Digital backlot (also known as a virtual backlot) is a term used to describe motion picture sets that have neither genuine location shoots nor practical (i.e. hand-built) sets on the soundstages; the shooting takes place entirely on a stage with a blank background (often a greenscreen) that will have an artificial environment put in during post-production. It is often used in futuristic films to achieve what would otherwise be too expensive to build as a real set.
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The first film which introduced the technique was Mini Moni the Movie by Shinji Higuchi in 2002. Others include:
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