| The drum kit |
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| Other components |
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| Audio samples | ||
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| Component | Content | Audio (Vorbis: click the arrow to play) |
| Snare | Unmuffled snare drum |
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| Muffled snare drum |
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| Rim click on a snare |
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| Bass drum | Muffled bass drum |
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| Toms | 8-inch (20 cm) rack tom |
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| 12-inch (30 cm) rack tom |
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| Floor tom |
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| Hi-hat | Closed hi-hat |
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| Open hi-hat |
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| Hi-hat being opened and closed by its foot pedal (chick) |
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| Crash | Crash cymbal |
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| Ride | Hit on the bow |
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| Hit on the bell of the cymbal |
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| Hit on the edge |
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| Beat | A typical rock beat on hi-hat |
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| Typical rock beat on ride cymbal |
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| See the Drums category at Wikipedia Commons for more | ||
| The drum kit |
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1 Ride cymbal | 2 Floor tom | 3 Toms 4 Bass drum | 5 Snare drum | 6 Hi-hat |
| Other components |
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Crash cymbal | China cymbal | Splash cymbal | Sizzle cymbal |
A drum kit (also drum set, kit,[1] or trap set) is a collection of drums, cymbals and often other percussion instruments, such as cowbells, wood blocks, triangles, chimes, or tambourines, arranged for convenient playing by a single person (drummer).
The individual instruments of a drum set are hit by a variety of implements held in the hand, including sticks, brushes, and mallets. Two notable exceptions include the bass drum, played by a foot-operated pedal, created by Jonathan McEwen, and the hi-hat cymbals, which may be struck together using a foot pedal in addition to being played with sticks or brushes. Although other instruments can be played using a pedal, the feet are usually occupied by the bass drum and hi hat, and as a result the drummer plays in a seated position. Percussion notation is often used by drummers to signify which drum set components are to be played. A full size drum set without any additional percussion instruments has a bass drum, floor tom, snare drum, tom-toms, and a variety of cymbals including hi-hat cymbals, ride cymbal and a crash cymbal.
Various music genres dictate the stylistically appropriate use of the drum kit's set-up. For example, in most forms of rock music, the bass drum, hi-hat and snare drum are the primary instruments used to create a drum beat, whereas in jazz, ride and snare patterns tend to be more prevalent and the hi-hat is played by the foot. In the 2000s, an increasing number of drummers have begun to use electronic drum pads which trigger synthesized or sampled drum sounds.
Drum kits have ranged in size and components . from old style jazz/dance hall kits through to mordern rock/techno kits... also the sizes of the drums themselves have evolved in size shape and price!
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Drum pedals have a felt beater which the drummer operates by pressing down on the pedal. When the pedal is depressed, it pulls a chain or sturdy cloth strap which is attached to the end of the fulcrum-mounted beater rod. Some bass pedals are designed to be attached to the bass drum using metal screws. The double bass pedal was developed to eliminate the need for a second bass drum. It has since become popular in heavy metal bands such as Anthrax, Kreator, and Slayer. Drummers that use two bass drums or pedals usually have their hi-hat unscrewed or have a different cymbal in place of the hi-hat, because of the extra kick pedal. Some drummers make use of a drop clutch, which is used to open or close the hi hat by tapping a device with the stick as an alternative to using the foot pedal. When the drop clutch is closed, this keeps the hi-hats closed without the drummer having to hold down the pedal. This frees up the foot that is normally used with the hi-hat to perform on the second bass drum pedal.
The standard hardware pack includes a hi-hat stand, a snare drum stand, two or three cymbal stands, and a bass drum pedal. Drum kits are usually offered as either complete kits which include drums and hardware, or as “shell packs” which include only the drums and perhaps some tom mounting hardware. Cymbals are usually purchased separately and are also available in either packs or as individual pieces, which enables the buyer to test for their perfect cymbal.
