Django Reinhardt: Wikis

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Django Reinhardt

Background information
Born 23 January 1910(1910-01-23)
Liberchies, Belgium
Died 16 May 1953 (aged 43)
Fontainebleau, France
Genres Romani music, Gypsy jazz, Continental Jazz, Jazz Manouche
Occupations Musician, Songwriter
Instruments Guitar
Years active 1928–1953
Associated acts Stéphane Grappelli, Quintette du Hot Club de France

Jean "Django" Reinhardt[1] (French pronunciation: [dʒɑ̃ŋɡo ʁenɑʁt]; 23 January 1910 – 16 May 1953) was a Gypsy jazz guitarist.

One of the first prominent European jazz musicians, Reinhardt remains one of the most renowned jazz guitarists. With violinist Stéphane Grappelli, he cofounded the Quintette du Hot Club de France, described by critic Thom Jurek[2] as "one of the most original bands in the history of recorded jazz." Reinhardt's most popular compositions have become jazz standards, including "Minor Swing", "Belleville", "Djangology", "Swing '42" and "Nuages" (French for "Clouds").

Contents

Biography

Born in Liberchies, Pont-à-Celles, Belgium, Reinhardt's nickname "Django" is Romani for "I awake."[3] He spent most of his youth in Romani (Gypsy) encampments close to Paris, playing banjo, guitar and violin from an early age, and professionally at Bal-musette halls in Paris. He started first on the violin and eventually moved on to a banjo-guitar that had been given to him as a gift. His first known recordings (in 1928) were of him playing the banjo.

At the age of 18, Reinhardt was injured in a fire that ravaged the caravan he shared with Florine "Bella" Mayer, his first wife.[4] They were very poor, and to supplement their income Bella made imitation flowers out of celluloid and paper. Consequently, their home was full of this highly flammable material. Returning from a performance late one night, Reinhardt apparently knocked over a candle on his way to bed. While his family and neighbors were quick to pull him to safety, he received first- and second-degree burns over half his body. His right leg was paralyzed and the third and fourth fingers of his left hand were badly burned. Doctors believed that he would never play guitar again and intended to amputate one of his legs.[5] Reinhardt refused to have the surgery and left the hospital after a short time; he was able to walk within a year with the aid of a cane.

His brother Joseph Reinhardt, an accomplished guitarist himself, bought Django a new guitar. With rehabilitation and practice he relearned his craft in a completely new way, even as his third and fourth fingers remained partially paralyzed. He played all of his guitar solos with only two fingers, and used the two injured digits only for chord work.

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Career

In 1934, Reinhardt and Parisian violinist Stéphane Grappelli formed the "Quintette du Hot Club de France" with Reinhardt's brother Joseph and Roger Chaput on guitar, and Louis Vola on bass.[6] Occasionally Chaput was replaced by Reinhardt's best friend and fellow Gypsy Pierre "Baro" Ferret. The vocalist Freddy Taylor participated in a few songs, such as "Georgia On My Mind" and "Nagasaki". Jean Sablon was the first singer to record with him more than 30 songs from 1933. They also used their guitars for percussive sounds, as they had no true percussion section. The Quintette du Hot Club de France was one of the few well-known jazz ensembles composed only of string instruments.

In Paris on 14 March 1933 Reinhardt recorded two takes each of "Parce que je vous aime" and "Si, j'aime Suzy", vocal numbers with lots of guitar fills and guitar support, using three guitarists along with an accordion lead, violin, and bass.[7] In August of the following year recordings were also made with more than one guitar (Joseph Reinhardt, Roger Chaput, and Django), including the first recording by the Quintette.[8] In both years, it should be noted, the great majority of recordings featured a wide variety of horns, often in multiples, piano, etc.[7][8]

Reinhardt also played and recorded with many American jazz musicians such as Coleman Hawkins, Benny Carter, Rex Stewart (who later stayed in Paris), and a jam-session and radio performance with Louis Armstrong. Later in his career he played with Dizzy Gillespie in France. Reinhardt could neither read nor write music, and was barely literate, but Stéphane took the band's downtime to teach him.

The guitars used by Django and the Hot Club of France, the Selmer Maccaferri, are the first commercially available guitars with a cutaway. Another innovation is a aluminium reinforced neck. Many luthiers consider them to be among the finest guitars ever made.

