The character of Count Dracula from the 1897 novel Dracula by Bram Stoker, has remained popular over the years, and many films have used the Count as a villain, while others have named him in their titles, such as Dracula's Daughter, The Brides of Dracula, and Zoltan, Hound of Dracula. The number of films that include a reference to Dracula may reach as high as 649, according to the Internet Movie Database. Dracula has enjoyed enormous popularity since its publication and has spawned an extraordinary vampire subculture in the second half of the 20th century. More than 200 films have been made that feature Count Dracula, a number second only to Sherlock Holmes, (and several hundred more that have vampires as their subject). More than 1,000 novels have been written about Dracula or vampires along with a plethora of cartoons, comics, and television programs. At the center of this subculture is the place myth of Transylvania, which has become almost synonymous with vampires.
Most adaptations do not include all the major characters from the novel. The Count is always present, and Jonathan and Mina Harker, Dr. Seward, Dr. Van Helsing, and Renfield usually appear as well. The characters of Mina and Lucy are occasionally combined into a single female role. Jonathan Harker and Renfield are also sometimes reversed or combined. Quincey Morris and Arthur Holmwood are usually omitted entirely.
One of the first film adaptations of Stoker's story caused Stoker's estate to sue for copyright infringement. In 1922, silent film director F. W. Murnau made a horror film called Nosferatu: eine Symphonie des Grauens ("Nosferatu: A Symphony of Horror"), which took the story of Dracula and set it in Transylvania and Germany. In the story, Dracula's role was changed to that of Count Orlok, played by Max Schreck (whose name literally means 'fright').
The Stoker estate won its lawsuit, and all existing prints of Nosferatu were ordered destroyed. However, a number of pirated copies of the movie survived to the present era, where they entered the public domain. Nosferatu was also remade in 1979 by Werner Herzog.
The 1931 film version of Dracula starred Béla Lugosi and was directed by Tod Browning. It is one of the most famous versions of the story and is commonly considered a horror classic. In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry. It is an adaptation of the 1927 play, and Van Sloan also transferred his role to the big screen. The films had music only during the opening and closing credits. In 1999, Philip Glass was commissioned to compose a musical score to accompany the film. The current DVD release allows access to this music.
At the same time as the 1931 Lugosi film, a Spanish language version was filmed for release in Mexico. It was filmed at night, using the same sets as the Tod Browning production with a different cast and crew, a common practice in the early days of sound films. George Melford was the director, and it starred Carlos Villarías as the count, Eduardo Arozamena as Van Helsing and Lupita Tovar as Eva. Because of America's movie industry censorship policies, Melford's Dracula contains scenes that could not be included in the final cut of the more familiar English version. It is also included on the Universal Legacy DVD.
During the 1930s and 1940s, the Universal Studios horror films made Dracula a household name by starring him as a villain in a number of movies, including several where he met other monsters (the most famous being the comedy Abbott and Costello Meet Frankenstein, in which Lugosi played Dracula on film for only the second and final time.)
One 1944 oddity from Columbia Pictures that is worthy of mention is The Return of the Vampire, in which rescue workers revive a previously staked vampire during the London Blitz. Bela Lugosi plays the undead Armand Tesla, who is Dracula in all but name.
The Universal Studios films in which Dracula (or a relative) appeared (and the actor portraying the character) were:
In 1938, Orson Welles and John Houseman chose Dracula to be the inaugural episode of the new radio show featuring their Broadway production company, The Mercury Theatre on the Air. The adaptation was faithful to the book, although condensed to fit in the show's hour-long format. Welles was the voice of both Dracula and Arthur Seward. The music was composed by Bernard Herrmann.
1958, Hammer Films produced Dracula, a newer, more Gothic version of the story, starring Christopher Lee as Dracula and Peter Cushing as Van Helsing. It is widely considered to be one of the best versions of the story to be adapted to film, and in 2004 was named by the magazine Total Film as the 30th greatest British film of all time. Although it takes many liberties with the novel's plot, the creepy atmosphere and charismatic performances of Lee and Cushing make it memorable. It was released in the United States as Horror of Dracula to avoid confusion with the earlier Lugosi version. This was followed by a long series of Dracula films, usually featuring Lee as Dracula.
