Douglas Fairbanks: Wikis


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Douglas Fairbanks
Born Douglas Elton Thomas Ullman
May 23, 1883(1883-05-23)
Denver, Colorado,
United States
Died December 12, 1939 (aged 56)
Santa Monica, California,
United States
Occupation Actor, director, producer, screenwriter
Years active 1915–1934
Spouse(s) Anna Beth Sully (1907-1919)
Mary Pickford (1920-1936)
Sylvia Ashley (1936-1939)

Douglas Fairbanks, Sr. (May 23, 1883 – December 12, 1939) was an American actor, screenwriter, director and producer, best known for his swashbuckling roles in silent films such as The Thief of Bagdad, Robin Hood, and The Mark of Zorro. An astute businessman, Fairbanks was a founding member of United Artists. Fairbanks was also a founding member of The Motion Picture Academy and hosted the first Oscars Ceremony in 1929. With his marriage to Mary Pickford in 1920, the couple became Hollywood royalty with Fairbanks constantly referred to as "The King of Hollywood".[1]


Early life

Fairbanks was born Douglas Elton Thomas Ullman (spelled "Ulman" by Douglas Fairbanks, Jr. in his memoirs) in Denver, Colorado, the son of Hezekiah Charles Ullman (born September 1833) and Ella Adelaide Marsh (born 1850). He had a half-brother, John Fairbanks (born 1873), and a full brother, Robert Payne Ullman (March 13, 1882-February 22, 1948).

Fairbanks' father, who was born in Pennsylvania to a Jewish family, was a prominent New York City attorney. His mother, a Roman Catholic, was born in New York, and had previously been married to a man named John Fairbanks until his death. She then married a man named Wilcox, who turned out to be abusive. Her divorce was handled by Ullman, who later became her third husband.

In about 1881, Charles Ullman purchased several mining interests in the Rocky Mountains and moved the family to Denver, where he re-established his law practice. Ullman abandoned the family when Douglas was five years old, and he and Robert were brought up by their mother, who gave them the family name Fairbanks, after her first husband.

Early career

Douglas Fairbanks began acting on the Denver stage at an early age, doing amateur theatre. He was in summer stock at the Elitch Gardens Theatre, becoming a sensation in his teens. He attended East Denver High School, and was once expelled for dressing up the campus statues on St. Patrick's Day. He left during his senior year. He said he attended Colorado School of Mines for a term but no record of attendance has been found. An article on the matter recounts a professor once saying Fairbanks was asked to leave because of a prank not long after he began. It is also claimed he attended Harvard University.

Fairbanks moved to New York in the early 1900s to pursue an acting career, joining the acting troupe of British actor Frederick Warde who had discovered Fairbanks performing in Denver. He worked in a hardware store and as a clerk in a Wall Street office before his Broadway debut in 1902.

On July 11, 1907 in Watch Hill, Rhode Island, he married Anna Beth Sully, the daughter of wealthy industrialist, Daniel J. Sully. They had one son, Douglas Elton Fairbanks, who later became known as actor "Douglas Fairbanks Jr.". The family moved to Hollywood, California in 1915.


D.W. Griffith, Mary Pickford, Charlie Chaplin (seated) and Douglas Fairbanks at the signing of the contract establishing United Artists motion picture studio in 1919. Lawyers Albert Banzhaf (left) and Dennis F. O'Brien (right) stand in the background.

Fairbanks signed a contract with Triangle Pictures in 1915 and began working under the supervision of D.W. Griffith. His first film was titled The Lamb, and in the film, he debuted his remarkable athletic abilities that would gain wide attention among theatre audiences.[2] His athletic abilities were not appreciated by Griffith, however, and he was brought to the attention of Anita Loos and John Emerson, who wrote and directed many of his early romantic comedies. In 1916, Fairbanks established his own company, the Douglas Fairbanks Film Corporation,[3] and would soon get a job at Paramount.[3] By 1918, Fairbanks was Hollywood's most popular actor.[4] Within eighteen months of his arrival, Fairbanks' popularity and business acumen raised him up to be the third highest paid.

Fairbanks speaking in front of a crowd at a 1918 war bond drive in New York City

Fairbanks met actress Mary Pickford at a party in 1916 and began an affair. In 1917, the couple joined Fairbanks' friend Charlie Chaplin[2] selling war bonds by train across the U.S. Pickford and Chaplin were then the two highest paid film stars in Hollywood. To curtail these stars' astronomical salaries, the large studios attempted to monopolise distributors and exhibitors.

Sully was granted a divorce from Fairbanks in late 1918, the judgement being finalized in early 1919.