WWII

When World War II broke out, the original quintet was on tour in the United Kingdom. Reinhardt returned to Paris at once[9], leaving his wife behind. In 1929, Django's estranged wife Florine gave birth to a son named Henri "Lousson" Reinhardt. [1] Grappelli remained in the United Kingdom for the duration of the war. Reinhardt reformed the quintet, with Hubert Rostaing on clarinet replacing Grappelli's violin. In 1943, Django married Sophie Ziegler in Salbris, with whom he had a son, Babik Reinhardt, who became a respected guitarist in his own right.

Reinhardt survived the war unscathed, unlike the many Romanis who perished in the Porajmos, the Nazi regime's systematic murder of several hundred thousand European Romanis. He was especially fortunate because the Nazi regime did not allow jazz to be performed and recorded. He apparently enjoyed the protection of the Luftwaffe officer Dietrich Schulz-Köhn, nicknamed "Doktor Jazz", who deeply admired his music.

Post war

After the war, Reinhardt rejoined Stéphane Grappelli in the UK, and then went on in fall 1946 to tour the United States as a special guest soloist with Duke Ellington and His Orchestra, playing two nights at Carnegie Hall with many notable musicians and composers such as Maury Deutsch. Despite Reinhardt's great pride in touring with Ellington (one of his two letters to Stéphane Grappelli relates this excitement), he wasn't really integrated into the band, playing only a few tunes at the end of the show, with no special arrangements written personally for him. He was used to his brother, Joseph, carrying around his guitar for him and tuning it. Allegedly, Reinhardt was given an untuned guitar to play with (discovered after strumming a chord) and it took him five whole minutes to tune it. Also, he was used to playing a Selmer Modèle Jazz, the guitar he made famous, but he was required to play a new amplified model. He returned to France soon afterward.

Django Reinhardt was among the first people in France to appreciate the music of Charlie Parker and Dizzy Gillespie, whom he sought when he arrived in New York. They were both on tour at the time, however.

After returning to France, Reinhardt spent the remainder of his days re-immersed in Romani life, having found it difficult to adjust to the modern world. He would sometimes show up for concerts without a guitar or amp, or wander off to the park or beach, and on a few occasions he refused even to get out of bed. Reinhardt was known by his band, fans, and managers to be extremely unpredictable. He would often skip sold-out concerts to simply "walk to the beach" or "smell the dew". However, he did continue to compose and is still regarded as one of the most advanced jazz guitarists to ever play the instrument.

In 1948, Reinhardt recruited a few Italian jazz players (on bass, piano, and snare drum) and recorded one of his most acclaimed contributions, "Djangology", once again with Stéphane Grappelli on violin. Although his experience in the U.S. left him influenced greatly by American jazz, making him a different player from the man Grappelli had known, on this recording Reinhardt switched back to his old roots, once again playing the acoustic Selmer-Maccaferri. The recording was recently discovered by jazz enthusiasts and is now available in the U.S. and Europe.

In 1951, he retired to Samois-sur-Seine, near Fontainebleau, where he lived until his death. He continued to play in Paris jazz clubs and finally came to terms with the electric guitar. His final recordings made in the last few months of his life show him moving in a new musical direction and are perhaps the most profound he or any other jazz guitarist ever made. He had assimilated the vocabulary of bebop and fused it with his own melodic genius.[10] His last recording of "Nuages" from these sessions is his greatest and from the same session in "Manoir de mes Reves" he distills in a couple of minutes an unrivaled beauty and pathos. It was when walking from the Avon train station after playing in a Paris club that he collapsed outside his house from a brain hemorrhage. It took a full day for a doctor to arrive and Reinhardt was declared dead on arrival at the hospital in Fontainebleau.

