony Hale Dr. Bronin (Season 3)
Harry Shearer Principal Peskin (Season 4)
Andy Griffith Mr. Brooks' Friend (Season 4)
Jennifer Morrison Melanie Shea Thompson
Sherilyn Fenn Alex Pearl (Season 5)
Jack Osbourne Himself (Season 6)
Jaime Bergman Denise
M2M themselves (Season 6)
No Doubt themselves (Season 6)
Paul Gleason Studio Producer (Season 6)
Mimi Rogers Helen Lindley (Season 6)
Hilarie Burton herself
Virginia Madsen Maddy (Season 6)
Seth Rogen Bob
Bianca Lawson Nikki Green (Season 3)
Jonathan Lipnicki Buzz
Scott Foley Cliff Elliot
Eion Bailey Billy Conrad
Mercedes McNab Grace (Season 5)
Sarah Shahi Sadia Shaw (Season 6)
Danny Roberts French Exchange Student (Season 4)
Adam Carolla himself (Season 6)
Dr. Drew himself (Season 6)
  • David Dukes, who died in October 2000, last appeared in the fourth season episode "You Had Me At Good Bye", which aired in November 2000 and saw the departure of Andie from the series. The episode concluded with a title card reading: "In Loving Memory. David Dukes, 1945–2000".

Main crew

Dawson's Creek was, mostly and in part, run by Kevin Williamson, Deborah Joy Levine, Paul Stupin, Alex Gansa, Jeffrey Stepakoff and Tammy Ader.

Filming Locations

Filmed in Wilmington, North Carolina, at EUE/Screen Gems studios and on location around Wilmington, Southport and Wrightsville Beach, North Carolina. College scenes in the fifth and sixth seasons shot at Duke University, Durham, North Carolina, and additional shooting was done in Raleigh, North Carolina. In 1999 some scenes were shot on the University of Richmond campus. The fourth season episode "Eastern Standard Time" also did location shooting in New York City, including at Grand Central Terminal.

The Wilmington area benefited greatly from the show. While a number of films, commercials and music videos had been shot at the studios, the show was the first to occupy numerous soundstages for many years. One Tree Hill later occupied some of those same soundstages for several years and uses some of the same locations in Wilmington.

In addition to business brought into the community by the project, it attracted attention to the city as a filming location and boosted tourism.[citation needed] The visitors' bureau distributed a special guide to filming locations used in the show. When the program was cancelled in 2003, the news was reported on the front-page of Wilmington's daily newspaper, the Morning Star.

Dawson's Creek and Home

34°11′20″N 77°50′45″W / 34.1888°N 77.8459°W / 34.1888; -77.8459Coordinates: 34°11′20″N 77°50′45″W / 34.1888°N 77.8459°W / 34.1888; -77.8459 Sunset shots of Dawson standing on his dock among the marsh grass were filmed along Hewlett's Creek on Pine Grove Road between Masonboro Loop Road and Holly Tree Drive in Masonboro, North Carolina.[1][2]


Capeside is a fictional town in Massachusetts where the Dawson's Creek takes place. It is a modest harbor city located along the Atlantic Ocean in a long bay with sparse housing. The separation between homes often requires that residents travel to the city center via car, although Dawson and Joey typically take a boat. Founded in 1815, the town has a population of 35,000 and is located between the cities of Providence, Rhode Island and Boston, Massachusetts. Capeside exteriors were shot in and around Wilmington, North Carolina. Its bays and coastlines are similar to those found along the coast of Massachusetts. The houses used for Dawson Leery's and Jen Lindley's homes are located on Head Road, while the house used for Joey Potter's home is located on Pine Grove Road.

A Dawson Creek actually exists in the Canadian province of British Columbia. It is named for the river of the same name that runs through it. Another exists in Oriental, NC, which flows into the Neuse River. This served as the inspiration for the show's name.

Capeside High School

Capeside High School is the fictional high school in Capeside, Massachusetts attended by several characters during the first four seasons of the show. Exteriors were filmed at the University of North Carolina at Wilmington.

Worthington University

Worthington University is a fictional university from Dawson's Creek. Joey (played by Katie Holmes) and Audrey (played by Busy Philipps), characters from the series, attended this school. It is supposed to be located in Boston, Massachusetts and to have been founded in 1787 by Josiah Worthington. It is sometimes said to be an "Ivy League college".

Producers had not planned for the show to extend beyond the characters' high school years. The architectural uniformity of UNC Wilmington prevented it from being used for Worthington University exteriors. The scenes at Worthington were filmed over two hours away at Duke University,[3] and a number of its students served as extras.[3] Some filming was also done on Franklin Street adjacent to nearby University of North Carolina at Chapel Hill.

Restaurants and Bars in the show

Interiors for The Icehouse were filmed at The Icehouse bar in downtown Wilmington several blocks from less picturesque water so exteriors were filmed at the Dockside Restaurant at 1308 Airlie Road in Wrightsville Beach, NC. Nearby constructions at the real IceHouse forced producers to eliminate the bar from the storyline by burning it down.[1]

The Hells Kitchen bar featured in the show was a natural food store at 118 Princess Street in Wilmington which was purchased by producers, dressed as a seedy college bar and used for production during the show's last season. When production completed, the building was purchased by a local restaurateur, along with much of the set and decorations, and convereted it into a real restaurant and bar. It retains the name as well.[1]

Leery's Fresh Fish, exteriors were filmed at Water Street Restaurant at 5 South Water Street in Wilmington.[1]

DVD releases


Dawson's Creek was shot like a motion picture using a single camera and often filmed on location, rather than being largely studio bound. The series used soothing colors, similar to Party of Five, rather than the cold, harsh look of shows such as The Practice. While most of the episodes were conventional, there were two Rashomon-like episodes exploring a story from differing perspectives, and the somber fifth season episode "Downtown Crossing" featured only one regular, Joey, and her interaction with a mugger. The third season episode "The Unusual Suspects," was filmed as a film noir detective story—complete with camera work and music appropriate to the genre. At times, Dawson's Creek was deliberately self-conscious, as when Eve tells Dawson he is Felicity, beginning a discussion of why Dawson doesn't like television shows, which concludes with his observation that they cut away when the best part comes—immediately demonstrated when Eve, about to kiss him, is interrupted by the main titles. It also made fun of itself on other episodes besides that one, especially the finale, when Dawson is the creator of a TV show called "the Creek."


Dawson's Creek was nominated for fourteen awards, including ALMA Awards, Casting Society of America Awards, Golden Satellite Awards, TV Guide Awards, and YoungStar Awards. Joshua Jackson won the Teen Choice Award for Choice Actor three times and the show won the Teen Choice Award for Choice Drama once. The series also won the GLAAD Media Award for Outstanding TV Drama Series.


The show had, in the words of television experts Tim Brooks and Earle Marsh, a "semi-spinoff", Young Americans. The protagonist of Young Americans, Will Krudski (Rodney Scott), was introduced in three episodes at the end of the show's third season, as a former classmate of Dawson, Joey, and Pacey, who had moved away some years before and had returned for a visit. He was never referred to or seen before or since. Young Americans was made by the same company as Dawson's Creek, Columbia TriStar Television, and appeared in Dawson's Creek's timeslot when it went on hiatus during the summer of 2000. The reason the show is considered a semi-spinoff instead of a true spinoff is because Will was not originally created for Dawson's Creek. He was added to Dawson's solely to set up and promote the series Young Americans.

Simon & Schuster published a series of fifteen mass-market paperback novelizations of the series.

Broadcast history


The show also aired in numerous international markets, listed here with the premiere dates:

  • The show originally aired in the UK on Channel 4 but later moved to Five for the last two seasons. In 2007 Five's sister channel FiveLife began airing reruns on weekdays at 7pm. In early 2008 with its evening showings having reached the final season it restarted the show in an early morning slot.
Country Premiere Channel
 Albania Vizion +
 Australia January 19, 1999 Network Ten (Original Broadcast – 1999–2003)
TV1 (Syndication – 2001–Current)
 Austria ORF 1, Reruns on Puls 4
 Belgium 1999 VT4, Reruns on 2Be (2008) and La Deux
 Brazil March 3, 1998 Rede Globo
 Bulgaria 2000 Nova Television
 Canada January 20, 1998 Global
 Chile 2000 MEGA
 Croatia 2001, September
 Cuba 2005, January Cubavision
 Czech Republic September 9, 2000 TV Nova
 Denmark DR1, TV 2 and currently TV 2 Zulu
 France January 10, 1999 TF1 and Télé Monte Carlo
 Germany January 3, 1999 Sat.1
 Greece January 10, 1999 Mega
 Hungary September 11, 1999 TV2 S1-S3, RTL Klub S4-S5, Cool TV S6
 India April 2008 Zee Cafe
 Indonesia 2007 Global TV
 Ireland May 1998 RTE TWO reruns on Channel6
 Israel September 1, 1998 Channel 3
 Italy January 3, 1999 Italia 1
 Lithuania TV3 later moved to TangoTV (TV6)
 Malta July 2008 Net Television
 Mexico Canal 5
 Netherlands Net5
 New Zealand June 25, 1999 TV2 (New Zealand)
 Norway September 1, 1998 TV3
 Peru Sony Entertainment Television (Latin America)
 Philippines Studio 23
 Poland September 6, 1998 Polsat
 Portugal April 8, 2001 TVI
 Romania February 28, 1999 Pro TV
 Saudi Arabia December 2007 MBC 4
 Serbia 2000 B92
 South Korea EBS
 Spain 2000 La 2 de RTVE
 Sri Lanka 2000 ARTv
 Switzerland December 27, 1998 TSR
 Thailand May 15, 1999 True Series
 Turkey 1999 CNBC-E,2002 DiziMax,2009 Kanal 1
 Ukraine 2008 1+1
 United Kingdom May 2, 1998 Channel 4
 Venezuela 1998 Televen
 Panama 1998 Channel 4 RPC


American ratings

# Season U.S. ratings
(millions of viewers)
Network Rank
1 1998 6.6 The WB #125
2 1998–1999 5.4 The WB #118
3 1999–2000 4.0 The WB #122
4 2000–2001 4.1 The WB #120
5 2001–2002 3.9 The WB #134
6 2002–2003 4.0 The WB #134


Production credits

Created by Kevin Williamson.

Production companies

Produced by Columbia TriStar Television/Sony Pictures Television and Outerbanks Entertainment. Originally, Granville Productions and Procter & Gamble Productions were producers, but left the show before it aired.

Executive producers

Executive-produced by Kevin Williamson, Paul Stupin, Charles Rosin, Deborah Joy LeVine, Jon Harmon Feldman, Alex Gansa, Greg Berlanti, Tom Kapinos, Gina Fattore, Jeffrey Stepakoff.


Episodes were produced by Dana Baratta, Greg Berlanti, Janice Cooke-Leonard, Alan Cross, Zack Estrin, Gina Fattore, Jon Harmon Feldman, Maggie Friedman, Darin Goldberg, David Blake Hartley, Tom Kapinos, Drew Matich, Chris Levinson, Paul Marks, Drew Matich, Shelley Meals, Rina Mimoun, Steve Miner, Gregory Prange, Jed Seidel, David Semel, Cynthia Stegner, Jeffrey Stepakoff, Dale Williams, Mike White


Episodes were written by Dana Baratta, Greg Berlanti, Hadley Davis, Gina Fattore, Anna Fricke, Maggie Friedman, Alex Gansa, Diego García Gutiérrez, Liz Garcia, Laura Glasser, Holly Henderson, Tom Kapinos, Rina Mimoun, Jason M. Palmer, Jed Seidel, Jeffrey Stepakoff, Liz Tigelaar, Mike White, and Kevin Williamson


Episodes were directed by Lou Antonio, Allan Arkush, John Behring, Sanford Bookstaver, Arvin Brown, Jan Eliasberg, Michael Fields, Rodman Flender, Morgan J. Freeman, Dennie Gordon, Bruce Seth Green, Joshua Jackson, Joanna Kerns, Peter B. Kowalski, Perry Lang, Michael Lange, Nick Marck, Melanie Mayron, Robert Duncan McNeill, Steve Miner, Jason Moore, Joe Napolitano, Patrick R. Norris, Scott Paulin, David Petrarca, Gregory Prange, Krishna Rao, Steven Robman, Bethany Rooney, Arlene Sanford, David Semel, Kerr Smith, Sandy Smolan, Lev L. Spiro, David Straiton, Jay Tobias, Jesús Salvador Treviño, Michael Toshiyuki Uno, and James Whitmore Jr.

Series Regulars

James Van Der Beek, Katie Holmes, Michelle Williams, Joshua Jackson and Mary Beth Peil were the only cast members who remained series regulars from beginning to end of the series. Katie Holmes was the only cast member to appear in every episode of the show.

Mary-Margaret Humes, John Wesley Shipp and Nina Repeta were all regular cast members throughout the show's first four seasons until the fifth season, in which the younger characters moved on to college and only Mary Beth Peil remained the regular "adult" presence in their lives. Instead of simply vanishing from the show completely though, all three of them occasionally reprised their roles in guest starring capacities.

Kerr Smith and Meredith Monroe joined the series in the show's second season but were not billed as regulars until the third season. Though Kerr Smith remained with the show throughout the rest of its run, Meredith Monroe eventually left the show in the middle of the fourth season, but continued to be billed as a regular until the end of that year as her character returned for the season finale. She also returned in the show's final episode. Her scenes in the series finale were cut from the original broadcast version, but remain intact on the show's DVD releases.

Busy Philipps joined the regular cast in the show's fifth season and remained with the show for its final two years on the air.

Katie Holmes and Joshua Jackson stated that they will indeed return for the reunion special.

Bibliography and references

Darren Crosdale's Dawson's Creek: The Official Companion (Kansas City, Missouri: Andrews McMeel, 1999) (ISBN 0-7407-0725-6), thoroughly chronicles the show, but only covers events through to the end of the second season. Scott Andrews' Troubled Waters: An Unauthorised and Unofficial Guide To Dawson's Creek (Virgin Publishing 2001 (ISBN 0-7535-0625-4)) also covers the series thoroughly but it includes all episodes up to the end of Season Four and, because it is unofficial, is freer with both criticism and praise. A less thorough book from about the same time, aimed at teens, is Meet the Stars of Dawson's Creek by Grace Catalano, which has more about the show than the title would imply. Andy Mangels's From Scream to Dawson's Creek: An Unauthorized Take on the Phenomenal Career of Kevin Williamson (Los Angeles: Renaissance Books, 2000) (ISBN 1-58063-122-3) covers the show well but omits later seasons.

Other references include:

  • "The best (and worst) 1999 had to offer". Dayton Daily News. January 2, 2000. 5C.
  • Tom Bierbaum. "Clinton tide stops long enough at Creek". Variety. January 29, 1998. (Ratings versus state of the union speech)
  • Greg Braxton. "UPN President Knocks Rival WB Network". Los Angeles Times. June 11, 1997. P4. (Criticism before show aired)
  • Tim Brooks and Earle Marsh. The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present. 8th ed. New York: Ballantine Books, 2003. (General information on the show and Young Americans)
  • John Carman. "'Creek' Runs Hot". San Francisco Chronicle. January 20, 1998. E1. (Review of premiere)
  • "Cheers and Jeers". TV Guide. Issue 2619. v. 51, n. 23. June 7, 2003. 14.
  • Tamara Conniff. "Music plays an important—and profitable—role in 'Dawson's Creek'". The Hollywood Reporter. April 17, 2002. (The show's sound)
  • Robert Crane. "Twenty Questions: Kevin Williamson". Playboy. v. 45, n. 9. September 1998. 138. (Interview with the show's creator)
  • "Dawson's Creek's low aim". (Editorial). The Cincinnati Post. September 22, 1997. 8A. (Editorial denouncing Procter and Gamble's role in the show, P&G being a Cincinnati company)
  • Maureen Dowd. "Puppy Love Politics". The New York Times. June 9, 1999. A31. (Humorous mention of politicians)
  • Jeffrey Epstein. "Unbound". The Advocate. August 31, 1999. 34. (Kevin Williamson profiled)
  • Amanda Fazzone. "Boob Tube: NOW's Strange Taste in TV". The New Republic. Issue 4515. v. 225, n. 5. June 8, 2001. 26–35. (NOW's endorsement of the show)
  • Bruce Fretts. "The Women of the WB". Entertainment Weekly. Issues 464 and 465. December 25, 1998 and January 1, 1999. (Profile of Katie Holmes and others)
  • Matthew Gilbert. "'Dawson's Creek': A flood of hormones". The Boston Globe. January 20, 1998. C1. (Review of premiere)
  • Matthew Gilbert. "Dawson, pals talk out into the sunset". The Boston Globe. May 14, 2003. D1. (Review of finale)
  • Lynn Hirschberg. "Desperate to Seem 16". The New York Times Magazine. September 5, 1999. 42.
  • John Kieswetter. "'Dawson's Creek' overflows with sex". The Cincinnati Enquirer. January 20, 1998. (Review of premiere) [1]
  • John Kieswetter. "P&G execs reviewing family TV". The Cincinnati Enquirer. August 6, 2000. A1. (P&G considering its role in producing the show)
  • John Kieswetter. "Readers divided on 'Dawson's'". The Cincinnati Enquirer. February 24, 1998. (Cincinnati viewers' reaction to the premiere)
  • Caryn James. "Young, Handsome, and Clueless in Peyton Place". The New York Times. January 20, 1998. E5. (Review of the premiere)
  • Ted Johnson. "Dawson's Peak". TV Guide. Issue 2345. v. 46, n. 10. March 7, 1998. 18–24. (Cover story on show's early success)
  • Ted Johnson. "His So-Called Life". TV Guide. Issue 2345. v. 46, n. 10. March 7, 1998. 25–29. (Profile of creator Kevin Williamson)
  • "Kevin Williamson: he's a scream". TV Guide. Issue 2337. v. 26, n. 2. January 10, 1998. 30. (Profile of creator Kevin Williamson)
  • Phil Kloer. "'Dawson's Creek': Teens get wet". The Atlanta Journal-Constitution. January 20, 1998. B1. (Review of premiere)
  • John Leo. "TV sleaze worse than ever". Las Vegas Review-Journal. January 25, 1998. 4E. (Column criticizing sex on television)
  • Kay McFadden. "The Kids Are Alright". The Seattle Times. January 19, 1998. C1. (Review of premiere)
  • Gareth McGrath. "Creek's Hot Properties". Wilmington Star-News. June 14, 2003. (Sale of props used on the show)
  • Shawna Malcolm. "Casting Off". TV Guide. Issue 2615. v. 51, n. 19. May 10, 2003. 40.
  • Jay Mathews. "'Dawson's Creek' site mecca for teens". The Cincinnati Enquirer. July 18, 1999. Travel section, p. 6.
  • "The Merchants of Cool". Frontline. PBS. February 27, 2001.
  • Greg Paeth. "P&G cuts its link with steamy teen series." The Cincinnati Post. October 23, 1997. 1C.
  • Parents Television Council website. Overall review, Worst of 1997–98 season,Worst of 1999–99 season, Worst of 2000–01 season
  • Joe Queenan. "Dumb and Dumber". TV Guide. v. 46, n. 15. April 11, 1998. 18.
  • Lynette Rice. "Interest in 'Creek' Rising". Broadcasting and Cable. June 16, 1997. 25.
  • Ray Richmond. Review of Dawson's Creek. Variety. January 19, 1998. 71.
  • Ray Richmond. "Youth ache 100 episodes". The Hollywood Reporter. April 17, 2002. (Part of special section commemorating 100th episode.)
  • Matt Roush. Review of Dawson's Creek. TV Guide. v. 46, n. 6. February 7, 1998. 16.
  • Pamela Redmond Satran. "15 Signs You're Too Old to Watch Dawson's Creek". TV Guide. Issue 2442. v. 28, n. January 3, 15, 2000. 17.
  • Tom Shales. "Stuck in the Muck". The Washington Post. January 20, 1998. D1.
  • Maxine Shin. "If Dawson and Buffy Are Gone, Can I Still Be Young?" New York Post. May 20, 2003.
  • Alessandra Stanley. "A President-to-Be And His Rosebud". The New York Times. September 10, 2004. B1.
  • Kevin D. Thompson. "'Dawson's Creek' runs its course tonight". The Palm Beach Post. May 14, 2003.
  • Ken Tucker. "The Big Kiss-off". Entertainment Weekly. Issue 544. June 9, 2000. 58–59.
  • Josh Walk. "Pop Goes the Teen Boom?" Entertainment Weekly. Issue 599. June 8, 2001. 26–35.
  • Andrew Wallentsein. "'Creek' to make splash on TBS". Daily Variety. March 19, 2003. 3.
  • Ron Weiskind, Barbara Vancheri, and Rob Owens. "If We Were In TV Land". Dayton Daily News. October 28, 1999. 8C.
  • Jeffrey Zaslow. "Straight talk". USA Weekend. July 10, 1998. 22.


External links

Official Dawson's Creek site


Up to date as of January 14, 2010

From Wikiquote

Dawson's Creek (1998-2003) was an American television series about four friends in a small coastal town that help each other cope with adolescence and beyond.

Season 1 Season 2 Season 3 Season 4 Season 5 Season 6
Pilot Kiss Virgin Coming Home Bostonians Kids
Crossroads Homecoming Failing Lost Weekend Same Song
Dance Lifestyles None Gentlemen Capeside Earnest
Tamara Home Movies Future Tense Goodbye Karma
The Kiss Full Moon Indian Summer Family Way Disillusion Impostors
Dance Secrets/Lies Xpectations Anxiety Living Dead
Discovery All-Nighter Witch Island Goodbye Videotape Gates of Hell
Hero Dinner Suspects New Hampshire Spiderwebs
Hurricane Election Tango Kiss Bang Scary Stories Falls Apart
High Risk Encounters Self Reliance Destruction Mayhem
Baby Sex She Wrote Barefoot Dawson's Tao Something Wild Day Out of Days
Uncharted Weekend Pacey's Te Arrangements Right Moves
Detention Leading Lady Northern Lights Hopeless Something Wilder Rock Bottom
To Be or Not Massacre Winter's Tale Guerilla Clean/Sober
Boyfriend The Question Crime Four Stories Downtown Castaways
Be Careful To Green Mind Games Lonely Place That Was Then
Roadtrip Psychic Friends Cinderella Admissions Highway To Hell Sex/Violence
Perfect Wedding Neverland E.S.T. Cigarette Love Bites
Double Date R.I.P. Stolen Kisses Late 100 Light Years Lovelines
Reunited Longest Day Coda Separate Ways Catch-22
The Scare Changes Show Me Love Separation After Hours Yellow Brick Road
Beauty Contest Parental Discretion Anti-Prom Graduate Abby Redemption
Decisions True Love Coda Swan Song All Good Things
Cast External links Come To An End

Season 1

Pilot (aka Emotions in Motion)

Joey: I just don't think it's a good idea for me to sleep over anymore, you know?
Dawson: No, I don't know. C'mon, You've been sleeping over since you were seven. It's Saturday night.
Joey: Things change, Dawson. Evolve.
Dawson: What are you talking about?
Joey: Sleeping in the same bed was fine when we were kids, but we're fifteen now.
Dawson: Yeah.
Joey: We start high school Monday?
Dawson: Yeah.
Joey: And I have breasts!
Dawson: What?
Joey: And you have genitalia!
Dawson: I've always had genitalia.
Joey: But there's more of it.
Dawson: How do you know?
Joey: Long fingers. I gotta go.

Pacey: [about Jen] You think she's a virgin? Wanna nail her?
Dawson: We just met!
Pacey: And a wasted moment it was. I mean greater men would be nailing right now, you know what I mean?
Dawson: Tact, look it up.

Dawson: See, I believe that all the mysteries of the universe, all the answers to life's questions, can be found in a Spielberg film. See, it's a theory I've been working on. You see, whenever I have a problem, all I have to do is look to the right Spielberg movie and the answer's revealed.
Jen: Have you considered a twelve-step program?
Dawson: Wit! We like that around here.

Jen: Hey Joey, I love your lipstick. What shade is that?
Joey: Wicked Red, uh I love your hair color, what number is that?
Dawson: You'll have to excuse Joey, she was born in a barn.
Jen: That's okay, uh Joey I just do highlights.
Joey: So, uh Jen are you a virgin?
Dawson: That's mature!
Joey: Well 'cause Dawson's a virgin and two virgins really make for a clumsy first encounter don't you think?
Dawson: You're going to die
Joey: I just thought I'd help, you know, cut to the chase.
Jen: No it's okay Dawson. Yes I am a virgin. How about you Joey, are you a virgin?
Joey: Please, years ago. Trucker named Bubba.

Pacey: It's a crock. The truth is you're a well put together, knockout of a woman who's feeling a little insecure about hitting forty. So when a young, virile boy, such as myself flirts with you, you enjoy it. You entice it. You fantasize about what it would be like to be with that young boy on the verge of manhood. 'Cause it helps you stay feeling attractive. Makes the aging process a little more bearable. Well, let me tell you something. You blew it, lady. Because I'm the best sex you'll never have.
Ms. Jacobs: You're wrong about one thing, Pacey. You're not a boy.

Dance (aka Dirty Dancing)

Joey: [to Dawson, about Jen] I'm not suggesting leather straps and Crisco, just a kiss.

Dawson: Do me a favor? If I get like this again, and I'm sure I will before this adolescent growth process is over... Next time just chain me to my bed and wait for my moment of clarity to come.
Joey: Can I use leather straps?
Dawson: Not until you explain the Crisco!

Jen: See the kiss is just the end result. It's not what's important. It's all about desire and wanting.

Dawson: Joey, you're going to have kiss him.
Joey: I can not and will not kiss that cretin.
Dawson: It's a movie. You're playing a character, it's not Pacey your kissing.
Joey: So he's a sea serpent from the deep, cite the difference.

Jen: [to Joey] You have nice breasts. I mean, don't get the wrong idea, I'm completely hetero. I'm just commenting girl to girl. You have a really nice body.

The Kiss (aka A Prelude to a Kiss)

Joey: You mean, you haven't even kissed that girl?
Dawson: It's not about the kiss Joey. It's about the journey, creating a sustaining magic.
Joey: Does Jen fall for this warped movie logic?
Dawson: It's not warped. It's romance.
Joey: It's old, Dawson. Just kiss her, will you? Take the elevator to the next floor and get off, it's time.
Dawson: It's not that simple Joey. It's about creating the perfect moment. And it has to be planned with the right music and dialogue.
Joey: You can't storyboard a kiss.
Dawson: Sure, you can.
Joey: It's not reality, Dawson. These movies that you're watching are false images that don't exist outside the city limits of Hollywood.
Dawson: Not true. They're images grounded in the reality of imagination.
Joey: Did you just pull that one out of your butt, or what?
Dawson: Everybody thinks that movies are fantasy, but they don't have to be. From here to eternity. You can have that. You just have to create it. That moment on the beach could be yours. You could be Deborah Kerr.
Joey: Mm, sand in my crotch, heaven.
Dawson: You know, it's attitudes like yours that prevent storyboard romances from happening. You're way too cynical.

Joey: [to Pacey] And what do you want?
Pacey: Actually something a little sexy would be good, I gotta a maybe sorta date this evening.
Joey: Hmm, who's the lucky farm animal tonight?
Pacey: Ahh, What's that, what's that stuff that makes a woman horny?
Joey: Your polar opposite?
Dawson: You mean oysters.
Pacey: Right oysters, A dozen oysters, Joey, pack 'em up.

Joey: Well, I'm a Pisces, I'm into body piercings, and men with tattoos.
Anderson: Are you here with your parents? Are you guys on a boat?
Joey: Actually, we brought the chauffeur. Mother hates to sail. She doesn't like the sun. She burns easy.
Anderson: What about you?
Joey: I wear lotion.
Anderson: No, I mean, do you like to sail?
Joey: Why do you ask?
Anderson: I'm taking a survey. Because I want you to come sailing with me, tomorrow.
Joey: I can't.
Anderson: Come on. I'll show you my tattoo.
Joey: Gap ad has a tattoo?
Anderson: If you come sailing you'll find out.