The Hammer films in which Dracula (or a relative) appeared (and the actor portraying the character) were:
Though Dracula is pronounced as dead in The Brides of Dracula he is resurrected for Dracula: Prince of Darkness, before being killed off again. This formula is followed in each succeeding film apart from the last: The Legend of the 7 Golden Vampires.
Christopher Lee, the British actor who played in the Hammer Dracula films, reminisced in a 1999 interview for NPR.
Drakula İstanbul'da (1953) was a Turkish made production starring balding Atif Kaptan as the count. It was the first sound film to depict Dracula with fangs.
The Blood of Dracula (1957) was producer Herman Cohen's attempt to cash in on his previous success with I Was a Teenage Werewolf. The film was basically "I was a Teenage Dracula," with the same story of a wayward teenager (Sandra Harrison) being transformed into a legendary fiend by an ill-willed adult (Louise Lewis). Herbert L. Strock directed.
The Return of Dracula (1958) brought the Count to modern day America. Matinee idol Francis Lederer played Dracula, who flees vampire hunters in Transylvania to take up residence in small-town America in the guise of an artist he had previously murdered. The Count begins to feed on the local populace and create more vampires before he is tracked to his lair in an abandoned mine and destroyed. Paul Landres directed from a screenplay by Pat Fielder. The film is also known, for some reason, as The Fantastic Disappearing Man. It has been shown on television under the title The Curse of Dracula.
Billy the Kid vs. Dracula (1966) saw the Count in America's old west, facing off with a pre-outlaw years Billy the Kid. John Carradine returned to the role of the Dracula under the direction of William Beaudine.
Blood of Dracula's Castle (1969) was a low-budget entry from director Al Adamson. Alex D'Arcy and Paula Raymond play Count and Countess Dracula,who have taken up residence in a castle in America under the aliases of Count and Countess Townsend. Too genteel to stalk their prey by night, these fiends are content to sip their blood from cocktail glasses prepared by their faithful butler George (John Carradine). In the end, they meet their doom in the rays of the morning sun.
Jonathan (1969) was an arty take on the legend from Germany. Jonathan (played by Juergen Jung) infiltrates the castle of the undead Count (who is never actually named in the film) played by Paul Albert Krumm. The whole thing is a partially successful allegory on the dangers of fascism by director/writer Hans Geissendoerfer.
Count Dracula (1970), directed by Jesus Franco starring Christopher Lee as Dracula. In spite of its star, Franco's film is not a part of the Hammer series, and was shot on a small budget. Regarded by many as a underrated classic, it claims to be closer to the spirit of the book than other versions. Lee is made up to look like the description of the Count from Stoker's novel, and he does seem to grow younger as the story progresses, but the film otherwise takes some huge liberties with the plot. The international cast includes Herbert Lom as Van Helsing and Klaus Kinski as Renfield.
1970 saw Al Adamson return with Dracula vs. Frankenstein, a grade Z budget film with Zandor Vorkov as the Count terrorizing a California boardwalk community with Frankenstein's monster in tow. Screen legends J. Carroll Naish and Lon Chaney Jr. appeared, and Famous Monsters of Filmland editor Forrest J. Ackerman cameoed as an unlucky victim.
In 1972, Paul Naschy starred in Dracula's Great Love, directed by Javier Aguirre for the Spanish production company Janus Films. This movie predated Francis Ford Coppola's vision of Dracula as a romantic figure by 20 years. 1972 also saw the release of Blacula, a low-budget blaxploitation horror film about an African prince vampirized by Count Dracula himself (who is portrayed by Charles Macaulay in a brief opening prologue).
In 1973, Dracula starring Jack Palance was produced by Dan Curtis, best known for producing the gothic soap opera Dark Shadows from a script by sci-fi favorite Richard Matheson. Filmed in Yugoslavia and England, it was a relatively faithful to the novel, though it tried to paint Dracula as a tragic, rather than evil, character in search of his lost love. It also drew the connection between Dracula and the historical figure of Vlad the Impaler, which was a popular notion at the time (see above). In these respects, it, too, is a close fore-runner of Coppola's later film.