Influence

Many musicians have expressed admiration for Reinhardt, including blues-rock guitarist Joe Bonamassa, guitarist Jimmy McCulloch, classical guitarist Julian Bream; country artist Chet Atkins, who placed Reinhardt #1 on a list of the ten most influential guitarists of the 20th century (he placed himself fifth); Latinrocker Carlos Santana; blues legend B.B. King; Australian guitar player Tommy Emmanuel; The Wiggles' Murray Cook; Pierre Bensusan; the Grateful Dead's Jerry Garcia; Phish's Trey Anastasio; Black Sabbath's Tony Iommi; Jimi Hendrix; The Libertines' Carl Barat, Synyster Gates; Shawn Lane; Stevie Ray Vaughan; Derek Trucks; Mark Knopfler; Les Paul; Joe Pass; Peter Frampton; Denny Laine; Jeff Beck; Jon Larsen; Steve Howe; Charlie Christian; Frank Vignola; Barney Kessel; George Benson; Wes Montgomery; Martin Taylor; Tchavolo Schmitt; Stochelo Rosenberg; Biréli Lagrène; John Jorgenson; Michael Angelo Batio; Richard Thompson; Robert Fripp; René Thomas; and Jeff Martin. Willie Nelson wore a Django Reinhardt T-shirt on tour in Europe in 2002, stating in an interview that he admired Django's music and ability. The British guitarist Diz Disley plays in a style based on Reinhardt's technique and he collaborated on numerous projects with Stéphane Grappelli. Jose Feliciano attributes his unique style, in part, to that Reinhardt. In 2009 he composed an album inspired by those musical influences and entitled it Djangoisms.

Musicians have paid tribute to Reinhardt in many other ways, such as by invoking his name in their own work or personal life. Jimi Hendrix is said to have named one of his bands the Band of Gypsys because of Reinhardt's music. Jazz trio The Lost Fingers from Quebec named themselves after Reinhardt's injured fingers.

A number of musicians named their sons Django in reference to Reinhardt, including David Crosby, former Slade singer Noddy Holder, Jerry Jeff Walker, Richard Durrant, and also actors Nana Visitor, Alexander Siddig and Raphael Sbarge. Jazz musician Django Bates and singer-songwriter Django Haskins were named after him.

Songs written in Reinhardt's honor include "Django," an instrumental guitar piece by renowned blues-rock guitarist Joe Bonamassa. The piece was influenced by the violin introduction of "Vous et Moi" (Blues et Mineur 1942, Brussels) where Reinhardt himself played the violin. Vous et Moi (You and Me) became the title of Bonamassa's sixth album where the track first appeared in 2006. Slightly longer live versions appear on LIVE...From Nowhere In Particular (2009), and in DVD from the 4 May concert at Royal Albert Hall. "Django," composed by John Lewis, which has become a jazz standard performed by musicians such as Miles Davis. The Modern Jazz Quartet titled one of their albums Django in honor of him. The Allman Brothers Band song "Jessica" was written by Dickey Betts in tribute to Reinhardt — he wanted to write a song that could be played using only two fingers. This aspect of the artist's work also motivated Black Sabbath guitarist Tony Iommi, who was inspired by Reinhardt to keep playing guitar after a factory accident that cost him two fingertips. Composer Jon Larsen has composed several crossover concerts featuring Django inspired music together with symphonic arrangements, most famous are "White Night Stories" (2002) and "Vertavo" (1996).

In 2005, Django Reinhardt ended on the 66th place in the election of The Greatest Belgian (De Grootste Belg) in Flanders and on the 76th place in the Walloon version of the same competition Le plus grand Belge.

George Cole has created a seven piece acoustic band in the style of Django Reinhardt called George Cole and Vive Le Jazz. He owns one of Reinhardt's Selmer guitars and was featured in Just Jazz Magazine. He has played at Carnegie Hall, The Fillmore and the Great American Music Hall.

Reinhardt in popular culture

Reinhardt has been portrayed in several films, such as in the opening sequence of the 2003 animated film Les Triplettes de Belleville. The third and fourth fingers of the cartoon Reinhardt are considerably smaller than the fingers used to play the guitar. Reinhardt's legacy dominates in Woody Allen's 1999 Sweet and Lowdown. This spoof biopic focuses on fictional American guitarist Emmet Ray's obsession with Reinhardt, with soundtrack featuring Howard Alden. He is also portrayed by guitarist John Jorgenson in the movie Head in the Clouds. In the Italian western Django, the title character is presumably named after Reinhardt. In the climax of the movie, his hands are smashed by his enemies and he is forced to fire a gun with his wounded hands. Reinhardt is also the idol of the character Arvid in the movie Swing Kids, where the character's left hand is smashed by a member of the Hitler Jugend, but is inspired by Reinhardt's example to keep playing.