Pacey: Could it be? Joey's finally noticing the opposite sex!
Joey: Shut up!
Pacey: Uh, excuse me, young man! This woman here thinks you're very attractive!
Joey: [Trying to shut him up] You butt plug!
Pacey: Forget it, Joey. Guys off yachts don't go for waitresses. Huh?
Joey: I'm going to kill you. One night in your sleep, a slit throat maybe or a screwdriver to your temple. Be ready.

Tamara: Go home, Pacey. You need to find a girl your own age. Not some insane middle-aged woman.
Pacey: Please, Tamara.
Tamara: Please no buts. This can't go one second further, it's beyond wrong. You have to understand that.
Pacey: You keep saying how it's wrong. And maybe it is. But just to set the record straight, I'm a firm believer that sometimes it's right to do the wrong thing.

Discovery (aka Carnal Knowledge)

Dawson: [about Jen] Oh god, she's perfect.
Joey: Perfect? Dawson, you disappoint me.
Dawson: Those eyes, that hair..
Joey: Well, I grant you that the girl has certain physical attributes but nothing so original or mysterious to warrant perfection
Dawson: Okay, easy.
Joey: I mean, a face like that leaves nothing to the imagination. The well-maintained good looks of an upper-middle class New Yorker. There's no mystery there. I can see her entire future in that pose.
Dawson: Really?
Joey: Yeah. In three years her above average SAT scores will grant her admission into a small liberal arts college somewhere in New England where she'll major history before returning to Manhattan to marry a bond trader she meets some Saturday afternoon at America's cup watching party. Within a year they move to suburban Connecticut, refurbish an old farm house, and raise three neurotically perfect children.
Dawson: You've put quite a bit of thought into this.
Joey: Not really. It's just so obvious.
Dawson: Well, to be honest, I think I prefer to let Jen surprise me, okay?
Joey: Suit yourself. I'm just trying to save you some time.

Grams: Oh, Jennifer, you exasperate me. Everything I say isn't meant as criticism.
Jen: No, I know. Some of it's meant as judgment.

Jen: Why are you so surprised every time I jump at the chance to spend time with you?
Dawson: I don't know. Natural skepticism perhaps?
Jen: Well, get over it. Not everything in life has to be so complicated.

Joey: Sorry, kitchen's closed.
Jen: Well, if you can stand the shock, I actually came to see you. I need some advice.
Joey: And in what field do you consider me an expert in?
Jen: Dawson Leery.
Joey: You know, I'm sort of busy here with these receipts and locking up maybe we could do this another time.
Jen: I told him I wasn't a virgin.
Joey: I think I have a minute.
Jen: It's just that he seemed so disappointed in me, which of course made me angry and now I don't know where we are.
Joey: Well, let me tell you about Dawson. Granted he's articulate for his age but he's not exactly mature. He's the classic only child. He pouts when things don't go his way and he only sees things in black and white. Anything else confuses him.
Jen: Yeah.
Joey: And when it comes to women...there are popes who have had more experience. I mean the guy was a shrimp until last summer. To say his sex life is limited is the understatement of the decade. It's barren. A desert. I don't envy what you have to deal with, believe me.
Jen: You're not trying to scare me off, are you?
Joey: No. I'm just trying to say that every guy that grows up to be one of the good ones...he was probably a dweeb with girls when he was 15, too.
Jen: So what would you do?
Joey: Same as you. I'd get hurt, mad, confused, ask people for advice, maybe the wrong people, and then I'd wait.
Jen: For what?
Joey: For him to grow up, come around, everything.
Jen: And how long does that take?
Joey: Don't go by me. I'd probably be stupid enough to wait forever.
Jen: Mind a little company?

Joey: Hanging out with all your friends?
Dawson: Yep. That's why you weren't invited.
Joey: Phasers on stun, I come in peace. You're going to screw it up, you know?
Dawson: What?
Joey: Jen. She came and talked to me. I told her sit tight, he'll be back...
Dawson: Thanks. Appreciate it, Joey.
Joey: I explained to her that it's just displaced anger and you're just mad at your mom and dad.
Dawson: I'm mad at the world, Joey. I'm a teenager.

Hurricane (aka Blown Away)

Gail: [on TV] Well, Bob, it looks like tomorrow would be a good day just to stay in bed.
Bob: You've got that right, Gail.
Dawson: God, could they be any more obvious? So, Gail, what are your current views on the situation in Bosnia? Will you be jumping my bones after the broadcast?

Dawson: Look, maybe you better go, Joey. My verbal vomit's out of control today.
Joey: I know what you're going through Dawson. You're struggling to find answers. You want to know why she's cheating but it's all perception Dawson. Let me just offer the one ounce of wisdom I can bring to this table. You know instead of asking why your mother's doing all these horrible things, may I suggest that you get down on your knees and thank God that you have a mother!
Dawson: Joey...
Joey: Sorry, Dawson, I forgot for a second. This isn't about me.

Joey: You know, it's just an ego thing. I mean, "How could there possibly have been anyone before me, you know, how can I measure up?"
Jen: Is he really that trite?
Joey: I'm sure there's a measuring tape sitting in his bathroom right now.
Jen: What do you think it's marked up at?
Joey: What do you mean?
Jen: Oh come on, do you think Dawson's got a pistol or a rifle?
Joey: How would I know?
Jen: Oh, come on.
Jen: Well I guess I'm no longer the virgin queen of Dawson Leery's handheld fantasies.
Joey: Yeah I think Dawson's having a life-defining turning point in his life right now.
Jen: Aren't we all?
Joey: You know, taking into consideration his height, weight, feet and hand size, I'd say he's slightly above average.
Jen: Oh, so you have thought about it.

Grams: Mr. Ryan used to say, "If you want the rainbow, you've got to put up with a lot of rain."
Dawson: So you know, too?
Grams: I used to be a big fan of motion pictures. Frank Capra, It's a Wonderful Life, Mr. Smith Goes to Washington, Pocketful of Miracles. Simple desires fulfilled, aspirations realized.
Dawson: Fears of abandonment turned into fantasy spectacles of security and joy. Frank Capra and Steven Spielberg were often compared for their thematic content.
Grams: What I like most about those movies is the fact that no matter how far off the pedestal the character fell they always got a second chance. Forgiveness is one of the greatest gifts the Lord has given us with it comes understanding.
Dawson: Same way rain brings a rainbow.
Grams: From what I've seen of you so far, you better buy yourself a good umbrella.

Jen: I'm leaving, Dawson, um, but before I go there's--
Dawson: But Jen I'm--
Jen: No, no, hear me out, Dawson, please. Okay? Because this seems to be the day of truths, and I'm taking my turn. I lost my virginity when I was 12 to some older guy who got me drunk, I don't really remember his name but after the first pregnancy scare I went on the pill, and I used condoms most of the time, some of the times, I don't know, it's kind of blurry. I was really drinking a lot and having blackouts and stuff, um. I was sexualized way too young, and I don't wish that on anybody. I mean, sex at such a young age, more often than not, is a bad idea. I finally got caught having sex in my parents' bed. Daddy's little girl fornicating right before his very eyes. He still can't look me in the face but then again he shipped me 200 miles away so he wouldn't have to, but Dawson I'm not that girl anymore. I never really was, and I'm not that white-as-snow image you've got either, I'm somewhere in between and I'm just, I'm just trying to figure it out.
Dawson: Jen. It's not you. It's my own stupid hangups. My parents have this raging sex life and I just, I secretly used it as their measure of happiness.
Jen: Well, sex doesn't equal happiness.
Dawson: Yeah, I know. I know that now.
Jen: I'm sorry about lying to you, but I can't apologize for my past. I mean, I've learned from it, I'm a better person, it's gotten me here. And this is my chance to start over. It's my chance and it would be really nice if you'd be a part of that.
Dawson: On one condition?
Jen: What?
Dawson: That you'll have me. Jen because my behavior has been unredeemable and I don't deserve someone as impassionate and open and honest and beautiful as you are. [They hug] Take 2?
Jen: Mm-hm.

Baby (aka Look Who's Talking)

Bodie: Good morning sweetheart. And how are we feeling this morning?
Bessie: Well, if you're nauseous and swollen and irritable also, I'd say we're feeling exactly the same way.
Bodie: Look at the bright side. Your due date's the 22nd. In less than a week this will all be over.
Bessie: A week?! This can not last another week. It's inhumane. I don't sleep anymore, my legs are fat, my back is killing me, I feel like retching 23 hours a day... Did you know the average gestation period for the fruit bat is 2 months... 2 months, that's fair, that's reasonable. Why can't I give birth to a fruit bat?
Joey: Because we're about 80% sure you're human.
Bessie: Do you still live here?
Joey: Unfortunately.

Joey: Hey, jailbait.
Pacey: Feel free to keep on walking. I won't think you're rude.
Joey: Look, despite first impressions, I'm not here to bust on you. I don't know if the rumors are true or exaggerated. Or if this is one of your bizarre attempts to appear more attractive to the senior girls. But I just wanted to say I know what you must be going through, and...
Pacey: [laughs] No. I really doubt you know what I'm going through.
Joey: Well let me see. People stare at you when you walk down the hall, we've seen that. They whisper behind your back. You suddenly overhear your name in a conversation of strangers. And pretty soon a justifiable paranoia sets in and whether they are or not, you are convinced that everyone is talking about you. Imagine if you had done something even worse.
Pacey: Like what?
Joey: Like sharing a house with your pregnant unwed sister and her black boyfriend, while your father serves time on a drug conviction. Imagine that, Pacey. We actually have something in common... Providing gossip for the small-minded townsfolk. And unfortunately for you, you're tonight's top story.
Pacey: Great. So, what do I do now?
Joey: Same thing I did... You pray like hell for a better story to come along.

Jen: Grams' way of dealing with my point of view is pretending that it doesn't exist. Which, of course, infuriates me. It causes me to speak emotionally rather than rationally, and I become rude and defensive, and I...I give her even more of a reason to dismiss my viewpoints. Its like we're locked in this awful vicious cycle.
Dawson: Well, I don't know. You gotta do something. You just can't ignore her for three years until you go away to college.
Jen: I can't? Oh, there goes plan A.

Bessie: [grabs the phone] Listen, you sorry ass civil servant. This is the mother-to-be talking. Maybe I'm not in the tax bracket that guarantees a prompt response to medical distress, but I have a shoe full of amniotic fluid, my pelvis is beating like a rumba band, and I'm in real danger of having my first-born child delivered by two high school students. So, why don't you stop making excuses, get off your oversized backside and get us an ambulance before my fetus enters college?
Joey: Terrific. I'm sure they will be right on their way.

Pacey: Look I don't mean any disrespect here. But, if you'll just give me a second, I'll have you all home for dinner. OK? Look, I know the origin of these rumors has been traced to me. And, ah I guess that would make sense. 'Cause look at me, here I am a C+ student, who sits in the back of Ms. Jacobs English class everyday, daydreaming about the same thing. About, what it would be like to be... a little bit better looking, a little more sophisticated and about 15 years older. 'Cause, then and only then, could Ms. Jacobs possibly look at me as anything other than just another one of her students. And, only then, could this rumor stand any chance of being true. Ah, I mean, don't get me wrong, I am flattered with the seriousness that you took these allegations, but you know personally I'd just chalked them up to adolescent fantasy. I kind of expected you guys to do the same.
Superintendent Stevens: Correct me if I'm wrong Mr. Witter, but for the record, are you saying you deny the aforementioned allegations?
Pacey: Yeah, for the record, sir. And for anywhere else you want to put it. Ms. Jacobs is my English teacher and to my great disappointment absolutely nothing else.

Detention (aka The Breakfast Club)

Joey: You can't stand the idea that if a girl is choosing between two guys, she may not choose the romantic doofus who woos her with flowers and cheesy poems, you know? She just might choose the guy with the faster car or the bigger bicep or... the bigger joystick.
Dawson: Bigger joystick?
Joey: Yes.
Dawson: First of all, girls are attracted to romance more than anything.
Joey: Keep hope alive there.

Dawson: This is so Breakfast Club.
Jen: Breakfast Club?
Dawson: Yeah that John Hughes movie where the five kids are stuck in detention all day.
Joey: Yeah at first they hate each other and then they become really, really good friends.
Jen: Oh yeah that movie stunk. Whatever happened to those actors?
Dawson: Anthony Michael Hall developed some weird thyroid condition, Molly Ringwald lost her gauky ingenue appeal, and the rest are languishing somewhere in TV obscurity.
Pacey: No way! Emilio Estevez! He was in those Duck movies, remember? God, those were classics, so funny....What?

Abby: I'm so bored.
Pacey: Well, where's your ecstasy Abby? You and I can just go on down to the boy's locker room and you know...
Abby: I don't have any left and if I did I wouldn't waste it on Rudolph the red-nosed reindeer.
Pacey: What? You're not going to let Rudolph join in any of your perverted reindeer games?
Abby: Hey now there's an idea, games. We could all play a game.
Pacey: Really? What do you want to play? Pin the tail on the ho-bag?

Pacey: So do you think you can stop throwing basketballs at my face now, Dawson? I think it's glaringly obvious that I'm not going to steal your girlfriend. I mean, at least you have a girlfriend. I've got nothing left.
Abby: You have your hand.

Jen: Hey Dawson. I like you.
Dawson: Yeah but it's not enough that you like me. I want you to want me.
Jen: You're like a God to me Dawson, and I don't even believe in God. I mean, this school hasn't exactly welcomed me with open arms. It seems like everybody here hates me and I don't know why. If it's because I'm from New York, or because I'm different. It seems like my life here is just one big detention that I can't escape, but then, I think about you. And about how I've met a guy who's so romantic, and so caring, and who I like, and who I want so much. Dawson it's because of you that I get through the bad days. And if you think I want you to be some big, varsity sex stud then you're crazy.
Dawson: I understand that you want to take things slow, I do. And I don't want to rush you. I don't want to be that guy. But I'm human, I have hormones. And to say that I've never thought about having sex with you, I'd be lying. The thought crosses my mind. About a thousand times a day.
Jen: Well just a thousand? That's nothing.

Boyfriend (aka Escape From New York)

Pacey: How do I look?
Joey: Like a before picture in an ad for geek remover.

Pacey: Look, Joey, I've never really taken a particular interest in your life because, frankly, your life has never been particularly interesting.

Gale: When are you going to stop punishing me?
Mitch: When I can get rid of the vision of my naked wife playing hide the...when it stops hurting.

Cliff: Hey, I'm looking for Jen. You don't know where she is this period do you?
Dawson: No, I don't. Sorry.
Cliff: Well, give her a message, will you? Tell her I'm having a barbecue at my house this Saturday and I'd love it if she can make it. Hey, what the hell. Why don't you come too?
Dawson: Cool. Sounds great.
Cliff: I don't know if you can help me with it. Jen doesn't have a boyfriend, does she?
Dawson: Uh, yeah. She does. Me.
Cliff: Really?
Dawson: Yeah.
Cliff: That's terrific, man.

Pacey: [referring to Joey] Oh, Dawson, my fine, oblivious friend. One of these days, you're gonna have to take a gigantic fact-check my friend, all right. She didn't mistake you for anybody, okay. This girl is head-in-the-clouds, one hundred percent, ass-backwards in love with you, all right?

Roadtrip (aka In the Company of Men)

Jen: [to Joey] The truth is, ever since Dawson and I broke up you have been scared to death.

Pacey: Finally. Dawson's evil twin. This has been a much anticipated pleasure.

Joey: [to Jen] I mean Dawson was probably the first decent guy you've ever even gone out with and look what you did. You drove him into the arms of a prostitute.

Joey: [about Dawson] Yeah. I can wait.

Pacey: [to Dawson] You're a regular Richie Cunningham. Billy, he's the Fonz.
Dawson: Congratulations, that makes you Potsie.

Double Date (aka Modern Romance)

Pacey: Who's it gonna be? Is it Jen, or is it Joey? Do you like the blonde, or do you like the brunette? These questions are not gonna go away, Dawson. It's time that you provide some answers.

Pacey: [to a teacher, about Joey] You never told me I was gonna be working with a repressed, control freak.
Joey: [to a teacher, about Pacey] Yeah, and you never said my grade was dependent upon some remedial underachiever.

Pacey: You know, it's amazing, personality like yours and you still can't get any dates.
Joey: Even more amazing, personality like yours and you can.

Pacey: You know, a lot of people would consider you a very lucky woman.
Joey: And many people would consider you a very deluded man.

Joey: What? What's that smile of yours? Is it because I look ridiculous?
Pacey: No
Joey: Or is it that my misfortune amuses you? Or maybe it's because you like putting me in the most awkward situations and watching me squirm Pacey.
Pacey: No it's nothing like that. I was just thinking to myself that when you loosen up you're not half bad to be around... bordering on fun even.
Joey: [looks confused and then smiles] Home, Jeeves!
Pacey: Yes, Miss Daisy.

The Scare (aka Friday the 13th)

Jen: [to Cliff] You know, I think my Grams has the hots for you. You interested?

Ursula: You know, love is a complicated bitch.

Pacey: [to Joey] You're gonna go to your grave pining away for your best friend. A guy who's so oblivious, he doesn't have a clue that you lust after him morning, noon, and night.

Pacey: Can you watch the car, Jo?
Joey: Why?
Pacey: Well... I can't really turn it off. I mean, I can, but it's a hassle, you know, because I don't have the keys.
Joey: Oh, yeah. I forget. You stole it.
Pacey: Hey, you borrow from family. You never steal.

Dawson: [describing his relationship with Jen] The characters were flawed and uninspired. The love scenes were amateurish, to say the least. And the ending was definitely not happy. It wasn't even tragic. It just ended.

Beauty Contest (aka Pretty Woman)

Joey: [to Dawson] I want you to look at me and see the person you've always known and realize that what we have is so much more incredible than just some passing physical attraction...

Gale: [to Pacey] Honey, fair and beauty pageants aren't exactly synonymous.

Dawson: If Joey and I got together... It'd be just a little incestuous.

Pacey: You know, maybe I could be like one of those guys that warms up the girls before they go on stage.
Joey: It's not a porno, Pacey.

MC: Pacey Witter has changed his program. Instead of a magical act he will perform a dramatic interpretation.
Pacey: [in an Scotish accent] Well, I'm not William Wallace. But I am Pacey Witter.
Dawson: [from offstage] Pacey Witter's seven feet tall.
Pacey: So they say. So they say. And they say that this Pacey Witter is a dangerous man who slaughters Capeside residents by the dozen with his bare hands. And if he were here he would destroy those who would judge him with sparks from his eyes and wits from his ass.
[Audience laughs]
Pacey: Well, I am Pacey Witter. But who of you are in the position to judge me? Is it you, sir? And what sorts of human beings tolerate being judged? Well judgement stops today. And that which condones me, seems to own me. And I am willing to betray the trappings of my dysfunctional life for one chance, just one chance, to stand in front of my fellow countrymen and tell them that you may take my life, but you will never take my freedom!!! Thank you and goodnight.

Decisions (aka Breaking Away)

Joey: Cliffhanger? Come on, Dawson. You of all people should know that a cliffhanger is merely a manipulative TV standard designed to improve ratings.
Dawson: No, a cliffhanger's purpose is to keep people interested. Keep them guessing what's going to happen in future episodes.
Joey: But just like in our own lives, they are so predictable. I mean, the producers put the characters in some contrived situation hoping that the audience will think something is going to change, but, you know what? It never does. Back to the same way it was before your so-called cliffhanger. It's boring Dawson.
Dawson: Well, what if this time it's different? What if this time in the cliffhanger something changes? You wouldn't want to miss that, would ya?
Joey: It still sounds like one big tease to me Dawson.

Joey: I mean, I don't know. France is so far away. I mean, I won't know anybody, I don't speak the language, plus I don't think I could spend a year in any country that worships Mickey O'Rourke.

Mr. Potter: Dawson wait please. Tell me about her. Tell me about my daughter.
Dawson: What do you want to know?
Mr.Potter: Anything, everything.
Dawson: She's great. I mean, she's smart, she's beautiful, she's funny, she's a big ol' scaredy cat. If you creep up from behind her she'll jump out of her skin. It's pretty amusing. She's honest. She always calls them just like she sees them. You can always count on getting the truth from Joey even if the truth hurts. She's stubborn. We fight a lot. She can be so frustrating sometimes. But she's a really, really, good friend. I know her to a fault. She believes in me. And I'm a dreamer so it's so good to have somebody like that in my life. If she goes away, I don't know what I'm going to do. I mean, she's my best friend, you know? She's more than that. She's everything.

Joey: Hi. I don't really know what I'm doing here. That's not true. Um, look, I came here tonight to say, I came here to tell you that you messed up. You really messed up. And not because you broke the law or you got caught or that you left me without a father. You messed up because you don't know me. I'm your daughter and you don't know me at all. So I guess I just came to say that I'm alright. I turned out pretty good. And I'm going to be okay, no help from you. And um I just have one question. Do you love me?
Mr. Potter: More than you'd ever know. And I'm sorry. I'm so sorry.
Joey: Do you think about me?
Mr. Potter: Sweetheart, all day long, everyday, every hour, every minute.
Joey: Do you really love me, though? Because I'm 15 years old and I go through every day of my life thinking that nobody loves me.
Mr. Potter: Well nothing could be further from the truth. And I'm not the only one. Dawson Leery. He loves you Joey. He's never told you?
Joey: Never.
Mr. Potter: Well, he does. I know it.
Joey: How?
Mr. Potter: Because he looks at you the same way your mother used to look at me. And you love him...Have you told him? You have to tell him Joey. Don't make my mistake. Don't wait til someone you love is eaten with cancer and wasting away while you hold back...
Joey: I love you Dad.
Mr. Potter: I love you.

Joey: We're just friends. That's all.
Dawson: Joey, c'mon you know that's not true.
Joey: So what are we Dawson? You know, I am so tired of the way we relate to one another. We spend all of our time analyzing our sad little adolescent lives.
Dawson: I know we know too many big words. But it's a good thing to analyze.
Joey: But it doesn't get us anywhere. It doesn't move us forward. We're in the same place we were 3 months ago. It's time to grow up Dawson.
Dawson: I know, Joey. We can. We are growing up.
Joey: No we're not. Everyday is the same. We watch a movie, preferably a Spielberg film, find the appropriate life correlation and then we pat ourselves on the back for being so clever. You know, as much as our perception is right on, our honesty is severely lacking Dawson.
Dawson: There is something lacking.
Joey: And the reason I came here tonight is because we need to move on. Look, we're not kids anymore. And I'm not gonna do this anymore. And I just thought you should know, so...
Dawson: So, are you going to France?
Joey: Ah, the inevitable cliffhanger. Am I going to France?

Season 2

The Kiss

Pacey: You know I can't believe this. After years of gratuitous self-examination, you finally did it, you acted. I mean, I thought you and Joey were going to draw out this 'will they-won't they' drama for at least another couple of years. Sam and Diane didn't get together for at least 4 seasons and Mulder and Scully...they haven't even kissed! If you and Joey can get across this romantic checkmate thing you've been in for GOD knows how many years...anything is possible!

Joey: Me not going to and me talking dirty in the halls...I mean, do you think we're making some massive, monumental mistake? I mean, things have always been so complicated between...
Dawson: I think we'll be fine. I mean granted we'll be entering some uncharted boy/girl territory but I honestly think regardless of how complicated things are on a day to day basis, we'll be fine. We'll concentrate on the simple stuff.
Joey: Like what?
Dawson: Like a date.
Joey: A date?
Dawson: Mm-hm.
Joey: You and me on a date?
Dawson: Yep.
Joey: I don't know Dawson. I was gonna watch TV. I hear Luke Perry is returning to 90210.

Bessie: Oh, the first date. This will be interesting. Hey, what's wrong?
Joey: I don't know it just seems weird. I mean, Dawson and I on a date? Doesn't that seem weird to you?
Bessie: Well was it weird when you kissed?
Joey: No, that felt pretty right. But the thing is, it hasn't happened since then and it was yesterday.
Bessie: Well, that's not unusual, because the way I see it, the second kiss, it's always tougher than the first one.
Joey: We actually kissed more than once that night.
Bessie: Yeah, but it only counts as one and that first's the passionate one. It's the one filled by desire and attraction, and all of that, but the second kiss is rational. You got time to worry, and over analyze and most women....they prefer that first kiss, but I'm partial to the second one because it's about something more. You'll get that second kiss Joey and when you do it'll be great. It'll be real. It'll be meaningful.

Dawson: I'm really glad we've already bypassed the end of the evening "Will she kiss me?" drama. So, um, it should pretty much me smooth sailing from here on out.
Joey: Yeah, but now you have to endure the agony of "Well, I've already kissed her so should we just check into a motel and go at it like porn stars?" anxiety.
Dawson: I, um, I think I can handle that.
Joey: Good because I know a good motel.

Joey: Do you want to know why I didn't go to France? 'Cause I wanted to so badly. I mean, in France I could have started over, you know. I wouldn't be Joey the waitress, or Joey the daughter of a convict, or Joey half of the "will they/won't they" couple of the century. I didn't go to France because it just seemed like the easy way out, you know? The easiest escape from my life, which in spite of a few highlights is pretty pathetic. But I didn't want to take that easy way out, Dawson. It just seemed like sticking around here would only make me stronger. Then there was you too. Dawson Leery, who finally got a clue. But I have to tell you Dawson, as complicated our friendship was, it doesn't even compare to how complicated whatever you and I have here is bound to be.
Dawson: Really? What you and I have may never be simple...but that doesn't mean that we're not going to be scorching. Besides, who's to say that you can't have some of France right here in Capeside, hum? Here we are along the river Seine, a tour of the il de la city, the favorite spot of lovers and friends. And from here we also have a view of the magnificent structure that we simplists here in Capeside like to call....ze swingset. Granted, It's no Eiffel Tower, but it's all we got. But don't forget about the other franc-o-fellow opportunities in town. French fries.
Joey: French toast.
Dawson: French doors.
[They kiss]
Joey: French kiss. The second kiss, the rational one. The one that requires thought.


Pacey: I've gotta big case of the Molly Ringwald syndrome.

Joey: [Talking about what she wrote in her diary] The truth is, Dawson, I've had these feelings for you, for so long. And some days, it would just make me so mad, at me and us. And I had to take it somewhere and unleash it. And it was my way of coping.

Dawson: I forgot Pacey's birthday. I'm his best friend, and I forgot his sixteenth birthday.
Joey: Is he alright?
Dawson: No. He's really hurt, angry, not speaking to me. And I'm all to blame.
Joey: Sorry Dawson.
Dawson: Yeah, I pretty much suck.

Jen: Oh hell.
Grams: Don't swear dear. God is listening.
Jen: If he's listening, then he should realize that you're allowed to say it if it's heard on Network TV.

Pacey: So what? I mean at least she didn't tell you that the sight of you gives her dry heaves or that you're a self-centered, self-absorbed, selfish...
Dawson: Yeah, but she obviously has opinions about me that she hasn't been honest about. She said I was a..a talentless dreamer with no cinematic future.
Pacey: Okay, no offense, Dawson, but I don't think anybody cares.
Dawson: I care. And Pacey I could honestly use some advice here.
Pacey: Oh, you want some advice? How about this? Your life is not that interesting.
Dawson: What?
Pacey: You know I am so sick and tired of hearing about you and Joey's boring little mini dramas I'm going to start tearing out my fingernails for relief. Get over yourself, Dawson! Deal.

Alternate Lifestyles

[Pacey and Andie are married for a school project]
Andie: I want a divorce.
Pacey: Granted. You know what, we split the cash. You can have the kids. I'll keep the car.
Andie: That is so typical, doesn't it sicken you that you're living up to the most common and base of male stereotypes. You don't care about your wife and kids; all you care about is this overpriced absurd piece of metal.
Pacey: Hey, it's got passenger side airbags! Look, I want a Viper, end of story.