Dracula père et fils ("Dracula Father and Son"), a French comedy again starring Christopher Lee as Dracula, here having trouble convincing his son to take up the family mantle of vampirism. (In interviews, Lee has claimed that his character was not called Dracula during filming, and that the producers only decided to make it a Dracula film after the fact.)
1977 saw a solid BBC version entitled Count Dracula. It was made for television and starred Louis Jourdan as the Count and Frank Finlay as Van Helsing. It was directed by Philip Saville. This version is one of the more faithful adaptations of the book. It includes all of the main characters (only blending together Arthur and Quincey) and has scenes of Jonathan recording events in his diary and Dr. Seward speaking into his dictaphone.
In 1978, an independent film company produced the horror thriller Zoltan, Hound of Dracula starring Michael Pataki as the mild-mannered family psychiatrist destined to encounter the resurrected hound of Dracula.
Draculas ring (1978) is a Danish TV-miniseries, written and directed by Flemming la Cour and Edmondt Jensen, starring Bent Børgesen as Dracula, who journeys to Denmark on a quest to reclaim his stolen ring.
1979 saw three film versions released. In the first, Frank Langella starred opposite Laurence Olivier as a sexually charged version of the Count in the big budget Dracula. Based on the 1977 Broadway play, it was directed by John Badham and featured a score by John Williams. That year also saw the release of Love at First Bite, a romantic comedy spoof set in contemporary New York City starring George Hamilton as the Count. The third film is the previously mentioned Nosferatu: Phantom der Nacht starring Klaus Kinski and directed by Werner Herzog. Additionally, a holiday television film starring Judd Hirsch was released on ABC, The Halloween That Almost Wasn't. It later aired on the Disney Channel until the late 1990s.
In 1992, Francis Ford Coppola produced and directed a new version of the film, called Bram Stoker's Dracula starring Gary Oldman, Winona Ryder, Keanu Reeves, and Anthony Hopkins. Coppola's story includes a backstory telling how Dracula (who is the historical Vlad Ţepeş in this version) became a vampire, as well as a subplot in which Mina Harker was revealed to be the reincarnation of Dracula's greatest love. This story is not part of Stoker's original. The soundtrack includes 'Love Song for a Vampire', sung by Annie Lennox.
In 1995, Mel Brooks did a comedic parody, Dracula: Dead and Loving It, which parodied all of the standard Dracula themes, but especially noteworthy was the scene where Dracula's reflection was noticeably absent in a mirror as he danced at a ball, to the horror of those watching. A scene where Van Helsing has Harker pound a stake into a sleeping Lucy's chest with a seemingly impossible amount of blood spraying back on himself asks the question: just where does all the blood go? Mel Brooks played Van Helsing as an aged Professor. Dracula was played by Leslie Nielsen.
Patrick Lussier took a stab at the legend with his modern day Dracula 2000, promoted as Wes Craven Presents Dracula 2000. Wes Craven was an executive producer. It was released in the UK as Dracula 2001. To discover how to destroy Dracula, Van Helsing (portrayed by Christopher Plummer) keeps himself alive with injections of Dracula's blood. When thieves steal the vampire and crash near New Orleans, Van Helsing and his ward Simon, must track down the vampire and save Van Helsing's daughter Mary who shares his blood. The film also gives Dracula (played by Gerard Butler) a new identity as Judas Iscariot, forbidden by God to die following his betrayal of Christ and intent on corrupting the innocent and finding Mary, whose nightmares he has haunted for years. Dracula 2000 was followed by two sequels, Dracula II: Ascension and Dracula III: Legacy.
In 2002, Canadian cult film director Guy Maddin released his screen adaptation of the Royal Winnipeg Ballet's version of the count's tale, a ballet set to the music of Gustav Mahler and titled Dracula, Pages From a Virgin's Diary. Mainly greyscale until Dracula is cut and bleeds gold coloured coins.
Mina Harker appeared as a capable leader and investigator of unusual phenomena in the comic book The League of Extraordinary Gentlemen. In the 2003 film adaptation, the character was revised into a vampiric superheroine, played by Peta Wilson.