Reinhardt's music has been used in the soundtrack of many films, including in The Matrix; Rhythm Futur, Daltry Calhoun, Metroland, Chocolat, The Aviator, Alex and the Gypsy, Kate and Leopold and Gattaca; the score for Louis Malle's 1974 movie, Lacombe Lucien; the background for the Steve Martin movie L.A. Story; and the background for a number of Woody Allen movies, including Stardust Memories. Reinhardt's music has also been featured in the soundtracks of several video games, such as the 2002 game Mafia: The City of Lost Heaven and several times in the 2007 game BioShock.

Reinhardt has been the subject of several songs, most notably "Django" (1954), a gypsy-flavored piece that jazz pianist John Lewis of the Modern Jazz Quartet wrote in honor of Reinhardt; numerous versions of the song have been recorded, including one on the 1973 Lindsey Buckingham / Stevie Nicks self-titled debut album; it also appears on Joe Bonamassa's 2006 LP You & Me. The lyrics of the Norwegian song "Tanta til Beate" by Lillebjørn Nilsen mentions Reinhardt several times.

He is mentioned in Jump Little Children's song "Mexico": "I won't let you leave, not with all my Django, Emmylou and Steve."

In 2010 the French and Belgian Google homepages displayed a logo commemorating his birthday on January 23. [2]

On wood street in Liverpool, a underground bar called Django's riff is a popular venue for Jazz, blues and numerous other types of music.

Discography

  • 1945 Paris 1945
  • 1947 Ellingtonia - with the Rex Stewart Band - Dial 215
  • 1949 Djangology
  • 1951 Django Reinhardt and the Hot Club Quintet
  • 1951 At Club St. Germain
  • 1953 Django Reinhardt et Ses Rythmes
  • 1954 The Great Artistry of Django Reinhardt
  • 1955 Django's Guitar
  • 1959 Django Reinhardt and His Rhythm
  • 1980 Routes to Django Reinhardt
  • 1991 Django Reinhardt - Pêche à la Mouche: The Great Blue Star Sessions 1947/1953
  • 1996 Imagine
  • 1997 Django Reinhardt: Nuages with Coleman Hawkins
  • 2000 The Classic Early Recordings in Chronological Order (5 CD boxed set)
  • 2001 All Star Sessions
  • 2001 Jazz in Paris: Swing 39
  • 2002 Djangology (remastered) (recorded in 1948, discovered, remastered and released by Bluebird Records)
  • 2003 Jazz in Paris: Nuages
  • 2003 Jazz in Paris: Nuits de Saint-Germain des-Prés
  • 2004 Le Génie Vagabond
  • 2005 Djangology (Bluebird)
  • 2008 Django on the Radio (radio broadcasts, 1945–1953)
  • At least eight compilations have also been released.

See also

References

  1. ^ Dregni, Michael (2004). Django: The Life and Music of a Gypsy Legend. Oxford University Press. pp. 4–5. ISBN 0-19-516752-X.  His first name was not "Jean-Baptiste" as often cited.
  2. ^ http://allmusic.com/cg/amg.dll?p=amg&sql=10:dzfqxql0ldte~T1
  3. ^ Dregni, Michael (2004). Django: The Life and Music of a Gypsy Legend. Oxford University Press. pp. 1, 5. ISBN 0-19-516752-X. 
  4. ^ Dregni, Michael (2008). Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing. Oxford University Press. pp. 46–50. ISBN 978-0-19-531192-1. 
  5. ^ Delaunay, Charles (1961). Django Reinhardt. Da Capo Press. pp. 43–44. ISBN 0-306-80171-X. 
  6. ^ Dregni, Michael (2006). Django Reinhardt and the Illustrated History of Gypsy Jazz. Speck Press. pp. 45–59. ISBN 978-1-933108-10-0. 
  7. ^ a b http://www.djangomontreal.com/doc/Disco33.htm
  8. ^ a b http://www.djangomontreal.com/doc/Disco34.htm
  9. ^ Delaunay, Charles (1961). Django Reinhardt. Da Capo Press. pp. 98–99. ISBN 0-306-80171-X. 
  10. ^ Givan, Benjamin (2010). The Music of Django Reinhardt. University of Michigan Press. pp. 158–94. ISBN 978-0-472-03408-6. 

External links


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