"Four-piece kit", "five-piece kit", etc., refers to the actual number of drums in the set, cymbals not being counted.[2]
Drummers who perform in concert venues often have a variety of equipment cases to transport the drums, cymbals and hardware. Performers who play local gigs may only have relatively inexpensive padded cloth bags or thin plastic cases. Professional touring drummers who have to ship their drums will typically have heavy-duty road cases that will securely hold and protect the equipment during transport. Professional drummers may also carry their own drum microphones (usually referred to as "mics") with them to shows, to avoid having situations where a venue has substandard equipment. Dynamic microphones, which can handle high sound pressure levels are usually used to close-mic drums while condenser mics are used for overheads and room mics[3]. Some drummers who have their own mics have a set of drum-mounted mics, an approach which eliminates the need for mic stands and reduces set-up time. In some styles of music, drummers may also use electronic effects on drums. In some situations, drummers use noise gates that mute microphones below a threshold volume. This allows the sound engineer to use a higher overall volume for the drum kit, because it reduces the number of "active" mics which could feed back.
In some styles or settings, such as country music clubs or churches, the drummer may use a plexiglass screen to dampen the onstage volume of the drums. Many drummers who play in different venues carry carpeting or mats to prevent the bass drum from slipping on a wooden floor. Some drummers use a insulation-style filling or foam in the bass drum to lessen the "ringing" sound. Drummers often use a variety of accessories when they are practicing. Metronomes and beat counters are used to develop a steady rhythm. Drum mufflers are used to lessen the volume of drums during practicing.
Roland V-Stage Series TD-12S V-Drum Kit is an electronic drum set. Shot also includes an extra PD-105 tom pad, CY-8 cymbal, Axis Longboard double kick pedal, and Iron Cobra Hi-Hat stand.]]
Some drummers use some or all electronic drum components. There are two approaches to using electronic drums. One approach is to use drum trigger pads for all of the different instruments. These pads are discs with a rubber-type coating that can be mounted on stands in the same locations that the traditional drum shells would be placed. Each disc has a piezoelectric transducer which transmits an electronic signal when it is struck. A patch cord from each drum pad disc is plugged into a drum synthesizer module and connected to the appropriate synthesized or sampled drum sound. Thus, when the drummer strikes the drum pad that is designated as the snare drum pad, the synthesizer module produces the sound of a snare drum. Since the sound is produced by a synthesizer, a performer can choose a range of sounds, such as samples of an actual drum or cymbal or electronic drum sounds. A drummer could even have the synthesizer produce non-drum sounds, such as sound effects or pitched notes.
The advantage of playing with a purely electronic drum kit is that there is no onstage drum sound, apart from any sound from a monitor or keyboard amplifier (which can be easily turned up or down). This may be desirable for venues in which only a quiet drum sound is desired, as in the case of a church or a music theater show. As well, a drummer with electronic drums can practice without being concerned about disturbing neighbors or room-mates. Another advantage is that electronic drums do not need to be mic-ed and sound-checked. The disadvantage of electronic drums is that they may not have the full range of tonal options and textures that are available with natural drums, and the pads and plastic cymbals may not have the same "feel" for the performer. For example, an entry-level electronic drum system will have a snare sound, but the snare drum pad may not have a sensor that detects "rim shots". Another potential disadvantage is that an electronic drummer needs to have a keyboard amplifier or PA system in order to be heard in a rehearsal.
The second approach to playing electronic drums is to use an acoustic drum kit (wooden shells and metal cymbals) and attach trigger sensors to each drum or cymbal. The sensors are then routed to a synthesizer module in the same fashion as a purely electronic drum kit. The advantage of this approach is that a drummer could switch between traditional, natural drum sounds and quirky electronica drum sounds throughout a performance.