Pacey: This is just one assignment. Its not like your flunking out of school.
Andie: Yeah, I know that. But you get behind by one day, and then you're always struggling to catch up. And you become more and more confused, and then the next thing you know, you're out on the streets drunk and pulling around a shopping cart.
Pacey: Andie, you're rich. Rich people don't end up on the street. They end up in Florida.

Pacey: Is Andie on any kind of special medication? Because she just went psycho on me.
Jack: Why, what'd you do?
Pacey: Oh, nothing. I just called her a spoiled princess.
Jack: Andie, a spoiled princess? I don't think anything could be further from the truth.
Pacey: Oh, come on. Are you telling me your family's not totally loaded?
Jack: You think I work here for kicks?

Abby: I can't believe I'm friends with someone who only has eyes for Dawson Leery.
Jen: Guilty as charged.
Abby: Please, you're making me eww. [Jen smirks] Jen, look at me. I have three words for you. Make it happen.
Jen: Abby...
Abby: No, don't Abby me. Make it happen.

Tamara's Return

Pacey: Listen, I know it's over. It has to be, but I just need to know... Do you miss, um, teaching.
Ms. Jacobs: Yes. Very much.
Pacey: Good, because I miss you teaching. Very much.

Pacey: Hey, I've got nothing going on now. So how about we go for a walk around town together.
Andie: Yeah, what's the joke?
Pacey: No joke, I've got no plans. And believe it or not, but I'd rather spend my time with you, than than flying solo. So pinch yourself, its your lucky day. You in?
Andie: Well yeah, I might as well.
Pacey: Unless you've had your heart set on watching Dumbo.
Andie: Nah, I've seen it about 700 times. You're not gonna throw me in front of a bus are you?
Pacey: Thats not such a bad idea McPhee.

Joey: Jack, ever since we hired you, its been nothing but a slapstick comedy. I mean you break dishes, you misplace orders, and you fall all over yourself.
Jack: Why don't you just terminate me, if I'm such an incompetent moron?
Joey: We don't want to terminate you Jack. Its just... [pauses] Alright, you can open. Bessie will be relieved and it will be like a test run. But [pauses] just don't set the kitchen on fire.
Jack: Well, thanks for that unqualified vote of confidence.

Joey: You've been everything to me. And I have been your sidekick, your confidant, your other half for so long and that's how our relationship works. And it's a nice place for you, but for me it's scary. Cause I realized that aside from you, I don't have anything. My entire life is attatched to you.

Full Moon Rising

Pacey: Andie, whats the problem.
Andie: Tim died, he's dead, ok?

Jack: What other time in your life are we gonna be exposed to so many walks of life? People who randomly cross your path, telling you their stories, hope, dreams.
Joey: Ways to blame us for their food being cold, not enough clams in their chowder.
Jack: Why are you so angry.
Joey: It's just the full moon, it's got me freaked.
Jack: Not just tonight. All the time.

Pacey: Have you ever noticed how the most interesting thing about a Porn film is the title? I mean think about it. You've got your Sperminator, Romancing The Bone.
Andie: I don't know why they try to be so clever. I mean they should all have the same title, "Woman Pacey will never do."
Pacey: Ouch. You know McPhee, all this verbal sparring we're doing is getting a little dangerous, so we should just go on a date before someone gets hurt.
Andie: Forget it.
Pacey: Oh come on, you know you want to.
Andie: Well, maybe if I was asked politely.
Pacey: Ok. Andie, would you like to go on a date with me tonight?
Andie: [Shrugs her shoulders] Ok.
Pacey: Well, don't sound so enthusiastic.

The Dance

Jack: You don't blame me for kissing you, you blame yourself for kissing me back. ...

Joey: I don't think cackling qualifies as concern or advice.

Joey: Dawson, it was just a kiss.

Pacey: Oh my God, we're hanging out with Marcia Brady.

The All-Nighter

Jen: [to Joey] You know, I used to think that it was our mutual feelings for Dawson that kept us apart. I never really considered the fact that maybe you were just a bitch.

Pacey: Alrighty. [reading] Question number one, "Have you ever been intimately aroused by a relative?" So, it's a southern test, huh?

Andie: Why do you insist on undermining me at every opportunity you get?
Pacey: Think of how boring the alternative is.

Chris: Jen, is there a particular reason why you're not receptive to my wily charms?
Jen: Other than the fact that you emit them regularly to any skirt within a 6-mile radius?
Chris: Actually, I have a car so it's more like the tri-state area. [Jen smiles] Ah-ha! A smile. Mission accomplished.

Joey: The two times I fell in love Dawson, they were both with you. The first time I fell was for my friend, the boy down the creek, the one I grew up with. And the second was after you kissed me. I fell in love all over again. Just because we aren't together doesn't change my feelings for you.

The Reluctant Hero

Pacey: Hm-mm. You're an endangered species, my friend. Last of a dying breed, and this movie is killing you softly with its song.

The Election

Pacey: No one is gonna laugh at you Andie, everybody comes from a dysfunctional family. It's the 90's, the only happy families are in TV syndication.

High Risk Behavior

Dawson: [notices her drawing of a naked man] I see you've graduated from fruit bowls.
Joey: We're doing life-sketching...nude're supposed to see the human form, a mass of lines and shadows.
Dawson: Really?
Joey: I'm working on it.
Dawson: And he does poses for you?
Joey: Yeah.
Dawson: Don't you find that uncomfortable? Just sitting in a room with some guy completely in the buff right in front of you?
Joey: No..
Dawson: Does he like talk or anything?
Joey: Oh, yeah. He sings, tells jokes, does a little softshoe. No, he doesn't talk, Dawson. He's a model. He sits there. He just takes breaks every now and then.
Dawson: And Little Joey Potter doesn't blush?
Joey: No.
Dawson: Not even a little?
Joey: Maybe a little...
Dawson: [raises eyebrows] Just a little?
Joey: [Smiles, embarrassed] Okay, I've broken 12 pencils.
[Dawson laughs]
Joey: But it's getting better. You'd be surprised, I'm changing. I'm not Little Joey Potter anymore.
Dawson: No, you're certainly not.

Sex She Wrote

Dawson: You are definitely a mystery.
Joey: I like the way you see me.

Chris: You know who you are, you're Nancy Drew. From Hell.

Abby: Jen, it's written all over your post-coital glowing finally wooed the wonder-boy into the dark side, so was it worth all the pining, all the feeling that you weren't good enough?

Jen: [to Abby] I don't know where you come from or just who has the misfortune of being responsible for your existence, but you're a lying manipulative and cruel person and the fact that you are only 16 years old makes me feel more sorry for you than any of the people in this room whose lives you're so intent on're pathetic.

Andie: It's okay to be scared, Pacey. I mean, the world is a scary, scary place. Pacey, I don't want you to be scared of me.
Pacey: How can I not be, Andie? You're the one who's opening up this whole life for me and I'm just afraid that...
Andie: What?
Pacey: I'm afraid because you're the single most important being to ever grace my existence. Andie, I am falling hopelessly in love with you.

Uncharted Waters

Pacey: [to his drunk, passed out father] So I guess this is as good a time as any to have that father/son talk. [Imitating his father] So, How you doing in school, Pacey? [Himself] Well, actually dad, I'm doing alright. You know, I'm really turning things around. Turns out I'm pretty smart. Maybe I'm college bound. [His father] Good man, Pacey, I always knew you'd turn out to be something. How the ladies treating you? [Himself] Well, I met this woman. [His father] Is she cute? [Himself] Cute? Man, Andie's beautiful. She's smart, she's funny. Tell you, this girls really something special, dad. Whatever reason, she seems to think I'm pretty special, why can't you see that? Hmm? What can't you see me? When did you give up on me, when I was five? Hmm, ten, twelve? I'm sixteen years old, dad! And I'm here and I'm not perfect, dad, but I try so hard for you! [Starts to cry] I just...[Sobs] And it's your job! It is your job to love me, no matter who I am or what I become! Because you're my father '[Sobs]'re my dad. [Sobs more] You're supposed to love me, you son of bitch. I can't do this by myself.

His Leading Lady

Pacey: You know, I think I forgot to mention that I'm actually the charter member of the Andie Mcphee fan club and as a matter of policy our adulation never waivers, through the good times...or the bad.

To Be Or Not To Be...

Pacey: [To Mr. Peterson] What is it about you that gets off on tormenting your students? Because let me tell you, they may all live in fear of you, but I don't. I see you and your miserable scare tactics for what they really are; the misguided lashings of a bitter, lonely old man who only feels good when someone else in the room feels worse.

Jack: [His Poem] Today. Today was a day. The world got smaller, darker. I grew more afraid. Not of what I am but of what... I grew more afraid. Not of what I am but of what I could be. I loosen my collar to take a breath. My eyes fade. And I see... Him. The image of perfection. His frame strong. His lips smooth. And I keep thinking. What am I so scared of... I wish I could escape the pain, but these thoughts invade my head. Bound to my memory, they're like shackles of guilt. Oh God, please set me free...

...That Is The Question

Dawson: Here I am single, sandwiched in-between two women who both dumped me. I am pathetic.
Jen: Hey, look at me, I'm dating a bible thumping hypocrite, okay?
Joey: Hey, my boyfriend may be gay.

Andie: Um, it's just that, I molded you into this person who I thought you should be. I did it to my father too. I thought it was what I needed. You know, I place this unfair burden on people just so they can save me from myself. But I realize that I don't need a knight in shining armor, what I need is a partner. Someone who I can be proud to love and who's proud to love me back in spite of all my faults.'s you, You're the one Pacey. I'm really sorry.
Pacey: How come your apology was so much better than mine? I always lose to you Andie. [they kiss] You know, I take that back, I'm definitely the winner here.

Mr. McPhee: You are not gay.
Jack: Yes, I am! You know it. I see how you look at me, and I know you know. Think about the way that you treated me and the way that you treated Tim. Because he was the real son, and I was different. And as hard as you've tried to stamp it out and to ignore it, I have tried harder. I've tried harder than you, to be quiet, and to forget it, and to not bother my family with my problem. But I can't try anymore, because it hurts. I'm sorry Dad. Andie, I'm sorry. I don't want to be going through this, but I am.

Be Careful What You Wish For

Kelly: Oh my God! look...amazing.
Abby: Wow. It's like a transformation from John-boy to John-John, all in a sharp, dippity-do.
Jack: It's no big deal. I put a little gel in my hair. That's pretty much the extent of it.
Abby: I guess when you get gay, you get style. I wish I would have nabbed you one sexual preference ago.

Pacey: Whoa! Who are you and what have you done with my girlfriend?
Andie: She's been here all along. Just trapped beneath the bondage of Gap clothing and a good-girl complex.

Dawson: [Singing the Blues] My name is Dawson Leery.
I'm feeling kind of weary.
Today is my birthday.
It all looks a little bleery.
The girl that I cared for,
Left me and ran away,
Straight into the arms of,
a guy that turned out to be gay!
I got the blues!
Yeah. Today I woke up feeling like I was born to lose.
Yeah I got the blues.
Somedays you're born to lose!
Here's my friend Andie, and she's going to sing you a song because she's got the blues.
Andie: [singing] My name is Andie.
And my brother's the one that's gay.
My other brother died.
And my daddy ran away!
But I'm still Andie.
And my boyfriend makes me randy.
His name is Pacey,
And my mom's gone completely crazy!
Yeah, I've got the blues!
Dawson: [singing] Oh, I've been restless, hopeless and confused.
This girl that I told you about;
she's been on the move.
She's at my surprise party where everyone I know is right now.
And when I show up late they're all gonna have a cow!
Yeah I got the blues.
I swear sometimes we were born to lose!
Andie: No, brother man, we got the blues!
Dawson & Andie: We got the blues!
Sometimes you, you were born to lose.
Ohhh yeah!

Dawson: [drunk] Time to make a wish, okay...let's make a wish. I wish..I wish that my mom never slept with her co-anchor. I wish that my father would stop talking about actually getting a job and go out and get one! I wish the two of you would stop your petty bickering and at least pretend to be the adults around here! I wish that my friend Pacey would just end this transformation of this A-student, do-gooder, all-around sanctamonious angel and would go back to what he does best which is make me feel good about my life when his is supposed to be worse. And then there's Jen Lindley with her drunkedness and her revolving boyfriends and her wild, wicked ways. I want to party with you! Ah, and then there's Jack McPhee. Jack McPhee who likes guys but doesn't mind stealing my girlfriend! Tonight, ladies and gentlemen, starring in his very own version of In & Out. He's in, he's out! He's in! He's out! In, out! Nice hair by the way. And then, of course, there's my Joey. My sweet, precious Joey. The only 16-year-old in the world that needed to find herself. But you know what? That's okay. I accept it. You need to find yourself, and I accept it. So Joey! Joey? [looking everywhere, under tables, around people] Excuse me? Where's my Joey? Joey! There she is! There's my Joey!

Dawson: God, I am so lonely. I'm 16 years old and I'm so hopelessly lonely.
Joey: Is that why you got drunk?
Dawson: Yeah...Jo, why did you break up with me and run straight to Jack?
Joey: Because he wasn't you. Look, it was never about looking for something better, Dawson. It was about looking for someone who wasn't so close to me. Where I could tell where I ended and he began. I mean, our lives have always been so intertwined that in many ways I feel like you partially invented me, Dawson. And that scares me so much. I need to find out if I can be a whole person without you. I need to find out if I can be a whole person....alone.
Dawson: Well, do it quickly, okay? Because....God, I love you.

Psychic Friends

Whit: Evelyn Ryan?... It's me... Whit, Whit Hubley.
Grams: Lord in heavens. I thought you were dead.
Jen: [under her breath] Great pick-up line.

Jen: Grams, I'm serious. I saw the look in his eyes. He was having impure thoughts about you.
Grams: Oh you stop it, you stop that talk right now.

A Perfect Wedding

Joey: So, thank you.
Dawson: For what?
Joey: For being my friend, for understanding me better than anyone, and for putting up with me for the last 16 years...I love you.
Dawson: I love you, too.

Dawson: Joey... these past 3 years you have been so...unbelievably strong. I mean you've let the -- the petty gossip and judgments of this town roll right off you. Don't let them get to you now. Now is the time to dig in your heels and to show them you have absolutely nothing to be ashamed of, and you're not alone in this, you have your father now, you have a family again... and you will always have me.

Andie: Okay, I admit it, you're right, I'm a sucker for taffeta. The site of the little flower girl makes me weepy. I'm a wedding fanatic... there are you happy? Huh?

Pacey: You know, I wish I had money like these people. When somebody in my family gets married, you end up wearing polyester, they serve fish sticks for appetizers and the whole thing winds up in a drunken brawl.

Jack: Hey guys, did uh, Joey talk to you yet?
Dawson: About what?
Jack: Well the Ice House is catering a wedding on Saturday and we need some extra hands, it's 60 bucks for the day.
Pacey: Sold! For 60 bucks I'd cater your ass.
Jack: [laughs] Well, that won't be necessary.

Rest in Peace

Joey: I just, um, I hope wherever she is, she's happy.
Dawson: She's happy. She's looking down on you...and she's very happy.

Andie: Um, there are people who give me comfort in my life. Um, when the going gets rough as it invariably does I can count on them as a shoulder to cry on. And they will pick me up when I fall and hold me in their arms as I cry, and tell me that everything is going to be alright. I am so thankful for these people they are priceless... But there's another group of people, just as important, and just as priceless. They are the people who challenge me, who push me to my breaking points, and who force me to muster courage I never thought I had. Abby Morgan was one of those people. In her own truth-telling way she gave me strength, I'm a stronger woman because of her, stronger than I ever thought that I could be. She gave me that gift. She's was one of a kind. There's no one like her and she will always hold a special spot in my heart.

Jen: Well then you obviously didn't know Abby too well, because Abby is probably down there with Beelzebub doing tequila shooters and laughing at all of us.

Andie: [In Abby's room] OK, dear diary that new girl Andie is such a...psycho?! How many ways can you tell a person you don't like them...What?! She just won't take a hint. God, and that boyfriend of her's is a...
[Pacey grabs the diary from her hands]
Pacey: Okay, you know what, I don't want to know, I don't want to hear it.

Pacey: Hey, what if Abby's mother saw us come in here together? She probably thinks I'm trying to get lucky in the middle of her daughter's memorial.


Pacey: Let's face it, guys, we are this far away from the Peach Pit.

Jen: You know what? I happen to agree with Joey. I mean, sure we've all grown to tolerate each other, but I still think we're a long shot off from 90210-land of best friends forever.

Pacey: You have to Andie, you have to choose, and I'm begging you from the bottom of my heart to please choose me... Open this door, come out here and choose me, please. You are so special and you give so much to everybody around you, and you know what Andie? I need you more than Tim does, so does Jack.
Andie: That's not true.
Pacey: Yes, it is. My life began when I met you Andie, and you never gave up on me so I'm not gonna give up on you. So, please, Andie, for the love of God, come out here and choose me, please.

Joey: Well I have to admit I am a little surprised that you are okay with this considering that it is our one month anniversary for whatever we are, or were, or are.
Dawson: Joey, we are boring, trite people okay? We're absolutely incapable of spontaneity. We do things like plan, and organize, and make reservations weeks in advance at top notch restaurants to celebrate one month anniversaries of whatever we are, or were...or are.

Pacey: Well, I think you look fantastic sweetheart you just don't look
Andie: Ha ha...keep digging. You're approaching China.


Dawson: Why is it that we're so ridiculously intent on pleasing the people who dislike us the most?

Dawson: [to Joey] Because I'm afraid okay? I'm afraid that I'm not enough for you and that I never will be alright? And if I do this that you're just going to realize that you've grown way beyond me and then I'm... I'm just going to lose you again.

Mr.McPhee: If I'd just been around more.
Jack: It wouldn't have made a difference. I'm gay for the same reasons that Tim wasn't. It just happened that way.
Mr.McPhee: But there are people who change, they go back.
Jack: I'm hardly the encyclopedia of the gay experience but, I'd wager to say that their change is skeptical.
Mr.McPhee: How do you know? Unless you try.
Jack: I don't want to try. Why do you want me to try?
Mr.McPhee: Because I can not understand why anyone would choose that kind of life.
Jack: I didn't choose it. The only thing I chose was to be happy. Look, I can't go back for you because slowly but surely I'd be going to sacrifice my happiness for yours because I want you to be proud of me. But not under your terms. It just, it won't work.

Jack: [to Jen] Look, I often wonder how my mom would act if she was aware of what was happening to me, if she was capable of comprehending it. I don't think she'd have a problem with it because my mom loves me for the best reason possible... no reason at all. Because that's the way our parents should love us Jen. Unconditionally. Sadly, most parents don't. But as much as it hurts... it's worse for them. It is worse to be incapable of loving then to not be loved.

Pacey: I don't want to say goodbye. I just want to look at you... I wish I had some eloquent parting words for you but... all I could think of was this. Thank you. Thank you for everything you've given to me. Thank you for forcing me be the man you made me. Just thank you. I am so grateful to you, Andie.
Andie: Oh, I don't want to let you go, Pacey.
Pacey: Just remember your promise okay? You and me, together again, happy, healthy and more in love than ever
Andie: I'll remember.
Pacey: Go get better McPhee, and then you hurry back to me.

Parental Discretion Advised

Joey: [to Dawson] I may sometime forgive my father for what he did. I think someday I can forgive myself for what I have done. But I will never be able to forgive you, Dawson. I don't even want to know you right now.

Pacey: Get your hands off me, you don't touch me again, ever!
Sheriff Witter: Finally my boy gets a pair, and all it took was getting his heart broke by some little girl with a few screws loose.
[Pacey throws a punch at Sheriff Witter]
Pacey: Andie did more for my life in six months than you did in sixteen years you rotten son of a bitch. So If you wanna make fun of me? You wanna bust on me? That's fine. But you so much as make one more even slightly disparaging comment about the women I love, and I swear to God, you're gonna be policing this town from a hospital bed. You understand me?

Season 3

Like a Virgin

Eve: Listen, Dawson, anything that's worth anything is scary. Or dangerous in one way or another.

Dawson: Do you have a fever or something?
Eve: Oh, that's just me. My temperature. I run a few degrees hot.

Joey: [to Dawson] So you love me... You just don't want me.

Pacey: [to Joey] It's the damndest thing. I just got into Dawson's rowboat and it magically drifted towards your dock.

Pacey: Ahoy there, anyone ashore?
Joey: What are you doing here?
Pacey: It's the damnedest thing, I just got into to Dawson's row boat and it magically drifted toward your dock.
Joey: Yeah, well magically drift any closer and I'll kill you.
Pacey: You know, I almost believed that. [Jumps up to join her on the dock]
Joey: [After a pause between the two as they looked at each other] He told you didn't he? Didn't he?
Pacey: Well, what do you think?
Joey: I think I hate you both.
Pacey: Well, then you're really going to hate me when you hear what I have to say....he did the right thing. The two of you need to be apart right now.
Joey: How would you know what I need?
Pacey: know you're probably right. How could I possibly know what it's like to let somebody go, right? How hard it is to let someone go. The pain of knowing that even though the two of you are right for each other, that doesn't necessarily mean that you're right for each other right now. What would I know about that, right? How could I possibly know that sometimes it just makes you want to scream, hit somebody, or sit out at the end of a dock and cry...
Joey: Of all the people to see me like this, it had to be you.
Pacey: Well, you know it's a new year and who knows...[leans in close to her] you and I might even become friends
Joey: Pacey...[Looks at him] I'm upset enough as it is. [Pacey laughs]
Pacey: [Puts arm around her] Come here, woman.


Eve: I'm just a girl, standing in a janitor's closet, asking you to kiss her.

Joey: You think every Joey has a Dawson and every Dawson has a Joey?
Dawson: I hope so...for their sake.

[Dawson is standing in the aisle looking at the wide variety of condoms]
Male Customer: Yeah...these days [puts his arm over Dawson's shoulders] you got your ribbed, your non-ribbed, your lubricated, your non-lubricated, your thin, your ultrathin, sheep skin, extra sensitive, nonoxynol-9 and... glow-in-the-dark.
Male Customer 2: Glow in the darks don't work.
Male Customer 1: No kidding?
Male Customer 2: No, you gotta hold 'em up to the light for 20 minutes, who's got time for that?
[woman customer walks up]
Woman Customer: And if you really want to blow her mind try the Brown Betty.
[they all grab a pack and walk away]
Dawson: This is not happening.

Joey: Pacey, you probably don't want to hear this right now, and I'm sure you don't want to hear it from me, but you have to talk to her.
Pacey: No, not right now. I couldn't even look at her right now.
Joey: You have to, Pacey. You have to hear her out.
Pacey: Why? What's the difference, Joey, huh? No matter what she says the ending's still the same. She slept with somebody else.
Joey: You think that just because the two of you were together what she did hurts more? It doesn't. There's no difference, Pacey, I mean... Look, she's sixteen years old and so are you. We talk like we know what's going on, but we don't. We don't have any idea. Look, we're really young and we're gonna screw up a lot! You know, we're going to keep changing our minds and ... and sometimes even our hearts. And through all of that, the only real thing we can offer each other is forgiveness. And I couldn't do that. Or at least I did it too late. Don't let yourself get so angry that you stop loving because one day you wake up from that anger and the person you love will be gone

Jen: Worse. They're even starting to dress like me. It's like they're genetically predisposed to having absolutely no identity.
Jack: Yeah, that's the blonde gene.
Jen: Not funny.

None of the Above

Andie: Don't worry, Pacey. This isn't going to be one of those horribly awkward, hope-boy-didn't-mean-all those-hurtful-things-he-said-during-the-break-up-moment.
Pacey: Well that's a relief 'cuz I sure don't wanna play the guy-feels-guilty-about-breakup-even-though-it-was-girl-who-had-an-affair-with-the-mental-patient-scene.

Dawson: Someone gave it to me.
Joey: A certain someone with blond locks and a name that rimes with Steve?
Pacey: [Laughs] She's good, I like that girl, she's good. [Nudges Dawson with his elbow]
Joey: Once again, Dawson Leery proves the groin is mightier than the brain.

Joey: I bet when she offered you that test you didn't fire one ethical comment her way, did you?... It's just your friends who have to sit here and... and suffer through the Dawson Leery morality play, bleached blond ho-bags willing to put out need not audition.

Dawson: No, I wanted to consult the people I thought I trusted to determine what the best thing was to do. I never thought anyone would be so weak or so self motivated to actually swipe it.
Pacey: Weak and self motivated, huh? Now which one of those two colorful adjectives would i be?
Dawson: You are who you are, Pacey.
Pacey: Yes I am, Dawson. And so are you. [Pokes him in the chest] You, Dawson Leery are a self-righteous, son of a bitch who cares more about his rose colored defunct 1950's belief system then the people who fail to live up to it, huh?!
Dawson: Interesting choice of words coming from a smug, cold-hearted son of a bitch who just dumped his girlfriend after she begged and pleaded for an ounce of sympathy.
Pacey: At least I didn't send her father to prison.
Dawson: No, you just made her go crazy. [Pacey punches him in the eye. Dawson turns around punches Pacey on the lip, sending Pacey to the ground]
Pacey: Ah...[Joey comes out from the building to see what's going on]
Joey: What happened? Dawson, what are you doing? [She goes to Pacey, leaning down and holding his arm]
Pacey: It's my fault, I'm sorry.
Joey: Dawson, this has got to stop! [to Pacey] Are you okay?

Joey: Hey, brought you a Pepsi.
Pacey: No thanks, I'm not thirsty.
Joey: It's for your lip, moron. I'm out of ice.
Pacey: I can't believe he thought I'd take that-
Joey: So what, Pacey
Pacey: I thought if I'd earned anyone's respect, it was his. I mean, if the guy who knows you better than anybody on earth thinks you're a loser, then maybe...
Joey: Then maybe you are one? Come on, I mean I thought you were a loser for years but you never believed me. [They smile at each other]
Pacey: It's know when does a person start believing the general consensus about themselves?
Joey: When it's right. [They pause and look at each other]
Pacey: Do me a favor?
Joey: Hmm?
Pacey: Can you tell your friend Dawson that I'm innocent? I mean, he'll believe you.
Joey: No, my friend? Look he's your friend too. And you know as well as I do that he's somewhere right now sulking over the gravity of his wrongful accusation.
Pacey: Well good, let him stew in his own pride for a while.
Joey: Now we're all guilty of that.
Pacey: Hey, I'd never accuse him of cheating.
Joey: Yeah, well I'm pretty sure he'd never take the first swing at you.
Pacey: He started that whole thing!
Joey: I'm not getting into this.
Pacey: Okay, so tell me.
Joey: What?
Pacey: What do you think happened to that test?
Joey: I don't know. And to be honest, I don't want to know. I mean there are certain things in life you're just...better off not knowing. And things that you wish you never knew, never asked and...never saw.
Pacey: Okay, so tell me honestly...does it look that bad?
Joey: On your face, any reconstructive surgery whatsoever, is a definite improvement. [Pacey gives her a look, she smiles and laughs]

Home Movies

Joey: For a minute, I thought you'd been possessed by these school spirit creatures from the planet Overzealous.
Pacey: Not quite yet, but I am thinking about making a run for it before the pods hatch. What do you say Scully?