Van Helsing is a film based on the vampire-hunter Van Helsing from the book, played by Hugh Jackman, only reinvented as an immortal action hero assigned by the Vatican to hunt monsters. Richard Roxburgh portrays Dracula in this reinvigoration of the 1930s and 1940s Universal Horror monsters which also featured new versions of the Frankenstein Monster, Dr. Jekyll and Mr. Hyde and The Wolf Man. In this movie, Dracula is some kind of super vampire, impervious to the normal methods of killing a vampire. The only way he could die was through a werewolf bite.
A character named Drake serves as the primary antagonist in Blade: Trinity, in which a group of vampires summon him in order to finally defeat Blade. It is stated directly that Drake is in fact Dracula but this is only one of many names he has gone by throughout the centuries, having been born around 5000 BC in ancient Sumer. Dominic Purcell portrays Drake.
2005 saw the premiere of Dracula's most recent stage incarnation, an adaptation by playwright P. Shane Mitchell. By the end of 2005, the opera Dracula, by the Colombian composer Héctor Fabio Torres Cardona, opened in Manizales, Colombia.
Also in 2005 WB released the direct to DVD animated film The Batman vs. Dracula. It is a continuation of The Batman cartoon series in which The Dark Knight faces the Prince of Darkness.
Lust for Dracula, a softcore lesbian pornographic semi-parodical film with an all-female cast, was also released in 2005 with actress Darian Crane as Count Dracula. Dracula and Jonathan Harker were apparently male characters, albeit played by women.
On December 28, 2006, a made-for-TV film adaptation of Dracula was aired on BBC One. The film starred Marc Warren as Dracula, David Suchet as Van Helsing, Dan Stevens as Lord Holmwood and Sophia Myles as Lucy.
And there was "Dracula Spectacula", a slightly spoof-esque musical written by John Gardiner.
Dracula is to be performed entirely on a Bouncy Castle at the 2008 Edinburgh Fringe Festival. Bouncy Castle Dracula will be produced by The Strolling Theatricals, the company behind the famous 'Bouncy Castle Hamlet' and 'Bouncy Castle Macbeth', which featured on ITV's 'Britain's Got Talent'.
In 1924, with the permission of the Stoker estate, the story was adapted for the stage by Hamilton Deane. Entitled Dracula, The Vampire Play the English touring production starred Deane himself as Van Helsing. In 1927, the play, as substantially revised by John L. Balderston, opened on Broadway in a production starring Bela Lugosi and Edward Van Sloan as the count and Van Helsing, respectively.
1977 saw a revival of the 1927 Broadway version. The atmospheric sets and costumes were designed by Edward Gorey. The Count was portrayed by Frank Langella, who, like Lugosi before him, would go on to perform the role on the big screen. The same Gorey sets and costumes were used for a U.S. touring version of the play starring Jeremy Brett. The Deane-Balderston lines were altered somewhat and played for a more comedic effect.
A musical, featuring classic monsters I'm Sorry, the Bridge is Out, You'll Have to Spend the Night with book, music and lyrics by Sheldon Allman and Bobby Pickett; Dracula: Sabbat an Off-Off Broadway rendition, by Leon Katz, premiered 1970; Dracula, the Vampire Play by Tim Kelly; various others following similar staging, such as The Passion of Dracula by Bob Hall & David Richmond, Count Dracula, Countess Dracula, etc.; Undead, Dreams of Darkness mixing Stoker's characters and situations with those from Joseph Sheridan Le Fanu's Carmilla, in a modern setting, written & directed by David M. Nevarrez in New York in 1998. The last sighting on Broadway was from the adapted version by composer Frank Wildhorn, Dracula, the Musical in 2004. In 2006, Dracula - Entre l'amour et la mort, a French Canadian musical starring Bruno Pelletier premiered in Quebec, Canada.
In 2010 a new musical version entitled The Blood of Dracula premiered in Scotland, UK. It ran from the 13th - 16th January at the Denny Civic Theatre in Dumbarton. It has a Book & Lyrics by Joseph Traynor and Music by Kevin Taylor.