To avoid being controlled by the studios and to protect their independence, Fairbanks, Pickford, Chaplin, and D. W. Griffith formed United Artists in 1919, which created their own distributorships and gave them complete artistic control over their films and the profits generated. The company was kept solvent in the years immediately after its formation largely from the success of Fairbanks' films.

The Mark of Zorro

Fairbanks was determined to have Pickford become his wife, but she was still married to actor Owen Moore. He finally gave her an ultimatum. She then obtained a fast divorce in the small Nevada town of Minden, Nevada, on March 2, 1920. Fairbanks leased the Beverly Hills mansion Grayhall and was rumoured to have used it during his courtship of Pickford.

The couple married on March 28, 1920. Pickford's divorce from Moore was contested by Nevada legislators, however, and the dispute was not settled until 1922. Even though the lawmakers objected to the marriage, the public went wild over the idea of "Everybody's Hero" marrying "America's Sweetheart". The couple were greeted by large crowds in London and Paris during their European honeymoon, becoming Hollywood's first celebrity marriage.

During the years they were married, Fairbanks and Pickford were regarded as "Hollywood Royalty," famous for entertaining at their Beverly Hills estate, Pickfair.

Douglas Fairbanks in the title role in Robin Hood (1922).

By 1920, Fairbanks had completed twenty-nine films (twenty-eight features and one two-reel short), which showcased his ebullient screen persona and athletic ability. By 1920, he had the inspiration of staging a new type of adventure-costume picture, a genre that was then out of favour with the public; Fairbanks had previously been a comic in his other films.[1] In The Mark of Zorro, Fairbanks combined his appealing screen persona with the new adventureous, costume element. It was a smash success and parlayed the actor into the rank of superstar. For the remainder of his career in silent films, he continued to produce and star in ever more elaborate, impressive costume films, such as The Three Musketeers (1921), Douglas Fairbanks as Robin Hood (1922), The Thief of Bagdad (1924), The Black Pirate (1926, the first full-length Technicolor film), and The Gaucho (1927). Fairbanks spared no expense and effort in these films, which established the standard for all future swashbuckling films.

In 1921, he, Pickford, Chaplin, and others, helped to organize the Motion Picture Fund to assist those in the industry who could not work, or were unable to meet their bills.

During the first ceremony of its type, he and Pickford placed their hand and foot prints in wet cement at the newly opened Grauman's Chinese Theatre in Hollywood on April 30, 1927. Fairbanks was elected first President of the Motion Picture Academy of Arts and Sciences that same year, and he presented the first Academy Awards at the Hotel Roosevelt. Fairbanks also has a star on the Hollywood Walk of Fame at 7020 Hollywood Boulevard.

His last silent film was the lavish The Iron Mask (1929), a sequel to 1921's The Three Musketeers which included an introductory prologue spoken by Fairbanks. While Fairbanks had flourished in the silent genre, the restrictions of early sound films dulled his enthusiasm for film-making. Also, his athletic abilities and general health began to decline, in part due to years of heavy chain-smoking. He and Pickford chose to make their first talkie as a joint venture, playing Petruchio and Kate in Shakespeare's The Taming of the Shrew (1929). This film, and his subsequent sound films, were poorly received by Depression era audiences. The last film he acted in was the British production The Private Life of Don Juan (1934), after which he retired from acting.

Final Years

Fairbanks' tomb at Hollywood Forever Cemetery

After he began an affair with Lady Sylvia Ashley, Fairbanks and Pickford separated in 1933. They divorced in 1936, with Pickford keeping Pickfair. Within months he and Ashley were married in Paris.

He continued to be marginally involved in the film industry and United Artists, but his later years lacked the intense focus of his film years. His health continued to decline, and in his final years he lived at 705 Ocean Front (now Pacific Coast Highway) in Santa Monica, California, although much of his time was spent travelling abroad with Sylvia.

In December 1939, at 56, Fairbanks had a heart attack in his sleep and died a day later at his home in Santa Monica. By some accounts[citation needed], he had been obsessively working-out against medical advice, trying to regain his once-trim waistline. Fairbanks's famous last words were "I've never felt better."[5] His funeral service was held at the Wee Kirk o' the Heather Church in Glendale's Forest Lawn Memorial Park Cemetery where he was placed in a crypt in the Great Mausoleum. He was deeply mourned and honored by his colleagues and fans for his contributions to the film industry and Hollywood.

Two years following his death, he was removed from Forest Lawn by his widow, who commissioned an elaborate marble monument for him, with long rectangular reflecting pool, raised tomb, and classic Greek architecture in Hollywood Forever Cemetery. The monument was dedicated in a ceremony held in October 1941, with Fairbanks' close friend Charles Chaplin reading a remembrance. The remains of his son, Douglas Fairbanks, Jr., were also interred here upon his death in 2000.