Jen: What are you auctioning off?
Cheerleader #2: Well, the winner gets to ride in on the Minuteman Mule, at the end of the game.
Cheerleader #1: And receive a kiss from the head cheerleader.
Jen: Oh, no they don't!
Cheerleader #1: Now Jenny...
Jen: Jen! OK, it's Jen. You know this whole thing just started as a bad joke, and excuse to get out of biology but you see what it's turned into? I have pranced around this entire school at pep rallies without even knowing what the hell pep is. I have listened to prate and paddle about car washes, dance-athons and dog-sitting until I think I'm going to puke up my homemade spirit cookie.
Cheerleader #1: Jenny!
Jen: And despite the itch I am getting on my ass from this polyester molest-me skirt, I've done it all with a smile of my face. But you know what ladies? The smile has gone. I'm sorry, but there is no way that I'm going to be sold off like some harem girl to the highest bidder. Everyone has a limit, and I've reached mine. I quit!

Joey: Why didn't we just drive?
Pacey: Because, Potter, on occasion my pop actually likes to use his car.
Joey: So I risk my future to cut class so I could stand in line at the post office and then traipse five miles through the wilderness carrying some stupid package?
Pacey: Oh, God. You know, did you ever stop to think about how much hormonally charged energy you waste on these quick quips and the biting banter? Your life would be considerably more productive if you would just take some more, ah… oh, what is that? More, ah… action! If you took more action.
Joey: Oh, what, like voluntary manslaughter?
Pacey: Well how 'bout sticking out your thumb, huh?
Joey: Oh yeah? And what else? Maybe hike up my skirt, pout my lips, strike some sexy pose for some horndog trucker? Stick out your own thumb you sexist toad.
Pacey: I am not a sexist, I am a pragmatist. OK? You ever seen The Sure Thing? That movie elegantly portrays one of life's simple truths-that a female standing on the side of a road, even one with a perpetual scowl like yourself, has a better chance of flagging down a car than a guy.
Joey: Since I'm the only one here with an opposable thumb, I guess it's up to me to use it.
Pacey: [a car approaches] And here's your chance. [He jumps over some bushes]
[Joey sticks her thumb out as a car approaches. It slows down and comes to a stop, to Joey's surprise]
Joey: [leaning into the window] Hi...
Principal Green: Today is your lucky day Miss Potter, need a ride back to school?

Pacey: [showing her an old boat] Isn't she beautiful?
Joey: Yeah, in a Titanic, post-iceberg sort of way. Where did you get this?
Pacey: A friend of my brother's, he works down at the marina. He rescued her after the last hurricane. The guy who owned it didn't want her any more, so I convinced him to sell it to me for like, two hundred bucks. When I finish with this boat it is going to be sheer perfection. Look at that.
Joey: Pacey, do you know how much money and time it will take to even get this boat to float?
Pacey: Yeah. Not a minute more or less than as long as it takes me. You watch, Potter, in a couple of months I'll be sailing this baby around the world.
Joey: I hate to break it to you Captain Stubing, but you can't sail around the world in a twenty foot boat.
Pacey: Sure I can.
Joey: Where are you going to put the supplies?
Pacey: Hey, the USS Minnow was no bigger than this, and they found room for all of Mr. Howell's money, all the professor's tools, all of Ginger's clothes...(Joey starts to go up the ladder) And where do you think you're going?
Joey: (She smiles and steps down to the ground, then holds up her hand) Permission to come aboard?
Pacey: (Smiles and holds out his hand) Permission granted. (He takes her hand and helps her up the ladder to the boat)

Mitch: The night you were born I cried like a baby.
Dawson: Did you really? I didn't know that.
Mitch: I think I cried for 24 hours straight. Holding you, so small in my arms, I never knew I could love anything so much, so fast. So utterly. Part of me was terrified. Raising a son is more a matter of faith than most people know.
Dawson: So's being one.
Mitch: You're right. I think I realized something today.
Dawson: What?
Mitch: That my job as a father, isn't to give you the whole picture, because the truth is, I can't see it myself. My job is to try and help. And every now and then, fit a piece of the puzzle.
Dawson: You have helped me dad.
Mitch: I hope so. But your future, your expectations… they belong to you. Don't let anybody stand in the way. Not even me.
Dawson: You always pushed me to be my own person. To think for myself. I just did what you taught me.

Indian Summer

Pacey: Dawson, not all of us are as immune to the law of sex as you are. I mean, not all of us would opt for the warm and fuzzy emotional connections over those of, let's say a more physical nature, you know what I mean? Most of us are just big dumb guys happy to sell our souls for the slimmest chance, of gettin' some.

Jack: You can't tell me there's someone else you'd rather be star gazing with?
Jen: OK, you got me. Matt Damon.
Jack: Yeah right.
Jen: What, you don't approve? OK, I'll have to go with Ben Affleck then. Well, he has that scruffy, indie-cred appeal. Well?
Jack: No comment. Besides, I was talking more about the realm of say, possible… Henry, for instance?
Jen: The freshman?
Jack: Yeah, the guy who paid 500 bucks just to kiss you? You gotta admit, that's kind of sweet.
Jen: Jack, Jack, Jack, my naive little pet, it's the sweet ones that you have to watch out for. They'll run over you like a Mack truck.
Jack: Well Henry's harmless. Besides, he worships you.
Jen: He's a teenage boy. He'll worship anything in a Wonderbra.

Henry: [about Jen] You see. You see what happens to me, why I can't ask her out? She gets within three feet of me and it's like my hard drive crashes. I go pre-verbal. Probably if I asked her out, I'd hurl all over her like that little kid from Southpark.

Henry: You… you're awesome. You look awesome, you smell awesome, everything about you is awesome. I… I just wanted you to know that.
Jen: Good to know.

Jen: Jack, I've had lovers, I've had boyfriends, but what I've never had is a boy who was first and last a friend. Who wasn't secretly trying to get in my pants, or wouldn't walk away from me the second I said I didn't want to sleep with him. Who liked me… for me. Unless you've recently decided to be bisexual? You know, I think you setting me up was a lot more about you than it was me.
Jack: Come on, give me a break. I do not have a secret crush on Henry Parker.
Jen: Neither do I, but that's not what I'm talking about. I mean that… maybe it's you who's lonely for the relationship.
Jack: Well maybe I am. But this isn't exactly New York where gay kids are tripping over each other coming out of the closet. This is Capeside, gay population: one. It's me. I'm it.
Jen: Jack, you're going to have a love life. You're going to have a fantastic love life. It's gonna be awesome, and terrifying, and, and when it happens it's going to change your whole life.
Jack: Yeah, it's easy for you to say.
Jen: I know it is. You have to have faith that sometimes things happen when they're least expected.

Secrets and Lies

Jen: [to Henry] Do you know how much is going to happen to you in the next two years if you do them right? You're heart is going to swell and break a hundred times before you turn 16.

Andie: I slept with another guy six months ago! I knew it was wrong when I did it. I keep trying to tell you this and make you understand it. How many times do I have to say it?
Pacey: Andie, If you wanted to sleep with him, if even just for a second, then maybe it wasn't wrong.
Andie: It was...
Pacey: Maybe. Maybe that was just your heart's way of telling you that I'm not the one. 'Cause that's what my heart's telling me right now... it's telling me that you're not the one.

Joey: [to Rob] Didn't you read the sign? No known sex offenders within 200 yards of my property!

Pacey: Really? Yeah, Potter, do yourself a favor. Don't ever go into politics, okay? You're consistently incapable of lying with a straight face.

Jen: They voted for me because I'm blonde and I fill out my sweater,
Dawson: That too, but I think when... you know, when kids voted for you, they voted for an outsider, you know? Provocateur, messiah to lead them from the mainstream.

Escape from Witch Island

Pacey: [about having sex] Well, alright then. Okay. [pause] Did you want to do it right now?
Jen: Umm, do you?
Pacey: I'm kinda tired, actually.
Jen: Oh, fine. Roswell's on in five minutes anyway. You just let me know when you want to do it and I'll do it.

Jen: I've got to say, Blair Witch didn't do it for me. I wasn't remotely scared, that girl was irritating beyond measure and i had to run to the snack bar in dire need of dramamine.
Joey: I was scared...
Pacey: That's no surprise there, Potter, after all you are quite the skittish kitten. (They bump hips.)

Guess Who's Coming to Dinner

[Pacey and Jen are grocery shopping for Grams' thanksgiving feast]
Pacey: When I suggested that we hook up today, this is not exactly what I had in mind.
Jen: Believe me, I know, but unfortunatly, Grams' Thanksgiving feast takes precedence over our burgeoning sex life.
Pacey: Correct me if I'm wrong, but we don't actually have a sex life yet, do we?
Jen: What, and you think that that's my fault?
Pacey: Yeah, i do actually think that that's your fault.
Jen: I'm sorry, Pacey. I just find it difficult to watch you paw at me with...[giggles]
Pacey: Foreplay is no laughing matter. How do you expect a guy to do his best work in the face of scorn and derision?
Jen: It's just that we're friends, right? And seeing as how we are friends, but now we're friends that... it's just gonna take time getting used to it. Although maybe we could find a moment later?
Pacey: I can't. I think I have to go to my parents' for Thanksgiving.
Jen: Okay.
Pacey: I'm sorry. I have to. I figure it's the right thing to do seeing as they brought me into the world and all.
Jen: You sound so excited.
Pacey: Well it's such a joyous occasion. Just imagine the Witter women slaving over a hot stove all afternoon just to be told the Butterball is too dry, by a guy sitting on his derrière, getting drunk and watching football.
Jen: Well, despite the creamed onions, gotta love Grams for offering an alternative.
Pacey: You do. Speaking of, you know, you never told me who else is coming.
Jen: Don't worry, Pacey. Andie politely declined the invite.
Pacey: Hey I wasn't going there.
Jen: Please. I think that she's making dinner for Jack and her dad tonight.
Pacey: Sounds nice. It's good for her to have family at Thanksgiving.
Jen: Come here [she pulls him close]
Pacey: [smelling her hair and rubbing her back] Good lord, you smell good. [Jen chuckles] What was that? [she starts laughing] Oh, come on!
Jen: I'm sorry, I'm so sorry.

Four to Tango

Jen: [after making out with Pacey] Nothing?
Pacey: Nothing, you?
Jen: Nothing, God Pacey this is weird.
Pacey: It's the damnedest thing. How are we supposed to have some lurid, purely sexual affair when every time we get together...?
Jen: There's no sexual tension.
Pacey: Nada.
Jen: Zilch.

Pacey: And what pray tell, are you two doing here?
Jen: Just enjoying the fine art of ball room dancing.
Penny: [Walking up] Didn't I say you two would be naturals? Much better than these two and they've been here all week. But you used to date, didn't you?
Jen: Uh...look, not right now, okay?
Penny: I'm right, aren't I? You dated, it didn't work out. But then you got past all your issues and now you actually trust each other, right? See, you can see that in the dancing. You can see, that the trust is there. Now these two on the other hand...[Points out Pacey and Joey dancing] Whole different story. I mean, look at them. Look at their..their form, look at the tension in their arms...
Pacey: Okay is there some sort of problem here?
Penny: What did I say about rib cages touching?
Joey: No, sorry.
Pacey: It's just not going to happen, alright?
Penny: Right...see what I mean? See the hostility, the way they're weary with each other, not to mention the constant bickering and name calling. Now these two clearly are in the early stages of some screwball mating ritual.
Pacey: What?
Joey: [Scoffs] Okay, you've got it all wrong, lady.
Penny: Really? I do?
Pacey: Oh, completely.
Joey: Actually, you could not be more wrong.
Penny: Okay. There's enough sexual tension here to power a KISS reunion tour. I can't remember the last time I saw dancing this bad....true...
Dawson: Wait a minute, you think that just because they can't dance that they're...?
Penny: Well, it's this theory that I've developed based on years of experience...if people dance that badly, then they're usually hot for each other...the dancing doesn't lie.

Dawson: Okay, so... Do you want to just tell me what's going on?
Pacey: It's not what you think, Dawson, not even close.
Dawson: How do you know what I think?
Pacey: Well, because man it's written all over your face, okay? Yes, me and Joey have been spending a lot of time together recently, because we've been here trying to learn how to ballroom dance and then she's teaching me a little trigonometry. You know what's much more interesting to me is that out of all the possible blond and brunette combinations, of women you and I both know, the first one that popped into your mind is Joey, now why is that, do you think?
Dawson: Pacey, you're not going to get out of this by attempting to psychoanalyze me.
Pacey: I'm just asking a simple question. I mean, Dawson, you and Joey...she's not your girlfriend anymore.
Dawson: Right, she's not.
Pacey:: then why are we having this conversation? See where I'm going with this? I mean, you're the same guy who told me a couple weeks ago that the two of you just needed to go your separate ways.
Dawson: Yeah, we do need to go our separate ways, it just never occurred to me that...
Pacey: That what? That she would actually go her separate way too...or perhaps it didn't occur to you that her separate way would include a stop over at me, is that what it is? God, man, this is the way it always is with you, you talk and talk but you don't listen to yourself. I mean, you say you're over her, but you're not. They're just words. They don't mean anything to you.
Dawson: You don't know what you're talking about.
Pacey: [Scoffs and turns and gestures over at Joey, who is dancing with an old man] Look at that girl, Dawson. Just take a good look, she's a freaking goddess, man, how long did you think it was going to be before some guy comes along and is interested in her, I mean really dude, and when that happens, what are you going to do?
Dawson: I-I'm just going to take it all as it comes.
Pacey: You're going to take is at it comes, hombre, well perhaps you should start figuring out right now, because the guy that comes along is not going to be your best friend and he's not going to ask for your permission, the guy that comes along is going to take one look at that woman and just cut right in on ya.
Dawson: What are you hiding, Pacey?
Pacey: What?
Dawson: Because all this analysis on my love life doesn't change the fact that you haven't answered my original question, why did I find that condom?
Pacey: Why do I bother? [Turns around and walks away]

Jen: You went to Joey for advice about us?
Pacey: Yeah. I know, not so smart, huh?
Jen: Smart or not smart, it's just...funny, you went to her.
Pacey: Well, I wouldn't say that I went to her. I mean, she just kind of happened to be there, we were studying.
Jen: Can I ask you something, Pacey? What is it about her?
Pacey: Huh?
Jen: She's obviously got something that makes boys and emotional turmoil just flock to her.
Pacey: Come again?
Jen: Come on, Dawson's the same way. Whatever small problem got to him he went straight to Joey.
Pacey: So who else would you have me talk to? I can't exactly go to Andie with something like this, so I guess I'm supposed to commune with deputy Doug then?
Jen: Dawson. Why couldn't you just go to Dawson?
Pacey: [Chuckles] What?
Jen: Unless, of course you now feel uncomfortable talking to him about your sex like considering...
Pacey: Considering what?
Jen: That your current girl Friday used to be his.
Pacey: [scoffs] Okay, now correct me if I'm wrong, but Dawson Leery didn't actually know about you and I till, what? Two minutes ago.
Jen: I'm not talking about us.
Pacey: What, Joey? This has nothing to do with Joey!
Jen: Pacey, I saw the way you overreacted to Dawson, I saw the way that Joey overreacted to us. I know you're having trouble in math these days, but it doesn't take Einstein to get the sum total of these two overreactions.
Pacey: You're gonna have to explain this one to me, because I've gotta be missing something here, you're talking about Joey Potter, right, the one who can't walk into the same room with me without gagging, huh? That Joey Potter. There is nothing going on between us!
Jen: No, Pacey there's nothing between us!

First Encounters of the Close Kind

Barefoot at Capefest

A Weekend in the Country

Pacey: Let me tell you kiddies we are looking good, looking good!
Joey: What canary did you swallow?

Dawson: If you could try to look welcoming, that would be great. Anxiety doesn't really fit in with this whole homey, "come stay with us" thing we're looking for.
Joey: Dawson, I do toilets, I do windows. I draw the line at faux perkiness.

Mitch: I think, if I were Joey and Bessie, I would consider myself very lucky to have you in my life.
Pacey: Why? Everything and everybody that I touch, I screw up, alright, you're aware of the Midas touch, right? You've heard of that? Okay, well the Midas touch, whatever that is, I've got the opposite.
Mitch: Don't be so sure. I mean, look at you, you're still at it, you haven't given up. Pace, instead of..dwelling on everything that's gone wrong this of what you've contributed. I mean you've put a lot of selfless work into this place, right? Now that's the real question. Listen, that goes to the heart of who Pacey Witter is.
Pacey: What?
Mitch: What makes you care so much?

Northern Lights

Pacey: It's not too late to bail, okay? Believe me.
Joey: Why would i want to do that, Pacey?
Pacey: Because, this guy's an operator, okay? I can tell, i mean the first thing he's going to do when he comes through that door, is he's going to pay you some lame compliment about how incredible you look tonight (Looks her up and down, noticing himself how incredible she does look. Joey gives him this confused look, like he's weird.)
Joey: Pacey...
Pacey: I'm looking out for you!

Pacey: So, what, you going to see this guy again?
Joey: I don't know. I mean, what's the point? I mean, he's older than me and he's..and he's smarter than me. And he lives far away, a very not insignificant problem seeing as i can't even drive yet, and...and how could i ever feel about him the way i..
Pacey: ...Feel about about Dawson.
Joey: No, i was...actually going to say felt.
Pacey: You want to know something Miss Josephine Potter? I think the world just may surprise you yet. I mean you fall in love, and it doesn't work out, you think it will never happen, but it does, believe me it does, in the strangest of places. (He looks down)

Valentine's Day Massacre

Pacey: [about to take a a Jell-O shot] Well, thank you, Mr. Cosby.

Doug: You were in a rare form tonight
Pacey: How bad do I suck, huh?
Doug: So what seems to be the problem?
Pacey: [shakes his head]) There is no problem, Dougie
Doug: Oh, come on Pacey, I found you hanging from a tree getting completely wasted, what is it a girl or something?
Pacey: What?
Doug: Okay, so it's a girl....who is she?
Pacey: You know what, Dougie, it's really not that important, okay?
Doug: Okay.
Pacey: I'll tell you something, though. She is really really annoying.
Doug: Yeah?
Pacey: Yeah, I mean this girl is amazing. There is not a single subject on the face of the planet that she doesn't have an opinion about. It's mind-boggling.
Doug: Wow, that certainly sounds like a nightmare.
Pacey: Wha-no, it's not quite like that, Doug, I mean you've got to understand...the girl's really smart so she's usually right and when she argues it comes from this really beautiful, pure place, so how can you fight against that? Especially when you're smart ass like me.
Doug: Is she pretty?
Pacey: Yeah, she is pretty. She is very very pretty. She's actually the kind of pretty that gives you butterflies, you know what I mean?
Doug: Ah, yeah...never lose the butterflies.
Pacey: What?
Doug: You maybe ask what sucks most about getting older. Somewhere along the line you just...lost the the question is little brother, what are you going to do about it?
Pacey: Do?
Doug: Yeah, do. As in do something. Take action.
Pacey: No, I don't think you're really properly grasping the gravity of this situation, Dougie. You see if I was to actually do something about this, there is the strong possibility that the sun would cease to shine, that the tides would cease to rise. In fact, I'm betting there's a pretty good chance that the very earth would crack open and Capeside would become home to a huge hell mouth, that would spew forth endless hoards of monsters and demons that would choke the denizens of this city, making them fall to their knees and PRAY for a return to the days before...I took action. That's really what we're talking about here.

Pacey: What I said last night was way out of line...and yes I was drunk, but more to the point I was just plain wrong and I wanted you to know that I was really sorry.
Joey: Well...I was worried about you too, Pacey.
Pacey: Me?...Why?
Joey: Well...because, I mean Satan himself could lead Dawson into the fiery pits of hell and he would still come out with his moral code firmly intact, but you....maybe I think that nobody's worrying about you right now.
Pacey: So then, what you're really saying is, given the highly dysfunctional nature of our relationship, this is actually how you express concern for me?
Joey: You gotta learn to read between the banter, Pacey.
Pacey: Right...[long pause]
Joey:, are we all finished here?
Pacey: No, actually, um...there's something else.
Joey: Something else?
Pacey:'s just something I've been meaning to tell you...uh...look, uh...Joey...[They give each other cute looks]'re lingering on your clutch, okay? I know you think you're just easing into the gear,'s not a good idea, you know, maybe not today and maybe not tomorrow, but soon you're going to do a lot of damage to your transmission, so...what I was thinking was that if you wanted to, I could show you.
Joey: Now?
Pacey: Yeah. [they smile at each other]
Joey: Okay, Pacey.

Crime and Punishment

Doug: You will keep the CD collection in alphabetical order, by last name, not first. Do you understand?
Pacey: Oh yeah, definitely. But O don't see the need for me to dip into your diva collection any time too soon.
Doug: Oh, I think you'd be surprised at how a tortured and passion female voice can sooth an Achy Breaky Heart.
Pacey: My heart is just fine, thank you very much.
Doug: Oh, sure it is little brother, sure it is.
Pacey: Look, Doug, if you're referring to our brief jail house conversation, you can just chalk it up to drunken rambling.
Doug: Well, there won't be any of that on my watch. And I won't have any moping around like a love sick puppy, either. By the way, are you any good at decoupage?
Pacey: Oh god, help me.

Caufield: What do you want?
Pacey: I want you to apologize. And then I want you to turn yourself in and I want you to do it before the day is done.
Caufield: And why would I do that?
Pacey: Because this time you just happened to mess with someone I care about.

Pacey: Yes, Dawson. You know, looking out for you. Think back with me, way back, you know like the beginning of the school year. Dawson Leery returns from the big city a changed man, determined to sever ties with girl across the creek, so he asks trusted friend to look after said girl turning the delicate transitional period. Trusted friend of course he obliges and now trusted friend gets his head handed to him on a platter.
Joey: So you guys just traded me off like some sort of baseball card? Is that what this is about?
Pacey: What?
Joey: Us. You and me. I-I thought that...
Pacey: You thought what?
Joey: I guess i thought something else, Pacey.

Pacey: So, are you going to thank me?
Joey: For what?
Pacey: Well, for all manner of things. Like defending your honor, bucking the system-
Joey: Tilting at windmills while in the throws of a misguided hero complex?
Pacey: Well yeah, that too. [They pause and smile at each other])
Joey: Pacey, if I was going to thank you for anything it would be for being yourself and you know, not caring what anybody else thinks and for knowing in your heart what's right and wrong and...and for being here this year...when I needed you the most.
Pacey: You're welcome. [Pauses and picks up a can of paint] So you want to help?
Joey: One condition.
Pacey: Sure, name it.
Joey: Be honest. The only reason you've been hanging out with simply because Dawson told you to?
Pacey: Yep, that's the only reason.
Joey: need to get a life.

To Green, With Love

Jen: Hey, Pacey! I think you've got that one covered. Hurricane won't take it know it might make you feel better if you talk about it.
Pacey: Talk about what?
Jen: About what's bothering you.
Pacey: There's nothing bothering me.
Jen: [Laughs]' Fine
Pacey: Fine. I'm fine. [Pause] Okay, so I do kind of have a problem.
Jen: Yeah, I noticed.
Pacey: It's that obvious, huh?
Jen: Yeah, it's becoming so.
Pacey: Do you think it would be at all possible to...I don't know, pretend that it wasn't that obvious.
Jen: Well, only if we...pretend to have a conversation about it.
Pacey: You really want to make me do that? [Pause], lets just say for the sake of argument that I had gotten myself into an impossible situation. That I had...hypothetically speaking, fallen for or was in the process of falling for the worst possible person I could fall for. What would you tell me to do?
Jen: I guess I would tell you that...impossible situations are only made better by doing something about them.
Pacey: So I should just go and declare myself to her so that she can laugh in my face? That's a great idea.
Jen: How do you know that's how she would react?
Pacey: Well I have it on pretty good authority that my rough charms don't really register on her rarefied romantic pallet. I mean lets face it, I've got Ducky written all over me.
Jen: Ducky?
Pacey: Yeah. Ducky, Molly Ringwald's best friend from Pretty in Pink. The guy who definitely doesn't get the girl.
Jen: Yes, but he makes the girl feel good about herself. He does...he stands by her through innumerable fashion emergencies, he even humiliates himself by lip syncing in a public place and he takes her to the prom.
Pacey: Where she promptly dumps him for another guy. [Laughs]
Jen: Alright, the question is, Pace, this...girl, that you have developed impossible feelings for, are you going to stand by her in a very Ducky like fashion or are you going to let hurt feelings and pride prevent you from being the friend you so innocently report yourself to be.
Pacey: [pause] I guess it just hurts, that's all.
Jen: Well that just means that it isn't pretend anymore.

Joey: You bought me a wall?
Pacey: Not bought. Rented. And this thing didn't come cheap either. It cost me a hundred bucks.
Joey: You bought me a wall?!
Pacey: You said that already. Look, it's a limited time offer, so you should get cracking.
Joey: Pacey, did you fail to notice the size of this thing?
Pacey: Well I just thought your next endeavor should be bigger and better than your last one. It's important that you keep on growing both as a person and as an artist. Now I also got you this [holds up a can of paint] and I know it's not going to cover the whole thing, but as the saying goes, the journey of a thousand miles begins with a single step.
Joey: Well I'm going to need your help on this one.
Pacey: Ha, no no no no, not this time, you're on your own this time, sister. [starts to walk away]
Joey: Pacey, you're unbelievable, I mean as soon as I think I've got you all figured out, you go and you do something so...outrageous that...completely challenges me in a way that no one else would even think of case I don't say it enough...thank you.
Pacey: It's about time, Potter. It's about time. [Turns and walks away, then looks back at her once before leaving]

Cinderella Story

Pacey: So you're a smartass? Guess that's why they put us together. People think I'm a smartass too.
Buzz: But when they get to know you they discover that under the gruff exterior lies a vulnerable beating heart. Get real. I'm not like the kids on "Seventh Heaven" and I'm not like you, Pissy.
Pacey: Pacey.
Buzz: Whatever, Pissy.

Buzz: So, who's the girl?
Pacey: What girl?
Buzz: The one you named your boat after
Pacey: True Love isn't a person, it's an idea. An unattainable idea.
Buzz: Who's the unattainable girl?
Pacey: Man, you just love getting under my skin, don't you?
Buzz: Have you kissed her?
Pacey: I told you, there's no girl.
Buzz: And why don't you just kiss her?
Pacey: Why don't you just shut your mouth?
Buzz: You have no problem taking a swing at a guy, but you can't tell a girl how you feel about her. Man, your pathetic.

Buzz: [referring to Joey] Is she a hottie?
Pacey: I'm not gonna answer that.
Buzz: C'mon, I'm nine. I got years before I even get near it. Least you can do is cough up a description.
Pacey: She's so beautiful that when you look at her your knees tremble, your heart melts, and you know, without reservation, that there is order and meaning to the universe.
Buzz: She's a hottie.
Pacey: Oh, yeah.

Joey: I'm not meant to. Isn't that obvious by now?
Pacey: Because you're sixteen and alone? Come on.
Joey: Because I'm sixteen and in my entire life there's only been two people that have ever really known me. Dawson and-
Pacey: -- This A.J. didn't know you. I don't care how you felt about him. He didn't know you, Joey. Because if he did, he never would have walked away.
Joey: I was gonna say you, Pacey.
Pacey: Okay. [Pulls over to the side of the road]
Joey: Have you totally lost it?
Pacey: Not totally, not yet. [He and Joey get out of the car and meet at the front] Alright, what did you mean by that?
Joey: About what?
Pacey: About me knowing you better than anybody else.
Joey: Exactly what I said, Pacey. You know me, okay? In a way that nobody else besides Dawson ever has, so-
Pacey: We're not talking about Dawson right now, we're talking about me, I mean you can't keep on doing this to me, Potter!
Joey: Doing what? What, so I count on you, I tell you secrets and then suddenly-
Pacey: And you call me in the middle of the night to pick you up...why?
Joey: Well I'm sorry that I called, I thought that I-
Pacey: I'm not mad that you called me, i just want to know why you called me.
Joey: You were the first person that I thought of, Pacey.
Pacey: And what does that mean, Jo?
Joey: It means...I guess means that I can talk to you and that you're there for me.
Pacey: Don't you ever get tired of talking?
Joey: No-
Pacey: Well I get tired of talking
Joey: No, I don't get tired, what
Pacey: I don't want to talk anymore
Joey: What are you trying to say, Pacey, why are we standing-
Pacey: Jo, I don't want to-
Joey: I don't-
[Pacey cuts her off by kissing her]

Joey: Why do I feel like I fell asleep on the train and woke up the protagonist in a Kafka story?


