|Directed by||Walerian Borowczyk|
|Produced by||Alain Siritzky|
|Written by||Emmanuelle Arsan (novel)
Walerian Borowczyk (screenplay)
Alex Cunningham (screenplay)
Dana Burns Westburg
|Music by||Pierre Bachelet|
|Editing by||Frank Mathieu|
|Distributed by||AAA - Acteurs Auteurs Associés|
|Release date(s)||June 25, 1986 (FR)|
|Running time||85 min.|
Emmanuelle 5 is an erotic movie directed by Walerian Borowczyk.
In 1985, ASP films (owner of the Emmanuelle franchise since the first official feature) approached cult director Borowczyk (notorious for his heavily erotic art films) to helm the latest Emmanuelle feature, and he accepted, excited by the idea of giving a fresh new spin on the series. He was soon to be in conflict with his producers, first over the casting of his lead actress, and later for his abstract imagery and script.
The films clocks in at a brief 85 minutes, after the director himself sheared the film of several scenes of dialog and exposition, preferring to lay voice-overs to scenes of erotic visual montages.
Amidst critiques to Emmanuelle 5, there were also rumors Borowczyk didn't actually direct anything but the "film within a film" Love Express sequence. This was mostly because he utilized a series of assistant directors for certain exteriors, namely the Cannes and Middle-Eastern segments. The film, however, contains his trademark lighting, the handwritten notes and drawings, themes of censorship and hypocrisy.
Despite the critical backlash, Emmanuelle 5 did well in France, staying in theaters for 26 weeks, and spawning yet another theatrical sequel.
The movie opens with a "Lifestyles of the Rich and Famous" style montage of Cannes, with a documentary-like narration giving us an overview of the famous film festival held there every year. A film within a film, the sequence shows Emmanuelle premiering her latest film, Love Express, in Cannes, causing a scandal in the process. Later, she defends her film at a press conference to reporters who accuse her of creating pornography.
After the Q&A, Emmanuelle's producer introduces her to Prince Rajid, a wealthy despot who owns the fictional Arab country of Benglagistan. He is apparently obsessed with Emmanuelle and wants to premiere the film in his homeland.
Outside, an adoring throng of male fans awaits Emmanuelle, all desperate for a touch of the famed beauty. Things quickly escalate and soon the mob is stripping her of every last article of clothing, sending her jumping onto a stranger's departing boat for safety. Her unwitting saviour is Charles D. Foster, a young millionaire who disapproves of Emmanuelle's erotic films. The couple quickly fall in love after a night of exciting sex on his yacht. After an argument with the concerned Foster, Emmanuelle travels to Benglagistan to promote her film, and meets Eddie, an Indiana Jones style danger-seeker who befriends her. Prince Rajid kidnaps her for his harem. Eddie helps her escape. Charles send an army helicopter to help Emmanuelle. Eddie dies in the shootout but she escapes with the helicopter and finally goes back to Charles and they are united.
Emmanuelle encourages Charles D. Foster to fly the Heron and rid himself of the demons of the past. The plane quickly falters and crashes into the mountains near Las Vegas. After being rescued and returning home to mourn her dead lover, she receives a note and flowers and realizes Foster is alive and loves only her.
There are at least three versions:
French popstar Pierre Bachelet returns to score his second Emmanuelle film, following his hugely successful soundtrack for the debut feature film in 1974.
The Emmanuelle 5 soundtrack is more lush Europop, this time featuring 80s style synth in addition to the guitars and vocals (by Sandy Stevenson and Bachelet himself). There are also exotic middle-Eastern sounding tracks, in keeping with the film's harem sub-plot.
Erroneously referred to as Emmanuelle V on sites such as IMDB, although the original theatrical promo posters (French, German, UK, Italian, Turkish and American) all call it Emmanuelle 5. Subsequent video/DVD releases also call it Emmanuelle 5. The opening credits read Emmanuelle 5, in the trademark curling script font that has been used for the logo since 1974.