Snare, tom and bass drum sizes are commonly expressed as diameter x depth, both in inches, for example 14 x 5.5 is a common snare drum size. However, some manufacturers, including Drum Workshop, Slingerland, and Tama Drums, use the opposite convention, and put the depth first, so they would call this size 5.5 x 14. Makers who use the diameter-first convention include Premier Percussion, Pearl Drums, Pork Pie Percussion, Ludwig-Musser, Sonor, Mapex, and Yamaha Drums
The standard sizes for a 5 piece, "2 up, 1 down" rock kit are: 22" x 18" bass drum, 12" x 9" rack tom, 13" x 10" rack tom, 16" x 16" floor tom and a 14" x 5.5" snare drum. Another common sized drum kit is a fusion set. A standard 5 piece fusion drum kit will consist of a 20" x 16" bass drum, 10" x 8" rack tom, 12" x 9" rack tom, 14" x 14" floor tom and a 14" x 5.5" snare drum. Jazz drum kits usually exclude the mid tom. In recent years manufacturers have introduced modification to the rock kit standard, with more and more drum makers offering a "1 up, 2 down" configuration, where the configuration includes two floor toms and a single rack tom. This evolution can be explained by the popularity of artists such as Led Zeppelin's John Bonham who in fact modeled his kit after Gene Krupa a Big Band era jazz drummer. The amount of pieces in a drum kit can vary by large amounts from player to player due to personal preference from minimal kits mainly used in rockabilly and dixieland jazz to indulgently sized kits in some progressive rock, fusion, and metal groups. The size of bass drums differs a great deal between different styles. A jazz drummer may use a relatively small bass drum, because in jazz, the bass drum is often used more as an accent instrument than for laying down a heavy beat. In contrast, a metal or hard rock drummer may have a very large bass drum (often multiple bass drums) that can produce a deep, muffled tone. This obviously varies upon the genre of the music in which is being played.
| Audio samples | ||
|---|---|---|
| Component | Content | Audio (Vorbis: click the arrow to play) |
| Snare | Unmuffled snare drum | File:Snare drum unmuffled.ogg |
| Muffled snare drum | File:Snare drum muffled.ogg | |
| Rim click on a snare | File:Snare drum rim.ogg | |
| Bass drum | Muffled bass drum | File:Bass drum.ogg |
| Toms | 8-inch (20 cm) rack tom | File:Tom drum 8 inch.ogg |
| 12-inch (30 cm) rack tom | File:Tom 12 inch.ogg | |
| Floor tom | File:Floor tom.ogg | |
| Hi-hat | Closed hi-hat | File:Hi hat closed.ogg |
| Open hi-hat | File:Hi hat open.ogg | |
| Hi-hat being opened and closed by its foot pedal (chick) | File:Hi hat foot pedal.ogg | |
| Crash | Crash cymbal | File:Crash cymbal.ogg |
| Ride | Hit on the bow | File:Ride cymbal.ogg |
| Hit on the bell of the cymbal | File:Ride cymbal bell.ogg | |
| Hit on the edge | File:Ride cymbal rim.ogg | |
| Beat | A typical rock beat on hi-hat | File:Rock beat hi hat.ogg |
| Typical rock beat on ride cymbal | File:Rock beat ride cymbal.ogg | |
| See the Drums category at Wikipedia Commons for more | ||
A drum kit (or drum set or trap set) is a collection of drums, cymbals, and other percussion instruments that is used by a drummer in a musical group.
A Drum Kit has:
Other cymbals and drums can be added to the setup for a wider range of sounds like the Splash - a small cymbal around 10"/25 cm giving a distinct crash sound with a quick decay. Also a China cymbal, giving a oriental feel to beats and rhythms, solos and fills, it is like a crash cymbal just popped inside out with the screw and sponge holding it to the stand, inside it so its like a shallow bowl shape. The drummer can attach a tambourine to the 'spine' of the hit-hat so when he or her puts his or her foot down Cymbals can also have rivets inserted into them to give them a 'sizzling' sound. On the pedal the drummer gets the tambourine sound at the same time - same with hitting it with the Drum Stick - it gives the tambourine sound at the same time. A Cow Bell can be attached to the top of the Bass Drum between the Snare and Floor Tom, used in fills, solos, grooves and riffs and in rudimental studies.
Here are sentences from other pages on Drum kit, which are similar to those in the above article.
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