The Sequel to "The Blood of Dracula" entitled "Dracula: Ressurection" is already underway. Re-uniting a lot of the original cast, it features another excellent score by Kevin Taylor. It will premiere at the Denny Civic Theatre, Dumbarton the last week of March 2010
Like Frankenstein, Dracula has inspired many literary tributes or parodies, including Stephen King's Salem's Lot, Kim Newman's Anno Dracula, Fred Saberhagen's The Dracula Tape, Wendy Swanscombe's erotic parody Vamp, Dan Simmons's Children of the Night, and Robin Spriggs's The Dracula Poems: A Poetic Encounter with the Lord of Vampires. Loren D. Estleman's novel The Case of the Sanguinary Count pits Dracula against that equally venerable Victorian-era character Sherlock Holmes, as does Fred Saberhagen's The Holmes-Dracula File. In Jim Butcher's novel Grave Peril, Dracula is mentioned (under the name "Drakul") by the character Harry Dresden as being "still in eastern Europe when we last checked". Caitlín R. Kiernan's short fiction has drawn upon Dracula a number of times — most notably in "Emptiness Spoke Eloquent" (which follows the lonely life of Mina Harker after the vampire's death), "The Drowned Geologist", and "Stoker's Mistess."
In The Diaries of the Family Dracul, a trilogy by Jeanne Kalogridis, Vlad's relationship with his mortal descendants is explored, as are the specific terms of his vampiric curse and his pact with the Romanian peasants who serve him. The novels are written in epistolary form, and the story is intertwined with that of Stoker's novel, expanding on minor characters and details from the Dracula mythos.
In the book series Vampire Hunter D which takes place ten thousand years in the future, D's adversary Count Magnus discovers that D is the son of Dracula, the Sacred Ancestor. D also nearly states this during a psychological attack in the second volume, Raiser of Gales.
Freda Warrington's Dracula the Undead is an unofficial sequel to Dracula.
A great-grandnephew of Bram Stoker, Dacre Stoker, and screenwriter Ian Holt have written a sequel to Dracula titled Dracula the Un-Dead (Stoker's original title). Dacre Stoker claims that parts of the work are based on excised material from the original novel and Stoker's notes. In North America, the book was published by E.P. Dutton. Director Ernest Dickerson was supposed to have begun shooting a film based on the book in 2007; this is now slated for June 2009.
Dracula has become a popular theme for balletic adaptations. The most successful and notable, to date is by Michael Pink and Christopher Gable. Premiered in 1997, to commemorate the centenary publication of the novel, it was created for the Northern Ballet Theatre in the United Kingdom. The production stays as faithful to the book as possible in non verbal theatre. Original music was composed by Philip Feeney, the Naxos recording of the score has remained a top seller. Sets and costumes were designed by Lez Brotherston, whose career as a designer for dance began with NBT. Lighting was by Paul Pyant. The production has been seen throughout the world, most companies presenting the work more than once during the last decade. It is the lure of the novel that makes this as popular in the dance world as the film industry. This same production team is responsible for many successful adaptations of popular novels.
Dracula has been a recurring character in many comic books, most notably, the Marvel comics version of Dracula featured in Tomb of Dracula written primarily by Marv Wolfman (following two issues each by Gerry Conway, Archie Goodwin and Gardner Fox) and drawn by Gene Colan for Marvel Comics in the 1970s. They concurrently published Dracula Lives (1973–1975) in their black-and-white magazine line under the Curtis imprint, thirteen issues followed by a separately numbered all-reprint annual. After the color comic ended with #70 (August 1979), the company utilized the exact title for another black-and white magazine (#1, October 1979), which was cancelled as of its sixth issue (August 1980). Their version of the character would continue to be a presence in the Marvel Universe for many years thereafter, as recently as the 2006 X-Men crossover X-Men: Apocalypse vs. Dracula (prior to that, Dell Comics had produced a superhero version of Dracula ). Wolfman and Colan reteamed for a three-issue Dracula miniseries comic in 1998, titled The Curse of Dracula, this time for Dark Horse Comics.
