When Spider-Man first saw print in the 1960s, teenage characters in superhero comic books were usually sidekicks. The Spider-Man series broke ground by featuring a hero who himself was an adolescent, to whose "self-obsessions with rejection, inadequacy, and loneliness" young readers could relate.[1] Spider-Man has since appeared in various media including several animated and live-action television series, syndicated newspaper comic strips and a successful series of films.

Marvel has published several Spider-Man comic book series, the first being The Amazing Spider-Man. Over the years, the Peter Parker character has developed from shy high school student to troubled college student to a married teacher and a member of the superhero team the Avengers.

Contents [hide]
1 Publication history
1.1 Commercial success
2 Fictional character biography
3 Powers and equipment
4 Enemies
5 Supporting characters
6 Other versions of Spider-Man
7 In other media
8 Bibliography
8.1 Other continuities
9 Footnotes
10 References



Publication history
By 1962, with the success of the Fantastic Four and other characters, Marvel editor and head writer Stan Lee was casting about for a new superhero idea. He said[citation needed] that the idea for Spider-Man arose from a surge in teenage demand for comic books, and the desire to create a character with which teens could identify. In his autobiography, Lee cites the non-superhuman pulp magazine crime fighter The Spider as an influence[2] and both there and in a multitude of print and video interviews said he was inspired by seeing a fly climb up a wall — adding in his autobiography that he has told that story so often he has become unsure of whether or not it is true.[3] Artist Ditko, in a 1990 article by himself, gave a more prosaic origin story for the name:

“ "In a discussion with me about Spider-Man, Stan said he liked the name Hawkman but DC had the name and character. Marvel would add Ant-Man [and the Wasp] so it would have the insect category. (Technically a spider is not an insect). From that I believed Stan had named the character.[4] ”

Lee approached Marvel publisher Martin Goodman to seek approval for the character. In a 1986 interview, he described in detail his arguments to overcome Goodman's objections.[1a] Goodman agreed to let Lee try out Spider-Man in the upcoming final issue of the canceled science-fiction/supernatural anthology series Amazing Adult Fantasy, which was renamed Amazing Fantasy for that single issue, #15 (Aug. 1962).[5]

Jack Kirby, in a 1982 interview, claimed Lee had minimal involvement in the character's creation, and that it had originated with Kirby and Joe Simon, who in the 1950s had proposed a character called The Silver Spider for the Crestwood comic Black Magic until the publisher went out of business. [1a]

Simon, in his 1990 autobiography, disputes Kirby's account, asserting that the supernatural anthology Black Magic was not a factor, and that he (Simon) devised the name "Spiderman" (later changed to "The Silver Spider"), while Kirby outlined the character's story and powers. Simon later elaborated that his and Kirby's character conception became the basis for Simon's Archie Comics superhero The Fly, introduced in early 1959.


Amazing Fantasy #15 (Aug. 1962). Cover art by Jack Kirby (penciller) & Steve Ditko (inker).Comics historian Greg Theakston says that Lee, after receiving Goodman's approval for the name Spider-Man and the "ordinary teen" concept, approached Kirby. Kirby told Lee about his 1950s Silver Spider/Spiderman, in which an orphaned boy living with an old couple finds a magic ring that gives him superpowers. Lee and Kirby "immediately sat down for a story conference" and Lee afterward directed Kirby to flesh out the character and draw some pages. Steve Ditko would be the inker.[6] "A day or two later", Kirby showed Lee the first six pages, and, as Lee recalled, "I hated the way he was doing it. Not that he did it badly — it just wasn't the character I wanted; it was too heroic".[7] Simon concurs that Kirby had shown the original Spiderman version to Lee, who liked the idea and assigned Kirby to draw sample pages of the new character but disliked the results — in Simon's description, "Captain America with cobwebs".[1b]

Lee turned to Ditko, who developed a visual motif Lee found satisfactory, although Lee would later replace Ditko's original cover with one penciled by Kirby. Ditko said,

“ "The Spider-Man pages Stan showed me were nothing like the (eventually) published character. In fact, the only drawings of Spider-Man were on the splash [i.e., page 1] and at the end [where] Kirby had the guy leaping at you with a web gun... Anyway, the first five pages took place in the home, and the kid finds a ring and turns into Spider-Man.[8] ”

Ditko also recalled that,

“ One of the first things I did was to work up a costume. A vital, visual part of the character. I had to know how he looked ... before I did any breakdowns. For example: A clinging power so he wouldn't have hard shoes or boots, a hidden wrist-shooter versus a web gun and holster, etc. ... I wasn't sure Stan would like the idea of covering the character's face but I did it because it hid an obviously boyish face. It would also add mystery to the character....[9] ”

Much earlier, in a rare contemporaneous account, Ditko described his and Lee's contributions in a mail interview with Gary Martin published in Comic Fan #2 (Summer 1965): "Stan Lee thought the name up. I did costume, web gimmick on wrist & spider signal".[10] Additionally, Ditko shared a Manhattan studio with noted fetish artist Eric Stanton, an art-school classmate[11] who, in a 1988 interview with Theakston, recalled that although his contribution to Spider-Man was "almost nil", he and Ditko had "worked on storyboards together and I added a few ideas. But