In 1991, AMPAS opened the "Fairbanks Center for Motion Picture Study" located at 333 S. La Cienega Boulevard in Beverly Hills. The building houses the Margaret Herrick Library.[6]

In 1998 a group of fans opened "The Douglas Fairbanks Sr. Museum" in Austin, Texas. The museum had to close due to flood damage in 2007 but expects to reopen in 2009.[7] The museum also offers a virtual tour of their holdings.[8] In 2006 the Museum released a book of Fairbanks interviews and writings titled "Douglas Fairbanks: In His Own Words".[9]

There has been a renewed interest in Fairbanks in recent years. Several of his films have been released on DVD including a box set, "Douglas Fairbanks: A Modern Musketeer" from Flicker Alley. In 2008, AMPAS commissioned and released a biography on Fairbanks, written by Jeffery Vance and Tony Maietta.

On January 24, 2009, AMPAS opened an exhibition at their Fourth Floor Gallery dedicated to Fairbanks titled, "Douglas Fairbanks: The First King of Hollywood". The exhibit features costumes, props, pictures, and documents from his career and personal life. The exhibit will run until April 2009.[10] In addition to the exhibit AMPAS will screen Thief of Bagdad and The Iron Mask in March 2009. Recently, a bronze statue of Fairbanks was erected in the Academy of Motion Picture Arts & Sciences Courtyard of the new School of Cinematic Arts building on the University of Southern California campus. Fairbanks was a key figure in the film school's founding in 1929, and in its curriculum development.

“Swashbucklers do it with panache,” says film historian Sparrow Morgan, founder of The Fairbanks Memorial. She proves her point every year on May 23 (May 22 in 2009 due to scheduling difficulties) by celebrating classic film star Douglas Fairbanks’ birthday with a free screening of one of his classic films at Hollywood Forever Cemetery, 6000 Santa Monica Boulevard in Hollywood. More information is at


Year Title Credited as
Role Producer Writer Director
1915 The Lamb Gerald
Martyrs of the Alamo Bit part
Double Trouble Florian Amidon / Eugene Brassfield
1916 His Picture in the Papers Pete Prindle
The Habit of Happiness Sunny Wiggins
The Good Bad Man Passin' Through Yes
Reggie Mixes In Reggie Van Deuzen
The Mystery of the Leaping Fish Coke Ennyday
Flirting with Fate Augy Holliday
The Half-Breed Lo Dorman
Intolerance Man on White Horse (French Story)
Manhattan Madness Steve O'Dare
American Aristocracy Cassius Lee
The Matrimaniac Jimmie Conroy
The Americano Blaze Derringer
1917 All-Star Production of Patriotic
Episodes for the Second Liberty Loan
In Again, Out Again Teddy Rutherford Yes
Wild and Woolly Jeff Hillington
Down to Earth Billy Gaynor Yes Yes
The Man from Painted Post "Fancy Jim" Sherwood Yes
Reaching for the Moon Alexis Caesar Napoleon Brown Yes
A Modern Musketeer Ned Thacker Yes
1918 Headin' South Headin' South Yes
Mr. Fix-It Dick Remington Yes
Say! Young Fellow The Young Fellow Yes
Bound in Morocco George Travelwell Yes Yes
He Comes Up Smiling Jerry Martin Yes
Sic 'Em, Sam Democracy
Arizona Lt. Denton Yes Yes Yes
1919 The Knickerbocker Buckaroo Teddy Drake Yes Yes
His Majesty, the American William Brooks Yes Yes
When the Clouds Roll by Daniel Boone Brown Yes Yes
1920 The Mollycoddle Richard Marshall III, IV and V Yes
The Mark of Zorro Don Diego Vega / Señor Zorro Yes Yes
1921 The Nut Charlie Jackson Yes Yes
The Three Musketeers d'Artagnan Yes Yes
1922 Robin Hood Robin Hood Yes Yes
1923 Hollywood Himself
1924 The Thief of Bagdad The Thief of Bagdad Yes Yes
1925 Don Q, Son of Zorro Don Cesar Vega / Zorro Yes
Ben-Hur Crowd extra in chariot race
1926 The Black Pirate The Black Pirate Yes Yes
1927 A Kiss From Mary Pickford Himself
The Gaucho The Gaucho Yes Yes
1928 Show People Himself
1929 The Iron Mask d'Artagnan Yes Yes
The Taming of the Shrew Petruchio
1930 Reaching for the Moon Larry Day Yes
1931 Around the World in 80 Minutes with Douglas Fairbanks Himself Yes Yes Yes
1932 Mr. Robinson Crusoe Steve Drexel Yes Yes
1934 The Private Life of Don Juan Don Juan


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