In 2003, Dracula was re-invented as the globe-trotting "Osama Bin Laden of vampires" in the Image Comics series Sword of Dracula. Dracula was used as a villain in the webcomic, Clan of the Cats in 2004. In 2005, Dracula faced off against King Arthur in the Silent Devil Productions series Dracula vs. King Arthur. One of the Elseworlds book by DC Comics is Batman and Dracula: Red Rain, which features the caped crusader fighting Dracula, who has come to Gotham City. Dracula has also been featured in the webcomic Dr. McNinja. The novel, and "Dracula's Guest" are being adapted into comic form by Leah Moore and John Reppion, for Dynamite Entertainment, as a five-issue limited series, The Complete Dracula.
Vlad Tepes is one of the more mysterious elder vampires in Vampire: The Masquerade. An Autarkis of the Tzimisce Clan, he has been present at many of the major events in the World of Darkness, serving the Camarilla, Sabbat and Inconnu at various times throughout his existence. In Vampire: the Requiem, Dracula is the historical Vlad Tepes and a legendary figure among vampires. His clan is not known, as he, and his followers, claim that he was cursed by God himself for his atrocities. The Ordo Dracul claims that they follow his teachings about overcoming the curse of vampirism. The games draw much from the novel Dracula and vampire myths in general.
In the Dungeons and Dragons setting, Ravenloft, the villain of the adventure is Count Strahd von Zarovich who is a tribute to the Count and his castle which houses many diabolical items and quest. The entire adventure is filled with Gothic horror centering all around the Count who is the Master of the Castle and anything that happens in Barovia happens because he wills it to. Adaptations of Strahd's appearance come from descriptions of the traditional Dracula.
In Warhammer Fantasy Battles there is a long dynasty of titled vampires in the Empire who rose up against the mortal Emperor and started the Undead wars. The von Carstein Trilogy (Inheritance, Dominion and Retribution) as novelised by Steven Savile fictionalises the lives of the most infamous these Vampires, Vlad Von Carstein and his gets, Konrad and Mannfred. Vlad himself draws on Dracula stereotype.
In Dracula's Riddle, an online riddle game, Dracula is the evil Count who has put a curse on the world, slowly turning it into his dark realm. As he is vanquished in the first game, his curse lives on to possess his slayer who serves as the evil power in the sequel, Dracula's Riddle 2.
In Melty Blood, a visual novel/fighting game based on Tsukihime, the phenomena TATARI, aka "The Night of Wallachia"'s first and most commonly recognized form was the incarnation of the first fear it manifested: Count Dracula.
In most videogames of the Castlevania series (known as "Akumajo Dracula" (Devil's Castle Dracula) in Japan), Count Vlad Tepes Dracula, as he is known in the series, is the ultimate source of evil that the protagonists must confront, after adventuring through Dracula's castle. The other aspect in relations to the Count is his son, Adrian Farenheights Tepes, commonly known as "Alucard", who has dedicated his life to ensure the survival of the human race and the preventing of his father's tyranny. It is often said by both fans and Konami that the Castlevania timeline is meant to exist in the same universe as the Bram Stoker novel. This is evidenced in Castlevania:Bloodlines, as one of the protagonists is a relative of Quincy Morris. Aside from Alucard, Dracula's major enemies come from the Belmont clan, which includes the Belmont, Belnades, Graves, Morris, LeCarde, and Schneider families. In the series, Dracula's origin is revealed to be as Mathias Cronqvist, a fictional 11th-century tactician and alchemist.
In the first Castlevania game in 1986, Dracula turns into a large bat-like creature, in 1992 he does this again, in Bram Stoker's Dracula by Francis Ford Coppola. These may have inspired the forms he takes in Van Helsing, Blade: Trinity, and many of the later Castlevania games.
Now-defunct software company CRL produced a series of games in the 1980s featuring classic horror classics including Dracula. These were the first game titles in the UK to receive BBFC certification (they were rated "15"), normally reserved for films and videos. There were two adventure games, Dracula: Resurrection and The Last Sanctuary. Both took place after the novels end and continued Jon and Mina's fight against the Count.
In The Elder Scrolls IV: Oblivion, The Count of Skingrad is a vampire not unlike Transylvania's Count, Dracula.
In Popcap Games "Bookworm Adventures Deluxe",Dracula is the Boss for Dracula's castle.