[Pacey is kissing Joey on the side of the road. Pacey pulls back, holding her face lightly. Joey stares at him for a second, then raises her hands and hits him on the chest, pushing him backward]
Joey: Are you insane! How could you do that? How could you take some...simple declaration of friendship as an invitation to just maul me, Pacey! [Pushes him back again] Answer me! How-what were you thinking! [Hits him back once more] What!
Pacey: What, I don't know, god it-it-it-it was an impulse.
Joey: [Hits him backward again] An impulse!
Pacey: Yes! An impulse, uh, you know sudden, momentary and believe me, fleeting.
Joey: Do you have any idea the monumental implications of that meaningless little impulse! The ripple effect that it could create on our small, but fragile universe! You can't...
Pacey: You're right, Potter, forgive me for thinking a kiss is just a kiss.
Joey: Well, it's true...a kiss is not just a kiss! Not between you and me and you know why!....Dawson! Remember? I mean, he factors into this little...hormonal meltdown!
Pacey: Meltdown?
Joey: Yeah!
Pacey: I just had a meltdown? Forgive me if I don't think this is the worst tragedy in the history of human kind, that Pacey Witter in a moment of...impulsive, compulsive, hormone induced insanity would have the nerve to kiss Joey Potter! And you let me do it, you did, you let me do it! So what? Now I guess the world starts unravel, well excuse me while I get in the car! [He walks past her toward the car. Joey scoffs and starts walking the other way. Pacey notices she isn't following and turns around, seeing her walk away] Would you get in the car, Potter!
Joey: No! [Pacey, frustrated, put his hand on his head and gets in the car. He starts and drives it until he catches up with her]
Pacey: Would you just get in the car, Potter, please?
Joey: No.
Pacey: I didn't even mean to do it! You know, this is me, Pacey, act first, think later, okay and now that I'm getting a chance to think about it...I take it all back, okay, so get in the car.
Joey: No.
Pacey: Jo, it's at least another six miles to your house, it is freezing cold outside and if you don't get in I'm just going to do this the whole way there, so would you get in, please? [Joey pauses as she thinks and then reluctantly gets into the car, slamming the car door and sitting angrily in her seat and looks out the window]
Pacey: So I guess I'm to take from your angry silence you're not speaking to me anymore?
Joey: Nope.
Pacey: Great! Great, and how long do you plan on keeping that up?
Joey: How does indefinitely sound?
Pacey: Fine.
Joey: Fine.
Pacey: Fine.
Joey: Fine.

Pacey: Hey.
Joey: Hey.
Buzz: Hey.
Pacey: Just a second...[to Buzz] Listen, if you'll give us two minutes, I'll give you ten sodas and a box of sugar, what do you say?
Buzz: Done!
Pacey: There you go [Gives him money. Buzz runs off] Hey...
Joey: Hey again.
[Both speak at the same time]
Pacey: So I just want to say-
Joey: About the other night-
[They stop and smile]
Joey: You go first.
Pacey: Well, uh...I just...I wanted to...I just wanted to say that, uh...I'm sorry. I mean all that stuff about disaster and Dawson and the ripple effect in our universe, it-it was all right, I mean, what I did, that was just monumentally stupid, I don't know what I was thinking, so...I just wanted you to know that it was an impulse, plain and simple, one that has left my body permanently...promise.
Joey: That's okay, Pacey, I mean...I totally overreacted, I mean something isn't a big deal unless you let it be and..and know it's not a big deal...why get so upset? I mean it-it obviously meant nothing...right?
Pacey: Right...right because what I did was a mistake
Joey: Right.
Pacey: Right, well um, I guess that puts us back to just being friends [He holds out his hand, and fakes a smile]
Joey: [Takes his hand] Definitely. [She fakes a smile too]
Pacey: Great. [pause] Uh, alright, well, uh...yeah, I should probably get going, once that kid gets all that sugar in out, he's a little terror, you know, probably have to chase him back home, it's two miles, not pretty.
Joey: Well then I...I guess I'll see you later, Pacey.
Pacey: Yeah, I'll see you later, Joey.

Buzz: Is that her?
Pacey: Who?
Buzz: The girl
Pacey: What girl?
Buzz: The girl you want to kiss, stupid! The one you're in loovvve with
Pacey: Nope.

Stolen Kisses

Gwen: [to Joey] Something tells me that when you kiss a boy, it's not a mistake.

Pacey: Well... it's the history, it's killing me. How can I guy compete when the two of you have your own karaoke routine?
Joey: Pacey, you're not supposed to compete. We're supposed to have our own hist -- I didn't mean that.
Pacey: Well, what did you mean?
Joey: I don't even know anymore, Pacey
Pacey: Well, you know this little arrangement we've got going between us?
Joey: Yes.
Pacey: Well it sucks! It sucks up one side and down the other. It's weird, it's uncomfortable and I hate every single second of it.
Joey: Really?
Pacey: Yes
Joey: Then why did you come here, Pacey?
Pacey: You know, for a bright girl, you can be really daft sometimes. Why did you think I came here? I came here to be with you! It's as simple as that. When you like somebody, proximity is a good thing, regardless of how they feel about you... or don't. As the case maybe.
Joey: Look, I felt it.
Pacey: What?
Joey: This morning...your arm brushed up against me in bed and...and I felt it.
Pacey: How did it feel?
Joey: [Smiles] Made me feel alive. [long pause]
Pacey: OK. Joey, I'm going to kiss you now.
Joey: You can't.
Pacey: Look Jo, you can't say something like that to me and expect me not to kiss you. So that's exactly what I'm gonna do, I'm gonna kiss you in about ten seconds and if you don't want me to kiss you... well, if you don't want me to, then I guess you're just gonna have to stop me... Ten. [He takes her face in his hands and kisses her]

[Joey walks over to Pacey in front of a fire and sits down on the log next to him]
Pacey: You don't have to worry, I'm not going to kiss you again, Joey. [Long pause] What's going on here?
Joey: [shakes her head] I don't know.
Pacey: Don't you think I deserve a better answer than that after all this?
Joey: Pacey, believe me, I've been trying to get you out of my head. I've tried to pretend that this is just some bizarre hormonal glitch, but it's not working.
Pacey: Do you really want it to work?
Joey: I tried to tell him.
Pacey: Really?
Joey: Yes!
Pacey: What happened?
Joey: Well...I couldn't really find the words, Pacey, which I know is odd, considering the sheer volume of words spoken throughout the course of our relationship, but this-
Pacey: Well, what would you have said to him?
Joey: I don't know...
Pacey: I don't believe you.
Joey: [Stands up] Pacey, I don't have any answers right now, okay, can't you understand that?
Pacey: The only reason that you don't have answers is because you've been too scared to ask yourself the right questions.
Joey: What are you talking about?
Pacey: Look, I know how I feel! You know how I feel! That much is obvious by now, but during this whole process we've managed to miss the point, because the point is not how I feel, it's how you how do you feel?
Joey: Awful! That's how I feel, Pacey, I feel awful!
Pacey: So do I. When I was kissing you tonight, I don't think that I've ever felt better and worse at one time in my entire life. I mean, the very idea that Dawson or Andie would find out about us is killing is tearing me up on the inside to have these feelings for you, but I can't get rid of them! I just-i can't keep on kissing you, Jo
Joey: What do you mean?
Pacey: I mean just that. I can't keep on kissing you, alright? I've done it twice now. I can't always be the one who's initiating this, I can't be the one who's always giving you the answers. [Pause] Look at me, Joey.
Joey: I can't.
Pacey: Please? [She sniffs and looks up at him] If you felt... even one shred... of what I feel for you... then we wouldn't be standing here having this conversation. [He walks past her]
Joey: [She grabs his hand as he's leaving] Pacey...[pause. They kiss]

The Longest Day

[Pacey and Joey are kissing]
Joey: Come on, lets go Pacey [They kiss again and Pacey picks her up and puts her on the counter] It's your boat we're planning on christening
Pacey: I own a boat? [They kiss]
Joey: No, we have to stop doing this, it's wrong.
Pacey: Yes, deadly [He kisses her neck]
Joey: Pacey...look, we've been in denial all weak (They intertwine their fingers together) I mean, when we're around other people we act as if nothing's changed, but the minute we're alone, it turns into this (She kisses him)
Pacey: This what?
Joey: Well this...embarrassing gropefest.
Pacey: Yeah, I guess this is kind of embarrassing, huh? Especially for you, given how much you protested. [He kisses her]
Joey: I did not protest.
Pacey: You did too. [They kiss again] Wait...[Pulls back from the kiss] Wait wait wait...
Joey: What?
Pacey: We gotta tell him, Jo, we do, we gotta tell him as soon as possible, because the longer we wait, Jo, the worse it gets
Joey: I know, Pacey. I've tried, I've tried plenty of times.
Pacey: Every time I see the guy now, I just feel like...
Joey: Look, you don't have to bother filling in the expletive, okay? I mean, this isn't exactly the easiest thing i've ever had to do, Pacey. Telling Dawson that while he wasn't looking I developed this bizarre, gravitational pull towards his best friend and I can't stop thinking about him or wanting to be near him or wanting to kiss him all the time. [she grabs his face and kisses him. They kiss for a moment and then pull back]
Pacey: I'll do it.
Joey: What?
Pacey: I'll tell him
Joey: No, I can't let you do that. Its-this is my responsibility
Pacey: Jo, it's not your responsibility. I'm the one that started this, remember. I'm the one that got you into this situation and frankly the only way I want to save my friendship with Dawson, is to be completely honest with him, so I gotta do this. All I need is one day. Just one day.
Joey: [Nods] One day.
Pacey: Yes, one day.

Pacey: So we're agreed? [He kisses her. Then she leans in for another kiss and he obliges. Then Joey nods]
Joey: Agreed.
Pacey: Okay. [He smiles and then he kisses her]
Joey: Pacey...
Pacey: What?
Joey: You go first...I'll catch up with you later. [They look at each other then kiss each other once more]

Dawson: I thought I heard something out here.
Joey: Dawson, uh...we were just-
Dawson: Having an argument, obviously...what about? [Long pause]
Pacey: Us, Dawson. [They look at each other then back at Dawson] We were arguing about us. Me and Joey, there's an us here now. I'm sorry man, we didn't want to tell you this way.
Dawson: You didn't tell me.
Joey: You know, don't you?
Dawson: Yeah, I know...[Pause] So were you planing on telling me or was this just going to be a secret fling?
Joey: Look, it's not like that.
Dawson: Then how was it, Joey? 'Cause Jen was a little short on details.
Joey: She told you?
Dawson: Well, she thought I knew. I mean, I had to be pretty freaking stupid not to know, that the two people I trusted most in the world were lying to me. [Pause] So are you...are you bored, or are you confused, or just malicious?
Pacey: Hey, look, I started this thing, okay? If you're going to get angry at someone, get angry at me, It's my-
Dawson: I don't think you're in any position to talk about what's fair. You were my best friend.
Pacey: I still am.
Dawson: I'm finding that a little hard to process right now.
Pacey: It's the truth, Dawson.
Dawson: So I guess it's safe to assume that friendship doesn't come above sex on your list of personal priorities.
Pacey: This has nothing to do with sex.
Dawson: Oh, what are you, in love? Is that what this is? [Pacey pauses and looks at Joey] Oh god, don't look-don't look at her, alright? Don' know what, Pacey, I feel sorry for you, because when all of this is over, you're really going to need your friends and you're not going to have any, not a single one.

Joey: Look, I didn't intend for this to happen, Dawson-
Dawson: Joey, what you intended does not provide me any solace. What? Do-do you love him? Are you-are you-do you just want to sleep with him?
Joey: No, how could you say that! I-
Dawson: Because it's what he's going to expect.
Joey: We're not together, Dawson. And we haven't been for a long time, almost a whole year has gone-
Dawson: Is-is this punishment?
Joey: No, I'm not punishing you!
Dawson: Because I didn't want to get back together with you?
Joey: No, why would you think I would do that-
Dawson: Then Joey, why? Why? Joey, because I-you keep on saying that you need to go find yourself. Is-is this what you've been looking for the whole time? Is Pacey what you've been looking for?
Joey: No!
Dawson: Then explain it to me, explain to me how two people who can barely stand to be in the same room with each other end up outside my window arguing about the future of their relationship.
Joey: I can't, okay. I can't explain it, it happened. [Pause] Everything between you and me is so complicated.
Dawson: Jo...God...if things between us are complicated it's because you made them that way, okay? And you think that whatever was wrong when you with me is magically going to get better when you're with him?
Joey: I don't know, Dawson. I don't know, okay. I just know that I...I need him.
Dawson: Do you need him like you need me? [Pause] Joey, it's a simple question, do you need him like you need me?
Joey: Look, you can't do that Dawson. You can't. Those two things have nothing to do with each other and you know that the way I feel about him is completely separate from the way I feel about you and our friendship.
Dawson: Friendship? Joey, right now we don't have a friendship.
Joey: What?
Dawson: We don't have a friendship right now-
Joey: What?!
Dawson: As of this moment we do not have a friendship.
Joey: That is not fair!
Dawson: You can't have both of us! You can't have him as your boyfriend and me as your consolation prize, you're going to have to make a choice.
Joey: No. [shakes her head]
Dawson: And I'll tell you right now, that if you choose him, I'm not going to be around to pick up all the pieces when it all falls apart. This ruins everything! There's no going back.
Joey: Okay...What do you want me to say, Dawson? What-tell me what you want me to say, what do you want to here?!
Dawson: I don't want you to say anything, I want you to leave.

Pacey: I don't know. I think I see some stormy weather ahead.
Joey: Pacey...
Pacey: It's over, isn't it?
Joey: It has to be.
Pacey: Maybe you should be the first one to go this time.

Show Me Love

Pacey: What are you trying to prove?
Dawson: Just trying to help Joey.
Pacey: [Under his breath in a disbelieving tone] Just trying to help Joey. Look, man, why don't you just take a swing at me? I mean, honestly, just take a poke, get it over with, save us both a lot of time and trouble. Wouldn't involve our friends.
Dawson: [Scoffs] Or family.
Pacey: Do you think that by indulging yourself in this James Dean meets Grease Lightning fantasy that you're actually going to prove that you're a better man that I am?
Dawson: I don't have to prove that. You made that clear when you moved in on Joey.
Pacey: For the very last time, Dawson. I made a mistake. [Pause] I thought you of all people would understand falling for Joey Potter.
Dawson: [Laughs rudely] Are you delusional enough to believe that you actually have something real with Joey?
Pacey: Well if I do, it's because of our own free will.
Dawson: Do you really think that a couple confused weeks means anything compared to the lifetime that we've had?
Pacey: And do you actually think that you could possibly hold onto that beautiful woman with some sort of selfish ultimatum?
Dawson: Answer my question Pacey, do you really think that you can compete with history?
Pacey: Some history. 15 years of watching PG movies in your bedroom followed by another year and a half of pretending to be grown up only to drop each other at the first sign of crisis. That's your history? Come on, man...and you call this woman your soul mate?
Dawson: Yes, I do and you knew that and you went after her anyway.
Pacey: Right after you rejected her.
Dawson: Oh, so she was vulnerable. Perfect for you, 'cause you're only interested in girls you can save or screw, right Pace? [Pacey just stares at Dawson and walks away]

Dawson: We won!
Joey: No you didn't, Dawson, you lost.
Dawson: What?
Joey: If you knew a little more about sailing, you would know that you got disqualified for- [Pacey walks up]
Pacey: For nearly killing me!
Dawson: What, I got disqualified?
Joey: Yes!
Pacey; Oh, I've got a couple more words for what you are!
Dawson: Okay, let's not forget who started this, Pacey! You're the one who said you want to-
Joey: Okay, stop! The both of you, stop this. I'm not some damn trophy.
Pacey: No, Jo...[Turns to Dawson] Let's not forget who started this, okay. Let's not forget who pushed me towards Joey Potter in the first place, it was you!
Dawson: Pushed you?
Pacey: Yes, it was you! Because you couldn't be bothered-
Dawson: Because I didn't want to get hurt again, Pacey, I still had feelings for her, I still loved her! I-i still love her [He looks at Joey. Pause as Pacey scoffs and shakes his head]
Joey: I-I hate this. I hate all of this! God, I hate you for kissing me and forcing me to figure out what it all means, Pacey! And I hate you, Dawson, for forcing me to make a choice between our friendship and what I might have had with him. And I hate myself, I mean, I wish we could go back to the way it was, I wish I could take it all back, but I can't. Nothing is worth going through all of this. No one person is worth this. Neither one of you and especially not me.

The Anti-Prom

Dawson: I’m well aware of the Potter neuroses.
Joey: I prefer to think of them as quirks.

Joey: I just want everything back to the way it was, you know? All of us friends again and... and me not caught in the middle.
Jack: Well if you want things to get back to the way they were, you have to set the example. Dawson and Pacey, those two just aren't gonna to do it themselves right now.

Andie: I hate the stupid prom... stupid prom can kiss my ass.

Andie: Have you told her how you feel?
Pacey: Andie, she already knows how I feel.
Andie: I mean, have you really told her, Pacey? You can't just leave without letting her know. I mean, that's not like you. You--you don't just stand and let things happen, and you don't run away, either. You have to tell her that you love her, and you have to try to get her back, because if you don't, I promise you, you will regret it.

[Joey walks over to Pacey sitting at a table]
Joey: I've been meaning to ask you something all night, Pacey. [He turns around to look at her. She takes his hand] Would you like to dance with me?
Pacey: [pause] Yes. [They stand up and go to the dance floor and start dancing] How come this feels so right?
Joey: Maybe it was those dance lessons. [They smile at each other and Andie finds them dancing, her features becoming sad]
Pacey: [talking about her diamond earrings] Where'd you get those. They're not you.
Joey: Why because I'm some poor tomboy or because Dawson gave them to me?
Pacey: Neither. See this? [He holds up her wrist with a bracelet on it] This is you. It's not showy or gaudy. It's just simple, elegant, beautiful.
Joey: It's my mom's bracelet.
Pacey: I know.
Joey: How do you know?
Pacey: Well, because you told me, six months ago. You were wearing that blue sweater with the snowflakes, that you have. We were walking down the hallways at school, I was annoying you as per usual and you said "Look Pacey I just found my mother's bracelet this morning, so why don't you cut me some slack."
Joey: You remember that?
Pacey: I remember everything. [They begin to dance cheek to cheek]

True Love

Jen: This is some alternate reality where our intellects are sharper, our quips are wittier and our hearts, are repeatedly broken while faintly in the background some soon to be out of date contempo pop music plays.

Joey: But Dawson, I want us to still be friends and I want to know that you don't hate me and...
Dawson: They're only words, Joey, they're just words. 'Cause after you're done dispensing your pleasantries you're gonna turn around and you're gonna walk away from me, aren't you?

Joey: You're so much of my life, Dawson. I mean, your house is my house and your family is my family and there's not a single significant event I've experienced that you haven't experienced with me and I was so afraid of losing that, but, that wasn't the choice, and if I thought that there was a chance that you would forgive me, I may have chosen differently... and you deserve to know that.

Dawson: [to Joey, about Pacey] You want him. You want him like I want you. You love him, like I love you. The only difference is he loves you back, the same way... and you deserve that, OK? And I'm not gonna be the one who stands in the way of you getting that... You're free, you can do whatever you want.

Joey: I think I'm in love with you.
Pacey: You think, or you know?
Joey: I know. I've known it since the moment you kissed me and maybe even before that. And... [exhales] ... scary as it is, I don't want to deny it any more, Pacey. I don't want to run from it, and I don't want to let it run from me.

Season 4

Coming Home

Pacey: Just what would we be missing from the land of poorly scripted melodramas, huh? Recycled plot lines, tiresome self-realizations. You throw in the occasional downward spiral of a dear friend, and maybe a baby here and a death there and all you've really got is a recipe for some soul sucking, mind numbing ennui, and I for one could skip it.

Joey: I would like to offer it to you as a...
Dawson: Please don't say symbol.
Joey: As an emblematic artifact representing the foundation of... of a new friendship.

Gretchen: Doug wakes me up every morning at 7 dust-bustering the kitchen. It's like living with Felix Unger on crack.

Joey: Pacey... I wanted to see Dawson tonight, not because for four months of my life he was my boyfriend, but because for the better part of my life he was my friend. And as my friend, I hurt him deeply, and living with that fact has caused me no small amount of guilt over the past three months. So, yes, I have been preoccupied, and it has made my mind wander, but... my heart? That's a fixed point. Three months riding the open waters couldn't shake it; I'll be damned if I let your insecurities shake it. My heart never left this boat. It's never left you. As far as I can see it's not going to anytime soon.

Joey: Ah, seafood, great change of pace, Pace.

Failing Down

Pacey: [to Gretchen] I'm gonna sabatoge it, huh? Hmm, me-thinks you've been watching a little too much Oprah.

Pacey: Charming? It's like something out of Better Homes and Crap.

Pacey: Good lord woman, you really are a fickle mistress, you know that? I mean without kissing, what do we really have left?
Joey: Precious little, we should probably break up.
Pacey: Yeah, well, we had a good run, huh?
Joey: Mm-hmm
[They kiss]

Drue: My father, who is a world class cretin, says stuff like that to the help all the time and I always think what an idiot, you know? I mean they're just going to go back in the kitchen and spit in his food...or worse even.
Joey: Fancy that, will you excuse me while I go check on your order.

Dawson: [to Jen] Take it from someone who spent the better part of last spring angry at the world, it's not worth it. I mean, it might numb the pain a little bit, but it's basically just a distraction. My point is: if you do it right, Jen, loving somebody is gonna hurt and the sooner you let yourself feel that, the sooner you'll be able to love again.

Two Gentlemen of Capeside

Drue: Must be the Star Wars thing.
Dawson: Star Wars thing?
Drue: It's classic, you are obviously Luke to this Pacey guy's Han Solo. So you're the stuff of pre-teen daydreams, cute, smart, non-threatening. Which is great and all, but not for princess Joey here who is clearly smack dab in the middle of her bad boy phase.
Joey: And where do you fit in to this whole scenario Drue? Jabba the Hut, I think.

Grams: Jennifer, I'm not so old that I don't remember how important senior fall term is.
Dawson: Old enough to call it fall term.

Drue: [cell phone rings while they are working on a project] Hello, hey gorgeous.
Dawson: Unbelievable.
Joey: Unacceptable. [grabs cell phone] Hello, gorgeous is it? Hi, yes, this is Drue's doctor and he's gonna have to get back to you when the syphilis clears up, ok? Bye-bye.

Mitch: [watching Joey and Pacey kiss] Just doesn't seem fair, does it?
Dawson: What's that?
Mitch: Well, you saved the day and you still don't get the girl. [pause] But maybe, just maybe, you got something more important.
Dawson: [sigh] How do you figure that?
Mitch: You have this moment. No matter where your life takes you, you can look back on this and know that you did a great thing. That's something that all the girls and all the things in the world can't replace.

Pacey: Look, I know that things between you and I are pretty much beyond repair right now. And, I wouldn't presume to be able to solve everything with a conversation 'cause that's just not the way it works. But, I've been wanting to tell you that I'm sorry Dawson. I'm really sorry for the way everything went down this spring. For my part in it, for the pain that it must have caused you. And, [sigh] I'm really sorry that I ruined our friendship, because I miss it, badly. And, uh, however far off it may be, I do look forward to the day when you and I might be friends until then.
Dawson: Until then.

Future Tense

Gretchen: But you know what my teacher said was the most bogus line in Hollywood cinema?
Dawson: What?
Gretchen: "There's no place like home."
Dawson: The Wizard of Oz.

Joey: I wanna be with you, Pacey. I wanna stay and be with you.
Pacey: [sighs] Well if you wanna be with me, then staying here would be a really stupid idea, considering I don't plan to be here... I plan to be wherever you are.

Dawson: I'm just trying to figure out why someone who's about to reap the benefits of something she's worked for her entire life is trying to drown herself with some 80-proof fruit punch.

Drue: Witter, I knew you couldn't resist a party. I see you've brought the Grim Reaper.
Joey: Reaping for your mortal soul, that is if you have one.

Jen: Okay, first of all, he didn't dump me, I dumped him.
Drue: Technicality.
Jen: Second, this isn't a funk. It's my personality.
Drue: Harsh.

A Family Way

Great Xpectations

You Had Me at Goodbye

Andie: ...Because in the end, you always go back to the people that were there in the beginning.

The Unusual Suspects

Joey: Drue, what happened?
Drue: Karma... finally caught up with me.

Kiss Kiss Bang Bang

Pacey: Well, maybe I just wanted these people to see you through my eyes for one night. To see this girl. This woman, who has more class and intelligence and beauty and grace then anyone else who's walking the face of the planet. Maybe things like this just come tumbling out of my mouth because I happen to be head over heels in love with you. But the really scary thing is, I think that they're true.

Self Reliance

Brooks: God intends to kill us all.

The Tao of Dawson

Dawson: [in his letter to Gretchen] Dear Gretchen, I really enjoyed talking to you in your room today. Try not to be nervous about starting high school. I know you're going to find people that understand you. There's something that I didn't get a chance to tell you. There's someone truly special in my life that I can't stop thinking about. She's unlike anyone I've ever met. Smart and funny and beautiful and just knowing that she's in my life has given me this constant fluttering that keeps me awake at night. When I think about who I can talk to about this, who will understand, the only person that comes to mind is you. And that's a problem because you are the one that I feel this way about. I think about you constantly, every little thing you do. The Elvis Costello sticker you put on your spiral notebook, the way your bangs have grown out every day now for 6 months until Monday when you were finally able to put it all in a ponytail. Today when you invited me to stay and talk to you after Pacey left, it occurred to me that you must think of me too. If I tried to tell anyone else, they would say that you and I are impossible, that our lives are too different, that we could never be right for each other. But we understand each other and we care about each other and years from now I believe that we still will. Your friend forever, love, Dawson.

Pacey: Dawson, you and I are friends. Friends. But sisters? Sisters are...
Dawson: Off-limits?
Pacey: Yes, sisters are off-limits. They're like mothers, only pretty.

Pacey: Do you "like" her "like" her, or just like her?
Dawson: Pacey this is Gretchen Witter we're talking about here, not Winnie Cooper.

The Te of Pacey

Mr Witter: Who the hell are you?
Jack: Me? I, I, I'm Jack, sir. We met a while back on a fishing....trip.
Mr Witter: [pause] Don't remember.


Dawson: It's, well... We're not dropping in on Studio 54, we're having dinner and seeing a band.

Pacey: I'm offering a brother's opinion, okay, and, as your brother, I can firmly tell you... That is not a leaving-the-house kind of outfit. That's like the bottom layer of something that will become a leaving-the-house outfit when you put on a sweater or something.
Gretchen: This is a sweater.
Pacey: A sweater is a big, baggy, shapeless thing which hides the human form. They design them specifically for sisters on dates.

Gretchen: Yeah, me as Pacey's sister and her ever trusty barkeep, maybe. Me as Mrs. Robinson, maybe not.
Dawson: Come on, 3 years does not make you Mrs. Robinson.

Mr. Brooks: Picture's not half bad. [chuckles] And not just because it's about me either.
Dawson: We should make another one sometime.
Mr. Brooks: Any time kid... anytime.

A Winter's Tale

Mr. Brooks Friend: Faith is believing in something when common sense tells you not to, Miracle on 34th Street. Arthur always believed that the best answers for life's questions could be found in the movies. Crazy idea, huh?

Jack: Is it just me, or does this place have a real strong John Hughes, 80's vibe?