Dracula appears as a boss in the Playstation 2 game "Medievil 2".
In 1980, Toei Animation produced the TV anime movie Yami no Teiô Kyûketsuki Dracula, based upon Marv Wolfman and Gene Colan's Tomb of Dracula comic from Marvel. It was released on cable TV in North America by Harmony Gold under the title Dracula: Sovereign of the Damned.
In the manga and anime series Hellsing, the vampire Alucard (note: Dracula spelled backwards) is actually Dracula himself, becoming the servant to the Hellsing family rather than being destroyed outright. He hunts and kills other vampires, armed with two specially-made pistols that are too heavy to be effectively carried by humans. In later chapters of Hellsing, Alucard, dressed in armor, summons an army of the undead. Some members of this army are holding flags, recognized by Enrico Maxwell as those from Wallachia, and with later admittance from Alucard himself, it is confirmed that he is Vlad Tepes. (Note that Vlad Dracula the Impaler is believed to be the inspiration of Bram Stoker's character Dracula, and, in Hellsing, seem to be considered the same person.)
In an anime and manga series, Shaman King a man named Boris Tepes Dracula is a descendant of Vlad Tepes Dracula the Impaler, revealing all of history and joining forces with Hao Asakura to get revenge on Humanity, he is ultimately defeated by Ryu.
Dracula also appears in the novel series Vampire Hunter D. In this adaptation, Dracula is seen as a vampire god-king who deals out both life and death. Dracula does not appear in the Vampire Hunter D anime adaptations, however he is referenced. The main protagonist of the series, referred to simply as "D", is a vampire hunter who slays creatures of the night for a bounty. It is implied that D is the offspring of Dracula and a human woman.
In the Digimon series there is a digimon called Dracmon who is a little vampiric imp who goes around causing mischief going as far as to do things without fear of danger. He then digvolves into a digimon called Sangloupmon who is a vampiric wolf (a possible reference to Dracula taking a wolf's shape at one point). Then he next becomes Matadormon who is a vampiric matador (bull fighter). His fully evolved form is Grandracmon whose name comes from Gran which is short for Grand and Drac short for Dracula. He is designed after a demonic version of Dracula. In the animated series, a similar digimon villain named Myotismon terrorized the Human World until the Digidestined and their digimon friends defeated him.
The manga "Endo Beast" written by Riko Takahashi features a character named "Dracula" living as a commoner with the name Daniel Illiescu. He is a wealthy businessman living in the fictional world of Kanaeda, instead of a castle Daniel resides inside a large chateau with a rich view of the countryside. He plays a key role in the manga sporting a dual personality as the kind, generous Daniel during the day time, and at night turning into the evil, blood-thirsty Dracula
Dracula has even been adapted for children's literature and entertainment, serving as the basis for several vampire cartoon characters over the years, although in the interest of creating child-friendly characters, the vampiric nature of the character is often understated or not referenced at all.
The association of the book with the Yorkshire fishing village of Whitby has led to the staging of the twice-yearly Whitby Gothic Weekend, an event that sees the town visited by Goths from all over Britain and occasionally from other parts of the world. In addition, the Royal National Lifeboat Institution runs a fundraising bungee jump event in the town every April named the Dracula Drop.
Mad Magazine has published countless spoofs of Dracula. In one, appearing in the Mad Summer Special 1983, on the inside front cover, a cartoon sequence drawn by Sergio Aragonés shows Dracula attacking a hippie who has taken LSD; Drac staggers away, seeing colorful hallucinations including blood, bats and such.
Dracula appears at the end of Tom Lehrer's song "L-Y" from The Electric Company; "You enter a very dark room, and standing there in the gloom...is DRACULA! Now how do you say goodbye?/Immediately, Immediately, Immediate L-Y! Bye-Bye!"
In 2001, British virtual band Gorillaz released a song called "Dracula" as a B-side to their hit single "Clint Eastwood." The song includes two samples from the Dracula-inspired Merrie Melodies animated film Transylvania 6-5000 ("I am a vampire," "Rest is good for the blood").
There are several locations associated with Dracula and Bram Stoker related tourism in Ireland, Britain and Romania.