Pacey: Do you want to know what I'm scared of? 'Cause I'm not scared of whether or not we sleep together, if-- if and when you and I decide to do that, it will be right. What I am scared of is that little piece of your heart that will always belong to Dawson Leery. OK, I'm scared of that piece of your heart that always envisioned your first time being with him. I'm scared of that part of you that just doesn't want it to be me. That's what I'm scared of.

Dawson: I I pray for him to make it, to sit up in his bed and tell us that we've all been here long enough and it's time to go home? Or do I pray for him to die, to ease his suffering. And I keep looking for some kind of sign, you know, something to confirm my instincts.

Joey: Hey, Pace?
Pacey: Hmm?
Joey: Do you still have your wallet?
Pacey: I thought we were done talking about that.
Joey: We are.
Pacey: OK, you wanna throw it away?
Joey: I wanna throw the wrapper away.
Pacey: If this is about what I was --
Joey: -- Pacey, this is about how you carried my bag off the bus yesterday. This is about how when we go to the movies and you go and you buy popcorn you always make sure you bring back a napkin so I don't wipe all the grease on my jeans. And this is about how just last week when we were at miniature golf, you took all of the shots first so I would know the correct path.
Pacey: That was just --
Joey: -- You taught me how to drive. [Starts unbuttoning his shirt] And last year at prom, you knew that the bracelet I was wearing was my mom's. You kissed me first, sweetheart. The second time you counted to ten before doing it again just in case I wanted to stop you. [Takes off his shirt] You bought me a wall. [She takes his hand and kisses it]
Pacey: I didn't buy it so much as I --
Joey: -- We were alone on a boat for three months and you understood without a word why I wasn't ready. [She takes off his under shirt so his chest is bare] So you have to ask now why I am? Pace.....I'm gonna count to ten, and then I'm going to start kissing you. If you don’t want me to... then you’re just gonna have to stop me. [pause] Ten, my love. [He carries her to the bed]

Four Stories

Joey: Pacey, I'm glad I had sex...I'm glad I had sex with you. [Pause] And now, I just want to go home...[She grabs his coat and pulls him toward her] So we can do it again. [They smile and kiss each other]

Mind Games

Joey: Yearbook is a shameful, squalid waste of time.


Jen: Just shut up and watch the fish.

Eastern Standard Time

Mr. Lindley: A city like New York, where every thing's moving all the time at this constant driving pace, it's like a living organism, breathing and changing, and over time your relationship to it becomes like this incredible romance. At first it's intoxicating, irresistible, and then slowly it becomes comfortable and safe. You have this cellular connection to it, as if you've known each other forever, like your oldest happiness. Sometimes you're on the outs and sometimes you're making up, and every now and then you catch yourself in this transcendent moment where you think to yourself "Oh my god, I'm madly in love with you and I always will be," and I think that's when it surprises me.



Gretchen: I'm at the prom, Pacey. I'm at the prom again. I mean, I graduated 4 years ago and I'm still here. You know, tonight for the first time, I didn't just feel older than Dawson, I felt old. Too old to be here. Too old to be doing what I'm doing.
Pacey: Want pathetic? How's this for pathetic... I'm technically still a junior. I'm not even supposed to be here.
Gretchen: A brother who's too young and a sister who's too old. We're quite the lot now Pacey.

Pacey: I'm not sure... I don't know what the future holds. But it doesn't hold what they think it does.
Drue: Now, come on, Jennypenny.

Joey: So, you really like my dress?
Pacey: I believe I already used the word "radiant".

Dawson: I was just gonna say, you know, given everything that's happened in the twelve months since last year's prom -- I'm glad we ended up here.
Joey: Me too, Dawson.
Dawson: God, we're so healthy, it makes me wanna puke.
Joey: I know. It is kinda sickening.

Separation Anxiety

Pacey: I miss you, Jo...[He looks completely heartbroken and destroyed as he sways a little]
Joey: I miss you too.

The Graduate

Joey: Principal Peskin, our families, my fellow graduates, I stand here before you aware of the similarities that we share. I know that you're feeling, outside of my incredible stage fright, the same things that I'm feeling-- pride and accomplishment, closure and regret, and a hopeful outlook on the future. But I don't think you need me to elaborate on those feelings. Instead I--I wanted to share something personal and tell you that... that people in my life who are gone now, people I miss very much and people who I am haunted by in different ways, but whether we're separated by death or merely distance, I know that they're still with me because I keep them in my heart. The truth is, in time, that's all that we're going to be to each other anyway, this population of memories, some wonderful and endearing, some less so. But taken together, those memories help make us who we are and who we will be. So whether you're here with each other now or you're merely in each other's thoughts, remember each other on that road ahead. And I hope that no matter where your travels lead you in this life... you'll always take Capeside with you. Congratulations.


Joey: You know, I was just gonna... keep my mouth shut and let you go... but...[Sighs]... It's not me. That's some Merchant Ivory movie, you know, where people suffer in silence, and you're supposed to be so impressed by their restraint. Well... you know... sorry, but screw that. My best friend in the whole world is leaving tomorrow, and a big part of me wants him to stay... so I hope you don't hate me.
Dawson: I could never hate you, Joey... and not for lack of trying, either.
Joey: These past couple of years, it's been one big soap opera. I wouldn't take it back. I wouldn't... take any of it back, but... I'm glad that it's over. 'Cause I like the way things are now. My life being the cruel joke that it is, now that things are so nice... you're leaving.
Dawson: Jo... if I thought for one second it was the right thing to do, I would stay, but it's time to go. It's time for me to get out of this room, and it's time for you to discover who you are without us. This chapter's over, Jo. I can feel it.
Joey: [With tears running down her cheeks] Do you believe in magic? I never used to. I mean, how could I? 13, your mom dies. You hope against hope for--for magic, something to make it all better. It never comes, and, you know, you look to your father who's unable to overcome all of his tragic flaws. Well, no abracadabra there. And then there's Pacey. Well... any magic that was there, that ran out, didn't it? But, uh, then there's you. There's proof that someone out there is thinking of me... my friend who was with me always. It's pure magic. I guess this is pretty much just a long-winded way of saying that, um... I'm gonna miss you, Dawson.
Dawson: I'm gonna miss you, too, Joey.

Season 5

The Bostonians

Jack: Ooh. College guys are hot.
Jen: Give me the phone.
Jack: Why?
Jen: 'Cause I’m calling Tobey and telling him you said that.
Jack: I can look.
Jen: Yeah, but you cannot touch. I like Tobey. Tobey's good people.
Jack: Yeah, I like Tobey, too. It just so happens that we're kinda doomed to the loneliness of a long-distance relationship at the moment.
Jen: Well, that's still better than the loneliness of the no-distance relationship. That doesn't make any sense, does it?
Jack: No, no, it didn't. Look, you need to get some, and soon, all right, before you achieve born-again virgin status.
Jen: Jack.
Jack: What? Jen, I’m serious. It's been far too long. The last guy you were with was Henry. That means last year was a total wash for you.
Jen: Tell me about it.
Jack: You know you're a lot more fun when you're with a guy. Watching you twist yourself up into these little knots of anxiety, it's highly entertaining.
Jen: Thanks. That's good to know.

Jack: [to Joey] Can we count on you tonight or what?
Joey: I dunno. I mean, are we frat party kind of people? Is there any past evidence of us functioning well at these kinds of events?
Jack: Which is precisely why we should go. It’s a new year, guys, okay? I mean it. We need to spread our wings. Challenge any preconceived notions we had of college. And most important, to reinvent ourselves.
Joey: What got into him?
Jen: A cute boy invited him.

Todd: So what do you want to be when you grow up, Dawson?
Dawson: What else? A director.
Todd: Yeah? What are you doing about it?
Dawson: USC Film School.
Todd: Film school is for pussies. What are you really doing about it?
Dawson: I, uh… I made a documentary last year about A.I. Brooks.
Todd: Who?
Dawson: He was this pulp director from the 50s. It’s an amazing story, actually. I could show it to you.
Todd: No thanks.
Dawson: Okay.
Todd: Look, you’re what, like 18?
Dawson: Yeah.
Todd: Chances are, it’s bad. And if I take a look at it and it does indeed suck, than I have to come up with some sort of B.S. so you don’t feel bad. And if on the off chance it’s actually good, what do I need that for? Why would I want to be jealous of some 18 year old kid that makes better flicks than I do? Do you see my predicament?
Assistant: They’re ready for you, Todd.
Todd: Welcome to Hollywood, Dawson.

Dawson: Todd? What I said was “screw you”. You should be ashamed of yourself, man, and not because you treat people badly, cause a lot of people do that. You should be ashamed of yourself because you have an amazing privilege and you don’t even take it seriously. You get to make movies. You get to do this for a living and you don’t even appreciate it. This movie is probably gonna suck. I know that, you know that, and the entire crew knows that. And your next movie is probably gonna suck too. Somebody gave you the keys to the kingdom and you’re blowing it. I feel sorry for you. If I ever get here, I’m gonna do things a lot differently.
[People clap, until Todd turns and looks at them]
Todd: You’ve got balls, kid. Now get off my set. You’re fired.

Joey: [leaving a phone message for Dawson] Hey Dawson, it’s me, umm… I wanted to call you up. I’m at this party with Jack and Jen and my crazy roommate. Guess what? I’m having a pretty great time, but as great as it is, it’s not completely great and that’s because of you. You’re not here and I know that I said that it’s okay that you didn’t come this weekend but you know what? It’s not okay because I miss you. And there was this guy tonight and he was hitting on me or at least I think he was hitting on me. And he was perfectly nice and I blew him off and I’m not even sure why. But I’m pretty sure it was because of you. And… I’ve spent these past couple months acting like you were just going to show up outside my door one day, but you’re not. You are out there following your dreams which is what I want for you, Dawson. [someone knocks loudly] In a minute! [into the phone] Dawson, I think it’s time that I let you go. And it’s really hard for me to do because I know that there’s a part of me that will be in love with you for the rest of my life. But this whole running and place and day dreaming is just not healthy for either of us. So this is me cutting the cord, this is me doing what I should have done three months ago. Say goodbye, Dawson. Call me back. Bye.

The Lost Weekend

Jen: He’s not going to call.
Jack: He’s calling.
Jen: He doesn’t even have my phone number.
Jack: He will get your number.
Jen: How?
Jack: Somehow. Why do you think we have had all these advances in information technology? They are all about helping people track down other people other people they are sexually attracted to. Jen, just trust me. Alright? The guy will find you, and when he does, just throw yourself at him immediately because you obviously want to.
Jen: Whether I want to or not, nice girls just don’t hurl themselves at boys, Jack. Society at large deems that slutty and self destructive.
Jack: That’s right. I forgot. You’re a slut. Only, you haven’t actually had sex with anybody the entire time I have known you. And if you look at the cold hard facts, I have kissed more guys than you have this past year.
Jen: Well…That’s not true.
Jack: I’ve kissed one. How many have you kissed?
Jen: One.
Jack: How many straight guys?
Jen: None.
[Jack shrugs his arms as to say he has proven his point]
Jen: This is the saddest conversation ever.

Jen: I just have a hard time believing that same person who has Licensed to Ill, also has Volume 2 of the essential Dolly Parton collection.
Charlie: Give me that.
Jen: And why is it so important to you that I listen to this song?
Charlie: Because, once you hear Dolly Parton’s original 1974 recording of I’ll Always Love You, the song made popular and sucky on the Bodyguard soundtrack, you will truly and possibly for the first time in your entire life, know what it means not to suck. And at that point, your entire universe will turn upside down. Everything that used to seem normal to you, will suddenly seem right.
Jen: And that is a good thing?
Charlie: Of course it's a good thing. What is music for, if not to subvert all your expectations and blow your mind every once in a while?
Jen: Well, I thought that was what people were for.
Charlie: What?
Jen: Nothing, I, I just can’t believe you like country music.
Charlie: Well, I like all kinds of music, unlike you who’s obviously very cynical and very closed minded. It’s probably one of those upper middle class, heavy television, freaky batgirls that drive around town in their father’s old Volvo.
Jen: I came here from a small town, I like to knit, and I live with my grandmother.
Charlie: Works for me.

Dawson: Well, I went to go take the tour, turns out that Audrey is the tour guide.
Joey: Audrey is the tour guide?
Audrey: Yeah the pay sucks, but it allows me to combine two of my passions. Performing in front of a small audience, and getting strangers to fall in love with me.

Dawson: And what does matter?
Joey: You. That’s why I got upset this morning, Dawson. I had spent the entire weekend thinking that you had heard everything I had to say on that message and that you came anyway. That you understood me.
Dawson: Joey, as long that I live, I will never understand you. I mean, I had this fantastic weekend. Hanging out with you. Hanging out with my friends. Questions whether or not, I even wanted to go back to LA, and then I wake up this morning to find out that the girl that was so upset that I couldn’t come, could actually kiss me off in the waning hours of Friday night.

Joey: Dawson, I never said it was going to be easy.
Dawson: Then tell me one thing that you do know.
Joey: I know that I wanted you there. At the end of the day, when I got back to my room, I wanted you there.
Dawson: Why?
Joey: I don’t know why. I don’t know what I meant. I just know that I wanted you there.
Dawson: Joey, I am here. I’ve been here for two days, and only now are we finding a way to talk about stuff that really matters. Like why you left that message. All right? And you know, maybe that is the ending we are supposed to have. Maybe every other attraction that we feel each other is just, fear of moving on, fear of growing up.
Joey: Is that what you really think?
Dawson: I don’t know, but I do know that if I get on this plane, I am never going to find out. All right, because, we’re gonna, we’re gonna move on, we’re going to grow up, and four years from now we are going to wake up, and we are going to be complete strangers to each other. The only thing that I know for sure, it that I don’t want that to happen. Do you?

Capeside Revisited

Audrey: [to Joey, as Jen answers her phone] So do we like this Charlie?
Joey: We don't really know this Charlie. She seems to keep this Charlie pretty much to herself.
Audrey: I'm a little concerned. This is all sounding very Nine 1/2 Weeks to me. [Jen hangs up] Booty call?
Jen: Pretty much. Yeah.
Audrey: Oh! I knew it.
Joey: Are you gonna go?
Jen: I don't know. I could use the snuggles.
Audrey: See, that's what I miss most about not having a boyfriend-- the snuggling. It's better than sex. If only guys knew how easy it was to make us happy.
Joey: Yeah, but you know what? Even if they did know, they'd still screw it up. Snuggling to them is merely just a means to an end.
Jen: I mean, I've been seeing Charlie for a week, and the only thing that I really know about him is that his boxers are from The Gap.
Audrey: Well, there are worse things, you know?
Jen: Such as?
Audrey: Well, for instance, he could be a tighty-whitey guy.
Jen and Joey: Oh!
Jen: Oh, good point!
Joey: Ok. On that note... I'm gonna go to the bathroom, and when I get back, I'd like it very much if this week's episode of Sex and the City had come to an end.
Jen: Ok, Charlotte.

Dawson: Um... guys, USC is not for me. I want to drop out. I know this comes as a surprise to both of you, but I spent the whole summer in L.A., And I went to every single one of my classes, and the main thing that I learned about L.A. is that L.A. is just not where I want to be right now.
Gail: And Boston is?
Dawson: All my friends are in Boston.
Gail: Oh, honey. You'll make new friends in California. It just takes some time.
Dawson: Mom, it's more than that. It's more than that. I'm... I'm at a profound crossroads in my life, and I know that if I don't choose this path, I'm going to have significant regrets.
Gail: Hmm… Where would you live?
Dawson: Uh, with Jack and Jen at Grams'.
Gail: What would you do?
Dawson: Find a new school.
Gail: Oh, Dawson.
Dawson: Mom, I know I sound like a complete flake, but I promise you, I've given this a lot of thought.
Mitch: I've given this some thought myself, and I've decided... you're not dropping out.
Dawson: It doesn't work like that, dad.
Mitch: If you're going to stand here and talk to me about crossroads and paths so you can drop out of school and go crash on a sofa, then don't presume to talk to me like you're an adult.

Audrey: I have this theory about you. You want to hear it?
Joey: No.
Audrey: You love academia because of the rules, and you hate relationships because of the lack of them. Joey, no one's gonna grade you on how you handle this, you know? No one's gonna come along and tell you what's expected so you know how to succeed. Relationships are messy. That's their nature. They start messy, and they end messy, and if you ever want to have another relationship in your life, you better just stop worrying about the mess.

Gail: Did Joey ask you to stay in Boston?
Dawson: No.
Gail: Are you two…
Dawson: Together? No. It makes no logical sense. I know. The past few years of my life, I haven't done anything without a clear-cut objective. I've always been asking myself, "What's my goal? What am I trying to accomplish?" And my whole life, everybody's always been telling me to follow my heart. The irony is, now that I've finally figured out what that means, everybody's telling me I'm crazy if I do it.
Gail: No, honey. I'm not saying not to follow your heart, but... people change, Dawson. It's a fact. You, all of your friends, you're all gonna change. So if you are absolutely sure that you want to be with Joey, just make sure that you are not going to prevent either one of you from growing. And, sweetheart, I am not dismissing this beautiful idea of soul mates, but the reality of eternal coupling... well, quite frankly, it boils down to one thing... faith. So ask yourself this question-- is Joey the kind of person that you are willing to take a very big leap of faith for?

Joey: You can't see them very well, can you? At night, in the city.
Pacey: [Looks at her, surprised to see her. Then he smiles] What? The stars? Um, no you can't see them very well, but what the hell, I've seen them all before, right? [They pause and look at each other, then Joey smiles]
Joey: Me too.

The Long Goodbye

Use Your Disillusion

Joey: [written in a book she gave to Dawson] Dear Dawson, When something like this happens, you wanna reach out and grab the people around you, the ones who matter the most. The ones you take for granted all the time. And you want to take those people and hold onto them as tight as you can, tell them how precious they are to you, how knowing them makes your life better every single day that you're living it. Because when something like this happens, you realize how awful it would be if they didn't know, if they weren't aware of the profound effect they've had on your life. So, I want to take this moment to tell you that I love you, Dawson, and I'm here for you...Now, forever, and every day in between. Love, Joey.

High Anxiety

Text, Lies and Videotape

Hotel New Hampshire

Four Scary Stories

Joey: Audrey was walking with me to the library, in itself a sign of the apocalypse.

Pacey: [To Joey] Now that's not true, you were once and will always remain the number one skittish kitten in my life.

Appetite for Destruction

Jack: They did.
Pacey: You think?!
Jack: Oh yah, definitely you feel different?
Pacey: I do! I do, I feel...different. I mean here we have Dawson Leery walking amongst us, and I gotta tell ya, I'm a little worried he wasn't prepared - we didn't even get a chance to have the talk! do you know?
Jack: Mm. It's not so much him as it is her. I mean, as sick as this sounds, I know the look.
Pacey: Oh know, we almost did too.
Jack: I know, I know . . . come to think of it, we almost did once too.
Pacey: Hmm...whaddya think it takes?
Jack: A virgin and a straight guy.
Pacey: Damn...

Something Wild

Audrey: Come on, Joey. That guy is gorgeous.
Joey: Ok, he's gorgeous and... familiar.
Audrey: We have to plot some smart, subtle way for you to meet him.
Joey: How about I go up to him and say, "Aren't you Charlie, the guy who dicked over Jen?"
Audrey: That's Charlie? Charlie the jerk?
Joey: In the flesh.

Audrey: That can't be the same girl that sleeps in my room! Who is that girl?!
Pacey: That is "other Joey."

Audrey: You wanna know why else I love pool? Because the chalk matches my eye shadow! How cute is that?

Joey: So tell me. Does this sort of thing actually work?
Charlie: I wouldn't know. I'm not like the rest of these pre-epoch Neanderthals in this place.
Joey: No?
Charlie: I've never done this before.
Joey: Really?
Charlie: Yeah.
Joey: So, you must've used a different tact with Jen Lindley, huh?
Charlie: Hmm. Joey, the smart girl from Worthington.
Joey: Charlie, womanizer from Boston bay.

Sleeping Arrangements

Audrey: Bawdy?! You make me sound like I'm Bette Midler or something!

Jack: Besides, Jen and I have done this Will & Grace thing for quite too long.

Something Wilder

Guerilla Filmmaking

Jen: [about Charlie] Dawson, he's evil. Isn't it entirely possible that he is the anti-Christ packed into the body of a handsome musician?
Dawson: I need you to do me a big favor.
Jen: You want me to kill him.
Dawson: I need you to go home.

Pacey: [afetr he has mistaken his one night stand's name] Oh come on, sweetheart, don't leave angry. Or if you must, at least don't drive angry.
Rina: Have a nice life, Stacey.

Downtown Crossing

Mugger: Are you a virgin?
Joey: [pause] Can you be any more of a dick right now?
Mugger: Yeah, I could shoot you.

In A Lonely Place

Highway To Hell

Pacey: [referring to Joey and Audrey] "High maintenance" is just another way of saying "high quality."

Pacey: So what is the name of this place we're going to, anyway?
Charlie: Uh, the 'Drunk and the Dead.'
Pacey: Oh, that sounds like a nice family joint.

Charlie: I think I dreamt this once.
Joey: What are you talking about?
Charlie: You, me, a big backseat.
Joey: This backseat has no implications.
Charlie: Hey, I didn't say that it did.
Joey: This is strictly business.
Charlie: All my backseat transactions are.

Pacey: [To Charlie] And I just got tired of hating you so intensely, but make no mistake if you do anything to hurt Joey, I will make you regret it for the rest of your waking days.

Dawson: Is it completely stupid for me to get clothes for my little sister for her birthday?
Jen: No, I think that it's great, you know. She's finally developing her own sense of style as opposed to that typical blatant nudity.

Cigarette Burns

Charlie: I am the devil!

Charlie: [to Joey] No, I was going to say that I want to take you into the bathroom and do ungodly things to you.

100 Light Years From Home

Jen: Is that Chris Hartford?
Pacey: Oh, my God! The movie star I ordered from my teen beat catalog finally got here. I was getting so worried.

Charlie: Look, I would be happy to stop calling. Just tell me where you are.
Joey: I'm in your dreams, Charlie Todd.
Charlie: See, now, wait a second. That sounded suspiciously like flirting to me.
Joey: Maybe... and this is what a dial tone sounds like. [Hangs up on him]

Joey: [Answering her phone] Hello?
Charlie: Hello gorgeous.
Joey: So, I was beginning to worry. You haven't called for 3 hours.
Charlie: Oh, so you do like my calling.
Joey: What do you want, exactly?
Charlie: Nothing, really. Just your address.
Joey: No problem. I'm at 359 No-Way-in-Hell Avenue on the corner of Get-Over-It and Main.

Joey: OK, so let me get this straight...
Dawson: Oh, no. Why do I feel a quasi-feminist rant coming on?
Joey: Shut up. So basically, spring break is hunting season, Florida is the forest, and girls are the target.

Jack: I said I was going out for the necessary provisions; that means beer and jello.

Separate Ways (Worlds Apart)

[Charlie is outside playing guitar and singing]
Audrey: Could he be any cuter?
Joey: No, but he could be more in tune.
Audrey: Come on. This is so romantic. It's like that movie. It's like you make him want to be a better man.
Joey: Wouldn't it be better for society if I made him want to be a better guitar player?
Audrey: Ok, it is official. You are the queen of negativity. There'll be a crowning ceremony later in the day.

Joey: I'm the worst kind of person because I suck these boys into my web, and then I make them give up their dreams until they're left sad and dreamless and living in Boston.

Audrey: That sound you just heard? That was all the fun leaving the building.

Joey: I do not drool, and if you tell anyone I do, then I'll just mention how you moan in your sleep about your mom taking away your Barbie dolls.
Charlie: Ok, I didn't—
Joey: Only for about 20 minutes.
Charlie: In that case, I saw no drool.

After Hours

The Abby

Jen: You know what? It may be a huge mistake, absolutely horrible. We may come back after a week. But so what? No matter what happens, for the rest of our lives, whenever Costa Rica comes up in casual conversation, we'll be able to say, "Good Old Costa? Yeah, I spent some time there."
Jack: How often does Costa Rica come up in casual conversation?
Jen: Hey! You tryin' to kill my buzz, man?

Swan Song

Pacey: [over the intercom] Audrey, it's me. Look, I don't know if you can hear me right now but if you can, please don't get on that plane, please. Or you know what, if you do get on that plane, its fine because all you’re gonna make me do is make me drive across country and hang out in front of your parent’s Beverly Hills mansion until you talk to me. Because I have to tell you that I am really, truly sorry for everything, and I’m sorry that I wasn’t completely truthful with you and I’m sorry for my predilection for the company of older women. It’s just that this has been a really strange year for me Audrey, because while the rest of you guys are off to in the whole college thing, I was just doing my best to stay afloat. And believe me, nobody is handing out road maps for the road less traveled, you just kinda got to get on and start driving. But ultimately, the only thing that I’m gonna take away from this year and the only thing that I’m gonna remember is you, because you are amazing Audrey. And you came along at the time when I thought all the big loves of my life are behind me, and you just rock my world. And I know that you and I don’t actually even know each other that well yet but, I’m sure that I could live without you, I’m just not sure that I want too, Audrey, so that’s it. Uh, that’s it. That’s my pitch. So, peace out everybody. Free the West Memphis Three.

Season 6

The Kids Are Alright

Joey: What are you doing?
Dawson: I was gonna ask you to dance.
Joey: Are you crazy?
Dawson: Yeah, but the offer still stands.

Joey: Hold on a second please. That’s the best you can do for your childhood hero?

Pacey: I don’t know how strict we’ll have to be about that sleep thing.

Drunk Guy: What are you looking at?
Joey: Drunk guy with his fly open. What are you looking at?
Drunk Guy: Are you getting smart with me?
Emma: I’m afraid that's unavoidable.

Joey: You break her heart, I’ll break your face.

The Song Remains the Same

Dawson: Every good thing that's happened in my life I've essentially managed to talk out of existence. I'm not going to do that this time.

The Importance of Not Being Too Earnest

Audrey: Oh, my god! You're still there, like a vegetable.
Joey: Writing a good e-mail is hard.
Audrey: Yes, especially when it is a huge mistake.
Joey: Shut up.
Audrey: Joey, I am serious. E-mail expression is the scourge of the modern age. The Internet has made it way too easy to express oneself. Ok, you have some fleeting thought. You send it. It lands with a thud in some unsuspecting person's mailbox. Said person then reads it, gets irked because you've recapped a conversation that you presumably already had. They fail to respond. You feel slighted. But if you must be one of these pathetic passive/aggressive e-mail types, far be it from me to stop you. What do you have so far?
Joey: Well... I had "Dear Dawson," and then I erased it.
Audrey: Why? I think that's a nice start.
Joey: I seemed cold.
Audrey: True. I mean, you did just nude-up with the guy. Oh, I'm sorry, or did you guys do it through a hole in a sheet because that's very Dawson and Joey to me.
Joey: Again, shut up.
Audrey: Sorry. Ok, so what do you want to say?
Joey: I don't know. I mean, I don't like the way things ended, and I want him to know that I care, but I also want to hold on to my righteous indignation.
Audrey: Obviously. Well, why don't you just pick up the phone and call him?
Joey: I'm afraid we'll just fall right back into our old patterns. Trust me. E-mail is a far safer alternative at the moment.
Audrey: Ok, if you must do this, then I say that you go for it. You know, be gooey and be embarrassing, but most of all, just be real, Joey. Say all of the things that you can't say to his face, the whole nine.
Joey: You're right. I better get to work. But...thank you, Audrey.
Audrey: No problem, sister Christian.

Rich: Witter!
Pacey: Rinaldi.
Rich: That's "sir" until you buy me flowers, Witter. Where have you been?
Pacey: I'm really sorry. I was just under the impression that I wasn't supposed to be here until 9:00.
Rich: Ahh, "supposed to." Well, that's cute. Are you supposed to dress yourself, or does your mommy actually want you to look like a pansy? Look around. You see these guys? Apparently, these gentlemen are free thinkers. Since you've yet to grow a pair, you get stuck with these. [Hands him a stack of folders]
Pacey: And what's all this?
Rich: That is a collection of about 30 cold days in hell: Rich guys sittin' on piles of money so high that their daughters eloped and sold their own babies on the black market just to put ramen on the table. We have never been able to sell them stock, and they will certainly never buy it from the tardy likes of you. You better get on the phone. We work on commission here. And the guys on your list don't know how dreamy you are, so I would work that blue collar charm full-throttle. Stop battin' your eyes at me.
Pacey: Is this some sort of punishment?
Rich: I'm just tryin' to get you to leave. I don't have enough desks.

Hetson: Ok, kiddies, knock back your Ritalin and settle down. You may recall, we were wrapping up a rather depraved discussion of Portnoy's Complaint last week. Sadly, we won't be dabbling in Roth's stream-of-consciousness sexual rivers much longer, but fate assigned us some additional reading last night via e-mail. I think you all got a copy, so why not? Let's discuss something you actually might've read. "Dear Dawson, I don't know where to begin."
Joey: Uh, professor Heston—
Hetson: Nobody likes a show-off, Potter. You don't reach a point for several paragraphs, so I'll skip ahead. "In the moment when we touched, maybe we went somewhere else that rose above all this, but then we landed, and I think maybe we crashed." [Class laughs] Why, when broaching the topic of sex, do so many writers try to write themselves out of it? Sexuality and all its dysfunctions are intrinsic to the human experience, maybe the one thing we can all relate to at the end of the day-- well, neurosis and the god thing aside. And the reason that Roth seduced us and Miss Morning After here didn't is that while Roth isn't afraid to get his hands quite literally dirty with rapid-fire sensual description, our e-mail author here distances herself from the act with vague metaphors. Can't be stream of consciousness if you're observing from the shores... right?
Joey: You know, maybe-- and this is just a shot in the dark-- she didn't mean to send it to the gossips at large. Maybe she's just trying to get some private closure, never dreamed she'd be subjected to the Oprah psychobabble of her life-lacking peers. Now, do you guys want something to eat, or should I just bring over a nice tray of bon-bons so you guys can hunker down and watch your stories?

Jen: Boston Bay is not a party school, Audrey.
Audrey: Spare me your lies, Jen. I am not going back to my evil den of higher learning. This is clearly where it's at.
Jack: Hey, the midday keggers get a little old after a few semesters, trust me. I tell you what, I'm gonna meet you guys in there. I'm gonna go talk to Professor Freeman.
Jen: Don't you think that's a tad Tracey Flick? He doesn't know who you are.
Jack: Sure he does. I've raised my hand and talked in class a lot of times. He's noticed. He has.
Jen: All right... swimfan. Somebody has got to talk to that boy about his love of the straights.
Audrey: Whatever. It's totally hot.

Hetson: Oh, it's so nice to see you, Potter. Hope our pesky class didn't interfere with your all-important e-mail schedule. Whip out another diatribe last night?
Joey: Actually, I did. I was hoping this was it. Did you guys not get it?
Hetson: Oh, this is actually a copy of the article that I assigned to follow up the reading. I know your mini-drama probably prevented you from even looking at the syllabus.
Joey: Well, most of yesterday consisted of eviscerating my personal life, and every other lesson is a rant composed of your dated theories. I'm sorry I'm late, professor Heston, but the first half of class is usually when you reveal how bitter you are, how moronic we are, and how literature is dead. Were you thinking of moving on to something slightly more stimulating today?
Hetson: Well, I-- I think we've been spending too much time together, Potter, if that's your attitude. I mean, I was thinking of teaching today, but I don't know if I've got a lot to offer, what with the tenure and the published articles and all. But if you all insist on being stimulated, why don't we discuss James Joyce’s description of the girl on the beach. I mean, I'm too hackneyed to illuminate the subject, but maybe you can shed some light.

Instant Karma!

The Impostors

Living Dead Girl (aka Halloweenie)

Ego Tripping at the Gates of Hell


Jen: So, you're coming, right? I mean, if the band can overcome their complicated romantic entanglements and still be friends, the least that we can do is all get along for one night.
Audrey: All right, I am willing to grant that there is a certain karmic appropriateness to seeing one's ex-boyfriend for the first time at a No Doubt concert.
Jen: You're bending.
Audrey: I'm not bending.
Jen: Oh, come on, you know you want to. Empowered female. Incredible fashion sense.
Audrey: I suppose mojo Jojo will be attending.
Jen: Oh, come on, if you can-- if you can be with her in that tiny little dorm room of yours, you're going to be just fine in a crowd of 14,000 strangers.
Audrey: So she's bringing that guy, right?
Jen: Mm-hmm, but we don't have to sit next to them. We're using the gays as a barrier between the breeders and the bitter, single girls.

Jen: You're not going to regret this, I swear. You're here, you're not in a suit. This is good. This is very, very good. Where is everybody else?
Pacey: They're at the concession stand. Jack and Emma, and, uh... the guy and the guy's friend.
Jen: Yeah, well, his name is David, which you might want to remember. I think he's going to stick.
Pacey: What, you posses the psychic ability to see into the future of relationships now?
Jen: Yes, just not my own.

Pacey: Hey. I did call you, you know.
Audrey: I know. At least I figured that I shouldn't talk to you until I hated you a little less.
Pacey: Oh, well... how's that going for you?
Audrey: It's going, yeah. The problem is now I kind of hate myself, but, uh...
Pacey: Audrey, can we go talk a walk? Maybe talk someplace that's a little quieter and slightly more private before all the madness starts?
Audrey: [Chuckles] You really are an old man, aren't you?

Jack: So you really don't mind taking Audrey home?
David: Well, sure, I mind, but, you know, my inner drama queen respects her refusal to come out of the bathroom till Jen and Pacey leave.
Jack: Heh heh heh! Thanks, man. I just don't want to ditch Jen, you know. I mean, I don't think this evening turned out quite the way she planned.
David: Hmm. Yeah. I know the feeling.
Jack: So, we're, uh, not doing too well at this, are we?
David: Well, the hanging out has been good. But the dating? I think it's safe to say that when two gay guys go on a date, and each ends up going home with a hot blond girl, something's definitely not working.
Jack: Yeah.

[Dawson and Natasha are kissing outside the police station as Todd comes storming out]
Todd: Ok, shag wits, to the car! Let's go! Chop, bloody chop! Or am I gonna have to throw cold water on you both?
Dawson: I think he's mad.
Natasha: Real mad.
Todd: For the record, never let it be said that Todd Carr is a man who's not in love with being in love. I think both my movies and my life reflect my deep and abiding commitment to getting two good-looking young people together and having a bit of fun now and again. However... as leery here bloody well knows...
Dawson: You're also a man who's in love with sleep.
Todd: To the car. Now.

Everything Put Together Falls Apart

Merry Mayhem

Natasha: Are you on your period right now, Dawson?

Joey: Audrey! Lay off.
Audrey: What's your problem, princess? I was sticking up for Joe Dirt over there.
Pacey: Oh, this isn't going to end well.
Audrey: Would you shut up, Pacey?
Pacey: You're out of line, Audrey.
Audrey: Of course I am. Anyone messes with the one that got away and you get all up on your high horse, don't you?
Jen: Audrey...
Audrey: Oh, excellent, another party heard from. What's your problem, Lindley?
Jen: I think you're the one with the problem.
Audrey: Oh! How devilishly clever of you, Jen. [Pause] Oh, honey, are you still upset that I shagged your dream boy, because I am sorry about that.
Jen: What are you even doing here?
Audrey: I missed my flight, bitch! Which is really, terribly unfortunate, because if you think that spending Christmas on Walton Mountain is my idea of a good time, than you all are about as high as I am right now.
Gail: Audrey? Why don't you go lie down?
Audrey: Oh, you know, thanks for that Gail, really, but I think I'm kinda just getting started here. Do any of you have have any idea how hypocritical this whole little gathering is? I mean, I'd be flying high on a pleasingly potent cocktail of vodka and painkillers and thank you, by the way, Gail, for the painkillers. But I seem to be seeing things a little clearer than-than any of you. Dawson. Pacey. You guys hate each other, don't you? You're never going to-to be able to mend this little rift that exists between the two of you, so-so why do you even bother with the charade? And Dawson and Joey. [Laughs] Here you are, both of you, all grown-up and so very pleased with yourselves and each with your little significant other by your side respectively and while I will give you that it does make for a pretty picture, the truth of the matter is that you guys finally slept together and you've never really dealt with it. And neither of you are going to be able to have a relationship with anyone else till you finally just deal with your crap once and for all. for you, Pacey, I'm really sorry that Audrey Hepburn next to you broke your heart all those years ago and has prevented you from ever fully committing to an adult relationship...but you know what? Just grow up.

Day Out of Days

Todd: [to Dawson] The absolute first thing you have to remember to do when you're on set, is take a picture of Natasha’s face, at the exact moment when she’s introduced to her new director, cause that’s something I bloody well have to see.

Professor Greg Hetson: Is it a girl thing?
Joey: No! It's a human being thing.

All the Right Moves

Eddie: You’re going to have anything you want in this life, Joey.
Joey: I wanted you.
Eddie: No! You wanted that guy you met in English class and I’m not him.

Harley: Screw the formula. The formula can lick my lily-white ass.
Joey: Do you kiss your father with that mouth?
Harley: Ooh gross! Why would I kiss my father?

Rock Bottom

Clean and Sober

Joey: Oh. I forgot. You're still not over me.
Pacey: [chuckles] Really?
Joey: Oh, remember? Christmas dinner from hell? That was one of Audrey's enlightened comments, you're still not over me.
Pacey: Right. Of course.
Joey: That must suck.
Pacey: Oh, it does. You have no idea the hardships I go through trying to maintain a friendship with a dream girl such as yourself. You have no idea.
Joey: Gets lonely?
Pacey: It does. I cry myself to sleep every night, but Jack and I cuddle. That eases the pain. He's very loving. [they both laugh]

Pacey: But I'm glad you had a good time, you deserved it. And you are a lovely and wise drunk, Miss Potter. [Pause. Then Pacey leans toward Joey] What you said earlier was right. I never did. How could I? Just look at you.
Joey: You know what else we never did? [After a pause, Joey kisses him then lays back down on the bed.] Your turn now. [Pacey smiles and kisses her forehead]
Pacey: Sweet Dreams, Joey.


Joey: What the hell is happening to my butt right now?
Pacey: That'll be the seat warmer, which comes standard on all your finer German automobiles.
Joey: Huh. My lower half thanks you for moving so far up the socio-economic ladder.

Pacey: Ok, let’s...just... take a little time out, because you and I... we're not actually having this conversation.
Joey: Oh, why? 'Cause you don't want to talk about sex with me?
Pacey: Ha! Do you want to talk about sex with me?
Joey: Well, no, but... I usually don't want to talk about sex with anybody.
Pacey: Thank you for proving my point. Now, if we could move on, I think our night will be much, much more pleasant.
Joey: After you tell me why you don't want to talk about sex with me.
Pacey: All right, one would think this would be obvious, but fine. Perhaps it has something to do with how calm and cool and non-judgmental you are about the whole thing.
Joey: Oh, you know what? I don't approve. Ok? There. I said it. And I refuse to sit here and pretend like this is all just fine, 'cause it's ridiculous.
Pacey: Do you hear yourself? You can't help it! This is why we don't talk about sex. It's actually the secret to our entire friendship.
Joey: You've lost me in your sea of pronouns.
Pacey: Well, ok. We are friends. Right?
Joey: Yes.
Pacey: So what is the secret to our long-lasting and angst-free friendship? What is the one thing that keeps it going year after year after year after year?
Joey: We suck at meeting new people.
Pacey: Wrong. We do not, under any circumstance, talk about sex. I may be having it, you may be thinking about having it, but we don't discuss it. That way we avoid the awkwardness, and in avoiding the awkwardness, we are able to maintain our friendship. You see, it's a preventative measure. I solved the problem before it even starts.
Joey: But, Pacey...if we're such good friends, why is there any awkwardness in the first place?
Pacey: Because not too long ago, we were more than just good friends, now, weren't we?
Joey: Yeah, but we're not anymore.
Pacey: But that doesn't matter. The damage is already done.
Joey: What, so as far as you're concerned, I slept with you, and then I took myself in and got revirginized?
Pacey: In my mind? Yes.
Joey: Ok, so basically what you're saying is that the only way you and I can continue being friends is if we lie to each other about our sex lives... if we take that whole giant aspect of our lives and just... pretend like it doesn't exist?
Pacey: Worked for you and Dawson.

Pacey: [on the televisions] Is this thing on? Ok, well...ahem.'s me... obviously. So if you could just step a little closer, and don't worry, I'm not gonna bite. I come in peace. and I... we're gonna be here for a while. For quite a while, it seems. So I think it would be best if we could come to some sort of truce. And to facilitate this truce, I'm willing to admit to you on camera that, yes, indeed, I am an ass, which you probably already know. Better than most people. And perhaps better than anyone on earth. But I digress. My proposal is this: That we leave the past in the past, which is where it belongs anyway, that we try and make the best out of this bad situation, and that we get comfortable. To wit--I bought you something. Well, I didn't really buy you something. Perhaps procured would be a better word, but...anyway, you get my point. It's down there on the counter. [She looks over and sees that he put a set of pajamas and slippers on the counter] I'm not so sure about the sizes anymore, 'cause it's been a while, but... we can always exchange it. And, if you accept my proposal, you will have at your disposal for a limited time only the ability to make me do one thing I really do not want to do. Which is not to say that you don't always have that ability, but I kinda figure that that's how this whole night from hell started. You were doing something for me that you really didn't want to do... which is what friends are for. Ok. Over and out.

Joey: [shaving Pacey] There. Hello, chin. You're back.
Pacey: [Chuckles] Well...I was never really gone.
Joey: You weren't?
Pacey: Mm-hmm.
Joey: It kinda seemed like it.
[Pacey kisses Joey]
Joey: What was that?
Pacey: I don't know. remember how you said you were willing to be surprised by the future?
Joey: Yeah.
Pacey: Surprise.
Joey: How come you don't seemed surprised?
Pacey: Well...maybe because I've... wanted to kiss you ever since I saw you in that outfit.
[She looks down at the pajamas she is wearing]
Pacey: No. Um... not that outfit. The one... uh...the prev-- well, I mean, not—
Joey: Wait, wait, wait. You were wanting to kiss me all night?
Pacey: Yes.
Joey: Even when you were yelling at me.
Pacey: Especially when I was yelling at you.
Joey: Even when you were flirting with that other girl?
Pacey: Yeah. Then, too.
Joey: So... is this... some sort of... recent new development in your life?
Pacey: Wanting to kiss you? No. It's sort of always there... like...white noise, or... the secret service or the threat of nuclear war, for that matter. Just somethin' you get used to.

Pacey: I got it. Seems a small price to pay for a dream come true.
Clerk: I certainly hope you found everything you were looking for today.
Pacey: Well...not everything, but we found what we needed, which, as I'm sure you know, is sometimes just as important. In a spiritual sense. 'Cause, you know, if you found everything that you needed today, what would be the point of waking up tomorrow and doing it all over again? It just wouldn't seem worth it.
Joey: Don't worry. He's on a one-day pass from the asylum. all fairness, I should let you know that I will be writing a letter to the home office about this.
Clerk: You will?
Joey: Yeah. Because this store... is perfect just the way it is. Don't change a thing.

That Was Then (aka Before and After)

Dawson: Remember this feeling, George. Remember what it was like to make a film about something you loved, the confidence to do it your way, control your vision, keep it your own. I mean that's.....I miss that.
George: Yeah. You do sort of have the stink of a burnout talent on you.

Sex and Violence

Pacey: And you're sure you'd be comfortable with the whole boss/secretary power relationship?
Joey: We both know who's boss here.

CJ: Look, if what you told me about your past is true, then I'm guessin' what I don't understand is why the creeps and the scumbags who treated you so poorly got the benefit of your sex drive. Whereas guys like me who actually treat you fairly well... we get ridiculed for wanting to have sex with you.
Jen: Wow. Kudos to you, C.J. That is the nicest way that anybody's ever called me a slut.

Larry Newman: Friends will come and friends will go, but I say... there's always room for a movie in which teenage girls take their clothes off.

Larry Newman: Which reminds me-- a minimum of 3 nude scenes, please? That's not including the scenes in the strip bar. I want this picture to be wall-to-wall boobs. Ok? This is gonna be a very good picture.

Pacey: Jo, how can you expect me to concentrate if you're around all day?
Joey: Am I really that much of a distraction, Pacey? I mean, my desk is outside of your office. You can't even see me.
Pacey: But I know you're there. And I would not have come as far as I have if you were 5 feet away from me all the time. I just wouldn’t. Trust me.
Joey: Really? And why is that?
Pacey: Ok, now you're just milkin' this for all it's worth, aren't you? Fine. [Sighs] I wouldn't have been able to concentrate because every time you're 5 feet away from me or 25 feet away from me, for that matter... there's really only one thing that I want to do.
Joey: Do tell.
[Pacey kisses her]

Love Bites

Pacey: [on the phone] Hi. Is this Potter's House of Pain?
Joey: This is Mistress Potter speaking.

Pacey: Look, you like Harley, right?
Patrick: She has her strong points. Ok. I mean, as long as we're talking man to man, yeah, I like her. A lot.
Pacey: Well, good. Congratulations, man. 'Cause true feelings for a woman, that's about the best experience you're ever gonna have. I mean, it'll make you strong, it'll make you stupid, and it will definitely take you closer to being the man you want to be.

Patrick: Yeah, I don't know why I should be taking advice from you. Like you're some kind of Yoda when it comes to the chicks.
Pacey: Have you seen my date?
Patrick: Tell me more, Sensei.

Joey: Hey. Ooh.
Pacey: Yeah, I know. Kids today, huh?
Joey: That damn rap music.
Pacey: And those baggy pants. Even with the damage to my unsuspecting eardrum, I did think that tonight was quite nice. Quite nice.
Joey: Yes. Quite. Perfect. It was... it's been a perfect night....Pace? I can't do this.
Pacey: You can't do what?
Joey: Even when everything is perfect, being with you doesn't feel right, and I'm sorry. Look, everything tonight-- I mean, tonight was lovely and fun and... you've become this... I mean, this amazing man, but it doesn’t... I'm sorry. I don’t... I don't feel it. And I can't do this with you.
Pacey: Ok, Joey, just slow down for a second.
Joey: No, Pace, it’s... it's true and... I'm sorry.
Pacey: So what, you're scared. Right? You're scared. And so am I, believe me. And I'm scared because I don't know where this thing is going, Jo. As in, I think it could go anywhere. This could be it.
Joey: It won't be.
Pacey: How could you possibly know that? I mean, really. Last week, you're onboard, and now you're just psychically telling me that this could never be something great. You can't possibly know that, because we don't know that, Joey.
Joey: And I'm sorry. I know that this is such a horrible thing to say.
Pacey: But how? How could you know? And when did you make this decision, tonight? I mean, I thought tonight was going great.
Joey: It was. It was great.
Pacey: So then when? And don't tell me that you're not scared, because I know that you are. I mean, I've known you too long and seen you push away too many good things to let you push me away right now. My whole life, Joey, my whole life you have been the most beautiful thing in my orbit. And my feelings for you were what proved to me that I could be great. And those feelings were stronger and were wiser and more persistent and more resilient than anything else about me.
Joey: Pacey, stop.
Pacey: Jo—
Joey: Pacey!
Pacey: When I was afraid of everything, I was never afraid to love you and I could love you again. I could. I’m telling you, this could...
Joey: Pacey, no. Pacey, stop! Eddie came back. I'm sorry. He came back last night. He came to the bar—
Pacey: Oh. Okay.
Joey: Look, I'm sorry— [Pacey walks away]

Patrick: And as my fist was rocketing towards his neck, I was just, like, you know, Patrick, you're a lover, not a fighter.
Harley: That last part was pretty obvious. And as for the first part...
Patrick: You mean the lover part?
Harley: Not a chance.
Patrick: Oh. Well, I didn't mean it literally. Well, yeah, I did, but... you know, that's not the reason I'm at the dance with you. I'm at the dance with you because if I weren't, you'd be with some other guy, and that would kill me.
Harley: Because you like me?
Patrick: Yeah.
Harley: Nice speech. Pacey teach you that?
Patrick: Yeah. Yeah, that and how to unhook a bra with one hand.
Harley: Try it and you'll have one hand left.

Lovelines (aka The Eddie)

C.J.: You excited about the hosting gig tonight?
Jen: Mm-hmm.
C.J.: Yeah? Who knows? You could become the next Ryan Seacrest. You could borrow one of his man-blouses.

Audrey: Want to make out?
Eddie: No.
Audrey: Good. That was your test, buddy. You break her heart again and I'm going to kill you. You got it?

Audrey: Oh, my god! Where is he?
Jen: Who?
Audrey: Who? Who? Oh, Jen, Jen. Sweet, sweet, Jen. Such an amusing facade, but it's of no use. You can't keep us apart. It's destiny, I tell you. Destiny. Jen, he was on my plane.
Adam Carolla: Ladies, put the claws back. No need to fight. Plenty of room on the Carolla coaster for everyone.
Jen: I'm afraid I won't meet the minimum-height requirement. It's nice to meet you. I got to go.
Adam Carolla: Well, what about you? You want to hop on board?
Audrey: I wasn't talking about you, doofus. I'm kind of looking for Dr. Drew.
Adam Carolla: Pinsky?
Audrey: Yes, yes! Do you know where he is?
Adam Carolla: That geezer's probably out casket shopping. He's old. He's an old man. He's old enough to be your grandfather. Whereas I, I'm just old enough to be your daddy. And plus, the guy's a bore. He's an amazing bore. He never stops talking about gonorrhea and hepatitis G. Believe me, I know. I have to share a hotel room with the guy. Cheap bastards.
Audrey: Oh, my god. You've shared a room with him? Tell me something. Have you seen him naked?
Adam Carolla: Yes. Yes, I have.

C.J.: Well, there's this, uh... girl that I have-- or had a relationship with.
Adam Carolla: She was a sex buddy?
C.J.: No, she, uh... she was a girlfriend, actually, and we were together for several months up until this morning, when she dumped me like a sack of rotten trash. No explanation, no warning, no nothing.
Dr. Drew: Were there any warning signs? Any problems in the relationship?
C.J.: No, none. Well... I did sleep with one of her friends.
Adam Carolla: But just one, right? Women don't--they don't mind that kind of stuff. Can't be that.
C.J.: But she knew about it and it was before we got together, so that doesn't really count, right?
Dr. Drew: Have you simply tried asking for an explanation?
C.J.: That's the thing. Every time I try to talk to her, she treats me like I'm Father Damien.
[They look at him strangely]
C.J.: He was a leper.
Adam Carolla: Oh, sure. The famous leper, Father Damien. Drew, you wrote your thesis on Father Damien, did you not? All right. Listen, I say run. I mean, this chick's a head case. She's going to take you down, I promise.
Jen: Thank you, Adam, for that astute insight, but if you don't mind me saying so, I think that C.J.'S problems here are really subordinate to those of the many members of this audience who have actually paid good money to listen to your vastly under qualified advice.
Adam Carolla: You're so lucky I don't know what "subordinate" means, honey.

Jen: Um...ok, why don't we go to Mandy behind the screen? Mandy, what's your question? Mandy?
Audrey: Oh. Hi. Sorry, no. Actually, my name is Audrey, and my question is specifically for Dr. Drew. Um, I'm about 5'7". I've got blond hair, blue eyes, great rack.
Jen: Audrey, question. Find it.
Audrey: Oh, right. Ok. Well, um... several months ago, I realized that I had a serious problem with alcohol. I had all these negative feelings about my life, and I was using alcohol as my escape. And in the process, I hurt a lot of people that were very close to me. And if it hadn't been for those very same people, I probably would not have gotten the professional help that I needed. So after spending several weeks in a rehab facility in southern California, um... I guess my question to you is this, Dr. Drew-- how would you like to go back to my dorm room and play a little game I like to call "dirty doctor and naughty nurse?"


Pacey: Good morning, gentlemen. I had sex with a beautiful woman last night. Now, this should not have happened. She was way out of my league, and I even like to think that I'm a fairly handsome guy, but I'm not that handsome, and I like to think that I'm pretty good in bed, but I'm not that good. How does something like that happen? I'll tell you. I'm 20 years old, and I am doing exactly what I was put on this earth to do. I am making money... hand over fist... faster than I know how to spend it. And let's tell the truth. You all came here today because you're trying to escape the miserable bottom-feeding existence that you've been living that has denied you what is rightfully yours. If you want this for yourselves, you can have it. But I'm here to tell you, you will get your asses kicked on a daily basis, but you will learn. And ultimately, you will do what you were put on this earth to do, which is make money. Now, if any of you are still interested in this proposition, be here 9 A.M. Sharp Monday morning. If you are late, do not come into my building. Turn around, go home, and prepare yourselves for a life in retail. I'll see you then.

Eddie: So what you're saying is that you want to do everything.
Joey: Yes! Yes. Well, everything within reason.
Eddie: Within reason?
Joey: Well, yeah, I mean, we should be somewhat practical about this.
Eddie: You want to be practical about running away together?
Joey: Well, Eddie, I mean, running away together isn't as easy as it looks on TV. I mean, believe me. I've done it before. And we're gonna get back in the fall. We're gonna be starting school. We're gonna be completely broke.
Eddie: So?
Joey: So that thought doesn't terrify you?
Eddie: No, not more than the thought of not spending the summer with you. Or not seeing your face the first time you see the Eiffel tower, or the London bridge, or the plaza San Marco in Venice. You know, it's not like either of us have any money now. I mean, we're broke. So what? We start over. Rebuild things from scratch.
Joey: With you in California and me here?
Eddie: And a whole lifetime's worth of memories. Things that'll never leave us no matter how broke we get.
Joey: Eddie... all I'm saying is that... running away together, no matter how romantic and magical it all seems at the time, it doesn't solve anything, ok? So whatever it is that you're running away from, whether it be circumstances or geography, you know, fate, another person, it's always gonna be there when you get back.
Eddie: Ok, so what would you suggest to solve these problems, Joey? I mean, what do you want to do? Just ignore the opportunities that come our way?
Joey: No! I'm just--I'm trying to be practical.
Eddie: Which means what, exactly?
Joey: Maybe we should just wait. You know, scale back a little.
Eddie: Scale back?
Joey: Yeah. Maybe work for a month or two and then go.
Eddie: Joey, we're gonna spend the rest of our lives working.
Joey: Yeah, and we have the entire summer to take this trip. Nobody said we have to go tomorrow.
Eddie: I do.
Joey: What?
Eddie: You don't-- you don't even really want to do this, do you?
Joey: Of course I want to do this.
Eddie: Yeah, but only on your terms.
Joey: Well, whose terms am I supposed to be doing this on, Eddie? I mean, if I'm gonna throw my life entirely off course for the chance—
Eddie: Oh, my god. What are you talking about? Throwing it off course? I'm not asking you to throw your life off course, Joey. I'm talking about a summer here. All I'm asking is that you take a leap. Come away with me.
Joey: Oh, like Saul Bellow or on the road? Eddie, those are just stories--poems. Little pieces of unreality that we're not meant to base our lives on. Eventually we always have to come back and deal with the real world.
Eddie: So what? What are you gonna do? You just wanna sit here for your entire life waiting and hoping for the world to come to you? Because the point of those stories, Joey, is that people's lives-- their real lives-- only begin when they step out into the world. And when you do that, when you meet it head on, maybe you change the world, maybe you don't, but the point is, is that it changes you. And that is what people mean when they talk about growing up.
Joey: So what? If I want to be with you, I'm supposed to just throw all of my previous life experience out the window? I'm supposed to just stop being who I am?
Eddie: Who you are, Joey, is not some scared little girl who's afraid to take a chances on anything, who's afraid to really love someone because of the risk or the pain. That does not define you as a person. Or maybe it does, you know? Maybe--maybe I'm crazy. Maybe you've just blinded me.
Joey: Are you done? You should probably find somewhere else to sleep tonight.

Jack: Do you think that I was just going out with David to prove something to myself?
Jen: Something about what?
Jack: Just to prove that I could do it, that I could be in a relationship. You know, have a boyfriend.
Jen: I don’t know. I mean, is that something that you feel like you needed to prove to yourself?
Jack: Yeah. Who wants to be that 35-year-old guy that's living alone and still going out to the bar scene trying to find the right person?
Jen: Give me a break. You're 20 years old. You're not even legally old enough to be in those bars, let alone haunt them with your sad, single self.
Jack: Yeah, that from the girl who was on a first-name basis with half the bouncers in New York.
Jen: Look, my point is is that I don't think that everybody meets the love of their life when they're a teenager. Or when they're 25. Or even when they're 35. But that doesn't mean that you stop looking and hoping. You know, 'cause you will meet that person, and when you do, I guess you know it.

Pacey: I just-- I want to ask you one thing before you go.
Rich: As long as it doesn't involve me holding you while you cry.
Pacey: I promise.
Rich: What is it, kid?
Pacey: Well, I was just wondering if maybe you could cover me? Loan me a little money?
Rich: You're kidding, right?
Pacey: No. I wish I was, but... you have no idea how hard it is for me to ask you for this, Rich, but a friend of mine a couple of weeks ago, he came to me and he wanted to double his money really fast. So I just put it all into Stepatech.
Rich: That was a stupid move, Pacey.
Pacey: But he wanted to pull out, and I told him not to, I told him to just trust me and ride the thing out, and this guy is my oldest and closest childhood friend. I cannot screw him like this, Rich.
Rich: It's already done, Pacey.
Pacey: No, I'm serious. All I want to do is give him back his initial investment. And then I'll pay you back with whatever interest you want.
Rich: What about you? What happened to your disposable income?
Pacey: I got nothing left. Everything I had was in Stepatech. I'm worth like, I don't know, 300 bucks right now.
Rich: You know, it's funny. You're so good at your job, you're so confident, I sometimes forget how young and stupid you are.
Pacey: Please, Rich, I need your help, not the speech right now, ok?
Rich: Oh, I think you do, actually. And I'm gonna say to you what you should have told your little friend in the first place. No.
Pacey: That's it? That's all you have to say to me? I come to you, embarrass myself, and you're just gonna say no?
Rich: Pretty much, yeah.
Pacey: You know, Rich, sometimes you're so good at your job I forget what an unfeeling prick you are.
Rich: You work for me. I'm your boss. You watch your tone.
Pacey: Ok, Rich, I'm just asking you for this one favor! Just one time!
Rich: I...don’ favors, Witter.
Pacey: Why not? 'Cause god forbid you have to drop the Gordon Gecko routine for a second? I mean, this would be so easy for you, man. Just help me out here!
Rich: Help you out?! I gave you a job, Witter! I gave you a chance to escape some bottom feeder existence, and every step of the way, you have been a holier-than-thou pain in the ass. So you tell me, why should I help you out? Take this pen. Take this pen, Witter, and write down today's date. Because from this day forward, you're going to amount to nothing. You are a failure and a loser, and you deserve everything that can-- uhh!
[Pacey hits him and they begin figting]
Rich: It's all over, Pace. Don't worry... you're fired. That's what you wanted all along, anyway. Loser.

Eddie: [in a letter to Joey] Dear Joey, as you know, I'm not good at good-byes, but I guess that's what this is. A real one this time. Because as much as I thought I wanted us to be together, I guess what I want more is to be one of those people who lives every moment of his life without indecision and without regrets. Someone who dares to disturb the universe without a thought to the consequences. And you're not one of those people, at least not yet. Maybe you'll prove me wrong about that one day. I hope you do. But who knows? Maybe people can't change. Maybe we're doomed to repeat the same mistakes over and over again no matter how hard we try. I always hope for a happy ending. How crazy is that? Take care of yourself.

Goodbye, Yellow Brick Road

Dawson: I got 3 credit cards in the mail last week, maxed them out in, like, a day. Got lights, cameras, this awesome sound equipment. I'm going completely overboard, but I don't care. I'm talking a mile a minute. I haven't even asked you what brought you to Capeside.
Pacey: Man. Ha! Being in this room, it just takes me back to a whole other era. When the future was a clean slate for all of us, you know?
Dawson: Well, the room may have gone back in time, but I think you and I have moved ahead rather nicely. It's about all the obstacles we went through when we were kids. We both ended up doing exactly what we wanted to do.
Pacey: Well, there was that brief period of time I toyed with the idea of being a rodeo clown, but I guess this'll do. Heh heh.
Dawson: But you made something of yourself, Pace, and now you're making something out of me.

Pacey: So they told me you went away for a while.
Audrey: Let's not be awkward exes, Pacey. I was drying out in Malibu.
Pacey: Ok. Well, you look great, anyhow.
Audrey: Clean living, my friend. So, what happened to your job? I know you're not just taking a long lunch break. You're a little too hard-core for that.
Pacey: Well, I've been reassessing how I allocate my time.
Audrey: So you're drinking?
Pacey: I'm thinking about it.
Audrey: You're thinking about taking a tasty downward spiral? Oh, you'd better quit while you're ahead. You're not cut out for this.
Pacey: What are you talking about? I could spiral with the best of them. Speaking of... shouldn't you really avoid places like this?
Audrey: I, um, can't hide from my problems forever. It's kind of how I ended up in rehab in the first place, right?
Pacey: Well, that's brave of you. But you were always good like that.
Audrey: Yeah, well, I'll be your personal superhero, ok?
Pacey: Ok.
Audrey: Unless of course you want to spend the rest of your days hiding out in dives like this. What are you hiding from, Pacey?
Pacey: I'm hiding from the suit, because it's evil. Bad things happen when it's on. I allowed people to believe in me for a second, which was foolish, and now it's really coming back to bite them in the ass.
Audrey: You know what? This isn't you talking. This is your former self rearing its ugly head. Come on, Pacey. I know moments like these. One path is the harsh reality, and one path is the comfortably numb. But guess what? In the morning, when you're all sobered up, the problem's still gonna be there. Only, now it'll be like a big festering wound, and you'll just be the jerk who sat back and let it get worse.
Pacey: Well, thanks for not walking on eggshells around me.

Dawson: It's weird, huh? This room used to be the official meeting place where we'd discuss what happened that day. And now it's just a film set, and I don't even know what happened this year.
Joey: Yeah. I was kind of hoping I could just climb up the ladder and... magically fill in all the lost time.
Dawson: How's that working for you?
Joey: Not so easy.
Dawson: Yeah.
Joey: Maybe I was gone for too long.
Dawson: Well, we'll piece it together between the two of us then, right? The lost year of Dawson and Joey.
Joey: It wasn't easy.
Dawson: What wasn't?
Joey: Not talking to you. Maybe it seemed like it was. And I guess it just... became routine, just another thing that I didn't do. Well, like shooting heroin or driving drunk.
Dawson: Wow, I'm up there with the dangerous activities.
Joey: Or casual sex. Dawson, for so long, you were the only person in the whole world I wanted to be with. Then somehow you became my only one-night stand.
Dawson: I never meant for it to be like that.
Joey: I know. I know. Maybe being in this room makes it easier. Having it set up this way, you know, I'm so familiar, and... seems insane not to talk. And sometimes the hardest things to say are the things that... really matter.
Dawson: Hmm. Why do you think I've spent years trying to write an entire screenplay about you?
Joey: I read it in one sitting.
Dawson: Ok. I hope you don't think that I gave it to you so that you could just say all the obligatory nice things.
Joey: And why would I feel obligated?
Dawson: Exactly, because if I can't get an honest opinion from the girl who loathes me more than anyone else in the world, who can I trust, right?
Joey: You've always been this devilishly clever.
Dawson: Well... yeah. But... uh, I got--I got-- I wanted you to read it because... well, you're really the only person in the world who can tell me if I got it right this time.
Joey: You grew up, Dawson. You grew up. I always wanted to think that you were this hopeless dreamer and I was the adult that escaped. But I didn't escape anything, not really.
Dawson: Sure you did. You got out of Capeside. Wasn't that the original plan?
Joey: Couldn't escape myself, could I? You were right. So much of what I was fighting was growing up. And I figured out this past year that it's hard for me... to talk about sex, to talk about... getting close with someone. And maybe... I'm not supposed to lose myself. Now it's not part of the plan. But then again, I never thought that losing you was part of the plan, either.
Dawson: I think sometimes... you have to lose somebody completely before you can figure out what they really mean to you. I missed you, Jo.
Joey: You got it right this time, Dawson. I missed us.

Pacey: Man, and we were just gettin' back to be friends, too. It's such a shame to ruin that.
Dawson: What are you talking about? What would ruin it?
Pacey: Money. Money would ruin it.
Dawson: W-what happened?
Pacey: It's gone. Your money's gone, my money's gone, some guy on Long Island's money is gone—
Dawson: What--what do you mean gone? That was all the money that I had.
Pacey: I know it was, Dawson, and I honestly thought Stepatech was gonna take off, I swear to you.
Dawson: Right. Yeah, o-of course. Otherwise why would you blatantly ignore my request to sell the stock?
Pacey: Man, I was just tryin' to do the right thing.
Dawson: Ah, damn it, Pacey, this— You're always tryin' to do the right thing. You're always so eager to be the hero, you never quite see all the pieces of the puzzle.
Pacey: Dawson... you came to me with your dream because you thought I could help make something of it, and somehow this comes back yet again to the fact that I screwed you over?
Joey: Ok, you know what, you two? Let's just stick to the topic at hand. Ok, so we can just solve this problem by going inside and trying to get calm... and we'll talk about it.
Dawson: Joey, talking about this is not gonna solve anything.
Joey: What are you talking about?
Pacey: He means it's not about money. So fine then, let's just talk about what's really goin' on here.
Joey: You know what? I see no reason to drudge up baggage from the past just to fill in the moment, Pacey. I mean, let's remember something. This exchange between you and Dawson is purely a business exchange, and I think we need to remember to keep it at that.
Dawson: She's right. It is business between us, 'cause god knows we haven't been best friends in a long time, have we?
Pacey: No, we certainly have not.
Dawson: You wanna know why we're not friends, Pace? It's not because of what happened with Joey, even though that turned my world upside down. It's because from that day forward, I realized that you hadn't been my friend for... maybe quite some time, 'cause the second you made us competitors—
Pacey: That I made us competitors? No. No. Now--now you're rewriting history, Dawson.
Dawson: I remember when my best friend had a choice and chose to turn his back on me. If you'd ever stopped settin' us up against each other, you woulda realized that you and I are not that far apart.
Pacey: Ah, spare me the speech. You are not gonna convince me that our world’s... are anything alike. You're just upset because I broke outta mine.
Dawson: Broke out of yours? How? By putting on a suit and slavin' away at something that doesn't even interest you? You made money. Congratulations. You impressed us all.
Pacey: How dare you. You know nothing about me, man. I was good at my job.
Dawson: Then why am I broke?
Pacey: Because that's life! I didn't make that choice! I have lost, literally, everything! What do you want from me, man? Does this make you happy, that you're back on top now? I mean, you always liked it better when you were in charge, so is this what you wanted? Does this make it all right?
Dawson: You don't wanna know me, Pace. You wrote me off a long time ago.
Pacey: Really? Really? Back when we were the best of friends? When we were brothers? Was I just outta the house every time you tried to call me over the last 3 years?
Joey: Ok, can you guys just stop it? I can't stand here and listen to you guys do this anymore.
Pacey: I didn't mean to lose your money. I didn't know that that would happen. I'm sorry.
Dawson: Yeah, so am I. This-- this was just a big mistake from the beginning, I guess.

Joey: You ok, Pace?
Pacey: You don't have to do this.
Joey: Do what?
Pacey: Sit out here with me. I know you'd rather be in the house with Dawson, so why don't you just go and help him lick his wounds?
Joey: Things never change here, do they?
Pacey: No... because these are the roles we were destined to play.
Joey: No, Pace, these are the roles we chose to play. I mean, look at us, sitting out here on this dock in front of the same house we've been haunting for years. We're practically ghosts of our former selves, and honestly, I don't think anyone really remembers what they're mad about anymore.
Pacey: Mm, I wouldn't be so sure about that.
Joey: Pacey, if I wanted to go back into that house, I would've gone a long time ago. Don't you know me at all by now?
Pacey: Well, I don't want you sitting here feeling sorry for me.
Joey: I don't feel sorry for you. I feel for you, Pacey. God, can't you ever tell the difference?
Pacey: I don't know. [Sighs] I don't know, because you and I have had a very confusing run of things. Especially lately.
Joey: Ok. You know, and no matter how much I love you or how long I stay with you, you're only gonna remember the moments when I leave.
Pacey: Well, you gotta give me that much, because those are pretty much the most painful moments in my life.
Joey: That's because you ask for them, Pacey. I'm sorry. You do. Your whole life, you spend so much time expecting the worst that you don't even notice the moments when people are loving you, and, Pacey, people spend a lot of time loving you.
Pacey: Well... with all due respect, Jo, my best friend just walked away from me, but that's not even the worst of it. The worst thing is he hasn't even really known me for the last 3 years, so please, clarify that for me. How does that qualify me as a man with a support network?
Joey: Well, you have a person sitting right here, don't you? But of course, that's not enough. Not until you let it.
Pacey: In what world do I have you?
Joey: Look, just because I don't fit into that... place you want me to doesn't mean there's not a place for me, Pacey. Does it?
Pacey: Joey, this isn't your fight, anyway.
Joey: You're right. You're right. It's not my fight because it's been over for a really long time, Pacey. And it is up to you to make it right.
Pacey: I don't know how to make it right.
Joey: Well, you're gonna have to figure it out. You know, that's the thing about ghosts. They say that... they don't leave until they're at peace with what they left undone.

Joey Potter and Capeside Redemption

Joey: [voiceover] It’s true what they say. Time is an unreliable narrator. History gets rewritten in small ways with each passing day. I can’t swear this is exactly how it happened, but this is how it felt. Summer had brought us home, and we wasted no time assuming our roles in what had become an all-too-familiar scenario. Pacey had fallen from grace, Dawson’s dreams were dashed, and I was somehow in the middle of it all over again. The triangle we had all tried so hard to put to rest had come back to haunt us.

Pacey: Hey. Jo, come in. I'm finally starting to understand these soap operas. They're pretty good.
Joey: All right, dirt merchant. Put some pants on. You're coming with.
Pacey: Yeah. I don't think I'm going to be able to do that. The Young and the Restless is just about to come on. I gotta see how J.T. talks his way out of this one 'cause Colleen was about to kill him. I wouldn't miss that for all the pizza in Capeside. But, please, feel free. Pull up a seat. We got chips.
Joey: Pacey. This is pathetic.
Pacey: Well, yeah. Kind of comes with the territory. Now I'm not sure what you want me to do about it.
Joey: I want you to come with me. I want you to help me figure out how to get Dawson’s movie made on $10 and a dream.
Pacey: I'd just end up ruining the whole thing, and Dawson knows that, I know that, and in your heart of hearts you know that. I'm a dangerous man, a lethal weapon, so we're all better off if I just lay here on my couch, watching my stories.

Dawson: Cut, cut. Audrey, you're gonna have to take the robe off.
Audrey: You're kidding me.
Dawson: I thought we'd be in tight enough so we wouldn't see it, but it's right there.
Patrick: This is, like, my dream day.
Audrey: Ok, Dawson, what if I just show a little shoulder?
Dawson: Problem is, I need bare skin.
Jen: You need, like, spaghetti straps.
Joey: She's right. You have to have something to match the wardrobe Audrey would be wearing if Pacey junior hadn't walked into her chest with a jelly doughnut.
Dawson: We don't have an E.T.A. on that dress yet, do we?
Jack: Yes. Spin cycle. Your mom says it's gonna be about, uh, 20 minutes.
Patrick: Uh, excuse me. Is there any scenario in which she could just take off all her clothes? You know, at least for one take? Because then, you know, I feel like I could really give you an appropriate on-camera react—
[Joey grabs him by the ear.]
Patrick: Aah!
Joey: Can I have 5 minutes alone with this guy?
Patrick: You don't know how long I dreamed of hearing you say that.

Todd: [sits in the Director’s chair] Oh, my apologies, sir. Force of habit.
Dawson: No, stay there. Stay there. You bailed my ass out today.
Todd: That's right, you little bugger. My bloody dogs are barkin'.
Dawson: Makes you feel for the little people, doesn't it? Makes you wanna go back and apologize to every crew member you ever threw a hissy fit at, I bet.
Todd: Hell, no. Makes me wanna produce.

Joey: [voiceover] I used to be afraid of so many things...That I'd never grow up. That I'd be trapped in the same place for all eternity. That my dreams would forever be shy of my reach. It's true what they say. Time plays tricks on you. One day you're dreaming, the next your dream has become your reality. And now that this scared little girl no longer follows me wherever I go, I miss her. I do. 'Cause there are things I wanna tell her-- to relax, to lighten up, that it is all going to be ok. I want her to know that meeting people who like you, who understand you, who actually accept you for who you are, will become an increasingly rare occurrence. Jen, Jack, Audrey, Andie, Pacey, and Dawson. These people who contributed to who I am, they are with me wherever I go, and as history gets rewritten in small ways with each passing day, my love for them only grows. Because the truth is... it was the best of times. Mistakes were made, hearts were broken, harsh lessons learned, but all of that has receded into fond memory now. How does it happen? Why are we so quick to forget the bad and romanticize the good? Maybe it's because we need to believe that the time we spent together actually meant something, that we were there for each other in a time in our lives that defined us all, a time in our lives that we will never forget. I can't swear this is exactly how it happened. But this is how it felt.

All Good Things...

Doug: Looks like somebody's in quite the hurry this morning.
Jack: Sheriff Doug, hey, look, I'm sorry. I'm late and I'm trying to get to class.
Doug: Well, I have no choice but to issue you a citation for doing 40 in a 25.
Jack: Look, I already have all these points against my license. You think maybe there's something I could do to...get you to look the other way.
Doug: May I remind you, Mr. McPhee, that attempting to bribe a public official is a serious offense?
Jack: Uh, you know, I was just hoping that maybe, um... I could appeal to your greater sense of compassion?
[Doug leans in and kisses him]
Doug: All right. Just this once, I'll let you go with a warning.
Jack: Thanks, honey.
Doug: No, no, never, never call me honey.
Jack: Dude, it's a deserted road. Chill.
Doug: Don't call me dude, either.
Jack: All right, tonight? Dinner later?
Doug: Yeah. I'll cook. My place.
Jack: Great. I'll bring the handcuffs. Kidding. I'll see you.
Doug: Yeah, I'll see you. Jack... slow down.
Jack: You got it.

Jack: Mr. Hampton... is there a problem?
Hampton: Do I have to keep reading?
Jack: Well, the poem's not finished.
Hampton: No, offense, Mr. McPhee, but this is a poem by a guy about another guy. It's, like, a gay poem.
Jack: I wasn't aware that poems had sexual orientation. See, this gay poem and others like it actually got Whitman fired from his job. See, he was an outcast most of his life. But he didn't care. He loved his country. He loved the freedom that it stood for, and he celebrated the American spirit every chance that he got. And here we are 150 years later, and we're still laughing at him. Your assignment for this weekend is to find a way to say, through the conventions of poetry, what you are afraid to say. I want you guys to write about something that you're scared of. We're gonna read these things out loud on Monday to each other, so I would hope that you give the same courtesy to each other that you did not give to Mr. Whitman today. Have a good weekend.

Jen: So I just caught some of your act. Looks like Capeside finally hired a good teacher.
Jack: Good teachers are just traumatized students trying to erase whatever went wrong with their own high school experience.
Jen: Do you think that you could erase my memories while you're at it?
Jack: That would be a lifetime in a nunnery.

Joey: We’ve been through so much Dawson. So many good times and bad. When I loved you, you loved Jen. When you loved me, I needed to be on my own. So I left you for Jack. Then he realized he was gay.
Dawson: And then I convinced you to turn your dad in for trafficking cocaine said you’d never speak to me again.
Joey: But I did. I offered myself to you at that party, after you crashed your dad’s boat.
Dawson: And I refused...for some reason. And so you fell for Pacey.
Joey: And years passed... until finally here we are... saying, "I do." The way it should be... the only way it can be for star-crossed, ill-fated soul mates. So, I do.
Dawson: I do, too.
[Dawson wakes up]

Jen: What are you doing here? It's late. Doesn't this hospital have visitation hours?
Jack: I, uh... flirted with a nurse. I can be quite charming when I want to be.
Jen: What happens when she finds out you're gay?
Jack: It's a male nurse.
Jen: Cute?
Jack: Look, Jen... I would love nothing more than to engage in our patented, meaningless, good-humored Jack-Jen fag-hag banter, but... first I was kinda wondering, I mean, since you're lying here in this hospital bed and you're hooked up to all these machines... how come? How come you didn't tell me, 'cause I thought I was your best friend?
Jen: Because I didn't want you to be worried. I was already worrying enough. Because I thought that if I pretended it didn't exist, it would just go away. Because I like it. I like our... patented, meaningless fag-hag banter, and 'cause I was scared if I said it out loud, it would be true, because I was just-- I was just scared. 'Cause I was an idiot.
Jack: You are an idiot. I--I could've handled it. I could've helped you handle it.
Jen: Well, you will help me handle it. I need you.

...Must Come to an End

Jen: [on videotape] Hi, Amy, it's mom. Well, by the time you see this, I won't be here anymore, and I know how much that sucks, for both of us. So seeing as how I won't be around to thoroughly annoy you, I thought I would give you a little list of the things that I wish for you. Well, there's the obvious. An education. Family. Friends. And a life that is full of the unexpected. Be sure to make mistakes. Make a lot of them, because there's no better way to learn and to grow, all right? And, um, I want you to spend a lot of time at the ocean, because the ocean forces you to dream, and I insist that you, my girl, be a dreamer. God. I've never really believed in god. In fact, I've spent a lot of time and energy trying to disprove that god exists. But I hope that you are able to believe in god, because the thing that I've come to realize, sweetheart... is that it just doesn't matter if god exists or not. The important thing is for you to believe in something, because I promise you that that belief will keep you warm at night, and I want you to feel safe always. And then there's love. I want you to love to the tips of your fingers, and when you find that love, wherever you find it, whoever you choose, don't run away from it. But you don't have to chase after it either. You just be patient, and it'll come to you, I promise, and when you least expect it, like you, like spending the best year of my life with the sweetest and the smartest and the most beautiful baby girl in the world. You don't be afraid, sweetheart. And remember, to love means to live.

Dawson: Well, you know that list of hardest things to live through? You just got bumped again. Ah. I'm so out of touch, Jo. I've... I've wasted so much time living in my little Hollywood bubble even now, my mind's on my work. I hate to admit that. Show's calling every 5 seconds. The network wants a script, which I haven't finished yet, because I don't know how. I don't have an ending. I can't even think straight enough to write one.
Joey: Dawson, this is a time of extreme stress.
Dawson: It's not just that. When I saw Jen for the first time the other with Amy my first thought was, when did Jen have a baby? I forgot Jen had a baby. I forgot I knew that. What-- what's wrong with me?
Joey: You cannot feel guilty about that, Dawson. My office is calling every 5 seconds. It's--it's called life, and we just have to deal. Deal with—
Dawson: With what, though? It's not Shakespeare. I'm not writing Schindler's List. I don't even know why I care so much. I'm no Spielberg. The guy won't even take a meeting with me. Would he?
Joey: Stop it.
Dawson: She's dying. Jo, she's gonna die, and all I can think about is some frickin' ending to some stupid TV show. I keep thinking there's gonna be time for the rest of it, but it--it--it runs out.
Joey: Yes, it does.
Dawson: Nothing in my life feels real anymore. I've lost touch with my family, my friends, you... and you and me together is the only thing that ever made sense to me, and I forgot that... until I saw you, and then it came back, what we were, and we're not even together.
Joey: Do you not watch The Creek? We're together every Wednesday at 8:00. Dawson, you wrote a show about us.
Dawson: And that's the problem. I've turned my entire life into fiction. It's not even real life that I'm living anymore.
Joey: It is real, in the best way possible. Dawson, do you know how lucky you are? You're a writer. You get to live life twice. Who else can do that?

Jen: I mean, from the second that I stepped out of that cab and onto the Creek, I--I was the instigator, you know? The girl who caused problems and rocked the creek and upset the delicate emotional balance of Capeside, and--and I don't want Amy to be that person. I want her to belong. I feel like I never really did.
Jack: Jen you belong. You belong with me. Don't you get it? You're my soulmate. Amy's gonna know love. Every day of her life, she is gonna know how much her mother loved her. I'm gonna see to that.

Pacey: You're off the hook. I never really put much faith in all that "if you love someone set them free" crap, as evidenced by everything I've done in my life up to this very moment... but I am determined to be happy, Joey. Happy in this life... And I love you, I mean, I always, I have always, always loved you. But our timing has just never been right... and the way I figure it, time is no man's friend. So I have to get right with that and be happy, now. Because this is it, I mean, this is all that we get. If there is one thing I've learned from losing Jen, that's what I've learned.
Joey: Pacey, I—
Pacey: Actually, um, hold on. I'm not done yet. Because I also want for you to be happy. It's really important for me that you be happy. So I want you to be with someone, whether it be Dawson or New York guy or some man that you haven't even met yet. But I want you to be with someone who can be a part of the life that you want for yourself. I want you to be with someone who makes you feel like I feel when I'm with you. So, I guess the point to this long run-on sentence that's been the last 10 years of our lives... is just that the simple act of being in love with you is enough for me. So you're off the hook.
Joey: You know, for the record I, I don't wanna be let off the hook. Cause everything in my life that I've done has led me here, right now. And the last thing I want, need or deserve is to be let off somebody's hook.
Pacey: Please don't miss my point here...
Joey: And don't miss mine. Pacey, I love you, you know that. And it's very real. It's so real that it's kept me moving, mostly running from it, never ready for it… and I love Dawson, he's my soul mate. He's tied to my childhood... and it's a love that is pure and eternally innocent. I can't be let off the hook because I just might get the notion that it's ok to keep running.
Pacey: So then what exactly are you saying here?

Joey: Are you writing?
Dawson: No. The curse of an unwritten ending.
Joey: Oh. Make it a happy one, please. I can't take any more sad ones. Stay away from the life and death of it all.
Dawson: It's interesting how people use that expression-- life and death. As if to imply that life is the opposite of death, but birth is the opposite of death. Life... has no opposite.
Joey: I never thought of it that way.
Dawson: Well, leave it to me to over think it.
Joey: You are the writer.
Dawson: Yeah. This writer has decided it doesn't matter how it ends... because fiction is fiction, and for the first time, in a long time... My life is real. It doesn't matter who ends up with who. Because in some unearthly way... it's always gonna be you and me.
Joey: Soul mates.
Dawson: What we have goes beyond friendship, beyond lovers. It's forever.
Joey: Yes, it is. I love you, Dawson.
Dawson: I love you, too, Joey.


External links

Wikipedia has an article about:

Simple English

Dawson's Creek was an American primetime television drama which aired from January 20, 1998, to May 14, 2003, on The WB Television Network. The lead production company was Sony Pictures Television. Reruns of the show are currently seen in the US in syndication on TBS and on The N. With Katie Holmes in one of the leading roles.

Citable sentences

Up to date as of December 30, 2010

Unfortunately, we could not find any sentences from other sites similar to those above.

Got something to say? Make a comment.
Your name
Your email address